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Whose Improv Is It Anyway?: Beyond Second City PDF

286 Pages·2001·3.57 MB·English
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Whose Improv Is It Anyway? This page intentionally left blank whose improv is it anyway? beyond second city Amy E. Seham University Press of Mississippi / Jackson www.upress.state.ms.us Copyright(cid:2)2001byAmyE.Seham Allrightsreserved ManufacturedintheUnitedStatesofAmerica 09 08 07 06 05 04 03 02 01 4 3 2 1 (cid:3)(cid:2) LibraryofCongressCataloging-in-PublicationData Seham,AmyE. Whoseimprovisitanyway?:beyondSecondCity/AmyE.Seham. p. cm. Includesbibliographicalreferencesandindex. ISBN1-57806-340-X(alk.paper)—ISBN1-57806-341-8(pbk.:alk.paper) 1.Improvisation(Acting). 2.Comedy. 3.Stand-upcomedy. I.Title. PN2071.I5S45 2001 792(cid:3).028—dc21 00-068659 BritishLibraryCataloging-in-PublicationDataavailable TothememoryofPaulB.Williams—amanofthetheatre This page intentionally left blank Contents Acknowledgments....................................................................... ix Preface.......................................................................................... xi Introduction................................................................................ xvii ChapterOne.TheFirst-WaveParadigm................................... 3 Interlude:TheSecondWave...................................................... 31 ChapterTwo.ImprovOlympic:TheTruthaboutImprov...... 39 ChapterThree.ComedySportz:Play’stheThing..................... 79 Interlude:TheThirdWave......................................................... 113 ChapterFour.TheAnnoyanceTheatre:Carnivalof MisfitToys................................................................................... 123 ChapterFive.TheFreeAssociates:TheRulesoftheGame.... 165 ChapterSix.ImprovinBlackandWhite.................................. 188 Conclusion................................................................................... 214 Notes............................................................................................ 229 WorksCited................................................................................. 239 Index............................................................................................ 247 vii This page intentionally left blank Acknowledgments First, I want to thank my three mentors for this project: my advisor, Sally Banes,forherinvaluableinsightandguidancethroughtheresearch,original composition,andbeyond;AnneStascavage,forchampioningitattheUniver- sity Press of Mississippi; and John Rezmerski, for his wisdom, expertise, and supportthrougheverywordoftherevisions. I am also grateful to Gustavus Adolphus College for funding additional research, to my colleagues and students there, and especially to the Depart- ment of Theatre and Dance at Gustavus for improvising with me every se- mester. Thanks also go to Philip Auslander, Natalya Baldyga, Karen Bovard, Car- olynBronstein,PhilBryant,EricCarlson,Noe¨lCarroll,NicoleChrissotimos, LaurieBethClark,JulieD’Acci,JillDolan,JeanieForte,PattyGallagher,Rob Gardner,AnitaGonzalez,TimGood,SteveGriffith,NancyHanway,Dorinda Hartmann, Melissa Hillman, Cassandra Holst, Jan Jensen, Marna King, Pat Kewitsch,DerekKompare,MariangelaMaguire(feministoncall),BetsyMor- gan,TerenceMorrow,LisaMyrhe(foralwayslistening),ElizabethNafpaktitis, Peg O’Connor, Tasha Oren, Lisa Parks, Michele Rusinko, Carrie Sandahl, TerrySmith,PatrickSutton,TamaraUnderiner,MichaelVandenHeuvel,Phil Voight,andmyfriends,professors,andcolleaguesattheUniversityofCalifor- nia,Berkeley,andtheUniversityofWisconsin,Madison,forsuggestionsand encouragementalongtheway. From Performance Studio in New Haven, Connecticut, I am thankful to Andrew Rubenoff, Margaret Kurland, Deanna Dunmyer, the cast of Oops, I ForgottoGetMarried!andthemanyidealisticimprovisers,actors,artists,and musicianswhocollaboratedwithmethroughtheyears. Much appreciation is also due to the photographers, publicists, theatre companies, and private collectors who have provided photographs for the book.Thankyouall. This book would not have been possible without the generous way that many improvisers (performers, producers, directors, and teachers) shared theirlives,thoughts,andexperienceswithme.MyprofusethanksgotoSean Abley,AndrewAlexander,JodyAmerling,GwynAshley,BabyWantsCandy, Zoe Beckerman, Joe Bill, Jennifer Bills, Bo Blackburn, Molly Cavanaugh, ix

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On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a scrip
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