Winterthur Portfolio 2002: Vol 37 Index

9 Pages·2002·3 MB·English

Index to Volume 37
AUTHORS A City Transformed: Redevelopment, Race, and Suburbanization in
Lancaster, Pennsylvania, 1940-1980, David Schuyler (Ga-
L’Ecuyer, Kelly H., “Uplifting the Southern Highlander: brielle M. Lanier), 272
Handcrafts at Biltmore Estate Industries,” 123 Cook, James W., The Arts of Deception: Playing with Fraud in the
Lindner, Jennifer N., “From the Collection: Stylistic Influ- Age of Barnum (William D. Moore), go
ences and Design Sources: An Examination of Winter- From Catharine Beecher to Martha Stewart: A Cultural History of
thur’s ‘Fox and the Crane’ Fireback,” 67 Domestic Advice, Sarah A. Leavitt (Cynthia Brandimarte),
McKinstry, E. Richard, “From the Archives: Archives, Diplo- 183
matics, and French Watercolor Art: A Detective’s Journey,” From Sugar Camps to Star Barns: Rural Life and Landscape in a
161 Western Pennsylvania Community, Sally McMurry (Cynthia G.
Monsky, John R., “From the Collection: Finding America in Falk), 80
Its First Political Textile,” 239 If These Pots Could Talk: Collecting 2,000 Years of British House-
Murphy, Kevin M., “Painting for Money: Winslow Homer as hold Pottery, wor Noél] Hume (Letitia Roberts), 265
Entrepreneur,” 147 Kilde, Jeanne Halgren, When Church Became Theatre: The Trans-
O'Malley, Nancy, “The Pursuit of Freedom: The Evolution of formation of Evangelical Architecture and Worship in Nineteenth-
Kinkeadtown, an African American Post—Civil War Neigh- Century America (Paula A. Mohr), 269
borhood in Lexington, Kentucky,” 187 Leavitt, Sarah A., From Catharine Beecher to Martha Stewart: A Cul-
Pogue, DennisJ ., “The Domestic Architecture of Slavery at tural History of Domestic Advice (Cynthia Brandimarte), 183
George Washington’s Mount Vernon,” 3 Maynard, W. Barksdale, Architecture in the United States, 1800-
Scobey, David, “Nymphs and Satyrs: Sex and the Bourgeois 1850 (James F. O°Gorman), 179
Public Sphere in Victorian New York,” 43 McMurry, Sally, From Sugar Camps to Star Barns: Rural Life and
Stott, Annette, “The Dutch Dining Room in Turn-of-the- Landscape in a Western Pennsylvania Community (Cynthia G.
Century America,” 219 Falk), 80
Wierich, Jochen, “War Spirit at Home: Lilly Martin Spencer, Noél Hume, Ivor, /f These Pots Could Talk: Collecting 2,000
Domestic Painting, and Artistic Hierarchy,” 23 Years of British Household Pottery (Letitia Roberts), 265
Yaguchi, Yujin, “American Objects, Japanese Memory: ‘Amer- Peril, Lynn, Pink Think: Becoming a Woman in Many Uneasy Les-
ican’ Landscape and Local Identity in Sapporo, Japan,” 93 sons (Barbara Shubinski), 278
Pink Think: Becoming a Woman in Many Uneasy Lessons, Lynn
Peril (Barbara Shubinski), 278
ARTICLES Quirarte, Jacinto, The Art and Architecture of the Texas Missions
(Kenneth Hafertepe), 77
“American Objects, Japanese Memory: ‘American’ Landscape Reverend McKendree Robbins Long: Picture Painter of the Apoca-
and Local Identity in Sapporo, Japan,” Yujin Yaguchi, 93 lypse, David Steel and Brad Thomas with contributions by
“The Domestic Architecture of Slavery at George Washing- Charles Reagan Wilson and William Ferris (William D.
ton’s Mount Vernon,” DennisJ . Pogue, 3 Moore), 181
“The Dutch Dining Room in Turn-of-the-Century America,” Schuyler, David, A City Transformed: Redevelopment, Race, and
Annette Stott, 219 Suburbanization in Lancaster, Pennsylvania, 1940-1980 (Ga-
“From the Archives: Archives, Diplomatics, and French Wa- brielle M. Lanier), 272
tercolor Art: A Detective’s Journey,” E. Richard McKinstry, Steel, David, and Brad Thomas with contributions by Charles
161 Reagan Wilson and William Ferris, Reverend McKendree
“From the Collection: Finding America in Its First Political Robbins Long: Picture Painter of the Apocalypse (William D.
Textile,” John R. Monsky, 239 Moore), 181
“From the Collection: Stylistic Influences and Design Valentine, Fawn, West Virginia Quilts and Quiltmakers: Echoes
Sources: An Examination of Winterthur’s ‘Fox and the from the Hills (Melinda Talbot), 87
Crane’ Fireback,” Jennifer N. Lindner, 67 West Virginia Quilts and Quiltmakers: Echoes from the Hills, Fawn
“Nymphs and Satyrs: Sex and the Bourgeois Public Sphere in Valentine (Melinda Talbot), 87
Victorian New York,” David Scobey, 43 When Church Became Theatre: The Transformation of Evangelical
“Painting for Money: Winslow Homer as Entrepreneur,” Architecture and Worship in Nineteenth-Centry America, Jeanne
Kevin M. Murphy, 147 Halgren Kilde (Paula A. Mohr), 269
“The Pursuit of Freedom: The Evolution of Kinkeadtown, an
African American Post—Civil War Neighborhood in Lex-
ington, Kentucky,” Nancy O'Malley, 187 SUBJECTS
“Uplifting the Southern Highlander: Handcrafts at Biltmore
Estate Industries,” Kelly H. L’Ecuyer, 123 Adachi, Yoshiyuki, carpenter, 98
“War Spirit at Home: Lilly Martin Spencer, Domestic Painting, Adams, Edward, art collector, 150
and Artistic Hierarchy,” Jochen Wierich, 23 Adams, John, as diplomat, 250
Addams, Jane, reformer, 63
Aesop’s fables, illustrated. See Fireback, “The Fox and the
BOOK REVIEWS Crane”
African Americans: affectionate relationships with whites,
Amsler, Cory, ed., Bucks County Fraktur (Anne Verplanck), 83 211-12; and archaeological evidence, use of, 189; in Civil
Architecture in the United States, t8oo—1850, W. Barksdale Mavy- War-period Kentucky, 191, 192; in genre painting, 31, 41;
nard (James F. O'Gorman), 179 materialism and moralism, linkage of, 213: patriotism of
The Art and Architecture of the Texas Missions, Jacinto Quirarte freed slaves, 214; in postbellum Kentucky (see Kinkead-
(Kenneth Hafertepe), 77 town, Lexington, Ky.); “respectable Negro” image, 209;
The Arts of Deception: Playing with Fraud in the Age of Barnum, skin color, significance of, 214; and social reform efforts,
James W. Cook (William D. Moore), go postbellum, 212-13; working women, 204—5, 207: see also
Bucks County Fraktur, Cory Amsler, ed. (Anne Verplanck), 83 Hummons family
284 Winterthur Portfolio 37:4
Ainu people, 95-96, 114-15, 115 (ill.), 120 Biltmore Estate Industries: background of founders, 130-31;
The Albion, 37 basketmaking at, 135, 144; businesslike model in, 134-35,
Alcock, Sarah Hewson, 253-54: A Brief History of the Revolution 143; cottage industry crafts of, 135; cultural context for,
with a Sketch of the Life of Captain John Hewson, 252 124-25, 146; formation of, 133; goals of founders, 124,
Allanstand Cottage Industries, 123, 134 131, 132, 133, 134; machine production methods in, 136,
Allen, Robert, historian, 50; Horrible Prettiness, 56 137 (ill.), 143-44, 146; marketing and sales, 135-36, 145;
All Souls’ Episcopal Church, Biltmore Estate, 129 (ill.), 129- sale of, 144-46; weaving program at, 135, 141-44, 142
30 (ill.), 146; wood carving designosf , 130-31, 132-33, 136-
American Art-Union, 25, 30, 33-34 38, 139 (ill.), 140 (ill.); woodworking program, 135, 136-
The American Chronicle of the Times, 250 41, 137 (ill.), 198 (ill), 141 (ill)
American Water Color Society, 148, 151 Biltmore Industries, 146
Ames, Kenneth, Death in the Dining Room and Other Tales of Biltmore Village, 127, 129 (ill.); All Souls’ Episcopal Church,
Victorian Culture, 219-20 129 (ill.), 129-30; BEI craft shop in, 195, 143, 144; pur-
Anquetil, Louis Pierre, Histoire Civile et Politique de la Ville de pose of, 128-29; street plan, 128
Reims, 167 Bindings, dating of, 165 (ill.), 166-67, 173
Appalachia: defined, 124; northern reformers in, 125; pio- Bindman, Catherine, curator, 173
neer image of, 124-25, 142; Southern Highland Handi- Bitter, Karl, sculptor, 133
craft Guild, 146; weaving revival in, 141-43: see also Bilt- The Black Crook, ballet-drama, 56
more Estate Industries Blackwell parlor mantelpiece, Winterthur, “The Rooster and
Archaeological evidence, use of, 189—g0; see also Kinkead- the Fox,” 72, 73 (ill.)
