Utopia and Civilisation in the Arab Nahda by Peter Hill St John’s College Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Department of Oriental Studies, University of Oxford December, 2015 1 Acknowledgements While working on this thesis I received generous financial aid from the Arts and Humanities Research Council (UK) and St John’s College, Oxford in the form of AHRC-Lamb and Flag Studentships; and latterly from Christ Church, Oxford, via a Junior Research Fellowship. The Institut français du Proche-Orient, Beirut, kindly provided me with a base in Lebanon for the 2013-14 academic year. Many others, in many ways, have helped me to complete this project. I should like in particular to thank my supervisor Mohamed-Salah Omri, who has overseen the project throughout; and Robin Ostle, who has offered invaluable advice at various stages. I would like to thank those who participated in the Oxford Nahda Workshop in May 2015, and especially my co-organisers, Hussein Omar, Nadia Bou Ali and Ezgi Ulusoy Aranyosi; and in addition the following people for their comments and advice on the project, and in some cases for sharing unpublished work: Nicole Khayat, Adam Mestyan, Joanna Innes, Maha Abdel Megeed, Claire Savina, Geert Jan Van Gelder, Mohammed Afifi, Şeyma Afacan, Laurent Mignon, Samah Selim, Zachary Foster, Amina Rashid and Sayed El Bahrawi. I am also grateful to my many teachers of Arabic, in Syria, England, and Lebanon; and to the library staff at Oxford, the American University in Beirut, and Dār al-Kutub al-Qawmiyya in Cairo. For this, corrected version of the thesis I thank also my two examiners, Marilyn Booth and Khaled Fahmy, for their helpful comments and suggestions. Note on the text All translations are my own, unless otherwise stated. For each Arabic quotation the original 2 is given in a footnote, immediately following the reference, and in its original form, which will not necessarily conform to modern orthographic conventions. Arabic names, titles, etc, are transliterated using the Library of Congress system. Names with accepted Romanised versions and a few frequently-recurring terms are given in simplified forms. 3 Abstract This doctoral thesis explores the contexts of utopian writing and thinking in the Nahda, the Arab ‘Awakening’ of the long nineteenth century. Utopian forms of social imagination were responses to fundamental changes in the societies of the Arab-Ottoman world brought about by integration into a capitalist world economy and a European-dominated political system. Much Nahda writing was permeated by a sense of a ‘New Age’ opening and of wide horizons for future change – and this was not simply illusory, but a direct response to actual and massive changes being wrought in the writers’ social world. My study focusses on Egypt and Bilād al-Shām in the middle decades of the nineteenth century, from the early 1830s to the mid-1870s. An initial chapter offers a definition of the social classes and groups which contributed to the Nahda in these years – such as the Beiruti bourgeoisie and the Egyptian- Ottoman official class – drawing on the work of Arab Marxists such as Mahdī ʻĀmil and social historians such as Bruce Masters. The following chapters deal in detail with writings produced by three distinct cultural formations within the Nahda movement, and with different aspects of their social imagination. Chapter 2 examines the discourse of civilisation (tamaddun) through the work of the Beiruti writers Khalīl al-Khūrī and Buṭrus al-Bustānī in the 1850s and 1860s. Chapter 3 deals with Nahda writers’ sense of their place within the European-dominated world, mainly through translations of geography books made by Rifāʿa al-Ṭahṭāwī in Mehmed Ali’s Egypt in the 1830s and 1840s. Chapter 4 examines the utopian aspirations of the Nahda, through a close study of the major utopian literary work of the period, Fransīs Marrāsh’s Ghābat al-Ḥaqq (The Forest of Justice, 1865). Finally, a conclusion places my study in relation to other recent work in the field of ‘Nahda studies’. 4 Table of Contents Acknowledgements………………………………………………………………………….2 Note on the text……………………………………………………………………………...2 Abstract……………………………………………………………………………………...3 Table of Contents……………...…………………………………………………………….4 Introduction……………………………..……………....…………………………...……6 Chapter 1: Who Made the Nahda?…………………………………………………...20 ‘Class’ and ‘mode of production’ in the Arab-Ottoman world…………………………….26 A. The Groups that Made the Nahda……………………………………………………....31 The Beiruti bourgeoisie…………………………………………………………….32 Bilād al-Shām: bourgeois and notables…………………………………………….37 Egypt: officials, teachers and students……………………………………………..40 Patterns of patronage……………………………………………………………….43 ‘Hidden categories’ in the nahda public, and summary……………………………46 B. Class Conflict and ‘Adaptation’………………………………………………………...48 Egypt: the Arab ‘technicians’ in an Ottoman bureaucracy………………………...49 Bilād al-Shām: the 1850-61 conflicts……………………………………………...55 Bilād al-Shām: the restoration of order………………………………………….…58 The place of Beirut in the post-1860 order………………………………………...62 A capitalist class?…………………………………………………………………..64 C. The Dialectic of Dependency…………………………………………………………...66 Hegemony, collaboration, and resistance…………………………………………..66 The merchants: compradors or ‘bourgeoisie in their own right’?