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One World Archaeology Sarah Byrne Anne Clarke Rodney Harrison Editors Robin Torrence Unpacking the Collection Networks of Material and Social Agency in the Museum One World Archaeology SeriesEditors HeatherBurke GustavoPolitis GabrielCooney Forfurthervolumes: http://www.springer.com/series/8606 · · · Sarah Byrne Anne Clarke Rodney Harrison Robin Torrence Editors Unpacking the Collection Networks of Material and Social Agency in the Museum 123 Editors SarahByrne AnneClarke CentreforMuseums,Heritage, DepartmentofArchaeology andMaterialCultureStudies SchoolofPhilosophicalandHistorical InstituteofArchaeology Inquiry UniversityCollege,London UniversityofSydney London,UK Sydney,NSW,Australia [email protected] [email protected] RodneyHarrison RobinTorrence FacultyofArts AustralianMuseum TheOpenUniversity Sydney,NSW,Australia MiltonKeynes,UK and [email protected] SchoolofPhilosophicalandHistorical Inquiry UniversityofSydney NSW,Australia [email protected] ISBN978-1-4419-8221-6 e-ISBN978-1-4419-8222-3 DOI10.1007/978-1-4419-8222-3 SpringerNewYorkDordrechtHeidelbergLondon LibraryofCongressControlNumber:2011928911 ©SpringerScience+BusinessMedia,LLC2011 Allrightsreserved.Thisworkmaynotbetranslatedorcopiedinwholeorinpartwithoutthewritten permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY10013,USA),exceptforbriefexcerptsinconnectionwithreviewsorscholarlyanalysis.Usein connectionwithanyformofinformationstorageandretrieval,electronicadaptation,computersoftware, orbysimilarordissimilarmethodologynowknownorhereafterdevelopedisforbidden. Theuseinthispublicationoftradenames,trademarks,servicemarks,andsimilarterms,eveniftheyare notidentifiedassuch,isnottobetakenasanexpressionofopinionastowhetherornottheyaresubject toproprietaryrights. Printedonacid-freepaper SpringerispartofSpringerScience+BusinessMedia(www.springer.com) Contents PartI Introduction 1 Networks,AgentsandObjects:FrameworksforUnpacking MuseumCollections . . . . . . . . . . . . . . . . . . . . . . . . . . 3 SarahByrne,AnneClarke,RodneyHarrison,andRobinTorrence PartII ProcessesandPerspectives 2 “SuitableforDecorationofHallsandBilliardRooms”: Finding Indigenous Agency in Historic Auction andSaleCatalogues . . . . . . . . . . . . . . . . . . . . . . . . . . 29 RobinTorrenceandAnneClarke 3 Consuming Colonialism: Curio Dealers’ Catalogues, SouvenirObjectsandIndigenousAgencyinOceania . . . . . . . . 55 RodneyHarrison 4 Plumes,PipesandValuables:ThePapuanArtefact-Trade inSouthwestNewGuinea,1845–1888. . . . . . . . . . . . . . . . . 83 SusanM.Davies PartIII CollectorsandNationhood 5 Donors,Loaners,DealersandSwappers:TheRelationship behindtheEnglishCollectionsatthePittRiversMuseum . . . . . 119 ChrisWingfield 6 TheBekomMaskandtheWhiteStar:TheFateofOthers’ ObjectsattheMuséeduquaiBranly,Paris . . . . . . . . . . . . . 141 AlexandraLoumpet-Galitzine 7 Agency,PrestigeandPolitics:DutchCollectingAbroad andLocalResponses . . . . . . . . . . . . . . . . . . . . . . . . . . 165 PieterterKeurs v vi Contents PartIV CommunitiesandCollections 8 CraftingHopiIdentitiesattheMuseumofNorthernArizona . . . 185 KelleyHays-Gilpin 9 PathwaystoKnowledge: Research,AgencyandPower Relations in the Context of Collaborations Between MuseumsandSourceCommunities . . . . . . . . . . . . . . . . . . 209 LindyAllenandLouiseHamby 10 ‘ObjectsasAmbassadors’:RepresentingNationThrough MuseumExhibitions . . . . . . . . . . . . . . . . . . . . . . . . . . 231 ChantalKnowles 11 SeatsofPowerandIconographiesofIdentityinEcuador . . . . . . 249 ColinMcEwanandMaria-IsabelSilva PartV IndividualCollectors,Objectsand‘Types’ 12 HedleyTakesaHoliday:CollectionsfromKanakPeople intheAustralianMuseum . . . . . . . . . . . . . . . . . . . . . . . 269 JudePhilp 13 Death,MemoryandCollecting:CreatingtheConditions forAncestralisationinSouthLondonHouseholds . . . . . . . . . . 289 FionaParrott 14 TrialsandTraces:A.C.Haddon’sAgencyasMuseumCurator . . 307 SarahByrne Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 327 Contributors LindyAllen IndigenousCultures,MuseumVictoria,Melbourne,VIC,Australia, [email protected] SarahByrne CentreforMuseums,HeritageandMaterialCultureStudies, InstituteofArchaeology,UniversityCollege,London,London,UK, [email protected] AnneClarke DepartmentofArchaeology,SchoolofPhilosophicalandHistorical Inquiry,UniversityofSydney,Sydney,NSW,Australia, [email protected] SusanM.Davies IndependentScholar,Arundel,QLD,Australia, [email protected] LouiseHamby ResearchSchoolofHumanitiesandtheArts,AustralianNational University,Canberra,ACT,Australia,[email protected] RodneyHarrison FacultyofArts,TheOpenUniversity,MiltonKeynes,UK, [email protected] KelleyHays-Gilpin DepartmentofAnthropology,NorthernArizonaUniversity, Flagstaff,AZ,USA;MuseumofNorthernArizona,Flagstaff,AZ,USA, [email protected] ChantalKnowles DepartmentofWorldCultures,NationalMuseumsScotland, Edinburgh,Scotland,[email protected] AlexandraLoumpet-Galitzine UniversityofYaounde,Yaounde,Cameroon; Asia-PacificNetwork,CNRS-FMSH,Paris,France,[email protected] ColinMcEwan DepartmentofAfrica,OceaniaandtheAmericas,TheBritish Museum,London,UK,[email protected] FionaParrott DepartmentofSociologyandAnthropology,FacultyofSocialand BehaviouralSciences,UniversityofAmsterdam,Amsterdam,TheNetherlands, [email protected] vii viii Contributors JudePhilp MacleayMuseum,UniversityofSydney,NSW,Australia, [email protected] Maria-IsabelSilva MuseumCentroCivicoCiudadAlfaro,Montecristi,Ecuador, [email protected] PieterterKeurs DepartmentofCollectionsandResearch,NationalMuseum ofAntiquities,Leiden,TheNetherlands,[email protected] RobinTorrence AustralianMuseum,Sydney,NSW,Australia;Schoolof PhilosophicalandHistoricalInquiry,UniversityofSydney,Sydney,NSW, Australia,[email protected] ChrisWingfield PittRiversMuseum,OxfordUniversity,Oxford,UK, chris.wingfi[email protected]                                                                                                              

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Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interacti
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