town, Lexington, Ky. Blauw, Dirk, papermaker, 167-68
Architectural pattern books, 105, 105 (ill), 113 Blodgett, William, art collector, 40
Art education, 130, 131 Bolton-Smith, Robin, historian, 39
Arthur, George Garrett, wood carver, 145 Bonaparte, Napoléon, emperor, 167
The Art Idea (Jarves), 38 Book of the Artist (Tuckerman), 26
The Art Interchange, 137 Booth, Mary, editor of Harper’s Bazar, 64
The Artist and Her Family at a Fourth of July Picnic (Spencer), Boston Art Club, 148
41 Bouguereau, William, artist, American success of, 50-51; see
Arts and crafts movement: in Cincinnati, 130; in Dutch din- also Nymphs and Satyr (Bouguereau)
ing rooms, 233, 233 (ill.); furniture of, 136, 137; pioneer Bourdieu, Pierre, sociologist, 36
image and, 124-25; revival in crafts and, 141-42; social Bowles, Thomas, Compleat Book of Ornaments, 70-71, 71 (ill.)
reformers in, 125, 130, 133; see also Biltmore Estate Indus- Breezing Up, A Fair Wind (Homer), 157
tries A Brief History of the Revolution with a Sketch of the Life of Captain
Asheville, N.C., as resort, 126; see also Biltmore Esjate; Bilt- John Hewson (Alcock), 252
more Estate Industries; Biltmore Village Brissot de Warville, Jean-Pierre, political writer, 16
Allantic Monthly, 48-49, 58 Bristed, Charles Astor, author, 54
Attie, Jeanie, historian, 40 British Blondes, burlesque troupe, 56
Avery, Samuel P., art dealer, 157 Brookhiser, Richard, historian, 248, 249
Brooks, William, supervisor at Sapporo Agricultural College,
Bache, Sarah Franklin, daughter of Benjamin Franklin, 264 93
Baker, Paula, historian, 49 Broun, Heywood, writer, 59
Balloon-frame construction, in Japanese Military Hall, 100- Brown, Edith Blake, writer, 22
101, 104, 107 Brys,J. , cabinetmaker, 136, 137
Banner, Lois, historian, 49, 58 Bufford’s lithography shop, Boston, 1.47
Barlow, Francis, engraver, 75-76, 75 (ill) Burns, Sarah, historian, 38, 40
Basketmaking, in Biltmore Estate Industries, 135. 144 Butcher, William and Samuel, tool catalogue of, 177
Bateman, Charles, architect, 117, 118 (ill.) Byrd, Albert, Kentucky brick contractor, 199
Batsto Furnace, Burlington, N.J]., 67; see also Fireback, “The
Fox and the Crane” Cabinetmaking, in Biltmore Estate Industries, 136
Beach Scene (Homer), 159 Calhoun, Lucia Gilbert, journalist, 62
Beadle, Chauncey, Biltmore Estate manager, 145 Capron, Horace, advisor in Japanese development, 96, 97.
Beautiful Houses: A Study in House-Building (Gibson), 2269 (ill.), 114
230 (ill.) Carnegie, Andrew, steel magnate, 221
Beecher, Henry Ward, minister, 62 Carnegie Institute, 148, 151, 153. 158
Bell, Christine, art historian, 27 Carnes, Frank, friend of Lilly Martin Spencer, 34
Belmont, August, art collector, 40 The Carnival (Homer), 150
Benson, Eugene, art critic, 31 Carter, Robert “King,” planter, 10
Benson, Susan Porter, historian, 57 Centennial International Exposition of 1876, 148
Berea College, Berea, Ky., 123, 124, 134, 142 Century Association, 149, 151, 155, 158
Berkey and Gay, furniture company, 231-32 Charles P. Limbert furniture company, 233-34. 234 (ill)
Berry, Mary Edna, Kinkeadtown resident, 205 Chase,J . Eastman, art dealer, 150, 151. 154, 156, 157
Bewick, Thomas, engraver, 74, 74 (ill.) Chase, William Merritt, An English Cod, 227, 228 (ill.)
Bewick’s Select Fables of Aesop and Others (Goldsmith), 74, 74 Chicago Art Institute, 148
(ill.) Chippendale, Thomas, Gentleman and Cabinet-Maker’s Director,
Bickerstaff’s Boston Almanack, for the Year of Our Redemption, 71-72
1778, 243 Church, Ella, author, 222
Biltmore Boys and Girls Club, 133, 134-35 Cincinnati Art Academy, 130
Biltmore Boys Club, 130, 131-33, 133 (ill.), 134 (ill.) Cincinnati art movement, 130
Biltmore Estate, 127 (ill.); educational and philanthropic en- Cincinnati School of Design, 130
deavors at, 126-28; forestry program at, 126-27, 133, 140; Civil War period, Kentucky in, 190-91, 192
furnishings of, 133, 138; Hunt and Olmsted’s designs for, Claesz, Pieter, Still Life with Fruits and Bread, 225, 226, 231
126; library of, 138; wood carving design for, 133 (ill.)
