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Weapons of Words: Intertextual Competition in Babylonian Poetry PDF

291 Pages·2019·1.726 MB·English
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WeaponsofWords:IntertextualCompetitioninBabylonianPoetry Culture and History of the Ancient Near East FoundingEditor M.H.E.Weippert Editor-in-Chief JonathanStökl Editors EckartFrahm W.RandallGarr B.Halpern TheoP.J.vandenHout LeslieAnneWarden IreneJ.Winter volume 106 Thetitlespublishedinthisseriesarelistedatbrill.com/chan Weapons of Words: Intertextual Competition in Babylonian Poetry AStudyof Anzû,Enūma Elis,̆ and Erra and Isŭ m By SelenaWisnom LEIDEN | BOSTON LibraryofCongressCataloging-in-PublicationData Names:Wisnom,LauraSelena,1986-author. Title:Weaponsofwords:intertextualcompetitioninBabylonianpoetry:astudyof Anzū,Enūmaeliš,andErraandIšum/bySelenaWisnom. Description:Leiden;Boston:Brill,2019.|Series:Cultureandhistoryoftheancient NearEast,15662055;volume106|Basedontheauthor'sdissertation (doctoral)–UniversityofOxford,2014.|Includesbibliographicalreferencesand index. Identifiers:LCCN2019034058(print)|LCCN2019034059(ebook)| ISBN9789004412965(hardback)|ISBN9789004412972(ebook) Subjects:LCSH:Epicpoetry,Assyro-Babylonian–Historyandcriticism.| Intertextuality. Classification:LCC PJ3761.W572019(print)|LCC PJ3761(ebook)|DDC892/.1–dc23 LCrecordavailableathttps://lccn.loc.gov/2019034058 LCebookrecordavailableathttps://lccn.loc.gov/2019034059 TypefacefortheLatin,Greek,andCyrillicscripts:“Brill”.Seeanddownload:brill.com/brill‑typeface. ISSN1566-2055 ISBN978-90-04-41296-5(hardback) ISBN978-90-04-41297-2(e-book) Copyright2020byKoninklijkeBrillNV,Leiden,TheNetherlands. KoninklijkeBrillNVincorporatestheimprintsBrill,BrillHes&DeGraaf,BrillNijhoff,BrillRodopi, BrillSense,HoteiPublishing,mentisVerlag,VerlagFerdinandSchöninghandWilhelmFinkVerlag. Allrightsreserved.Nopartofthispublicationmaybereproduced,translated,storedinaretrievalsystem, ortransmittedinanyformorbyanymeans,electronic,mechanical,photocopying,recordingorotherwise, withoutpriorwrittenpermissionfromthepublisher. AuthorizationtophotocopyitemsforinternalorpersonaluseisgrantedbyKoninklijkeBrillNVprovided thattheappropriatefeesarepaiddirectlytoTheCopyrightClearanceCenter,222RosewoodDrive, Suite910,Danvers,MA01923,USA.Feesaresubjecttochange. Thisbookisprintedonacid-freepaperandproducedinasustainablemanner. Contents Acknowledgements ix Introduction 1 1 IntertextualityandAllusion 1 2 TheThreePoems 4 3 TheStudyofAncientAllusions 9 3.1 WhatCountsasanAllusion? 11 3.2 Intentionality 16 4 CompetitiveStrategiesofAllusion 19 5 TheBabylonianLiteraryBackground 23 5.1 AnIntellectualContext 24 5.2 ScribalEducation 26 5.3 VersionsandVariants 29 6 StructureoftheBook 30 1 AllusionsinAnzû 33 1 Introduction 33 1.1 FromOldBabyloniantoStandardBabylonian 35 2 TheRe-shapingofNinurta’sVictories:Lugal-eandAn-gin₇ 36 2.1 OminousBeginnings 38 2.2 TheWeaponBroughttoLife 40 3 NewNames,NewIdentities 42 3.1 Labbu 45 3.2 Atraḫasīs 51 3.3 TheReturnofLugalbanda 54 4 Lamentations 59 5 ReverseIntertextuality 62 6 Conclusions 64 2 EnūmaelišandAnzû 66 1 Introduction 66 2 MardukastheNewNinurta 70 2.1 TheDutifulSon 73 2.2 BloodontheWind 75 3 TheTabletofDestinies 78 4 PoisonousMonsters,‘Poisonous’Arrows 88 vi contents 5 StructuralImitationsandAdaptations 91 5.1 TheBeginning—HysteronProteron 91 5.2 TheEnd—theNames 92 5.3 Repetition,Expansion,Contraction 94 5.4 ReplacingtheTraditionalTriad 98 6 LordofIncantations 101 7 Conclusions 103 3 EnūmaelišandAtraḫasīs 105 1 Introduction 105 2 Destructions:TheDethroningofEnlil 108 2.1 NoiseandtheDeluge 110 2.2 OverthrowingBadKings 115 2.3 WhentheGodsWere(like)Man 117 2.4 TheStrippingoftheCrown 117 2.5 TheSecondSleepDisturbance 119 3 Creations:SupersedingEa 122 3.1 ACounterparttoApsû 123 3.2 TheCreationofMan 124 3.3 FreedomfromToil 126 3.4 TheCreationofBabylon 128 4 Conclusions 128 4 EnūmaelišandLugal-e 131 1 Introduction 131 2 ElementsoftheBattle 132 2.1 Šar-urReappears 133 2.2 Winds,Deluge,Spear 138 2.3 QinguandtheLeaderoftheStones 141 3 EstablishingOrder 143 3.1 NewCreation 144 3.2 ControllingtheWaters 146 3.3 ControllingApsû’sWaters 150 3.4 50Destinies,50Names 151 3.5 StructuralOverview 154 4 Conclusions 155 contents vii 5 ErraandIšum:AllusionstoAnzûandLugal-e 158 1 Introduction 158 2 Anzû:TheBackground 163 3 ErraasAnzû 166 3.1 TheTabletofDestinies 166 3.2 StrippedofPower 167 3.3 AsiftoCatchtheEvilAnzû? 