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33 Pages·2015·0.85 MB·English
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Shadows Ablaze Kathryn Salfelder Kon Brio (ASCAP) www.kathrynsalfelder.com Program Listing: Shadows Ablaze (2015) Kathryn Salfelder (b. 1987) Program Note: Shadows Ablaze was composed following a six-month study of exclusively 15th-century Franco-Flemish and Italian repertoire. I was captivated by the music of Johannes Ockeghem (c.1420-1497) for its memorable lyricism and contrapuntal craft. Ockeghem's three-voice chanson, "D'un autre amer," is the foundation of Shadows Ablaze. When quoting a respected composer's work, it is tempting to put his music on a pedestal, to glorify it in the context of one's own new and "lesser" music. Here, the three glockenspiels capture this ideal, illuminating fragments of Ockeghem's song in its original, unaltered form. However, the surrounding "new" music is also the "old" chanson, now deconstructed: the tenor reharmonized as the opening low brass chorale, the superius voice inverted and transformed into a descant, and the contratenor re-rhythmicized into woodwind flourishes. These shadows of the chanson - while each traceable to the source - no longer revere their original composer, but rather assume their own identities, permeating every bar of the work. Shadows Ablaze is a consortium commission for the 2015 Japan Wind Ensemble Conductors Conference (JWECC). Mamoru NAKATA Kohtai YOH Kohei KUROIWA Wind Ensemble Soleil (Taizo OKUYAMA) Morioka City Brass (Taizo OKUYAMA) Izumo Suisougakudan Kandamachi-Ichibanchi-Yoriaigakudan Wind Orchestra Kawaswaki Unversity of Medical Welfare Wind Orchestra Heartful Winds (Toshiya IWATA) Okayama Sanyo High School Wind Orchestra (Masafumi MATSUMOTO) Iyo High School Wind Orchestra (Kimihiko HASEGAWA) Shimonoseki Nishi High School Wind Orchestra (Takayuki Fujita) Kochi Nishi Senior High School Wind Orchestra (Naoyuki NAKAYAMA) Hikarigaoka Girls High School Wind Orchestra (Kentaro HINO) Performance Notes: Accidentals remain in effect for the duration of the measure at the octave in which they occur. They are sometimes rewritten within a measure for clarity. Dotted slurs indicate phrasing. Tenuto marks indicate both weight and length. Shadows Ablaze may be performed one-on-a-part or with additional performers at the conductor's discretion. Performance time: c. 7 minutes Instrumentation Flute 1 & 2 Bb Trumpet 1/Flugelhorn Oboe 1 & 2 Bb Trumpet 2 & 3 Bb Clarinet 1, 2 & 3 F Horn 1, 2, 3 & 4 Bb Bass Clarinet Trombone 1 & 2 Bassoon 1 & 2 Bass Trombone Euphonium Bb Soprano Saxophone Tuba Eb Alto Saxophone Bb Tenor Saxophone String Bass Eb Baritone Saxophone Percussion 1: Bass Drum, Splash Cymbal, Ride Cymbal (large), Glockenspiel Percussion 2: 3 Tom-toms (mid, mid-high, high), Glockenspiel, Suspended Cymbal (medium), Piccolo Snare Drum, Tam-tam (large) Percussion 3: Glockenspiel, Hi-hat, Woodblock (low) Commissioned for the 2015 Japan Wind Ensemble Conductors Conference Transposed Score Shadows Ablaze Kathryn Salfelder Emerging 10 h = 36 / q = 72   Flute 1             Flute 2             Oboe 1             Oboe 2             Clarinet in Bb 1             Clarinet in Bb 2             Clarinet in Bb 3            Bass Clarinet            in Bb   Bassoon 1             Bassoon 2               Soprano Saxophone             Alto Saxophone             Tenor Saxophone             Baritone Saxophone             Trumpet in Bb 1/            Flugelhorn  Trumpet in Bb 2             mf  Trumpet in Bb 3             mf  Horn in F 1             mf  Horn in F 2              mf  Horn in F 3             mf  Horn in F 4              mf cantabile  Trombone 1                  pp mf p pp mf cantabile Trombone 2                  pp mf p pp mf cantabile  Bass Trombone                 pp mf p pp mf cantabile Euphonium                pp mf p pp cantabile  Tuba                   pp mf p pp cantabile(ossia 8va)  String Bass                   pp mf p pp   Bass Drum  Perc. 1                       pp ppp  Perc. 2             small brass mallets Glockenspiel  3 Perc. 3                  pp ppp Copyright © 2015 Kon Brio (ASCAP) International Copyright secured. All Rights Reserved. Copying or reproducing this publication in whole or in part violates the Federal Copyright Law Shadows Ablaze 2 18 11     Fl. 1         f risoluto   Fl. 2         f risoluto Ob. 1            f risoluto   Ob. 2         f risoluto Cl. 1               6 3 3 mf f Cl. 2           Cl. 3           B. Cl.            Bsn. 1           Bsn. 2            Sop. Sax.           Alto Sax.           Ten. Sax.           Bari. Sax.           solo, cantabile Flugelhorn Flug.                    mf mp mf   Bb Tpt. 2                     Bb Tpt. 3                 Hn. 1               Hn. 2                  Hn. 3               Hn. 4             mp      Tbn. 1                           Tbn. 2                          B. Tbn.                    solo, cantabile          Euph.      mf p  Tuba                      mf  D.B.           