Index 285
Clamming (Homer), 159, 159 (ill.) Dutch dining room, 219-38; in arts and crafts style, 233, 233
Clark, Robert Sterling, owner of Nymphs and Satyr (Bouguer- (ill.); blue-and-white color scheme, 234-35, 236; Box Hill
eau), 66 example, 235-36, 235 (ill.); breakfast pieces, 225, 226; as
Clark, William Smith, president of Sapporo Agricultural Col- civilizing influence, 221, 222-26; and class status, 231,
lege, 96, 97, 105 236; cleanliness, standards of, 232; Coleman’s view of,
Clarke, Thomas, art coilector, 147, - 1 53, 156, 158 222-23, 222 (ill.); Cottage Madonna (Israéls), 230-31, 230
Cleyn, Francis, engraver, 74, 74 (ill. (ill.); cuisine, Dutch/ Flemish, 226-27; delftware, 236; the
Clifford, James, historian, 118 den as antithesis of, 227; dining room, importance of,
Clock Tower (Tokeidai). See Military Hall/Clock Tower (To- panes Dutch culture stereotypes, 220-21, 222, 231,
keidai) 232-34, 236, 238; Dutch/ Flemish art, influenceof , 220—
Coast in Winter (Homer), 150 21, 226; English Cod (Chase), 227, 228 (ill.); Family Group
Cohen, Lizabeth, social historian, 215, 216 at Dinner Table (de Man), 223, 223 (ill.), 234: fireplaces,
Coleman, Oliver, Successful ieee, 222—— e 222 (ill.) 229-31, 229 (ill.), 230 (ill.), 231 (ill.), 233, 299 (ill.);
Collins, Herbert, textile historian, 241, ; Threads of History, Flemish style, 220-21; furnishings for, 231-32, 233-34,
239 294 (ill.); Garden, Orchard, and Vine (Palmer), 224, 225
Colonial revival style, 138 (ill.); genre scenes in, 228-29; home life as feminine re-
Colonization Commission, Hokkaido, Jap.: Ainu people and, sponsibility, 220, 221, 222; hunting and animal motifs,
g6; American advisors to, g6—g8, 101, 108; Military Hall 219, 220 (ill.), 224, 226, 227; the kas, 234; and Mission
Clock Tower design and construction, 98, 100 furniture, 233; Mrs. John Odson’ s kitchen, 236, 2:3 7 (ill.),
The Coming Away of the Gale (Homer), 150, 158 238; Pasadena example, 235, 235 (ill.); portraits in, 228;
a Book of Ornaments (Bowles), 70-71, 71 (ill.) sideboard, ca. 1858, 219, 220 (ill.); Still Life with Fruits and
Comstock, Anthony, reformer, 49, 50, 66, 66 (ill.) Bread (Claesz), 225, 226 (ill.); still lifes in, 224-28; table
Cooke, Edward S., furniture historian, ag manners and etiquette, 220, 223-24; tablewares, 225-26;
Cosmopolitan Art Association, 25, 34, Volendam, image of, 228-29; Young Woman with a Water
Cosmopolitan Art Journal, 35 Pitcher (Vermeer), 221-22
Cottage Madonna (Israéls), 230-31, 230 (ill.) Dyes, natural, 143
The Cotton Pickers (Homer), 149
Covell, Alwyn, writer, 233 Early American Prints (Drepperd), 2 42
The Crafisman, 137-38 Early American Textiles (Little), 263
Crafts revival. See Arts and crafts movement; Biltmore Estate Early Evening (Homer), 159
Industries Early Morning after the Storm at Sea (Homer), 151,
Crapsey, Edward, journalist, 62 (ill.), 157, 158
The Crayon, 37-38 Eastern Point—Prout’s Neck (Homer), 157
Croly, Jane, editor of Demorest’s Weekly, 64 East Front of Mount Vernon (Savage), 7, 7 (ill.), 8
Cromwell, Oliver, soldier and statesman, 250-51 The Easy Housekeeping Book (Fales), 236, 237 (ill.)
Currier and Ives, 34, 224 Eberlein, Harold, writer, 227
Echantillon 1 and 4 catalogues: of consortium of businesses
D. & C. Blauw, papermaker, 173 on Rue Bourg L’Abbé, 177 5- ; illustrators of, 175; origi-
Davis, John, art historian, 40 nal uses of, 161; pistols in, 1745 products illustrated in,
Day, Frank, author, 229 162, 163, 164, 169, 171, 176; range of dates suggested for,
de Amicis, Edmondo, travel author, 226 161-62; within tradition of trade literature, 177
Death in the Dining Room and Other Tales of Victorian Culture Echantillon 1 and 4 catalogues, dating of: bindings in, 165
(Ames), 219-20 (ill. r 166-67; conclusions on, 178; handwritten jottings
Deemer, John, historian, 162 in, 171-72; paper and watermar ks ii n, 167-68; Reaumur
de Gary, Marie-N6el, Objets d' Usage & de Gout, 174 rk ter in, 170-71, 172 (ill); rep ublican and
Degler, Carl, historian, 60 Gregorian calendars in, 168-70, 170 (ill.); tradesper-
de la Salle, Felix, Histoire Civile et Politique de la Ville de Reims, son’s label in, 164-66, 166 (ill); watercolor paint in,
167 168
de M: un, Cornelius, Family Group at Dinner Table, 223, 223 Edwards, George Wharton, Holland of To-Day, 222
(ill.), 234 Eight Bells (Homer), 149, 150, 154
Demorest, Ellen, businesswoman, 64 Ellet, Elizabeth, historian, 26, 40, 41
Demorest’s Weekly, 64 Ellwanger, George Herman, historian, 2 20—27
Design books, eighteenth-century English, 70-72 Emancipation of the Negroes (Nast), 41
Dickinson, Anna, orator, 64 Embury, Aymar, architect, 229, 231, 235. 236, 236 (ill.)
Diplomatics, Mabillon’s document evaluation method, 162— An English Cod (Chase), 227, 228 (ill. )
64; see also Echantillon 1 and 4 catalogues, dating of Erenberg, Lew, historian, 49
“A Display of the United States of America” (Dolittle), 242, Erie Club, 151
245 (ill.) Evans, William T., art collector, 149, 151
Dodsley, Robert, Select Fables of Esop and Other Fabulists, 72, 72 Exposition universelle of 1867, 25, 148
(ill.) Exposition universelle of 1go00, 148
Dodson, Richard Ball, writer, 260, 263 Exposizione Internationale d’Arte, 153
Dolittle, Amos, engraver, 242, 245 (ill.)
Doll and Richards gallery, Boston, 149, 150, 151 Fables of Aesop Paraphras‘d in Verse and Adorned with Sculpture
The Dory, Tynemouth (Homer), 159 (Ogilby), 74, 74 (ill)
Dos Passos, John, writer, 59 The Fables, of Aesop, with a Life of the Author, 75, 75 (ill.)
Downing, Andrew Jackson, architect: architectural pattern- Fales, Winnifred, The Easy Housekeeping Book, 236, 237 (ill.)
books of, 105, 105 (ill.); picturesque concept of, 111-12; Family Group at Dinner Table (de Man), 223, 223 (ill.), 234
A Treatise on the Theory and Practice of Landscape Gardening, Fashion: of Kinkeadtown African Americans, 208-9, 208
106 (ill.); vs. feminism, late nineteenth-century, 63-64
Dreiser, Theodore, The Genius, 51 Faulkner, Charles, historian, 197
Drepperd, Carl W., Early American Prints, 242 Fi! Fo! Fum! (Spencer), 38
DuBois, Ellen, historian, 63 The Fifteenth Amendment (Spencer), 41
286 Winterthur Portfolio 37:4
Fireback, “The Fox and the Crane,” 67—76, 68 (ill.); Aesop’s Gothic revival design, 133, 137
fables, on European and American cast iron, 69g; attribu- Grand Pa’s Prodigies (Spencer), 35
tion to Batsto, 67; and the Batsto stoveplates, 69-70, 69 Grant, Ulysses S., president, 39
(ill.), 73; carving style, 69—70; fable scene, possible sources Grecian Bend dress style, 58
for, 73-76; fox and crane fable, 69; puddle casting tech- Greek Slave (Powers), 47. 47 (ill.), 48
nique, 67, 6g; as rare representation of familiar image, 73; Green, Guy, tile maker, 72, 74
rococo frame design, possible sources for, 70-72 Gregorian calendar, 168-70
Fisk, Jim, businessman, 65 Grove Park Inn, Asheville, N.C., 145
Flags, Revolutionary period, 244-47. 245 (ill.), 246 (ill.) Groves, Paul, historian, 191-92
Flemish style, 220-21; see also Dutch dining room The Gulf Stream (Homer), 148, 150 (ill.), 151, 153-54, 155-
Flexner, James Thomas, art historian, 23 157, 158
Fog (Homer), 151, 153. 155, 156, 157. 158 Gustav Reichard and Company, 150, 151, 154-55. 156.15 4
Fog Warning (Homer), 150, 157 58
Foner, Eric, historian, 187
Forgie, George B., historian, 41 Hadry, Henriette A., art critic, 36-37
Foucault, Michel, cultural theorist, 60, 61 The Hague, 221
Fouse, Lizzie B., reformer, 213 Halttunen, Karen, historian, 49, 58
Fox Hunt (Homer), 151, 157 Handcrafts. See Arts and crafts movement; Biltmore Estate In-
Franklin, Benjamin, statesman, 252-53, 264 dustries
Freedmen’s Bureau, 192, 204 The Happy Family (Sartain), 27, 28 (ill.)
