Victorian Poetry 2013: Vol 51 Index & Table of Contents PDF
Preview Victorian Poetry 2013: Vol 51 Index & Table of Contents
Victorian Poetry Index VOLUME 51, 2013 D.M.R. Bentley Dante Gabriel Rossetti’s “Absurd,” Antiquarian, and “Modern-Antique” Medievalism(s): Girlhood of Mary Virgin, The Bride’s Prelude, and “Stratton Water” Alan P. Barr The Irony of Swinburne’s Atalanta in Calydon S. Brooke Cameron The Pleasures of Looking and the Feminine Gaze in Michael Field’s Sight and Song Ayse Celikkol Secular Pleasures and FitzGerald’s Rubdiydt of Omar Khayyaém Sarah H. Ficke Crafting Social Criticism: Infanticide in “The Runaway Slave at Pilgrim’s Point” and Aurora Leigh Michelle Geric Tennyson’s Maud (1855) and the “unmeaning of names”: Geology, Language Theory, and Dialogics Guide to the Year’s Work John Hughes Meter and Context: Hardy’s “Neutral Tones” Linda K. Hughes Narrative Matters: Keynote Address to “Forms and Fashions. A Conference in Celebration of the 50th Anniversary of Victorian Poetry” Andrew Kay Swinburne, Impressionistic Formalism, and the Afterlife of Victorian Poetic Theory Mary Mullen Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness Jason Nabi Tennyson with the Net Down: His “Freer” Verse 564 / VICTORIAN POETRY 465 Albert D. Pionke Erotic, Prosodic, and Ethical-Aesthetic Forms of Triangulation in Augusta Webster’s Dramatic Studies and A Women Sold and Other Poems Rebecca Rainof Victorians in Purgatory: Newman’s Poetics of Conciliation and the Afterlife of the Oxford Movement Justin Sider Framing Tennyson’s Farewells: Authority and Materiality in “Morte d’ Arthur” Philip J. Stewart Clough’s Last Summer Joanna Swafford Swinburne and the Mobius Strip: Circumvented Circularity in A Century of Roundels Joshua Taft The Forms of Discipline: Christina Rossetti’s Religious Verse Marion Thain “Thomas Hardy’s Poetics of Touch” Megan Torti “The life of such dead things”: Psychological Obsession in Swinburne’s “Félise” Lorraine Wood Filling in the Blanks: Music and Performance in Dante Gabriel Rossetti siirent: PAY ee ele
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