Perc. 1           Perc. 2           Glock.           Shadows Ablaze 3 25 20                  Fl. 1     p f risoluto              Fl. 2     p f risoluto           Ob. 1       p f risoluto    Ob. 2                p f risoluto Cl. 1                3 3 f risoluto mp mf         Cl. 2        mf p f risoluto Cl. 3           f risoluto   B. Cl.              Bsn. 1             Bsn. 2              Sop. Sax.             Alto Sax.             Ten. Sax.             Bari. Sax.            Flug.             mp   Bb Tpt. 2             Bb Tpt. 3           cantabile  Hn. 1              p mp p mf cantabile   Hn. 2             mf cantabile    Hn. 3             mf cantabile   Hn. 4             mf       cantabile  Tbn. 1          mp p mf   cantabile Tbn. 2              mp p mf cantabile    B. Tbn.               mp p mf cantabile Euph.            cantabile mf    Tuba                mf cantabile    D.B.             mf    Perc. 1             Perc. 2           3  Glock.                   pp Shadows Ablaze 4 27          Fl. 1     Fl. 2              Ob. 1      Ob. 2    Cl. 1                          mf 3 3 3 3 3 33 3 Cl. 2                  mf 3 3 3 3 Cl. 3             mf 3 3 B. Cl.       Bsn. 1      Bsn. 2       solo 3 3 3 3    Sop. Sax.                f 3 mf Alto Sax.      Ten. Sax.      Bari. Sax.       Flug.      Bb Tpt. 2      Bb Tpt. 3      Hn. 1       f Hn. 2       f Hn. 3       f Hn. 4        f         Tbn. 1 f   Tbn. 2       f  B. Tbn.       f Euph.       f  Tuba        f  D.B.       f  (Bass drum) Perc. 1            pp Perc. 2      Perc. 3      Shadows Ablaze 5 32 31            Fl. 1           Fl. 2        3      Ob. 1       f 3 f risoluto 3 3 3 3 3  Ob. 2                          mf 3  f 3 f risoluto 3 Cl. 1   mp6 6       mf6     3 3 3 3 Cl. 2              3            mf 3 3 3 3 Cl. 3       mf      quasi pizz 3 3 B. Cl.                  f    Bsn. 1              3  mf 3 3 33 3 3 Bsn. 2            mf 3  Sop. Sax.      3 3 Alto Sax.          mf 3 Ten. Sax.      Bari. Sax.       Flug.      Bb Tpt. 2      Bb Tpt. 3      Hn. 1      Hn. 2             mf Hn. 3      Hn. 4             mf          Tbn. 1      mp mf  Tbn. 2               mp mf  B. Tbn.       mp mf         Euph.      mp  Tuba         mp solo pizz 3  D.B.                     3    3 mp f Splash cymbal Ride cymbal w/brushes   w/brushes    sempre l.v.  Perc. 1            crisply ppp mf 3 Tom-toms mid-high 3     Perc. 2            mp Perc. 3      Shadows Ablaze 6 35 37       Fl. 1         Fl. 2      3 Ob. 1                    mf 3 3 3 3 f risoluto    Ob. 2      3 Cl. 1                      mf 3 3 3 3 f risoluto Cl. 2               mf 6 3 6 Cl. 3   mf 6   6   f 6   6    6 3 3  B. Cl.          3            f 6  3 3    3       3     Bsn. 1            f 3 3 3 3 3 3  Bsn. 2                  f 3 3  Sop. Sax.      Alto Sax.      Ten. Sax.      3 3 3  Bari. Sax.                 mf 3 3        Flug.    mf Bb Tpt. 2      Bb Tpt. 3      Hn. 1      Hn. 2          Hn. 3      Hn. 4              Tbn. 1                 mf Tbn. 2            mf  B. Tbn.           mf        Euph.     mf  Tuba            mf  mf  D.B.     3     3  3    3   (Ride/splash) 3 3      Perc. 1              f (3 t-toms) mid 3    Perc. 2              Perc. 3      Shadows Ablaze 7 39       Fl. 1      f 3 6    6 Fl. 2        f 3 Ob. 1     Ob. 2       Cl. 1      mp f 6 Cl. 2         3      mp mf 6 3 f 6 6 3 6 6  6  Cl. 3               mf f 3 6 B. Cl.           Bsn. 1      f     3     mp     6 3 6 6 Bsn. 2   f 666     6  6   6    Sop. Sax.   f 6   3        3     3 f 6 mf 6 6 Alto Sax.          6 mf 6  6 Ten. Sax.             mf 6 3 Bari. Sax.      Flug.           mf Bb Tpt. 2     Bb Tpt. 3     Hn. 1      p Hn. 2     Hn. 3     Hn. 4     Tbn. 1         mf  Tbn. 2        mf  B. Tbn.         mf Euph.        mf  Tuba           arco mf D.B.         3 mf   Perc. 1      mf sim. Perc. 2             3 mf3 Perc. 3     Shadows Ablaze 8 45 Decisive, crisp, with energy q = 108 3 K e = e 42          Fl. 1        6 3 ff mp Fl. 2      3         6 ff 3  mp              Ob. 1       ff f 3 mp    Ob. 2               ff f 3 mp Cl. 1               3 6 3  Cl. 2                 f 6 3 3 mp  Cl. 3         B. Cl.        solo   Bsn. 1           mf   Bsn. 2          Sop. Sax.         Alto Sax.         Ten. Sax.         Bari. Sax.         to Bb Tpt.    Flug.           p  Bb Tpt. 2         Bb Tpt. 3         Hn. 1         Hn. 2         Hn. 3         Hn. 4        Tbn. 1              f mp Tbn. 2          f mp   B. Tbn.           f mp Euph.            f mf   Tuba             f mp solo pizz. D.B.                  f mp f  (Ride/splash) 3   w/stick sempre l.v.     Perc. 1            mp (3 t-toms)   Perc. 2            3 3 Hi-hat 3        Perc. 3                 mp

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Shadows Ablaze was composed following a six-month study of exclusively Shadows Ablaze is a consortium commission for the 2015 Japan Wind
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