………………….68 The reforming officials: between Europe and the dynasty………………………...75 Towards the twentieth century: ‘class differentiation’……………………………………..77 Conclusion, or a further hypothesis………………………………………………………..80 Chapter 2: The Discourse of Civilisation……..………………………....…….....…84 Prologue: Khalīl al-Khūrī’s introduction to Ḥadīqat al-Akhbār…………………………...87 Civilisation in the crisis of 1860…………………………………………………………...93 The scope of tamaddun in Nafīr Sūriyya…………………………………………………..96 Tamaddun for whom?…………………………………………………………………….101 Tamaddun as external or internal standard?………………………………………………108 Consolidation in the 1860s; Civilisation and Society…………………………………….115 Class confidence: Beirut 1869……………………………………………………………122 The discourse of civilisation: in whose terms?…………………………………………...126 5 Chapter 3: A Place in the World……………………………………………………....133 Introduction………………………………………………………………………………...133 Among the Geographers……………………………………………………………………137 The Old Geography and the New…………………………………………………………..144 ‘A picture of what his rule contained’: a geography of Mehmed Ali’s domains……...…...148 Islam and the Ottomans……………………………………………………………..……..157 Civilisation and Savagery…………………………………………………………..……...164 Ancient Geographies………………………………………………………………..……...173 Great men and translatio studii…………………………………………………..…….…..179 Through Western eyes: the foreign news reports of Ḥadīqat al-Akhbār……………..……183 Conclusion…………………………………………………………………………..……..192 Chapter 4: An Arab Utopian………………………………………………....……....197 Placing ‘Utopia’………………………………………………………………………….196 Utopian Thinking in the Nahda…………………………………………………………...201 In the Forest of Justice……………………………….…………………………………...210 Allegory, Dialogue and Narrative: the Framing of the Utopia…………………………...215 The Natural and the Moral; Law and Freedom…………………………………………...221 ‘The Spirit’; history, polities and laws…………………………………………………....226 The Philosopher and the King…………………………………………………………….232 Discontents: Barbarous Civilisation…………………………………………...…………243 Conclusion: Nahda Studies and Material Histories…………………….....….…252 Bibliography………………………………………………………………………….…..268 6 Introduction On 1 January, 1858, the first number of a new journal, Ḥadīqat al-Akhbār (The Garden of News), was issued from the Syrian Press in Beirut. The first privately financed Arabic newspaper in the Arab lands, it was edited by the young Syrian poet Khalīl al-Khūrī. The date chosen for its launch was symbolic: as well as the start of a newspaper, it announces the beginning of a ‘New Age’. This is in fact the title of a poem by Khūrī, included in his introductory letter to the readers. The poem begins: The New Age Arise: see how the universe orders itself by design; and witness the age, how it smiles with refinement! Khūrī’s introductory letter goes on to call on the ‘people of the country, young men of the homeland […] stirred by cultural honour, to ‘storm forth to acquire knowledge and science’.1 This cultural and intellectual call to arms, in 1858, took place in the midst of, and indeed was one component of, an era of rapid and astonishing change for the Arab lands of the Ottoman Empire. Beirut, a mere village in the 1820s, had grown enormously as a trading centre; in 1858 it was well on its way to supplanting Tripoli and Sidon as the principal port of Syria. Steamships (and soon, in the early 1860s, the telegraph) were drawing Beirut ever closer to the Ottoman imperial centre and to Western Europe, particularly France. The Ottoman government had announced, in 1839 and again in 1856, decrees implying radical new changes in the Empire: the founding documents of the Tanzimat or Ottoman reform. These had been preceded by the similar reformist efforts of Mehmed Ali, the Pasha of Egypt, and those of his son Ibrahim’s government of Syria, which his troops occupied from 1831 to 1841. More efficient and determined taxation, military conscription, expanded bureaucracies, the use of European personnel and techniques, characterised these state reforms. They were 1 Ḥadīqat al-Akhbār, no. 1; see below, Chapter 1, for Arabic. 7 accompanied by new cultural developments in Arabic (as well as in Ottoman Turkish and other languages of the Empire): the printing press of Bulaq in Cairo, which issued many translations of European works as well as Arabic works from the 1830s to the 1850s; the American Protestant missionaries’ press in Beirut, and the missionary-sponsored Syrian Society for the Acquisition of Sciences and Arts, founded in 1847; the plays staged in Beirut in the 1850s; and now Khūrī’s newspaper and the Syrian Press, on which it was printed. Of all this Khūrī, in 1858, would have been aware. And when we look back now with the benefit of hindsight we can see that his expectations of still greater developments to come, as the ‘New Age’ opened, were amply justified. Over the next fifteen years, Beirut’s rise continued, stimulated particularly by French demand for Mount Lebanon silk; Egypt saw a cotton boom; the implementation of the Tanzimat continued, with new commercial and land laws and an expanding bureaucracy. Ḥadīqat al-Akhbār was joined by four other major Arabic periodicals in Beirut alone, and many more elsewhere, publishing, as well as news reports, new kinds of addresses to the public, and serialised narrative fiction. There were more learned societies, schools and colleges, a League for the Publication of Arab Books, theatres and libraries.2 There was, of course, a darker side to these developments. Mehmed Ali’s power and sponsorship of culture were built on the intensified exploitation of the Egyptian peasantry in the fields and in the army, and inextricably bound up with wars of conquest. The rise of Beirut was punctuated by the sectarian violence of 1860 in Lebanon and Damascus, and the perhaps greater violence of the Ottoman ‘restoration of order’. The sustained and fruitful contact of intellectuals with European culture was enabled by the increase European in imperial power and exploitation in the region, culminating in the imposition of direct European control, from 1882 in Egypt and 1919 in Bilād al-Shām. But from the perspective of intellectuals like Khūrī, and the Beiruti merchants or Ottoman 2 The best detailed account of these developments is probably still Jurjī Zaydān, Tārīkh Ādāb al-Lugha al- ʿArabiyya, vol. 4: al-Nahḍa al-Akhīra, 4 vols. (Cairo: Dār al-Hilāl, 1914). 