Freivogel, Elsie, art historian, 25 Hark the Lark (Homer), 153
Fremont, John C., politician, 39 Harlan, Howard, historian, 192
Frost, William Goodell, Berea College president, 124, 140, Harper’s magazine, 147
141, 142 Harper’s Monthly, 54-55
Fry, Henry and William, wood carvers, 130 Harper’s Weekly, 41, 66
Furniture: Aesop’s fables motifs on, 72; arts and crafts move- Hartley, Greens, and Company, 177
ment, 136, 137; of Biltmore, 133, 138: of Biltmore Estate Hearn, George A., art collector, 149, 156
Industries, 136, 138, 139 (ill.), 140 (ill.); in the Dutch din- Helm, Lucinda, founder, Women’s Home Mission Society,
ing room, 231-32, 233-34, 234 (ill.); hunting motifs on, 213
219-20, 220 (ill.); machine production, 136; Roycrofters, Helm, Mary, reformer, 213
145 Herbert, William, Houses for Town or Country, 231, 231 (ill)
Future President (Spencer), 37 Herford, Oliver, cartoonist, Pen and Inklings: The Passing of St.
Anthony, 66, 66 (ill)
G. G. Fendler and Company, 177 Herman, Bernard, historian, 189, 190
Garden, Orchard, and Vine (Palmer), 2 224, 225 (ill.) Hewson, John, textile printer, 241, 252. 253-54. 256-60,
Garrett, Rhoda and Agnes, writers, 23) 262-63
Gay, Peter, historian, 60 High Cliff, Coast of Maine (Homer), 150, 151, 155. 157. 158
Gender issues: African American working women, 204-5, Histoire Civile et Politique de la Ville de Reims (Anquetil and de
207; dining rooms, feminine influence over, 220, 22 la Salle), 167
227; in female activism, nineteenth-century, 40, 63-64; fe- History of English Furniture (MacQuoid), 138
male nudity, respectability of, 44, 47-48: feminism vs. fash- Hitchcock, George, artist and writer, 232, 235
ion, late nineteenth-century, 63-64; home life as feminine Hokkaido, Jap.: Ainu people of, 95-96, 114, 115 (IL), 120;
American involvement in development of, g6—g8, 100-
j8—50 (see also Ladies’ Mile); masculinity, in furniture mo- 101; Japanese colonization of, g6: see also Sapporo, Jap.
tifs, 219-20; prostitution, 55, 61; scandal, 61-62, 65-66; Hokkaido Historical Village, 117, 119 (ill)
and Spencer, Lilly Martin, artist, 26-27, 36-38; women’s Holland of To-Day (Edwards), 222
suffrage, 65; see also Nymphs and Satyr (Bouguereau) Holmes, Oliver Wendell, justice, 30
The Genius (Dreiser), 51 Holt, N. W., advisor in Japanese development, 101
Gentleman and Cabinet-Maker’s Director (Chippendale), 71- -i°> The Home Guard (Spencer), 41
George Washington: An American Icon (Wick), 239 Home Is for the Brave (Spencer), 41
Gerdts, William H., art historian, 22 Home Journal, 36, 37
Gibson, Louis H., architect, 229; Beautiful Houses: A Study in Home, Sweet Home (Homer), 148
House-Building, 229 (ill.), 230 (ill.) Homer, Winslow, artist: African Americans, portraval of, 91;
Giese, Lucretia, art historian, 31 as apprentice, 147; Beach Scene, 159; Breezing Up, A Fair
Gilbert, Lucia, journalist, 64 Wind, 157; on care and cleaning of works, 155: The Carni-
Gilchrist, Dr. W. W., dining room of, 228-29 val, 150; Clamming, 159, 159 (ill); Clarke’s auction of
Gilfovle, Timothy, historian, 60, 61 works, 149-50: Coast in Winter, 150; collectors of work,
Gill, Howard, historian, 174 149; The Coming Away of the Gale, 150, 158; The Cotton Pick-
Ginzberg, Lori, historian, 49 ers, 149; dealers and, 150, 151, 154-55. 156-58: direct
Glass pattern book (1800-30), 177 sale of work by, 150-51; on display of works, 154-55: The
Glenn, Susan, historian, 50 Dory, Tynemouth, 159; Early Evening, 159: Early Morning after
Godey’s Ladys’ Book, 41 the Storm at Sea, 151, 153. 153 (ili), 157: Eastern Point—
Godkin, E. L., editor of the Nation, 62 Prout’s Neck, 157: Eight Bells, 1.49, 150, 154: exhibition sales
Goldsmith, Oliver, Bewich’s Select Fables of Aesop and Others, 74 of work, 147, 148-49. 151. 153: explanation of works, 153:
(ill.) Fog, 151, 153, 155, 156, 157, 158; Fog Warning, 150, 157;
Good Homes Movement, 212-13 Fox Hunt, 151, 157: The Gulf Stream, 148, 150 (ill), 151,
Goodrich, Frances, weaver, 141, 142 153-54. 155. 157. 158: Hark the Lark, 153: High Cliff, Coast
Gordon, Jean, historian, 220 of Maine, 150, 151, 155, 157. 158: Home, Sweet Home, 148;
Gordon, Linda, historian, 63 Hound and Hunter, 151, 152 (ill.), 153. 155. 157: as illustra-
Gossip (Spencer), 38 tor, 147; knowledge of art market, 156, 160; The Last Goose
Gothic architectural style, 129 at Yorktown, 1.48; The Life Line, 1.48, 1.49 (ill.); The Lookout—
Gothic Furniture of the Fifteenth Century (Pugin), 138 All’s Well, 150; Maine Coast, 150; Moonlight-Wood’s Island
Index 287
Light, 149; News from the War, 41; Northeaster, 151, 152 (ill.), ing of, 256-57; “Don’t Tread on Me” image, 246-47, 248
153, 156, 157, 158; On the Beach, 159; personal involve- (ill.); Dute h influence, 251; flags, significance of, 244-47,
ment in marketing, 147: pricing structure of, 155, 157: 245 (ill), 246 (ill), 2565 Foundator image, 247-50;
Prisoners from the Front, 25, 26 (ill.), 31, 148; rejection of George Washington’s role in, 260—62; Grand Union flag,
commission work, 147-48; reliance on open market, 148, 245. 247: Hewson as printer of, 241, 252, 256—60; impor-
153, 155; repainting and reshaping to promote sales, 147. tance of, 239, 264; ss or Die” image, 246; juvenile ker-
154, 158-60; Sea Garden, 159; A Skirmish in the Wilderness, chiefs, Hewson’s, 258-59, 259 (ill.): “Liberty and Jndepen-
149; subject matter of, 148, 160; Summer Night, 1.48; Sunset, dency,” significance of:2 51-52; Martha Washington’s role
Saco Bay, 149; To the Rescue, 150; Uncle Ned’s Happy Family, in, 241, 252-56, 262-63: in New-York Historical Society
50; Undertow, 150; A Visit from the Old Mistress, 150; water- collection, 25 4 (ill.); Pennsylvania German influence, 252,
colors, marketing of, 155-56: West Point, Prout’s Neck, 153 256-57: ; Pine Tree flag, 245-46, 246 (ill.); in private col-
154 (ill.); Wild Geese, 149; The Wreck, 150 lection, :2 53 (ill.); Protector image, 250-51: quilt center
Horrible Prettiness (Allen), 56 blocks, Hewson’s, 257, 257 (ill), 258 (ill.); Rattlesnake
Horton, James, historian, 214 flag, 246-47, 246 (ill), 248 (ill); La eine? print as
Hound and Hunter (Homer), 151, 152 (ill.), source, 240, 241-42, 242 (ill.), 243 (ill), 244 (ill), 254)
House Beautiful, 224 255: striped flag, 245. 245 (ill.); thirteen spoke s flag. 247.
