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Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity: Art, Opera, Fiction, and the Proclamation of Modernity PDF

408 Pages·2011·6.73 MB·English
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VICTORIAN CULTURE AND CLASSICAL ANTIQUITY MARTIN CLASSICAL LECTURES The Martin Classical Lectures are delivered annually at Oberlin College through a foundation established by his many friends in honor of Charles Beebe Martin, for forty-five years a teacher of classical literature and art at Oberlin. John Peradotto, Man in the Middle Voice: Name and Narration in the Odyssey Martha C. Nussbaum, The Therapy of Desire: Theory and Practice in Hellenistic Ethics Josiah Ober, Political Dissent in Democratic Athens: Intellectual Critics of Popular Rule Anne Carson, Economy of the Unlost: (Reading Simonides of Keos with Paul Celan) Helene P. Foley, Female Acts in Greek Tragedy Mark W. Edwards, Sound, Sense, and Rhythm: Listening to Greek and Latin Poetry Michael C. J. Putnam, Poetic Interplay: Catullus and Horace Julia Haig Gaisser, The Fortunes of Apuleius and the Golden Ass: A Study in Transmission and Reception Kenneth J. Reckford, Recognizing Persius Leslie Kurke, Aesopic Conversations: Popular Tradition, Cultural Dialogue, and the Invention of Greek Prose Erich Gruen, Rethinking the Other in Antiquity Simon Goldhill, Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity VICTORIAN CULTURE AND CLASSICAL ANTIQUITY Art, Opera, Fiction, and the Proclamation of Modernity Simon Goldhill PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD Copyright © 2011 Princeton University Press Requests for permission to reproduce material from this work should be sent to Permissions, Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu All Rights Reserved Library of Congress Cataloging-in-Publication Data Goldhill, Simon. Victorian culture and classical antiquity: art, opera, fiction, and the proclamation of modernity / Simon Goldhill. p. cm. — (Martin classical lectures) Includes bibliographical references and index. ISBN 978-0-691-14984-4 (acid-free paper) 1. Great Britain—Intellectual life—19th century. 2. Great Britain—Civilization—19th century. 3. English literature—19th century—Classical influences. 4. Art, Victorian—Great Britain. 5. Art, British—Classical influences. 6. Opera—Classical influences. I. Title. II. Series. DA550.G65 2011 2010049711 941.081—dc22 British Library Cataloging-in-Publication Data is available This book has been composed in Janson Text LT STD Printed on acid-free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 CONTENTS List of Illustrations INTRODUCTION Discipline and Revolution: Classics in Victorian Culture PART 1. ART AND DESIRE CHAPTER ONE The Art of Reception: J. W. Waterhouse and the Painting of Desire in Victorian Britain Fleshliness and Purity Visualizing Desire, Elsewhere Off the Chocolate Box CHAPTER TWO The Touch of Sappho Viewed in the Light of Greece Touching Sappho on the Strand PART 2. MUSIC AND CULTURAL POLITICS CHAPTER THREE Who Killed Chevalier Gluck? Revolutionary Opera The Art of Crying and the Happy Ending Disinterring a Classic The German Way London Fashion CHAPTER FOUR Wagner’s Greeks: The Politics of Hellenism “To be half a day a Greek!” Staging the Sonderweg Endeavoring to Forget PART 3. FICTION: VICTORIAN NOVELS OF ANCIENT ROME CHAPTER FIVE For God and Empire Every Book Needs a Hero Whose History? Fictionalizing the Past CHAPTER SIX Virgins, Lions, and Honest Pluck The Knebworth Apollo The Fiction of the Church The Best-Selling Novel in America The Harry Potter Effect Jews, Egyptians, and Other Clichés of the Popular Sublime SEVEN Only Connect! The Life of the Author Victoria’s Historian, Darwin’s Parson The Fight for the Middle Ground CODA Notes Bibliography Index ILLUSTRATIONS Figures 1.1. Diadumene (clothed), Edward John Poynter 1.2. Diadumene, Edward John Poynter 1.3. The Swimming Hole, Thomas Eakins 1.4. Circe and the Companions of Ulysses, Louis Chalon 1.5. Circe Enchants Odysseus’ Companions, Arthur Hacker 2.1. Sappho, Queen Victoria 2.2. The Fisherman and the Syren, Frederic Leighton, First Baron Leighton 2.3. Oedipus and the Sphinx, Jean Auguste Dominique Ingres 2.4. Oedipus and the Sphinx, Gustave Moreau 3.1. Pauline Viardot as Orpheus 3.2. Pauline Viardot as Orpheus (Hector Berlioz Photo Album) 3.3. Pauline Viardot 3.4. Jessie Bovill 3.5. Viola Tree as Iphigeneia 3.6. Edyth Walker as Electra 4.1. A contemporary sketch of Wagner conducting a rehearsal of The Ring 4.2. Frantz Betz as Wotan 4.3. Hoffmann’s design for Act 1 of Götterdämmerung 4.4. Neumann’s set for Act 1 of Götterdämmerung 4.5. Hoffmann’s design for the Rhinemaidens 4.6. The Rhinemaidens in the first performance at Bayreuth 4.7. A contemporary drawing of the Rhinemaidens from the first performance at Bayreuth 4.8. Hitler celebrated at Bayreuth 4.9. A poster from the first performance of the Ring at Bayreuth, after the Second World War 4.10. Wotan (Hans Hotter) and Brünnhilde (Marta Modl) from Wieland Wagner’s Ring 4.11. The awakening scene from Siegfried in Wieland Wagner’s Ring 4.12. The walkways from Wieland Wagner’s set for the Ring C.1. Untitled, Wilhelm von Gloeden C.2. Line Drawing of a von Gloeden Photograph, Andy Warhol C.3. Standing Male Nude, Andy Warhol C.4. Male Nude, Andy Warhol C.5. Sleeping Satyr or Barberini Faun, marble copy of a bronze original Plates 1. Saint Eulalia, John William Waterhouse 2. Saint Cecilia, John William Waterhouse 3. Hypatia, Charles William Mitchell 4. A Sculptor’s Model, Lawrence Alma-Tadema 5. St Elizabeth of Hungary’s Great Act of Renunciation, Philip Hermogenes Calderon 6. Mariamne, John William Waterhouse 7. Hylas and the Nymphs, John William Waterhouse 8. Circe Offering the Cup to Ulysses, John William Waterhouse 9. The Siren, John William Waterhouse 10. Sappho and Alcaeus, Lawrence Alma-Tadema 11. A Reading from Homer, Lawrence Alma-Tadema 12. Sappho, Charles Auguste Mengin 13. Sappho and Phaon, Jacques-Louis David 14. Sappho and Erinna in a Garden at Mytilene, Simeon Solomon 15. The Kiss of the Sphinx, Franz von Stuck 16. A Roman Holiday, Briton Rivière

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How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politi
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