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Unfolding Islamophobic Racism in American Fiction PDF

131 Pages·2022·0.999 MB·English
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Unfolding Islamophobic Racism in American Fiction Unfolding Islamophobic Racism in American Fiction Humaira Riaz LEXINGTON BOOKS Lanham • Boulder • New York • London Published by Lexington Books An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www .rowman .com 86–90 Paul Street, London EC2A 4NE Copyright © 2023 by The Rowman & Littlefield Publishing Group, Inc. All rights reserved. No part of this book may be reproduced in any form or by any elec- tronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Riaz, Humaira, 1973- author. Title: Unfolding Islamophobic racism in American fiction / Humaira Riaz. Description: Lanham: Lexington Books, [2022] | Includes bibliographical references and index. Identifiers: LCCN 2022004469 (print) | LCCN 2022004470 (ebook) | ISBN 9781666927443 (cloth; alk. paper) | ISBN 9781666902662 (ebook) Subjects: LCSH: American fiction—21st century—History and criticism. | Racism in literature. | Islamophobia in literature. | LCGFT: Literary criticism. Classification: LCC PS374.R34 R53 2022 (print) | LCC PS374.R34 (ebook) | DDC 813/.6093552—dc23/eng/20220202 LC record available at https: // lccn .loc .gov /2022004469 LC ebook record available at https: // lccn. loc .gov /2022004470 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Dedicated to The patience of Moeez, Sameer, and Fawad Contents Preface ix Introduction: Sociohistorical Development of Racism 1 Chapter 1: “Heather Among Mohammeds”: Lorraine Adams’s Harbor (2004) 19 Chapter 2: “Devil America”: John Updike’s Terrorist (2006) 45 Chapter 3: “Turn-of-the-Century America”: Don DeLillo’s Falling Man (2007) 69 Conclusion 91 Bibliography 103 Index 117 About the Author 119 vii Preface My aim is to understand the history of racism functioning in all the major facets of American life and its overt manifestation into Islamophobia in the twenty-first century. I focus on how racism is reworked in its full swing in the contemporary global discourse targeting Islam. Therefore, the relation- ship that I see operative in chapter 1 sustains through the last chapter more aggressively. Islamophobia is defined by the Runnymede Trust Report (1997) as “anti-Muslim racism” and is closely linked to the history of racism in America. I endeavor to redefine it as Islamophobic racism. Minus the ideol- ogy, Muslims are acceptable. This book charts the historical development of racism to Islamophobia. The latter concept is a transitory foundation, which I use as my standpoint for the texts asserted in the narrative form. Readers may find it perplexing or irritating; however, the conclusion chapter clarifies the challenge. The introduction looks at the sociohistorical development of racism briefly for readers’ orientation to establish its link to the religion of Islam. It demon- strates how George Fredrickson’s notion of “racism as scavenger ideology” positions Islam as the “other” to America (2003). It also looks at Jacque Derrida’s philosophy of deconstruction (1967), emphasizing the role of the texts in shaping worldwide perspectives. The first, second, and third chapters present a cluster of literary texts in the form of sections on how Islamophobia as an accepted form of racism appears within the course of theses narratives. Lorraine Adams, John Updike, and Don DeLillo join the list in presenting political propositions connected directly to Muslim immigrants. The third chapter explores how racism cloaked into the modern fabric of Islamophobia carries a political agenda and functions to sabotage the peaceful image of Islam. These chapters are not to be read independently. They are knitted together and may be described as the sociohistorical development of racism and literary representation of the dominant, i.e., America. ix

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