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Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself PDF

263 Pages·2013·7.11 MB·English
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Preview Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself

Victorian Secrets Copyright © 2013 by Sarah A. Chrisman Foreword copyright © 2013 by Sue Lean All Rights Reserved. No part of this book may be reproduced in any manner without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Skyhorse Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018. Skyhorse Publishing books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fund-raising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Skyhorse Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018 or [email protected]. Skyhorse® and Skyhorse Publishing® are registered trademarks of Skyhorse Publishing, Inc.®, a Delaware corporation. www.skyhorsepublishing.com. 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data is available on file. ISBN: 978-1-62636-175-1 eISBN: 978-1-62873-562-8 Printed in the United States of America For Gabriel Table of Contents Foreword Introduction Nature and Artifice CHAPTER 1: Ribbed Rumors and Stayed Truths CHAPTER 2: A Step Backward in Time . . . and a Knotty Problem CHAPTER 3: Waisted Curves CHAPTER 4: Stayed Slumber and Sizing Down CHAPTER 5: A Museum Visit CHAPTER 6: Twenty-Four-Seven CHAPTER 7: Meeting Mom CHAPTER 8: Serving at Table CHAPTER 9: Figure Facts CHAPTER 10: Broken Bones CHAPTER 11: Customized Curves CHAPTER 12: The Freedom of the Corset CHAPTER 13: Objections CHAPTER 14: Votes for Women CHAPTER 15: Feminine Anatomy, and Matters of Hygiene CHAPTER 16: “All the Pretty Girls” CHAPTER 17: Duck the Malls CHAPTER 18: Waisted Flight CHAPTER 19: Straight-Laced Security CHAPTER 20: Hatter’s Logic, and Pinned Perils CHAPTER 21: Veiled Glances CHAPTER 22: Crisis for Beauty CHAPTER 23: A Year On CHAPTER 24: A Victorian Lady’s Dressing Sequence CHAPTER 25: Fifty Years of Fashion: A Model Performance CHAPTER 26: Loose Laces to Tie Up the Tale CHAPTER 27: Epilogue Further Reading Acknowledgments Foreword At the State Capital Museum in Olympia in 2009, at a High Tea Reception for the publication of Shanna Stevenson’s book Women’s Votes, Women’s Voices: The Campaign for Equal Rights in Washington, I met Sarah Chrisman. Here was this lovely authentically clothed young woman I’d never seen at an historical event before. She had come all the way from Seattle—taking five modes of transportation to be able to attend. The fifth was a ride with my friend, Mary Murphy, who saw her walking up Capitol Way from the bus station downtown. She pulled over and said, “I think we are going to the same place.” Sarah in her long skirts gratefully accepted the ride. Mary showed Sarah around to the museum guests and they all marveled at her beautiful Victorian tan linen dress. You could tell by looking that it was made of natural fibers with fine hand-stitched detailing. As a member of the Women’s History Consortium (an advisory board to the Washington State Historical Society) with a mission to collect women’s history and to celebrate the 2010 suffrage centennial in Washington, I zeroed right in on Sarah. I hoped she would be in the Olympia’s Lakefair Festival parade as part of the “Suffragettes on Parade” entry. Naturally, I was hoping she would appear at other suffrage celebration events. I was astonished to learn that she and her husband had an extensive collection of both women’s and men’s Victorian clothing. Happily, they were interested in sharing it with the public. Sarah and Gabriel invited me to lunch in their tiny studio apartment near the University of Washington in Seattle. I was to see an extraordinary collection of exquisite antique clothing. Especially thrilling was a black hat and dress very much like that worn by Susan B. Anthony in an old photograph. At once, I became determined to do all I could to advance this outstanding collection into public view. Organizations were being encouraged to celebrate the suffrage centennial by having a Pink Tea. This was the most formal of Victorian color-themed teas and guests sometimes spoke among themselves about winning the vote. The opportunity came to have a Pink Tea and historical fashion show for the Olympia Unitarian Universalist Congregation. The Chrismans’ in-depth knowledge of Victorian clothing was paired with commentary about leading northwest suffragists, both men and women, who would have worn similar clothing. The idea was to honor key leaders such as Susan B. Anthony, Abigail Scott Duniway, and Carrie Chapman Catt in the long struggle in for the right to vote. Washington women won and lost the vote more than once before becoming the fifth state to enfranchise women in 1910, the first new star on the women’s suffrage flag in fourteen long years. As a first offering, there were a few glitches. Once Gabriel was delayed in being able to change outfits, but Sarah carried on, valiantly entertaining the guests. It was a rather grand start and Evie Greenberg was able to take wonderful photographs, extending the outreach for their collection in a significant way. No small amount of organization, work, and travel are involved in putting on an historical fashion show —not to mention the research and presentation planning involved. Sarah’s experience as she transformed herself into a Victorian lady is laced with candid insights and surprises about the underwear of yesteryear. It was a lucky day that we met, and I am still fascinated by the fact that Sarah has worn a corset twenty-four-seven for so many years. She and Gabriel have educated many people about this amazing undergarment, which the reader will find through Victorian Secrets is subject to many misconceptions. It is fortuitous that the Chrismans live in Port Townsend with the state’s best Victorian architecture, wonderful heritage, and steampunk festivals. Sarah and Gabriel add a great deal of historical color to these events. The best part, without a doubt, is that this historical color is authentic. —Sue Lean, Historian Washington Women’s History Consortium

Description:
On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.