Voracious Idols and Violent Hands: Iconoclasm in Reformation Zurich, Strasbourg, and Basel

232 Pages·1994·8.936 MB·English

by  Lee Palmer Wandel

WRTICIOUS
IDOLS &
VDL€NT
H7INDS
Icmoclasm in Reformation
Zurich^ Strasbourg,
and Basel
Lee Palmer Wandel
T
his book takes up iconoclasm,
that mode by which hundreds of
ordinary people entered into
“Reformation,” in three important towns
of the 1520s. It seeks to recover the agency
of ordinary people in Reformation and
to discern their theology in their acts.
In part, its purpose is to suggest ways of
excavating the meaning of the acts of
those who did not have access to more
protected and fixed forms of communi¬
cation - that is, printed texts and images.
In part, it illuminates the meaning of
images for ordinary Christians in the
sixteenth century.
Voracious Idols and Violent Hands
posits a vision of “Reformation” as a dia¬
logue in which different persons “spoke”
through different forms, according to
their education and social and political
place. Each brought his or her vision of
true Christianity to that dialogue, and
articulated that vision in the cultural
form he or she found most accessible:
theologians in sermons and treatises,
magistrates in laws and their enforce¬
ment, and ordinary people - the focus of
this volume - in acts.
Digitized by the Internet Archive
in 2019 with funding from
Kahle/Austin Foundation
https://archive.0rg/details/voraciousidolsviOOOOwand

This book takes up iconoclasm, that mode by which hundreds of
ordinary people entered into “Reformation,” in three important
towns of the 1520s. It seeks to recover the agency of ordinary peo¬
ple in Reformation and to discern their theology in their acts. In
part, its purpose is to suggest ways of excavating the meaning of
the acts of those who did not have access to more protected and
fixed forms of communication - that is, printed texts and images.
In part, it illumes the meaning of images for ordinary Christians
in the sixteenth century.
Voracious Idols and Violent Hands posits a vision of “Reformation”
as a dialogue in which different persons “spoke” through differ¬
ent forms, according to their education and social and political
place. Each brought his or her vision of true Christianity to that
dialogue, and articulated that vision in the cultural form he or she
found most accessible: theologians in sermons and treatises, mag¬
istrates in laws and their enforcement, and ordinary people - the
focus of this volume - in acts.
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Voracious idols and
violent hands
Iconoclasm in Reformation
Zurich, Strasbourg, and Basel
LEE PALMER WANDEL
Yale University
Cambridge
UNIVERSITY PRESS
Published by the Press Syndicate of the University of Cambridge
The Pitt Building, Trumpington Street, Cambridge cb2 irp
40 West 20th Street, New York, ny 10011-4211, USA
10 Stamford Road, Oakleigh, Melbourne 3166, Australia
© Cambridge University Press 1995
First published 1995
Printed in the United States of America
Library of Congress Cataloging-in-Publication Data
Wandel, Lee Palmer.
Voracious idols and violent hands : iconoclasm in Reformation Zurich, Strasbourg,
and Basel / Lee Palmer Wandel.
p. cm.
ISBN 0-521-47222-9
1. Iconoclasm - Switzerland - Zurich. 2. Iconoclasm - France - Strasbourg.
3. Iconoclasm - Switzerland - Basel 4. Reformation - Switzerland - Zurich.
5. Reformation - France - Strasbourg. 6. Reformation - Switzerland - Basel.
7. Zurich (Switzerland) - Church history - 16th century.
8. Strasbourg (France) - Church history - 16th century.
9. Basel (Switzerland) - Church history - 16th century. 1. Title.
BR355135W35 1995
274.94 06-dc20 94-13639
CIP
A catalog record for this book is available from the British Library
ISBN 0-521-47222-9 hardback
This book was published with the generous assistance of the
Frederick W. Hilles Publications Fund of Yale University.