168 4 IšumasNinurta 169 5 Šar-urDivides 173 6 IšumtheDoor 175 7 WhereIstheYoungHero? 178 8 Conclusions 179 6 OverturningtheOldOrder:ErraandIšumandEnūmaeliš,Atraḫasīs, andGilgameš 182 1 Introduction 182 2 Enūmaeliš 183 2.1 TurningMarduk’sOwnPoemagainstHim 185 3 TheDeluge 192 4 DisturbedSleep 198 4.1 Atraḫasīs 198 4.2 Enūmaeliš 201 5 ATimebeforetheFlood 206 6 Marduk’sDefeatandErra’sVictory 211 7 Conclusions 214 7 ErraandIšumandLamentations 216 1 Introduction 216 2 ErraandIšumandtheLamentationovertheDestructionofSumer andUr 218 2.1 OtherPossibilities 223 2.2 TheContinuityofaTradition 226 2.3 AkkadianTraditionsoftheDestructionofCities 227 2.4 TheParallelsinDetail 229 2.5 Interpretation 236 3 TheFunctionsofLamentationandPraise 238 4 Conclusions 243 viii contents Conclusion—aSelf-ConsciousTradition 245 1 TheConsequencesofCompetition 247 2 ImplicationsforLiteraryHistory 249 3 ThePowerofIntertextuality 250 References 253 GeneralIndex 271 IndexofTextsCited 275 Acknowledgements ThisbookbeganlifeasaDPhilthesissubmittedtotheUniversityofOxfordin 2014,andhassincebeensubstantiallyrevised.Myprofoundestthanksgotomy supervisor,FrancesReynolds,forherexpertguidance,incrediblethoroughness, kindnessandencouragement.Icouldnothavewishedforabettersupervisor. DuringmystudiesatOxfordIalsobenefittedfromtheadviceofseveralother scholars. I was fortunate to be able to discuss finer points of Sumerian with Jacob Dahl and Marie-Christine Ludwig, while Stephanie Dalley and Chris- topherMetcalfbothreadearlyversionsoftheworkonErraandIšumwhenit wasatthestageofMPhilresearch.IthankmyexaminersAndrewGeorgeand JacobDahlfortheirmanyusefulanddetailedcommentsonthethesis,andam deeplygratefultothelateJeremyBlackandWolfsonCollegeforsettingupthe studentshipthatsupportedmeforfouryears. GoingfurtherbackintimeIthankEmilyKearnsandRebeccaArmstrong,my ClassicstutorsatSt.Hilda’sCollegewhointroducedmetointertextualityand encouragedmyinterestintheAncientNearEast.IamalsogratefultoBruno Currie,whoworkedwithmeasanundergraduateandpostgraduatestudent, andhasgreatlyinfluencedmythinkingontherelationshipbetweenGreekand NearEasternliterature. I began to revise the thesis during a Junior Research Fellowship at The Queen’sCollege,Oxford.Queen’shavebeenanenormoussupporttome,pro- vidingtheperfectenvironmenttocarryoutthiswork.InparticularIthankthe membersof theCentreforManuscriptandTextCulturesforcreatingsucha stimulatinginterdisciplinaryresearchgroupandforbelievingsostronglyinmy work.DirkMeyerandJohnBlairespeciallyactedasmentors,advisingmeon many occasions.The AcademicWriting Group at TORCH provided welcome companyduringmanyhoursofediting. Someof thematerialinchaptertwoappearedasanarticleinthe Journal of the American Oriental Society 139.2 as ‘Blood on the wind and the tablet of destinies: intertextuality in Anzû,Enūmaeliš, and ErraandIšum’. I thank JohannesHauboldforinvitingmetopresentthecoreofthisworkataseminar intheClassicsdepartmentatDurhamandfortheexchangesthattookplace there.TheprincipalargumentofchaptersevenwaspresentedattheRencontre AssyriologiqueInternationaleinPhiladelphiain2016aspartofaworkshopon intertextualityincuneiformscholarship,andwillbepublishedintheproceed- ings.IthankMatthewRutzandZachWainerforthiskindinvitation.Following thepresentationIhadmanyfruitfuldiscussionswithUriGabbay,DinaKatz, andAlanLenzi,whoallcommentedonadraftof thearticle,aswellaswith

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