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Use and Appreciation of Mycenaean Pottery in the Levant, Cyprus and Italy (1600-1200 BC) PDF

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Wijngaarden -voorwerk 15-09-2002 22:29 Pagina i Use and Appreciation of Mycenaean Pottery in the Levant, Cyprus and Italy (1600-1200 bc) Wijngaarden -voorwerk 15-09-2002 22:29 Pagina ii Wijngaarden -voorwerk 15-09-2002 22:29 Pagina iii Use and Appreciation of Mycenaean Pottery in the Levant, 1600-120o bc Cyprus and Italy ( ) GERT JAN VAN WIJNGAARDEN Amsterdam University Press Wijngaarden -voorwerk 15-09-2002 22:29 Pagina iv This publication was funded by the Netherlands Organisation for Scientific Research (NWO). This book meets the requirements of ISO 9706: 1994. Information and documentation - Paper for documents - Requirements for permanence. ISO 9706 Cover illustration: Design by Virna van Wijngaarden, adapted from Schaeffer 1949, 156-7, fig. 60. Cover design: Kok Korpershoek, Amsterdam Lay-out: Wouter Kool, Leiden ISBN: 90 5356 482 9 NUR 682 ª Amsterdam University Press, 2002 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written per- mission of both the copyright owner and the author of the book. Wijngaarden -voorwerk 15-09-2002 22:29 Pagina v Contents Preface vii Part I Introduction 1. The Argument 1 2. Mycenaean Pottery in the Mediterranean 9 3. The archaeology of Trade and Consumption 23 Part II The Levant 4. Mycenaean Pottery in the Levant: Introduction 31 5. Ugarit 37 6. Hazor 75 7. Tell Deir ‘Alla 99 8. The Cultural Significance of Mycenaean Pottery in the Levant 109 Part III Cyprus 9. Mycenaean Pottery in Cyprus: Introduction 125 10. Enkomi-Ayios Iakovos 129 11. Athienou-Bamboulari tis Koukouninas 161 12. Apliki-Karamallos 169 13. The Cultural Significance of Mycenaean Pottery in Cyprus 183 Part IV The central Mediterranean 14. Mycenaean Pottery in the Central Mediterranean: Introduction 203 15. Lipari 207 16. Thapsos 229 17. Broglio di Trebisacce 237 18. The Cultural significance of Mycenaean pottery in Italy 249 Part V Conclusions 19. Variations in the Cultural Significance of Mycenaean Pottery 261 20. The Role of Mycenaean Pottery in Mediterranean Exchange 275 Tables 281 Maps 301 Wijngaarden -voorwerk 15-09-2002 22:29 Pagina vi Catalogues Catalogue I: Sites in the Mediterranean with Mycenaean pottery 323 Catalogue II: Mycenaean pottery at Ugarit 330 Catalogue III: Mycenaean pottery at Hazor 343 Catalogue IV: Mycenaean pottery at Deir ‘Alla 345 Catalogue V: Mycenaean pottery at Enkomi 346 Catalogue VI: Mycenaean pottery at Athienou 376 Catalogue VII: Mycenaean pottery at Apliki 377 Catalogue VIII: Mycenaean pottery at Lipari 379 Catalogue IX: Mycenaean pottery at Thapsos 386 Catalogue X: Mycenaean pottery at Broglio di Trebisacce 387 References 397 Index Geographical names 433 Subjects 438 Wijngaarden -voorwerk 15-09-2002 22:29 Pagina vii preface The present monograph is a revised version of a dissertation written for the department of Classical Archaeology at the University of Amsterdam. The research was made possible by a generous scholar- ship from the UTOPA foundation. I would like to express my gratitude to the director, Mr L. Dijkman, for providing me with this opportunity and for his pleasant cooperation over the years. The Netherlands Organisation for Scientific Research (NWO) made a travel grant available which allowed me to visit many of the places mentioned in this volume. A publication grant, supplied by the same organisation, made the publication of this book possible. This study could not have been completed without the active support of a number of friends. Over the years, Professor Joost Crouwel has read my work with alacrity and care. His detailed knowledge of a range of archaeological topics, as well as his consistent emphasis on clarity have contributed greatly to the results of my research. His academic rigour and in his enthusiasm have been a particular source of inspiration. In the initial phases of my research, the late Vronwy Hankey helped me define the directions and the limitations of my research. My discussions with Vronwy provided an insight into the enormous complexity of the field I was about to enter. I consider myself fortunate to have been one of the many who were able to benefit from her kindness and expertise. Dr Lucia Vagnetti kindly assisted me with the parts of this study that