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What is American? : new identities in U.S. culture ; festschrift für Arno Heller PDF

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WalterW.Holbling,KlausRieser(Eds.) What is American? Thl8 One H: GQ-8S3-06BS American Studies in Austria editedby Astrid M. Fellner (UniversityofVienna) Klaus Rieser (UniversityofGraz) Hanna Wallinger (UniversityofSalzburg) Volume 3 LIT Copyrightedmaterial WalterW. Holbling, Klaus Rieser(Eds.) WHAT AMERICAN? IS New Identities in U.S. Culture Festschrift fiirArno Heller LIT Coverimage:"ImmigrantWomenSewFlag":Theeditorshaveobtainedrights ofpublicationfromCorbis(www.corbis.com) Printedwiththesupportof: BundesministeriumfurBildung,WissenschaftundKunst,Vienna Karl-Franzens-UniversityGraz SteiermarkischeLandesregierung SpecialthankstoIrisPerstallerforherpatientandexpertformattingandlayout work. V DasLand Steiermark BibliographicinformationpublishedbyDieDeutscheBibliothek DieDeutscheBibliothekliststhispublicationintheDeutsche Nationalbibliografie;detailedbibliographicdataareavailableinthe Internetathttp://dnb.ddb.de. ISBN3-8258-7734-5 ©LlTVERLAGWien 2004 Krotenthallergasse.10 A-1080Wien Tel.+43(0)1/4095661 Fax+43(0)1/4095697 e-Mail:[email protected] http://www.lit-verlag.at Copyrightedmaterial Dedication This collection ofessays is dedicated to Arno Heller on the occasion ofhis 65th birthday by friends and colleagues who have contributed original articles on the theme ofnew identities in U. S. culture. Arno Heller's own research has frequently investigated the issues of what constitutes 'Americanness' and what characterizes an 'American iden- tity', and thus the contributions in this volume can be understood as a continuation of the critical dialogue on topics like initiation, uto- pian/dystopian and regional identities, the (re)construction of identi- tiesinliteratureandfilm, andthedynamicprocessofregeneratingand re-inventingnewAmericanselves. The Editors 1 TableofContents Dedication 5 9 1. New Conceptsand Reconsiderations Gudrun Grabher AnUnheard(of)Transcendentalist?CharlesIvesand America'sMusical Identity 13 LouisKern 'UnveilingtheSecret ArcanumofAffectionalAlchemy' andthe 'MysteriesofEulis': PaschalBeverlyRandolph, AfricanAmerican Sex Magician, and SexRadicalism inLate-VictorianAmerica 35 PaulLauter Little WhiteSheep, orHowILearnedtoDressBlue 65 CarlD. Malmgren TheGreatFitzgerald: GatsbyRevisited 93 TheodoreSchatzki IdentitiesinPractice 107 2. MigrationandMultipleIdentities SonjaBahn-Coblans Crossing theAtlanticfortheScreen 123 WalterHolblingandJustine Tally TheNatureofHybridIdentityinBarbaraKingsolver's ThePoisonwoodBible 153 BrigitteScheer-Schdzler EastComes West: America'sNewImmigrants- NewLivesandNewTexts 173 WaldemarZacharasiewicz ASeparateIdentityAsserted: Agrarian Affinities WithEuropeanCulture 19 Copyrightedmaterial 1 RobertFisher Privatizing IdentityintheGlobalCity 211 PeterFreese ComingofAgeintheShadowoftheVietnamWar: SamHughes'Quest inBobbieAnnMason'sIn Country 229 JamesThompson JohnHaines: ThePoetin"Alaska" 263 Hanna Wallinger SummerintheAir: EmmaDunhamKelley's FourGirlsatCottage CityandDorothyWest'sThe Wedding 279 4. (Re-)InventionsandVirtualIdentities ElisabethKraus EngineeredIdentities inScienceFiction 297 RobertaMaierhofer TheOldWomanasthePrototypicalAmerican- AnAnocriticalApproachtoGender, Age,andIdentity 319 BerndOstendorf ImmediateExperiencevs. Un-AmericanIdeologiesfrom WarshowtoHitchens 337 KlausRieserandSusanneRieser FromModelMinoritytoModelMasculinity: TheGlobalizationoftheCaucAsian 355 Contributors 373 SelectiveBibliographyofArnoHeller'sResearch 38 Copyrightedmaterial Introduction Thisbooktraces majorareas ofre-conceptualizationsand inven- tions in U. S. identities. The anti-essentialist notions which todaypre- vail within literary, media, and cultural studies maintain that identity is a social construction which is constituted in the mold of subject positions which are pre-shaped by language and cultural codes, and realizedthroughsocialpractice. Identity (and its intellectual cousin, subjectivity) is a central concept inrecentresearch, particularly incultural studiesapproaches.1 Ithas the advantage ofbeing both an individual phenomenon but also profoundly social, centering diverse issues (since a stable identityde- mandsintegrationofheterogeneityinto the self) aswellasconnecting todiverse socialgroupings suchasethnicity, class,gender,race, sexu- ality. Moreover, identityis one ofthe centralcultural narrativesofthe U. S. which contains pre-established sequential patterns (e. g. devel- opmentalorconversion stories) onwhich both dominant and resistant discoursescandraw. The aim ofthe present volume is to honor the topic's diversity, but also to concentrate on one central aspect, that ofnewness. It is a particular American phenomenon to continually bring forth new or reformed identities, or the reinterpretation ofearlier ones: From rags to riches, immigrants, migrants, venturing into the territory, going west, individuation, to move fromdreaming to doing, etc. Within the volume, issuesofreformulations,ofmultiplicity,ofreinventionandof social constraining, as well as productive forces will be addressed in fourthematiccategories: The firstcategorycomprises articleswhichtraceorsuggest new concepts and reconsiderations. Gudrun Grabher