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War Owl Falling: Innovation, Creativity, and Culture Change in Ancient Maya Society PDF

309 Pages·2017·21.087 MB·English
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War Owl Falling Maya Studies University Press of Florida Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida, Sarasota University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola WaR OWL f a l l i n g Innovation, Creativity, and Culture Change in Ancient Maya Society Markus Eberl Foreword by Arlen F. Chase and Diane Z. Chase, Series Editors University Press of Florida Gainesville · Tallahassee · Tampa · Boca Raton Pensacola · Orlando · Miami · Jacksonville · Ft. Myers · Sarasota Copyright 2017 by Markus Eberl All rights reserved Printed in the United States of America on acid-free paper All drawings, diagrams, photos, and tables are by the author unless otherwise noted. This book may be available in an electronic edition. 22 21 20 19 18 17 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Names: Eberl, Markus, author. | Chase, Arlen F. (Arlen Frank), 1953– author of foreword. | Chase, Diane Z., author of foreword. Title: War owl falling : innovation, creativity, and culture change in ancient Maya society / Markus Eberl ; foreword by Arlen F. Chase and Diane Chase, series editors. Other titles: Maya studies. Description: Gainesville : University Press of Florida, 2017. | Series: Maya studies | Includes bibliographical references and index. Identifiers: LCCN 2017016670 | ISBN 9780813056555 (cloth) Subjects: LCSH: Mayas—History. | Mayas—Antiquities. | Maya art. | Inscriptions, Mayan. Classification: LCC F1435 .E24 2018 | DDC 972.81—dc23 LC record available at https://lccn.loc.gov/2017016670 The University Press of Florida is the scholarly publishing agency for the State University System of Florida, comprising Florida A&M University, Florida Atlantic University, Florida Gulf Coast University, Florida International University, Florida State University, New College of Florida, University of Central Florida, University of Florida, University of North Florida, University of South Florida, and University of West Florida. University Press of Florida 15 Northwest 15th Street Gainesville, FL 32611-2079 http://upress.ufl.edu Contents List of Figures vii List of Tables ix Foreword xi Acknowledgments xiii 1. Flower Mountain Revealed: Innovation and Social Change in Ancient Societies 1 2. Wings for Hummingbirds to Fly With: Creativity as a Play of Symbols 33 3. Itzamnaaj’s Court: Creativity Embedded in Social Opportunity Structures 65 4. Bleibt Alles Anders: Modeling Invention 100 5. A Ruler Just Like Me: Status, Power, and Innovation 132 6. Stillman Wanders, Babel Rises: Innovation’s Impact on Structures 161 7. Names of the Owl: Exploring Creativity and Innovation 193 Notes 215 References Cited 219 Index 279 Figures 1.1. The founder couple emerges from Flower Mountain 2 1.2. The Maya area 3 1.3. K’awiil Chan K’inich, last king of Dos Pilas 4 1.4. Classic Maya history 23 1.5. The Petexbatún region in the southern Maya Lowlands 25 1.6. Map of the Late Classic village of Dos Ceibas 26 1.7. The Copan Valley in the southeastern Maya Lowlands 27 1.8. The House of the Bacabs 28 1.9. Late Classic kings and nobles of Copan 29 2.1. The rabbit-duck illusion 37 2.2. The burial of Dos Pilas King Itzamnaaj K’awiil 43 2.3. Creator god Itzamnaaj brings the maize god back to life 47 2.4. Itzamnaaj shows the mask he made 49 2.5. Creator god Itzamnaaj paints a temple 50 2.6. The rain god Chaak plants maize 50 2.7. Itzamnaaj grants the hummingbird its wings 52 2.8. Disguised as Itzamnaaj, nobleman Janaab Ajaw hands Palenque’s royal headband to King K’inich Ahkal Mo’ Nahb 58 3.1. Itzamnaaj speaks to four artisans 66 3.2. Creator god Itzamnaaj teaches future scribes 67 3.3. Carved panel from Pomoy with artists’ signatures 70 3.4. Under the eyes of his nobles K’inich Ahkal Mo’ Nahb III becomes king of Palenque 76 3.5. Growth of nonroyal elites in Classic Maya society 77 3.6. The Late Classic site of Nacimiento 79 3.7. Nacimiento and Dos Ceibas grow from hamlets into villages 80 3.8. Palatial Structure R27-83 in Dos Ceibas’s South Plaza 81 3.9. Cumulative wealth distribution at Nacimiento and Dos Ceibas 84 viii · Figures 3.10. Exchanging goods, services, and ideas in Classic Maya society 94 4.1. The ensoulment of Maya ceramic vessels 105 4.2. Cognitive map from present to future world 112 4.3. The ancestral couple emerges from a cave 116 4.4. Titles of Classic Maya artisans at Xcalumkin 121 4.5. Workshop in Structure 110B, Patio H, Copan’s Group 9N-8 122 4.6. Petrified wood from the Barranca Escondida 125 4.7. Map of Barranca Escondida, with locations of petrified wood 126 4.8. Image of drilling from the Dresden Codex 128 5.1. Group 9N-8 in the Las Sepulturas neighborhood 143 5.2. Structure 9N-81 in Copan’s Group 9N-8 145 5.3. Ballcourt marker from Copan’s Great Ballcourt 146 5.4. Reconstruction drawing of the East Court of Copan’s Acropolis 147 5.5. Structure 9N-67 and its mat motif in Copan’s Patio B 150 5.6. Royal scepters from the Maya Lowlands 152 5.7. Scepters and a mirror back from Copan’s Group 9N-8 155 5.8. Reused glyphic inscriptions in Copan’s Group 9N-8 158 6.1. Ornaments from the Petexbatún villages of Dos Ceibas and Nacimiento 165 6.2. Accumulated social responses from individual cognitive maps and actions 170 6.3. Profile views of Late Classic Maya ceramic vessels 174 6.4. Tikal’s new ceramic types, seventh and eighth centuries 176 6.5. Temporal distribution of period-ending rituals 178 6.6. Different examples of the glyph for ajaw, “lord” 179 6.7. Ajaw pendants worn by Maya rulers 180 6.8. Examples of owls from Nacimiento and Dos Ceibas 181 6.9. The owl as part of the warrior costume 182 6.10. Chronological change in ceramic motifs on Chaquiste Impressed bowls from Petexbatún 187 7.1. Lower jaw with three shell teeth implants 199 7.2. Maya creation of space-time in the Madrid Codex 204 7.3. The downfall of Maya rulership 209 7.4. God Itzamnaaj reinvented as the chief priest 211 Tables 3.1. Learning sources for common crafts and skills in modern Highland Maya villages 74 3.2. Characteristics of residential groups at Nacimiento and Dos Ceibas 85 5.1. Corn varieties grown by fifty Hopi farmers 135 5.2. Complete and fragmented scepters from Copan residential groups 153 6.1. Consumption of animal species by social status at Aguateca 163 6.2. Comparisons of presumed spindle whorls 168

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