Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia PDF
Preview Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia
he Gnaoe UNFAMILIAR STREETS UNFAMILIAR STREETS THE PHOTOGRAPHS OF RICHARD AVEDON, CHARLES MOORE, MARTHA ROSLER, AND PHILIP-LORCA DICORCIA Katherine A. Bussard Yale University Press New Haven and London Publication of this book has been aided by grants from the Wyeth Foundation for American Art Publication Fund of the College Art Association, from the Graham Foundation for Advanced Studies in the Fine Arts, and from the Minor White Photography Publications Fund of the Princeton University Art Museum. Copyright © 2014 by Katherine A. Bussard. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. yalebooks.com/art Designed by Rita Jules, Miko McGinty Inc. Set in Berling Nova and Bau type by Tina Henderson Printed in China through Oceanic Graphic International, Inc. Library of Congress Cataloging-in-Publication Data Unfamiliar streets : the photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca DiCorcia / Katherine A. Bussard. pages cm Includes bibliographical references and index. ISBN 978-0-300-19226-1 (cloth : alk. paper) 1. Street photography. I. Bussard, Katherine A. II. Avedon, Richard, photographer. III. Rosler, Martha, 1943- , photographer. IV. DiCorcia, Philip-Lorca photographer. TR659.8.U54 2014 778.9 4—dce23 2013023365 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). TORO NOM MONS Anou2 aL Frontispiece: Charles Moore, Downtown Birmingham, Alabama (fig. 43) Jacket illustrations: (front) Philip-Lorca diCorcia, New York (fig. 78); (back) Richard Avedon, Renée, The New Look of Dior, Place de la Concorde, Paris, August 1947 (fig. 12), Martha Rosler, The Bowery in Two Inadequate Descriptive Systems (detail 10a) (fig. 61), and Charles Moore, Downtown Birmingham, Alabama (fig. 30). CONTENTS ACKNOWLEDGMENTS VII INTRODUCTION RICHARD AVEDON BETTER THAN REAL CHARLES MOORE 10 BE INVOLVED MARTHA ROSLER A WALK DOWN THE BOWERY PHILIP-LORCA DICORCIA ANALOGUES OF REALITY 13h) AFTERWORD 190 192 NOTES 213 INDEX 219 ILLUSTRATION CREDITS For my parents, always
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