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Uneasy Warriors: Gender, Memory, and Popular Culture in the Japanese Army PDF

286 Pages·2007·0.877 MB·English
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Uneasy Warriors Uneasy Warriors Gender, Memory, and Popular Culture in the Japanese Army Sabine Frühstück UNIVERSITY OF CALIFORNIA PRESS Berkeley • Los Angeles • London University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its ac- tivities are supported by the UC Press Foundation and by philanthropic contributions from individuals and in- stitutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Every effort has been made to identify and locate the rightful copyright holders of all material not specifically commissioned for use in this publication and to secure permission, where applicable, for reuse of all such ma- terial. Credit, if and as available, has been provided for all borrowed material either on-page, on the copyright page, or in an acknowledgment section of the book. Errors, omissions, or failure to obtain authorization with respect to material copyrighted by other sources has been either unavoidable or unintentional. The au- thor and publisher welcome any information that would allow them to correct future reprints. Library of Congress Cataloging-in-Publication Data Frühstück, Sabine. Uneasy warriors : gender, memory, and popular cul- ture in the Japanese Army / Sabine Frühstück. p. cm. Includes bibliographical references and index. isbn978-0-520-24794-9 (cloth : alk. paper)— isbn978-0-520-24795-6 (paper : alk. paper) 1. Japan—Armed Forces. 2. Sociology, Military— Japan. 3. Popular culture—Japan. 4. Japan— Armed Forces—Women. I. Title. ua845.f68 2007 306.2'70952—dc22 2007011432 Manufactured in the United States of America 16 15 14 13 12 11 10 09 08 07 10 9 8 7 6 5 4 3 2 1 This book is printed on New Leaf EcoBook 60, a 100% recycled fiber of which 60% is de-inked post- consumer waste, processed chlorine-free. EcoBook 60 is acid-free and meets the minimum requirements of ansi/astm d5634-01 (Permanence of Paper). Contents List of Illustrations vii Acknowledgments ix Note on Asterisked Names and Abbreviations xiii Introduction 1 1. On Base 15 2. Postwar Postwarrior Heroism 50 3. Feminist Militarists 86 4. Military Manipulations of Popular Culture 116 5. Embattled Memories, Ersatz Histories 149 Epilogue 179 Notes 189 References 207 Index 261 Illustrations 1. A National Defense Academy cadet on a break during the last maneuver of his senior year (1998) 19 2. Service members of the Ground Self-Defense Force during mortar training (2001) 32 3. A GSDF service member being interviewed 35 4. Advertisement for the energy-enhancing drink Ripobitan D (1998) 58 5. Salaryman Kintaroon cover of 2001 defense white paper 63 6. Cover of Hirakawa Tadaichi’s 1946 English conversation book, Come, Come, Everybody 77 7. Representation of General MacArthur from the brochure “Let Us Break Out of the Mind Control of the Tokyo Trial,” published by the right-wing Association to Honor the Spirits of the Fallen Heroes 78 8. A female NDA cadet digging trenches during a maneuver (1998) 93 9. Illustrated article on female service members in the weekly Shukan Gendai(November 24, 1990) 113 10. Illustration from the book Here We Go—Women Soldiers (Ganbare josei jieikan)captioned “Are female officers dangerous?” 114 11. Cover of Bessatsu Takarajima on the Self-Defense Forces 120 12. Self-Defense Forces recruitment poster (2005) 124 13. Self-Defense Forces recruitment poster with slogan “Peace People Japan—Come On!” 127 14. Cartoon character Prince Pickles and his various Self- Defense Forces uniforms and fantasy costumes 133 15. Two gold-framed postcards sold as souvenirs at the army parade in 1906 159 16. April 1941 issue of Japan’s Children (Nippon no Kodomo), which playfully familiarized children with war and the military 161 17. An oil painting of the Self-Defense Forces’ first international disaster relief mission, displayed in the GSDF Public Relations Center, Tokyo 168 18. An oil painting of combined exercises with the U.S. military, displayed in the GSDF Public Relations Center, Tokyo 169 19. A 1960s Self-Defense Forces banner featuring a dove, exhibited at a GSDF base museum 172 20. A present-day Self-Defense Forces banner 175 Acknowledgments Over the past nine years the research for this book has taken me from the Japanese defense attaché’s offices in Vienna to similar places in Tokyo, and from there, to military bases across Japan. I am indebted par- ticularly to all those members of the Self-Defense Forces who put up with me long term, despite the fact that to many the outcome of my research must have remained unclear and possibly suspect. If I succeeded over the years at building a network of Self-Defense Forces members and affili- ates, it is mostly thanks to a handful of lieutenant colonels and colonels who have been supportive and creative in their methods of helping me connect with their peers across Japan. Most of them seemed impressed, amused, and occasionally exhausted. They were most probably quietly unnerved that I showed up year after year insisting that I needed yet more information, wanted to carry out more interviews, and that the book would take an unclear number of additional years to complete. Thomas Ludwig has continued to ask me the most probing questions, has cautioned and encouraged, and has joined me in laughing and sigh- ing about the details of research and writing. Tak Fujitani, Laura Miller, Glenda Roberts, and Jennifer Robertson have read the entire manuscript for the press to come up with many important suggestions, most of which I hope I was able to incorporate. I also wish to express my grati- tude for invaluable exchanges and critical comments on different incar- nations of parts of the book by friends and colleagues including Tarak Barkawi, Jim Bartholomew, Aaron Belkin, Eyal Ben-Ari, Elise Edwards, ix

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