8 functionaries who were their patrons, this was indeed a ‘New Age’ of prosperity for the Ottoman-Arab lands, and for Arabic culture. The temporal limits of this study stretch, either side of Khūrī’s announcement of 1858, from the early 1830s to the mid-1870s. This was a period of the rise to prominence of new groups within these Arab-Ottoman lands around the Mediterranean: the merchant capitalists of Bilād al-Shām, the modern bureaucracy of Egypt (and Tunisia), a ‘secular’ or at any rate not primarily religious kind of intellectual. This was accompanied by growing cultural innovation, or appropriation of European models: printing, newspapers, new forms of writing. But the groups involved in the ‘Nahda’ of this period were still relatively small in number, with considerable continuity from older elites. It is marked off from the later period by the watershed which Sabry Hafez places in the 1870s, after which the press and reading public expanded far more rapidly.3 After this date, still newer groups rose to prominence, constituting an expanding ‘middle’ or ‘lower-middle’ class which was a definite presence by the turn of the century. This watershed in the 1870s requires particular emphasis, perhaps, as many studies tend to assimilate the middle decades of the nineteenth century, as prelude, into an account of a ‘late Ottoman’ period centred essentially on the 1880s to 1910s, or even an account of the ‘modern’ Middle East or Arab world, centred on the twentieth century. This has led, rather too often, to a teleological reading of history in which the earlier decades are scanned for precursors of later developments, rather than being studied in their own right. My concentration on the middle decades of the century represents, then, an attempt to escape one of the disadvantages of historical hindsight: the temptation to believe that a certain outcome was predetermined, and hence not to see the openness of the historical processes being studied.4 3 The Genesis of Arabic Narrative Discourse: A Study in the Sociology of Modern Arabic Literature (London: Saqi, 1993), 63–6, 83. 4 For an argument along these lines, see E. P. Thompson, ‘The Peculiarities Of The English’, Socialist 9 But while its temporal reach is more limited than is often the case for studies of the Arab Nahda, this thesis’s frame of geographical reference aims to be broader than has sometimes been the case in studies of the Arab-Ottoman lands. By this I mean that I have tried to relate the specific processes I am studying, which are of course grounded in this region, to wider questions, not just of Middle Eastern but of world history. This is part of an effort to break out from a certain insularity or particularism which has often affected studies of the Middle East (or the Arab world, or Ottoman Empire), and which tends to regard phenomena of the region either as sui generis, without counterparts elsewhere, or as relating to only one part of the world outside the region: Europe, or ‘the West’. I cannot claim to have offered, here, a general comparative framework or typology. But I have sought to place the Nahda within a context, not just of the Middle East or its dialogue with ‘Europe’, but of a general development of the globe – though a globe which was, in this period, European-dominated, and which included many developments which were indeed locally specific.5 In this I follow the lead, in one sense, of those, like Immanuel Wallerstein or Samir Amin, who have attempted to generalise on a global level about the ‘world-system’ of capitalism and the conditions of imperialised formations within it.6 But I have tried to avoid the flattening of local differences and schematising tendencies to which these attempts were prone. The ‘New Age’ which Khūrī saw dawning from Beirut could also be perceived – but with important differences – from Calcutta, Shanghai, or Buenos Aires. The specific aspect of the Nahda on which I concentrate in this thesis is its social Register 2 (19 March 1965); and the comment of Sumit Sarkar, Writing Social History (Delhi: Oxford University Press, 1997), 79. 5 I have argued this point at greater length elsewhere: ‘Revisiting the Intellectual Space of the Nahḍa (Eighteenth-Twentieth Centuries)’, Les Carnets de l’Ifpo, 5 June 2014, http://ifpo.hypotheses.org/6013. 6 Immanuel Wallerstein, ‘The Ottoman Empire and the Capitalist World-Economy: Some Questions for Research’, Review (Fernand Braudel Center) 2, no. 3 (Winter 1979): 389–98; Samir Amin, Unequal Development: An Essay on the Social Formations of Peripheral Capitalism (Hassocks: Harvester, 1976). 10
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