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Victorian Bloomsbury: Volume 1: The Early Literary History of the Bloomsbury Group PDF

327 Pages·1987·29.715 MB·English
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VICTORIAN BLOOMSBURY Also by S. P. Rosenbaum THE BLOOMSBURY GROUP: A Collection of Memoirs, Commentary, and Criticism VICTORIAN BLOOMSBURY The Early Literary History of the Bloomsbury Group Volume 1 S. P. Rosenbaum Palgrave Macmillan ISBN 978-1-349-18535-1 ISBN 978-1-349-18533-7 (eBook) DOI 10.1007/978-1-349-18533-7 © S. P. Rosenbaum 1987 Softcover reprint of the hardcover Ist edition 1987 All rights reserved. For information, write: Scholarly & Reference Division St. Martin's Press, Inc., 175 Fifth Avenue, New York, NY 10010 First published in the United States of America in 1987 ISBN 978-0-312-84051-8 Library of Congress Cataloging-in-Publication Data Rosenbaum, S. P. (Stanford Patrick), 1929- Victorian Bloomsbury: the early literary history of the B100msbury Group. "Vo1ume 1." Bib1iography: p. Includes index. 1. B100msbury group. 2. English literature - 20th century - History and criticism. 3. English literature - 19th century - History and criticism. 4. University of Cambridge - History - 19th century. 5. Cambridge (Cambridgeshire) - Intellectual1ife. 6. Bloomsbury (London, England) - Intellectual1ife. 7. London (England) - Intellectua1life. I. Tide. PR478.B46R67 1986 823'.912'09 86-3940 ISBN 978-0-312-84051-8 This history is dedicated to Naomi Black Contents Acknowledgements IX Explanation of References and Abbreviations Xill Introduction PART ONE ORIGINS 1 Intellectual Backgrounds 21 2 Leslie Stephen 35 3 Some Victorian Visions 58 PART TWO CAMBRIDGE: LITERARY EDUCATION 4 History and Classics at King's and Trinity 109 5 English Literary Lectures, Reading and Essays 123 6 Modern Reading 138 PART THREE CAMBRIDGE: PHILOSOPHICAL EDUCATION 7 Philosophy and the Cambridge Apostles 161 8 Dickinson and McTaggart 176 9 Russell 193 10 Moore 214 Vll viii Contents PART FOUR CAMBRIDGE WRITINGS 11 Memoirs, Aposde Papers and Other Essays 241 12 Poems, Plays, Parodies 265 Notes 279 Bibliography 288 Index 300 Acknowledgements Though Victorian Bloomsbury is in no way an authorised literary history of Bloomsbury's early years, nor even for that matter an unauthorised one, it could not have been written without the unremitting co-operation and kindness of a considerable number ofpeople, some ofwhom were members ofthe Group themselves or closely related to them. Many of those who have helped me over the years I now cannot thank, but in gratitude and memory I make no distinction here between the living and the dead. I was fortunate to be able to talk and correspond about Bloomsbury and its works with three of the original members of the Group: E. M. Forster, Leonard Woolf and Duncan Grant. I also benefited from conversations with David and Angelica Garnett and with James and Alix Strachey. But above all it has been Quentin Bell, the one figure in Bloomsbury fully an artist and a writer, who has helped me longer and more often than anyone else. In writing on Virginia and Leonard Woolf I am much in debted to Anne Olivier Bell and her excellent edition ofVirginia Woolf's diary. With E. M. Forster I have been kindly helped by his biograph er, P. N. Furbank, and his editor, Oliver Stally brass. Michael Holroyd, Anne Wilson and Paul Levy of the Strachey Trust have been very helpful in providing access to Lytton Strachey's extensive unpublished writings. Desmond MacCarthy's papers were made available to me along with much helpful advice by Dermod MacCarthy, David and Rachel Cecil, Chloe MacCarthy and Desmond MacCarthy. Julian Fry, Pamela Diamand and Frances Spalding have provided illuminating information about Roger Fry, and Frances Spalding has also helped me valuably with Vanessa Bell's life and letters. I have benefited from Donald Moggridge's knowledge ofKeynes and his papers. Trekkie Parsons has kindly given me access to Leonard Woolf's papers, and Angelica Garnett to Vanessa Bell's papers. IX x Acknowledgements A number of libraries and librarians have been indispensable for the research in Victorian Bloomsbury. Of great assistance with most of the Bloomsbury writers have been A. N. L. Munby of King's College, Cambridge, and Lola Szladits of the Berg Col lection in the New York Public Library. In addition to these two great archivists, I am considerably indebted to Elizabeth Inglis, and J ohn Burt as well, for repeated help with the papers of Virginia and Leonard Woolfat the University ofSussex Library. I have also been assisted with the Charleston Papers and the papers of E. M. Forster and Roger Fry at King's by Peter Croft and particularly the Modern Archivist, Michael Halls, with his detailed knowledge of the collection. Penelope Bullock and Marion Stewart, formerly of the King's College Library, were also very helpful. The assistance of Leila Luedeking of the Washington State University Library has been invaluable. Rosemary Graham and Trevor Kaye of the Library at Trinity College, Cambridge, assisted me with the papers of Clive Bell, and A. E. B. Owen of the University of Cambridge Library kindly provided copies of G. E. Moore's papers, to which Dorothy Moore gave me access before they were sold to that library. Judith Allen has been helpful with Keynes's papers in the Marshall Library at Cambridge, and Ellen Dunlap of the Humanities Research Center, University of Texas, with the various Bloomsbury-related collections there. I am also very grateful to the staff of the British Library for help with the extensive Strachey papers and with manuscripts of Virginia Woolf, J. M. Keynes, E. M. Forster and Duncan Grant, and to the British Broadcasting Script Library for broadcasts by and about Bloomsbury. The Robert H. Taylor Collection of the Princeton University Library gave me access to its Strachey papers. And back horne I am very much obliged to the staff of the University of Toronto Libraries, in particular to Richard Landon and Christina Duff Stewart. I have also benefited from the excellent Bloomsbury collection of Mary Jackman at Vic toria College, and from the help of the college librarian, Robert Brandeis. Various other institutions have provided financial assistance of one kind or another for study, research and writing. For these I thank the Carnegie Foundation for the Advancement ofTeach ing; the Guggenheim Foundation; the Social Sciences and Humanities Research Council of Canada, and its predecessor,

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