House Furnishing and Decoration, 227 248 (ill.); Washington as icon and symbol, 242-45; wide
Houses for Town or Country (Herbert), 23 reproduction of, 239: in Winterthur collection, 240 (ill.),
Howard Clock Company. 99 255 (ill.)
Hubbard, Elbert, 145 Kinkead, George Blackburn, lawyer and founder of Kinkead-
Hubig, Simon, entrepreneur, 229 town, 194. 194 (ill), 196, 197
Hummons family, 206-12 ; continuous lot ownership, 201; Kinkeadtown, Lexington, Ky., 187-217: archaeological evi-
dress and personal items, 208-9, 208 (ill.); Emilv Seals, dence, use of, 189—go0, 213-16; architectural stvles, 197-
1g8, 203, 206-8, 210-12; Emma, 207; Frank, 203; Hian- gg. 197 (ill), 198 (ill), 199 (ill): cellars, 197. 198, 199
tha, 203, 206, 208—9, 208 (ill.); houses of, 206; John, 203, (ill.); child care, 204—5; cisterns, 201: in Civil War—period
206: Margaret, 206-7, 209; Mattie, 206, 207; miniature Kentucky, 1g0—91; demographic makeup, 203-4, 205;
portrait, 209-12 209 (ill.); occupations of, 207 : privies of, density, 195, 202; education opportunities, 204; as exam-
206; tablewares, 206, 207-8, 207 (ill.), 208 (ill.), 215-16; ple of postbellum trend, 191, 203; fencing, 201-2, 202
William, 203, 205, 206, 210, 211; Willie Jane, 206, 207, (ill.); food supply, 197-98, 200, 206; Garrison House,
209; see also African Americans; Kinkeadtown, Lexington, 1g8—99. 199 (ill.); jobs and financial security, 195-96.
Kv. 204; location within Lexington, 188, 188 (ill.), 196, 196
Humphreys, Mary Gay, writer, 232. 234-35 (ill.); material goods acquisition, 206-9; neighborhoods
Hunt, Richard Morris, architect: All Souls’ Church, 129; adjacent to, 197, 202-3, 205-6; occupational profile,
Biltmore House, 126; Biltmore Village, 129-30 204-5: outbuildings, 200; Page grocery, 195; plat. 194,
195 (ill.), 203 (ill); poverty, twentieth-century, 201; pri-
Ingersoll, Robert, lawver, 39 vacy, 202; privies, design of, 200, 200 (ill.); “respectable
Interior of Servant’s Quarter at Mount Vernon (Johnson), 20 Negro” image, 209; rural character of, 196-97: segrega-
(ill.) tion into parallel society, 188—8q9, 192-93. 216; sewe1
Invention of George Washington (Longmore), 261 system /indoor plumbing, 202; social reform efforts in,
Israéls, Josef, Cottage Madonna, 230-31, 230 (ill.) 212-13; subdivision and turnover, 195-96, 202, 209 (ill.):
symbolic meaning of artifacts recovered from, 213-16;
Jacob Honig & Zonen, 167—68 symbolic of postbellum black history, 193-94; Tandy
Jacobean-stvle furniture, 138, 140 (ill) House, 199-200; urbanization of, 202, 203 (ill.), 206; wa-
James, Henry, writer, 221 ter supply, 201, 202; working women, 204-5, 207; work-
Jamestown Tri-Centennial Exposition of 1907, 135. ing-class nature of, 197, 204-5; vards and gardens, 197-
Jarves, James Jackson, art critic and collector, The Art Idea, g8, 200, 202; see also Hummons family
Jarvie, Robert, candlestick designer, 137 Knoedler, Roland, art dealer, 59, 148
Jefferson, Thomas, as diplomat, 250 Kool, Jan, papermaker, 167-68
Johns, Elizabeth, art historian, 27 Kuroda, Kivotaka, Chief Commissioner of Colonization Com-
Johnson, Eastman, artist: African ‘Americans, portrayal of, mission, Japan, 93. QQ. LOO, 107, 108
Interior of Servant’s Quarter at Mount Vernon, 20, 21 (ill.); Oud
Kentucky Home: Life in the South, 25, 27 (ill.), 40; A Ride for
Liberty: The Fugitive Slaves, 31, 32 (ill.) Ladies’ Home Journal, 222
Johnston, William Taylor, art collector, 40 Ladies’ Mile: development of, 53; experimentation, culture
The Jolly Washerwoman (Spencer), 37. 37 ‘ill.) of, 54-55. 58. 60; me Ids decorum with pleasure, 60; as per-
Joseph Downs Collection of Manuscriptasnd Printed Ephem- formative, public sensuality, 51, 61; the prostitute image,
ra, Winterthur, 161 61; reaction against, 56, 58-59, 62: representative of gen-
der issues, 48, 50: retailing and fashion in, 57-59; and
Kaplan, Amy, historian, 28—29 scandal among elites, 61-62, 65-66; as spectacle of con-
Kasson, John, historian, 49, 55: Rudeness and Civility, 220 sumption, 53-54; theater in, 56—57; see also Gender issues;
Kasson, Joy, art historian, 47 Nymphs and Saige (Bouguereau)
Katz, Wendy ]., art historian, 27 La Farge, John, artist, 113
Kayano, Shigeru, Ainu Dietman (politician), 120 Langa, Helen, historian, 26-27
Kellogg, Alice, artist, 227 The Last Goose at Yorktown (Homer), 148
Kellogg, John, historian, 192-93 Latham, R., historian, 189
Kendall, Thomas, wood carver, 131 Leach, William, historian, 57, 63
Kentucky, Civil War and Reconstruction periods, 1g0—g2; see Lebeuf, stationer, 164-67 166 ‘(ill.)
also Kinkeadtown, Lexington, Ky. Lefevre, Edwin, author, 247-48, 249, 25
Kentucky State Association of Colored Women’s Clubs, 212 Letheéve, Jacques, art historian, 175
Kerchief, Washington on horseback, 239-64, 240 (ill.), 253 Leutze, omnia Washington Crossing the Delaware, 28, 29
(ill.), 254 (ill.), 255 (ill.); border designs, 256-58; calico (ill.), 32-33
printing, 252, 259-60; classical republican seals, 249; dat- Levine, a historian, 55
288 Winterthur Portfolio 37:4
Lexington, Ky., postbellum, 191-93; see also Kinkeadtown, 7, 7 (ill.); hierarchy of, 4, 21; House for Families (Old
Lexington, Kv. Quarter), 6 (ill.) 7 (ill.), 7-8, 8 (ill.); Interior of Servant’s
The Lexington Daily Leader, 209 Quarter at Mount Vernon (Johnson), 20, 21 (ill.); under
The Lexington Herald, 212 Lawrence Washington, 5; at Mansion House Farm, 4-5, 7-
Library Company of Philadelphia, 71 12, 19-20; and outdoor space, use of, 15-16; partitioning
The Life Line (Homer), 148, 149 (ill.) in, 11; as representative of the South, 4, 12; Servants’ Hall,
Lincoln, Abraham. president, 190, 191 5. 19-20, 19 (ill.), 21 (ill.); squalid conditions in, 18; ter-
Lipe, Daniel, joiner, 132 minology of, 10, 15; Union Farm, 13, 14 (ill.), 15; variety
Little, Frances, Early American Textiles, 263 of, 4-5, 20-21; in Vaughan Plan, 1787, 5. 6 (ill.); Wash-
Litwack, Leon, historian, 188-89, 211 ington’s purposes in, 11—12, 20, 21; see also Washington,
Livesay, Charles, Hummons descendant, 205, 206; see also George
Hummons family Mrs. Warren’s Profession (Shaw). 59
Lives of Noble Grecians and Romans (Plutarch), 249 Muller, Edward, historian, 191-92
Lock, Mathias, New Book of Ornaments, 71 Mullins, Paul, historian, 213
Logan, Olive, female activist, 56, 58, 63. 65 Munsey’s Magazine, 127
Lohman, Ann (Madame Restell), abortionist, 62 Musée des Arts Décoratifs, watercolor catalogue of, 174
Longmore, Paul, historian, 248, 249; /nvention of George Wash- Museum of Fine Arts, Boston, 149
ington, 261 Musin, Genevieve, Objets d'Usage & de Gout, 174
Longworth, Nicholas, art collector, 31-32. 39 Mvers, Kenneth, art historian, 25
The Lookout—All’s Well (Homer), 150
Lotos Club, 149 Nast, Thomas, illustrator, Emancipation of the Negroes, 41
Louis Prang, art seller, 34, 22 National Academy of Design, Homer’s criticism of hanging
Louisiana Purchase International Exposition of 1904, 148, committee at, 148; Homer's works exhibited at, 149. 153.