presents the often neglected area of musical identity hidden behind the prevalence of texts and the visual realm, connecting music and the literary move- ment oftranscendentalism. Louis Kerntraces the radical writings ofa Victorian African American on orgasm and reproduction, re- appreciatingoneoftheearliest theoreticians ofapleasure-based sexu- ality. Paul Lautertraces hisown identityformation inrelationto Yale whileatthe sametime looking back at modernism throughthe lens of Copyrightedmaterial 10 multiculturalism, setting offthe theory ofT. S. Eliot against writings by Sterling Brown. Carl D. Malmgren reconsiders the figure of Gatsby, claiming a shift ofthe attribute ofgreatness from Gatsby via Carraway to Fitzgerald, analyzing the ambiguity of identities. In a sophisticated argument, Theodore Schatzki discusses the establish- ment of identity through social processes and practices, rather than through abstracts concepts of uniqueness and individualism. These articles also implicitly set different theories and paradigms into con- trast,resulting insomeproposals forreconsideration. Theessays grouped inthe second sectiondealwiththeperennial source for newness in American identities, ethnicity and migration, and the resultant multiple and shifting identities. Sonja Bahn looks at European and American contacts in the movie world, from Euro- pean immigrants who became filmmakers to American directors who worked in Europe, and how they assisted and resisted mainstream ideas ofAmerican identity. Walter W. Holbling and JustineTallydis- cuss postcolonial perspectives as a new conception ofthe old ethnic paradigm and the growing attention on Africa, exploring the useful- ness ofHomi Bhabha's concept of "hybridity" in the reading ofBar- bara Kingsolver's The Poisonwood Bible. Brigitte Scheer analyzes Asian immigration and texts, with a particular emphasis on theauthor Mukherjee, and their impact on what Geok-lin Limcalls "an intraeth- nic, interethnicnewworldofinterlayeredcultures" inthe U.S. Finally, Waldemar Zacharasiewicz takes a look at the relevance ofEuropean societal models for Southern Agrarians and analyzes areas ofconsen- susanddifference in the worksofprominent Fugitives and Agrarians. Obviously, these authors have chosen different groups and different issues, buttogethertheydevelopastrongargumentfortheimportance of social contacts and relations in the formation and formulation of identities. The articles thus trace the issues ofstruggle and strife, but alsoofcooperation, solidarity, andgroupcohesion. Different fromthe previous section, the articles collected in the third group focus on the issue of individuation and identity con- struction, to a large part inthe arenaofindividualism. Robert Fisher discusses global processes ofprivatization which, as he demonstrates in his exemplary analysis of developments in the city of Houston, Copyrightedmaterial 11 Texas, even lead to a privatized identity. Peter Freese takes a fresh look at an initiation storywhose protagonist is on an individual quest and analyses a female perspective on the effects ofthe Vietnam War. James Thompson traces the construction ofan identity of loneliness, in theexampleofan Alaskanpoet who creates an imageofthe selfas independent agent in a post-individualistic age. Hanna Wallinger looksatissuesofindividuationforagroupofyoung blackwomen ina late 19th century novel and discusses the (ir)relevance ofrace in this constellation. These contributions primarily deal with the individual, theone set apart fromgroups, marginalizedorexcluded, but also with the conscious choice of loneliness. They also discuss the implied counterpoint: the need for groups, the prevalence of mass living, or thepoliticalexpediencyofsocialcontact. The essays in the last section focus on transformative or in- ventive aspects of identity construction and maintenance. Elisabeth Kraus analyzes virtual identities under the aspect ofartificial human enhancement and construction, critically assessing the contribution of Science Fiction writers Jablokov, Egan, and Kress to these issues. Roberta Maierhofer analytically combines the issues of aging and genderin aging identity, pointing outhow theold woman can be seen as the most useful metaphor for American identity. Berndt Ostendorf critically examines the phenomenon of left-to-conservative conver- sions in the American public sphere, taking as starting points Robert Warshow and Christopher Hitchens and their respective intellectual environments. Klaus and Susanne Rieser analyze the transformation ofAsian masculinity in thecourseofits exportto Hollywood and the resulting shifts in gender and racial paradigms. The articles in this section, while againdiverse, allfocusontransformationprocessesand theflexibilityofhumanidentity. In their entirety, the essays collected in this volume present a cross-sectionofresearchon- and beyond-U.S. identities: Writtenby European as well as U. S. scholars, ranging from the 19th century to the foreseeableandUtopian future, frommainstreamcanonized figures to minorityartistsandtransgenderperformers, from acritique ofindi- vidualism to a celebration of loneliness. The diversity ofthe articles represents itselfan (American) realityofthe multiple status ofidenti- Copyrightedmaterial

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