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Voice and Discourse in the Irish Context PDF

296 Pages·2018·3.981 MB·English
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VOICE & DISCOURSE IN THE IRISH CONTEXT Edited by Diana Villanueva Romero, Carolina P. Amador-Moreno and Manuel Sánchez García Voice and Discourse in the Irish Context Diana Villanueva Romero Carolina P. Amador-Moreno Manuel Sánchez García Editors Voice and Discourse in the Irish Context Editors Diana Villanueva Romero Carolina P. Amador-Moreno Universidad de Extremadura Universidad de Extremadura Cáceres, Spain Cáceres, Spain Manuel Sánchez García Universidad de Extremadura Cáceres, Spain ISBN 978-3-319-66028-8 ISBN 978-3-319-66029-5 (eBook) https://doi.org/10.1007/978-3-319-66029-5 Library of Congress Control Number: 2017956117 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and trans- mission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Serge Ostroverhoff / Alamy Stock Vector Design by Akihiro Nakayama Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland Contents Introduction 1 Carolina P. Amador-Moreno and Diana Villanueva Romero Voicing the ‘Knacker’: Analysing the Comedy of the Rubberbandits 13 Elaine Vaughan and Máiréad Moriarty He’s After Getting Up a Load of Wind: A Corpus-Based Exploration of be + after + V-ing Constructions in Spoken and Written Corpora 47 Carolina P. Amador-Moreno and Anne O’Keeffe ‘I Intend to Try Some Other Part of the Worald’: Evidence of Schwa- Epenthesis in the Historical Letters of Irish Emigrants 75 Persijn M. de Rijke NEG/AUX Contraction in Eighteenth- Century Irish English Emigrant Letters 105 Dania Jovanna Bonness v vi Contents A Corpus-Based Approach to Waiting for Godot’s Stage Directions: A Comparison between the French and the English Version 139 Pablo Ruano San Segundo Samuel Beckett’s Irish Voice in Not I 169 José Francisco Fernández Bernard Shaw and the Subtextual Irish Question 187 Gustavo A. Rodríguez Martín Voices from War, a Privileged Fado 209 Daniel de Zubía Fernández A Century Apart: Intimacy, Love and Desire from James Joyce to Emma Donoghue 235 Teresa Casal Foreign Voices and the Troubles: Northern Irish Fiction in French, German and Spanish Translation 265 Stephanie Schwerter Index 291 List of Figures Voicing the ‘Knacker’: Analysing the Comedy of the Rubberbandits Image 1 The Rubberbandits (reprinted by permission). L: Blind Boy Boat Club; R: Mr. Chrome 19 Fig. 1 Orthographic reification of ‘Limerick/Rubberbandits’ English’. Source: Extracted comments from Facebook page: www.facebook.com/TheRubberbandits 29 Image 2 (authors’ own) 30 He’s After Getting Up a Load of Wind: A Corpus-Based Exploration of be + after + V-ing Constructions in Spoken and Written Corpora Image 1 Concordance lines from Roddy Doyle’s novel The Snapper 52 Fig. 1 Past and present reference forms in contemporary writing 57 ‘I Intend to Try Some Other Part of the Worald’: Evidence of Schwa- Epenthesis in the Historical Letters of Irish Emigrants Fig. 1 Words (n) in CORIECOR per decade 80 Fig. 2 Words (n; left y-axis) and epenthesis (n; right y-axis) in CORIECOR 86 Fig. 3 Distribution of epenthesis (n) in expected environments for IrE 90 Fig. 4 Distribution of epenthesis (n) in unexpected environments for IrE 91 vii viii List of Figures Fig. 5 Eight most common environments with epenthesis (n) over time. Unexpected environments with dotted line 92 Fig. 6 Geographical distribution of epenthesis (n) in Ireland 93 NEG/AUX Contraction in Eighteenth- Century Irish English Emigrant Letters Fig. 1 Distribution of words per decade 110 Fig. 2 Distribution of contracted and full forms with be according to the letter writer’s geographic origin 119 Fig. 3 Distribution of contracted and full forms with will according to the letter writer’s geographic origin 119 Fig. 4 Distribution of AUX-contracted won’t and NEG-contracted ’ll not by social rank and biological sex (n = 97) 126 A Corpus-Based Approach to Waiting for Godot’s Stage Directions: A Comparison between the French and the English Version Fig. 1 Concordance search ESTRAGON: [* (20 of 91 examples) 144 Fig. 2 Concordance search (* for Estragon (20 of 72 examples) 145 List of Tables Voicing the ‘Knacker’: Analysing the Comedy of the Rubberbandits Table 1 <Boards.ie> discussion, 15–12–2010 20 Table 2 Rubberbandits’ Guides to Corpus (RGC) 23 Table 3 Wordlist for RGC (generated using WordSmith Tools 5, Scott 2008) 24 Table 4 Wordlist for RGC and LCIE compared (generated using WordSmith Tools, Scott 2008) 27 Table 5 Keyword list for RGC using LCIE as reference corpus (generated using WordSmith Tools 5) 28 He’s After Getting Up a Load of Wind: A Corpus-Based Exploration of be + after + V-ing Constructions in Spoken and Written Corpora Table 1 Interactional relationship types (based on McCarthy) 53 Table 2 Literary corpus from the Corpus of Irish English 54 Table 3 Quantitative results for be + after + V -ing in LCIE and CIE literary corpus 56 Table 4 Patterns found in corpora 57 ‘I Intend to Try Some Other Part of the Worald’: Evidence of Schwa- Epenthesis in the Historical Letters of Irish Emigrants Table 1 The five most common words with epenthesis (n) and their spelling variations (n) in CORIECOR 86 Table 2 Distribution of epenthesis in country and Henry 87 ix x List of Tables Table 3 Epenthesis (n) in CORIECOR by cluster in which it occurs. Expected clusters for IrE in bold 87 Table 4 Epenthesis (n) in CORIECOR by gender 94 Table 5 Social rank or occupation of letter writers with epenthesis 95 Table 6 Epenthesis (n) in CORIECOR by social rank 95 Table 7 Epenthesis (n) in CORIECOR by religion 97 NEG/AUX Contraction in Eighteenth- Century Irish English Emigrant Letters Table 1 Full forms and contracted forms in eighteenth-century emigrant letters 113 Table 2 Use of contracted and full forms with be, 1701–1800 (n = 175) 115 Table 3 Use of contracted and full forms with will, 1701–1800 (n = 97) 117 Table 4 Types of subjects with will, 1761–1800 (n = 91) 117 Table 5 Distribution of contracted and full forms with be according to biological sex of the letter writers (n = 175) 121 Table 6 Distribution of contracted and full forms with will according to biological sex of the letter writers (n = 97) 122 Table 7 Rank and status in the eighteenth-century letters 124 Table 8 Frequency of contracted and full forms of will + not (n = 97) in the letters according to social rank 125 A Corpus-Based Approach to Waiting for Godot’s Stage Directions: A Comparison between the French and the English Version Table 1 Stage directions in Waiting for Godot 146 Table 2 Stage directions modelling Pozzo’s utterances 148 Table 3 Stage directions modelling Vladimir’s utterances 149 Table 4 Stage directions modelling Estragon’s utterances 151 Table 5 Recurrent stage directions with Pozzo in Waiting for Godot and French equivalencies 153 Table 6 Recurrent stage directions with Vladimir in Waiting for Godot and French equivalencies 154 Table 7 Recurrent stage directions with Estragon in Waiting for Godot and French equivalencies 156

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