151 157. 158: influence on artistic hierarchy, 33. 3.4; and Spen-
Lubin, David, historian, 26 cer, Lilly Martin, 35-36, 38
Lystra, Karen, historian, 60 National Association of Colored Women (NACW), 212
National Conservation Exposition of 1913. 135
M. Knoedler and Company, 150. 151. 154. 155: The Netherlands, 220-21: see also Dutch dining room
155 Newark Daily Advertiser, 23
Mabillon, Dom Jean, archivist, 162-64 New Book of Ornaments (Lock), 71
MacQuoid, Percy, History of English Furniture, 138 Newcomb College, 130
Magoffin, Beriah, Kentucky governor, 1g0 News from the War (Homer), 41
Maine Coast (Homer), 150 New York Press Club, 65
Manhattan, as national capital of stvle. 53-55. 57 New York School of Clayvworking and Ceramics, 131
Mansfield, Burton, art collector, 153 Niemcewicz, Julian, traveler, 18
Mansfield, Josephine, actress, 65 Norcross, Granville, cousin of Winslow Homer, 150
Mantelpieces, illustrated with fables, 72 Norman, John, engraver, 243
Marquand, Henry, financier, 221 Northeaster (Homer), 151, 152 (ill), 153. 156. 157. 158
Massachusetts Agricultural College, 96, 97. 104 Nymphs and Satyr (Bouguereau), 43-66, 45 (ill.), 46 (ill); ar-
Mathews, Nancv Mowll, art historian, 231 tistic analvsis of, 51: Bouguereau’s American success, 50—-
Mavor, A. Hyatt, curator, 172, 174 51: critical reception to, 51~—52: female nudity, respectabil-
McArthur, Jan, historian, 220 itv of, 44. 47-48: female power expressed and contained
McClure, Abbott, author, 227 by, 51: female viewers of, 48, 52: Hoffman House display
McCullough, David, author, 250 of, 43-44. 46 (ill): as inversion of Greek Slave, 47-48: and
McFarland, Abby Sage. writer, 62 Ladies’ Mile environment (see Ladies’ Mile); lady in public,
Mercer, Henry, collector, 69 new norms for, 44, 48-49: male viewers of, 44. 52: owners
Metropolitan Museum of Art, watercolor catalogue of, 172- of, 43, 66; parodies of, 44. 52. 52 (ill.), 66, 66 (ill.); popu-
49 larity and ubiquity of, 44: terminology of, 51
Militarv Hall /C lock Tower (Tokeidai), 94 (ill.). gg (ill.), 100
(ill.), 101 (ill.): balloon-frame construction in, 100-101, Objets d' Usage & de Gout (de Gary and Musin), 174
104, 107; change in function and location, 109, 111 (ill.); O'Brien and Son, Chicago, 150, 151, 153. 158
decorative features influenced by American pattern-books, Ogilby, John, Fables of Aesop Paraphras‘d in Verse and Adorned
105 (ill.), 105-6, 107, 112-13: dedication of, 93, ga: exte- with Sculpture, 74. 74 (ill.)
rior of, gg; floor plan of, g8—gQ. 9g (ill.): functions of, Old Kentucky Home: Life in the South (Johnson), 25, 27 (ill.),
104-5. 106; as historical site, 1og—11, 112 (ill.), 116; Japa- 0
nese perception of, 107—q: location on campus, 101, 101 Olmsted, Frederick Law, landscape designer, 126, 128
(ill.); marginalization of Ainu culture in, 114-15, 117: pic- On the Beach (Homer), 159
turesque style of, 106—7, 111-12; restoration of, 120 (ill). Ophelia and Laertes (West), 32. 33 (ill)
121; as symbol of local identity, 94-95. 97. 115-16, 116 Oriel Cabinet Company, 234
(ill.), 117 (ill), 118, 120; tower clock of, gg—100, 107: Our Future Americans (Spencer), 39. 41
Wheeler's sketch for, 98, gg (ill.) The Outlook, magazine, 127
Miniature portraits, 209, 209 (ill.)
Montgomery, Florence, historian, 252, 258 Page. Lewis, tov retailer and importer, 162
Moonlight—Wood’s Island Light (Homer), 149 Page, Nathan and Eliza, grocers, 195
Morgan, Philip, historian, 10, 11, 12, 15 Palmer, Frances Bond, Garden, Orchard, and Vine, 224, 2:
Morris, William, art critic and reformer, 134 (ill.)
Mount Vernon slave housing, 3-22: accommodation figures, Panama-Pacific International Exposition of 1915, 13:
estimated, 10, 11, 15; beds in, 10; brick quarter at Green- Pan-American Exposition of 1901, Buffalo, N.Y., 148, 155
house, 4, 8-12, q (ills.), 10 (ill.), 12 (ill.): cabins on outly- Paper, watermarks, 167-68
ing farms, 5. 13-18, 19 (ill), 14 (ill), 17 (ill), 18 (ill); Pattern books: American architectural, 105, 105 (ill.), 113:
communal barracks, purposes of, 11-12; dimensions of, 8, eighteenth-century English design, 70-72‘ ; furniture de-
10, 15; duplexes, 15; East Front of Mount Vernon (Savage), signs in, 140; trade catalogue, 177
Index 259
Pearce, William, plantation manager, 11, 16, 17, 19-20 training at, 104-5; New England model in, 93, 97, 104;
Peiss, Kathy, historian, 49 plan of campus, 101, 102 (ill.), 103; scientific education
Penaleton, Brian, poet, 52 at, 104; see also Military Hall/Clock Tower (Tokeidai)
Pen and Inklings: The Passing of St. Anthony (Herford), 66, 66 Sapporo Museum, 117, 118 (ill.)
(ill.) Sartain, John, The Happy Family, 27, 28 (ill.)
Pennsylvania Academy of Fine Arts, 148, 149, 151, 153, 157 Sartain’s Union Magazine, 33,
58 Savage, Edward, East Front of Mount Vernon, 7, 7 (ill.)
Pennsylvania Gazette, 260 Schenck, Carl, Biltmore forester, 133, 143
Phaedri Aug. liberti fabularum Aesopiarum libri (Phaedrus), 74 Schlereth, Thomas, historian, 189
Phaedrus, Phaedri Aug. liberti fabularum Aesopiarum libri, 74 Sch6ffer, Peter, printer, 177
Phelps, Elizabeth B., benefactress, 64 Scholz, Janos, cellist and art collector, 172-73
Philadelphia Evening Bulletin, 39 Sea Garden (Homer), 159
Philadelphia furniture, illustrated with fables, 72 Seely, Fred, manager of Grove Park Inn and owner of Bilt-
Phillis Wheatley Young Women’s Christian Association more Industries, 145-46
(YWCA), Lexington, Ky., 212 Select Fables of Esop and Other Fabulists (Dodsley), 72, 72 (ill.)