deal with the central Mediterranean. She also pointed me in the right direction when I was in Italy. Similarly, Professor Albert Leonard helped me with the sections on the Levant and Cyprus. I would like to express my gratitude to both scholars for sharing their expertise and for taking the time to read lengthy instal- ments. A number of colleagues have discussed their work with me, shown me sites and material, and have given their views on parts of my research. In particular, I would like to thank Dr P. Attema, Dr M. Bettelli, Dr H. Catling, Dr N. Hirschfeld, Dr B. Kling, Dr G. van der Kooij, Dr S. Levi, Professor M. Marazzi, Mr G. Matteo and Professor R. Peroni. I would also like to thank Professor N. Roymans, who agreed to include this work in the Amster- dam Archaeological Studies. In addition, the staff at Amsterdam University Press, particularly W. Poelstra and J. Wagenaar, have assisted me in many ways. Finally, my heartfelt thanks go to my parents, Corrie and Jan van Wijngaarden, and to my wife Virna. Without their enduring encouragement and ceaseless support, this book would never have been com- pleted. vii Wijngaarden -voorwerk 15-09-2002 22:29 Pagina viii Wijngaarden 001-002 15-09-2002 22:31 Pagina 1 1 The argument purpose of this study In this book, I aim to investigate the variations in the cultural significance of the imported Mycenaean pottery in the Levant, Cyprus and the central Mediterranean. Such pottery has been widely distributed in almost the whole Mediterranean. This body of material constitutes one of the archaeological sources by which to study relationships between the Aegean and other areas in the Mediterranean. As such, it has served as evidence for Mycenaean colonisation and commercial pre- eminence. The same body of evidence, however, has also been used to dismiss the importance of long-distance trade for the Mycenaean world. In my opinion, such a variability of interpretations on the basis of the same archaeological data has been possible because the role of Mycenaean pottery in international exchange during the Late Bronze Age is not properly understood. That role is depen- dant on the different patterns of consumption in the various areas where these ceramics have been imported. The main purpose of this research is to identify and compare these patterns of consumption for the three Mediterranean areas which have yielded the largest quantities of Mycenaean pots: the Levant, Cyprus and the Italian area. the aegean background On the mainland of Greece, at the end of the Middle Bronze Age, substantial changes are visible in the archaeological record, which have to do with an increase in social complexity.1 The most obvious examples of these changes are the Shaft-Graves in Mycenae, which are indicative of marked social stratification.2 In the succeeding periods, increasing centralisation resulted in the development of the Mycenaean palaces, of which those at Mycenae, Tiryns, Pylos and Thebes are the most notable.3 These palaces can be understood as centres which managed to control and monopolise specific aspects of society, such as the flow of goods and craft production, as well as military and various ceremonial activities. Increasingly, however, it has become clear that the palaces were never able to control the whole economy and it is likely that goods were produced and distributed outside the influence of the palatial centres.4 The Mycenaean palaces were eventually all destroyed and not rebuilt. Changes in the settlement pattern and material culture indicate that, from the beginning of the Late Bronze Age onwards, the Argolid emerged as a leading centre in the development of Mycenaean 1 Dickinson 1977, 51-54; Dietz 1991, 325-326; Rutter Shelmerdine 1997, 557-563 (all with many references). 1993, 787-793. 4 Dickinson 1994, 81-83; Halstead 1992a, 72; 1992b, 2 Graziado 1991, 404; Tournavitou 1995, 119. 113-114; Gillis 1995; Galaty & Parkinson 1999, 6-8. 3 Kilian 1987, 203-217; 1988a; Barber 1992, 21-23; 1

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Amsterdam University Press, 2002. — 441 pp. — (Amsterdam Archaeological Studies, Book 8). — ISBN 90-5356-482-9.Pottery made in the aegean during the Late Bronze Age has been found widely distributed in many parts of the Mediterranean. At some four hundred sites outside Greece, Mycenaean dinner
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