Table Of Content

VICTORIAN POETRY INDEX VOLUME 47, 2009 2ett VICTORIAN POETRY VOLUME 47, 2009 INDEX 313 Anna Barton Delirious Bulldogs and Nasty Crockery: Tennyson as Nonsense Poet 747 Jason Boulet “Will he rise and recover[?]”: Catullus, Castration, and Censorship in Swinburne’s “Dolores” 777 T.A.J. Burnett Some Reflections on the Text of Swinburne’s Unfinished Novel, the so-called “Lesbia Brandon” 379 Alan C. Christensen Navigating in Perilous Seas of Language: In Memoriam and “The Wreck of the Deutschland” 787 Benjamin F. Fisher Swinburne’s “A Nympholept” in the Making 449 Ernest Fontana Exercitive Speech Acts in the Poetry of Dante Gabriel Rossetti 675 Andrew Fippinger Intimations and Imitations of Immortality: Swinburne’s “By the North Sea” and “Poeta Loquitur” 633 Tony W. Garland Brothers in Paradox: Swinburne, Baudelaire, and the Paradox of Sin 45 Erik Gray Getting It Wrong in “The Lady of Shalott” 533 Guide to the Year’s Work in Victorian Poetry 173 Irene Hsiao Subtraction and Division: Calculating Loss in In Memorviam 461 Allison Adler Kroll Tennyson and the Metaphysics of Material Culture: The Early Poetry 505 Angela Leighton On “the hearing ear”: Some Sonnets of the Rossettis 661 Yisrael Levin A Theory of Poetry: Swinburne’s “A Dark Month” 647 Margot K. Louis Erotic Figuration in Swinburne’s Tristram of Lyonesse, Canto 2: The Vanishing Knight and the Drift of Butterflies 481 Stefanie Markovits Giving Voice to the Crimean War: Tennyson’s “Charge” and Maud’s Battle-song Catherine Maxwell Swinburne and Thackeray’s The Newcomes Richard Maxwell Unnumbered Polypi Jed Mayer The Vivisection of the Snark Anne C. McCarthy “Who knows if he be dead?”: Maud, Signification, and the Madhouse Cantos 619 Jerome McGann Wagner, Baudelaire, Swinburne: Poetry in the Condition of Music 101 James Nohrnberg Eight Reflections of Tennyson’s Ulysses T. D. Olverson Libidinous Laureates and Lyrical Maenads: Michael Field, Swinburne and Erotic Hellenism Katie Paterson “Much Regrafted Pain”: Schopenhauerian Love and the Fecundity of Pain in Atalanta in Calydon Robert L. Patten The Contemporaneity of The Last Tournament Timothy Peltason What the Laureate Did Next: Maud Nm Wn Linda H. Peterson Tennyson and the Ladies William H. Pritchard Epistolary Tennyson: The Art of Suspension Ingrid Ranum An Adventure in Modern Marriage: Domestic Development in Tennyson’s Geraint and Enid and The Marriage of Geraint Ingrid Ranum A Woman’s Castle is Her Home: Matthew Arnold’s Tristram and Iseult as Domestic Fairy Tale Rikky Rooksby and Terry L. Myers Introduction to Swinburne issue D. B. Ruderman The Breathing Space of Ballad: Tennyson’s Stillborn Poetics Julia F. Saville Cosmopolitan Republican: Swinburne, the Immersive Poet as Public Moralist W. David Shaw Tennyson and Zeno: Three Infinities Gregory Tate Tennyson and the Embodied Mind Dennis Taylor Tennyson’s Catholic Years: A Point of Contact Herbert F. Tucker Guest Editor’s Foreword (Tennyson issue) Henry Weinfield “Of happy men that have the power to die”: Tennyson’s “Tithonus” Julie M. Wise From Langham Place to Lancashire: Poetry, Community, and the Victoria Press’s Offering to Lancashire