Picturesque concept, 106-7, 111-12 Separate Coach Law of 1891, 192, 212
Pineapple finials, 138, 140 (ill.) Shake Hands? (Spencer), 35
Pine Grove Furnace, Cumberland County, Pa., 69: see also Shapiro, Henry, historian, 124
Fireback, “The Fox and the Crane” Sharp, William, engraver, 243-44
Pioneer image, craft revival and, 124-25, 142 Shaw, George Bernard, Mrs. Warren’s Profession, 59
Pitman, Benn, woodworking instructor, 130, 132, 137 Shinn, Earl, art critic, 51-52
Playboy magazine, 52, 52 (ill.) Shotgun houses, 197. 198 (ill.)
Pleck, Elizabeth, historian, 205 Sideboard with hunting motifs, 219, 220 (ill.)
Plutarch, Lives of Noble Grecians and Romans, 249 A Skirmish in the Wilderness (Homer), 149
Powers, Hiram, sculptor, Greek Slave, 47. 47 (ill.). 48 Sklar, Kathryn Kish, historian, 49
Pozzo, Andrea, Rules and Examples of Perspective Proper for Paint- Slave cabins: generic image of, 3; at Mount Vernon, 5, 13-
ers and Architects, 74-75 18, 13 (ill.), 17 (ill.), 18 (ill.); remnants of style in post-
Prisoners from the Front (Homer), 25, 26 (ill.), 31, 148 bellum housing, 198. 199 (ill.): see also Mount Vernon
Pugin, A. W. N., Gothic Furniture of the Fifteenth Century, 138, slave housing
139 (ill.) Smith, Whitney, flag expert, 252
Smith, William, joiner, 132
Réaumur, René Antoine Ferchault de, 170 The Smith’s Right Hand (Welldon, W. and J.), 71, 71 (ill)
Reaumur thermometer, in watercolor catalogue, 170-7 Social reform: Addams, Jane, 63: aesthetics for immigrants,
172 (ill.) 215-16; arts and crafts movement and, 125, 130, 133:
Redwell Furnace, Shenandoah County, Va., 69; see also Fire- Comstock, Anthony, 49. 59. 66, 66 (ill.); female activists,
back, “The Fox and the Crane” 40. 63-64; Fouse, Lizzie B., 213: Helm, Lucinda and Mary,
Reed, Esther De Bredt, wife of Joseph Reed, 263-64 213: in Kinkeadtown, Lexington, Kv., 212-13: and Ladies’
Reed, Joseph, aide to Washington, 254-55. 256. 256 (ill), Mile, 56, 58-59. 62: Logan, Olive, 56, 58, 63. 65: Sorosis,
261-62, 263-64 women’s reform association, 64. 65; Spofford, Harriet
Renaissance revival stvle, 133 Prescott, 58: Tillotson, Mary, 58. 63
Republican calendar, 168-70 Societv of American Artists, 151, 158
Rettig, John, artist, 229 Sommer, Frank H., director of Winterthur Library, 161
Revere, Paul, silversmith, 247 Sorosis, women’s reform association, 64, 65
Revolution magazine, 63 Southern Highland Handicraft Guild, 146
Rhode Island School of Design, 130 South Kensington Museum, 131
Richardson, Albert Deane, journalist, 62 Spencer, Lillv Martin, artist: African Americans, portraval of.
A Ride for Liberty: The Fugitive Slaves (Johnson), 31. 32 (ill.) 1: art market, marginalization in, 25-26, 34-35. 36. 39.
Roberts, Marshall O.. art collector, 40 $1. 42: The Artist and Her Family at a Fourth of July Picnic,
Robinson, W. T., Still Life, 44 $1: career path, 25-26; in The Crayon, 37-38: critical re-
Rookwood, Joseph Longworth house, wood carvings for, 130 ception of, 35-38: and the cultural hierarchy of art. 31-
Roverofters furnishings, 145 35. 35: exhibition, Marietta, Ohio, 25, 31, 32: Fi! Fo! Fum!
Rudeness and Civility (Kasson), 220 38: The Fifteenth Amendment, 41; Future President, 37: gender
Rules and Examples of Perspective Proper for Painters and Architects politics of, 26-27, 36-38; and genre painting market. 35.
(Pozzo), 75 38-39. 40. 42: Godey’s Ladys’ Book commission, 41: Gossip,
Ruskin, John, author and reformer, 38: Grand Pa’s Prodigies, 35; and history painting, transfor-
Rvan, Mary, historian, 50 mation of, 25, 31. 38: The Home Guard, 41: Home Is for the
Brave, 41: in Home Journal. 36, 37: and home painting. 38—
Sadler, John, tile maker, 72. 74 39: Homer and Johnson, comparisons to, 25. 31. 42: hu-
Sapporo, Jap.: Ainu culture and, 97, 114-15. 115 (ill.), 120- morous qualities of, 24: in the incorporated art environ-
21; city plan, 102 (ill.), 103; civic identity symbolized by ment, 40-42: The Jolly Washerwoman, 37. 37 (ill.): and
Clock Tower, 94-95. 97. 115-16, 116 (ill.), 117 (ill). 118, Longworth, Nicholas, 31-32; and manufactured popular
120; emphasis on American character of, 97. 121: Japanese art, 34. 35: maternal expressions, reputation for, 34. 36.
elite and Western-stvle buildings in, 108; Japanese re- }1—42: moral themes as goal, 33. 34: and the mother fig-
sponse to Western-stvle buildings in, 107—Q: Japanese tra- ure, 27-28: Our Future Americans, 39, 41: patronage and
ditional-stvle buildings in, 103, 113 (ill.). 113-14: public recognition of, 31-35, 39-40. 41: politics of, 26-27: por-
and residential areas of, 103 (ill.), 103-4: Western archi- traits by, 25, 39: Shake Hands? 35: and Shakespearean
tectural stvles in, 105-6, 109 (ill.), 110 (ill.); Western-stvle themes, 32: This Little Pig Went to Market, 35: The Vow, 32:
buildings designated as National Important Cultural Trea- War Spirit at Home, 23-42, 24 (ill); Young Husband, 37:
sures, 94, 109, 117; Western-style historical sites in, 117- Young Wife, 37
18, 119 (ill.); see also Hokkaido, Jap. Spofford, Harriet Prescott, reformer, 58
Sapporo Agricultural College, g4 (ill.): American teachers at, Stansell, Christine, historian, 49
93. 96, 97. 98 (ill.), 105: cattle show at, 93. 97: military Steele, Valerie, historian, 49
290 Winterthur Portfolio 37:4
Stewart, Alexander T., art collector and businessman, 43, 48, Victor, Metta Victoria Fuller, editor of The Cosmopolitan Art
dry-goods emporium of, 53, 57 Journal, 35
St. George, Robert Blair, historian, 94 Victor, Orville, editor of The Cosmopolitan Art Journal, 35
Stickley furniture, 136 Victorian culture, reevaluation of, 59-66; cultural conserva-
Still Life (Robinson), 44 tism, role of, 59; female activism, 40, 63-64; feminine
Still Life with Fruits and Bread (Claesz), 225, 226 (ill.), 231 moral norms, transformation of, 44, 47, 48-50, 60-61;
Stillman, William, editor of The Crayon, 37 feminism vs. fashion, 63-64; repressive hypothesis, 60;
Stokes, Edward, hotelier, 43, 48, 53, 65-66 scandal among elites, 61-62, 65—66; sexual norms, 60-—
Stove plates, Batsto Furnace, 69—70, 6g (ill.), 73; see also Fire- 61; see also Ladies’ Mile
back, “The Fox and the Crane” Virginia Gazette, 20
Suburban Life, 233, 233 (ill.) A Visit from the Old Mistress (Homer), 150
Successful Houses (Coleman), 222-23, 222 (ill.) Vlach, John Michael, historian, 197
Summer Night (Homer), 145 The Vow (Spencer), 32
Sunset, Saco Bay (Homer), 149
Swope, Rodney, rector of All Souls’ Parish, Biltmore Estate, Walker, Brett, historian, 95
131, 132 Ward, Fannie Batchelder, actress, 52
Ward, Marcus, businessman, 39
Tandy, Henry A., Kentucky brick contractor, 1gg—200 Ward, Susan, supporter of Lilly Martin Spencer, 39
Tandy, Vertner Woodson, architect, 199 War News from Mexico (Woodville), 30, 30 (ill)
Temple, Sir William, ambassador, 222 The War Spirit at Home; or, Celebrating the Victory at Vicksburg
Theater, development of culture in late-nineteenth century, (Spencer), 23-42. 24 (ill.); as allegory, 41; as artistic com-
promise, 42: as domesticity and history combined, 28-31;
a oe
This Little Pig Went to Market (Spencer), 35 humorous quality of, 24; mistress and maid, tension be-
tween, 27, 30, 41; mother figure in, 27, 41-42: and news
Thomas, Herbert, historian, 193, 204
Threads of History (Collins), 239 consumption, proliferation of, 30-3 1; scholarly analvsis of,
Tiles, depicting fables, 72 23, 26-28: Ward family, possible link to, 39: see also Spen-
Tillotson, Mary, dress reformer and female activist, 58, cer, Lilly Martin, artist
Tilton, Theodore, editor, 62 Washington, George: and classical republican ideals, 249:
Tokeidai. See Military Hall/ Clock Tower (Tokeidai) cloth production, Mt. Vernon, 262; farm initiatives and
Tool catalogue, William and Samuel Butcher (1841), 177 improvements by, 5-6, 13. 262: as Foundator, 247-50;
To the Rescue (Homer), 150 genuy status, rise to, 20, 21: Hewson, relationship with,
Toy catalogue, G. G. Fendler and Company (1818-40), 177 262-63; as icon and symbol, 242-45, 248-49; image man-
Trade catalogues, 177: see also Echantillon 1 and 4 catalogues: agement by, 261—62: inherits Mount Vernon, 5; overseers,
Watercolor catalogues, French relationship with, 11; printed kerchief, role in, 260—62; as
A Treatise on the Theory and Practice of Landscape Gardening Protector, 250-51: Reed, Joseph, relationship with, 254-
(Downing), 106 55. 256, 261-62, 263-64; rental scheme, 14-15, 22; slave
Truettner, William, art historian, 39 holdings, growth of, 5-6; slave management, attitude to-
Trumbell, Jonathan, artist, 245 ward, 6-7, 11, 19-14, 21-22; slave manumission plan, 4.
Tryon Toy Makers, Trvon, N.C., 145 22; slavery, attitude toward, 4; title for, 251; see also Ker-
Tuckerman, Henry, Book of the Artist, 26 chief, Washington on horseback; Mount Vernon. slave
Tuttell, Thomas, mathematical instrument maker, 177 housing
Washington, George A., plantation manager, 11
Washington, Lawrence, planter and brother of George Wash-
Uncle Ned’s Happy Family (Homer), 150 ington, 5
Undertow (Homer), 150 Washington, Lund, overseer, 10, 18, 20
Union League Club, 25, 149, 151. 153. 15a 8 Washington, Martha Custis: printed kerchief, role in, 252-
56: slaves of, 20, 21
Vance, Eleanor Park, arts and crafts entrepreneur: art train- Washington Crossing the Delaware (Leutze), 28, 29 (ill.), 32-33
ing of, 131; family background and education of, 130; Watercolor catalogues, French: Colonial Williamsburg cata-
founder and teacher at Biltmore Boys Club, 131-33; move logue, 173-74; of consortium of businesses, 175-77: in
to Tryon, 131, 145; on weaving revival, 142; weaving train- framework of commercial development, 174-75: Metro-
ing of, 143; wood carving designs of, 130-31, 132-33. politan Museum of Art catalogue, 172-73: Musée des Arts
136-37; see also Biltmore Estate Industries Deécoratifs catalogue, 174; see also Echantillon 1 and 4 cata-
Vanderbilt, Cornelius, businessman, 126 logues
Vanderbilt, Edith Stuyvesant, mistress of Biltmore: formation Watercolor paint, dating of, 168
of Biltmore Estate Industries, 131, 132, 134; marketing of Watercolor paintings, of Winslow Homer, 155-56: see also
Biltmore Estate Industries crafts, 135: philanthropy of, Homer, Winslow, artist
126, 128; sale of Biltmore Estate Industries, 145: weaving Watermarks, dating of, 167-68, 173
program of Biltmore Estate Industries and, 141, 142-43, Weaving, in Biltmore Estate Industries, 135, 141-44, 142
144 (ill.)
Vanderbilt, George Washington, master of Biltmore: building Webb, Joseph, trade card of, 70, 70 (ill)
of Biltmore estate, 126-27; death of, 144-45; library of, Wedgwood, Josiah, potter, 177
138; patronage of All Souls’ Church, 129-30; philan- Welldon, W. and J., The Smith’s Right Hand, 71, 71 (ill)
thropy of, 126, 127-28 Wells, Camille, historian, 20
Vanderbilt, William Henry, businessman, 126 West. Benjamin, Ophelia and Laertes, 32. 33, (ill.)
Van der Ley watermark, 173 Westermann, Mariét, art historian, 223
Vaux, Calvert, landscape architect: architectural pattern- Western Art-Union, 34
books of, 105, 105 (ill.); on school buildings, 107 West Point, Prout’s Neck (Homer), 153, 154 (il.)
Veal, Dudley, family of, 210-12 Wheatley, Phillis, poet, 261-62
Vermeer, Jan, Young Woman with a Water Pitcher, 221-22 Wheeler, Candace, interior decorator, 227
Verplanck, Anne, art historian, 209 Wheeler, William, engineer and teacher: criticism of Japa-
Vianen, Jan van, engraver, 74 nese design, 106; Military Hall /Clock Tower, design of, 93,
Index 291
98-99, 99 (ill.), 100, 106; Model Barn, design of, 117, 119 Woodhull, Victoria, reformer, 62, 64-65
(ill.); placement of Military Hall/Clock Tower, 101; on Woodhull and Claflin’s Weekly, 63,
primitive landscape, 114; at Sapporo Agricultural College, Woodville, Richard Caton, War News from Mexico, 30, 30 (ill.)
97, 98; tasks performed for Colonization Commission, 97— Wool spinning, 143
g8 Worcester Art Museum, 153-54
White, Stanford, architect, 235-36, 235 (ill.) World’s Columbian Exposition of 1893, 148, 151, 214-15
Wick, Wendy, George Washington: An American Icon, 239, 243 The Wreck (Homer), 150
Wild Geese (Homer), 149 Wright, George, historian, 192
Williams, Margaret Cottier, art collector, 225 Wright, Lesley, art historian, 40
Willis, Nathaniel Parker, editor of Home Journal, 36 Wright, William P., art collector, 40
Wills, Garry, historian, 249 Wynne, Madeline Yale, artist, 130
Wolf, Bryan, art historian, 30
Wolfe, Catherine Lorillard, art collector and tobacco heiress, Yale, Charlotte Louise, arts and crafts entrepreneur: art train-
ing of, 131; family background of, 130; founder of Bilt-
Woman’s Home Mission Society, 213 more Boys Club, 131-33; move to Tryon, 131, 145; on
Womens’ issues. See Gender issues weaving revival, 142; weaving training of, 1.43; see also Bilt-
Wood carving: of Biltmore Boys Club, 131-33, 133 (ill), 134 more Estate Industries
(ill.); of Biltmore Estate Industries, 130-31, 135, 136-41, Yale, Linus, Jr., inventor, 130
137 (ill.), 138 (ill.), 139 (ill), 140 (ill), 141 (ill); of Cin- Young Husband (Spencer), 37
cinnati art movement, 130 Young Wife (Spencer), 37