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Understanding Sake: Explaining Style and Quality PDF

112 Pages·2016·128.767 MB·English
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Understanding sal,e:E xplaining style and quality An accompaniment to WSET® Level 3 Award in Sake , Understanding sal{e:E xplaining style and quality , An accompaniment to WSET® Level 3 Award in Sake With a foreword by Kenichi Ohashi MW Technical edit (Chapters 1-15) by the National Research Institute of Brewing Wine & Spirit Education Trust 39-45 Bermondsey Street, London SE1 3XF ll?'ilwl [email protected] wsetglobal.com CJW ine & Spirit Education Trust 2016 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the publishers. A CIP catalogue record for this book is available from the British Library .. ISBN 978 1 905819 49 2 PHOTOGRAPHIC CREDITS 17,1 9, 23, 27, 28, 30, 42 (bottom all 5 images), 77 (Rob Lawson); 38 (Images 5, 6, 7), 39 (images 1, 2, 3, 4) (Sekiya Brewery); 38 (image 8), 74 (Tim Sullivan); 47 (both), 89 (National Research Institute of Brewing); 51 (image 8), 58 (left) (Akita Shurui Seizoh); 58 (right) (Daishichi Brewery); 86 (Natsuki Romano-Kikuya ;l,!i-fj1-,, 7 -() WSET: 4, 5, 42 (top), 43 (both), 44 (all), 45 (top, bottom), 50 (images 1, 2, 3, 4, 5, 6, 7), 51 (images 9, 10, 11,1 2, 13), 55, 59 (both), 63 (top), 67 (images 1, 2), 68 (top, image 1), 69 (images 1, 2), 70, 73, 78 (Antony Moss MW illi"'1t ,, 7 -( ); 45 (middle), 63 (bottom) (Nicholas King). COVER PICTURE (BloombergY[BloombergYGetty Images LABELS 13 (top left) (Schicida Brewery); 13 (top right) (Taka Brewery); 13 (bottom, both) (lsojiman Brewery) MAPS Maps designed by Cosmographics Ltd DIAGRAMS AND ILLUSTRATIONS Diagrams and illustrations produced by CalowCraddock Ltd Designed by Peter Dolton Editing by Cambridge Editorial Ltd Proofreading by Jo'e Coleby Technical edit (Chapters 1-15) by the National Research Institute of Brewing (NRIB) Production services by Wayment Print & Publishing Solutions Ltd Printed and bound In the UK by Pureprint /J, FSC www.fac.oig MIX Paper from responalblesource• FSC-C022913 iii Contents Foreword iv Introduction vii Section 1: An Introduction to Sake 1 What is Sake? 2 An Overview of Sake Production 3 3 Sake Labelling Terms 11 Section 2: Sake and the Consumer 4 The Systematic Approach to Tasting Sake® 16 5 Storage and Service of Sake 27 6 Sake and Food 31 Section 3: Factors Affecting the Style and Quality of Sake 7 Rice Cultivation 34 8 Rice Preparation 41 9 Preparing Koji 46 10 Water and Yeast 53 11 The Fermentation Starter (Shubo/Moto) 57 12 The Main Fermentation (Moromi) 61 13 Jozo Alcohol and Filtration 66 14 Finishing 72 15 Speciality Styles of Sake 76 Section 4: The Final Product and its Markets 16 Japanese Sake Labels and Kanji 80 17 The Global Sake Industry 85 Maps 94 Glossary of Japanese Words 96 Acknowledgements 101 Index 102 iv ;.;.t;;.~ Iv, *JJ61':ll.',~ to fkfi B *;~O)~!l!ll, B *t::.:(f fi9 '@KenichiO hashi MWc $ l.,"~9 o fkfi ffi:Jil~-"'-A c 9 '@i~~]::J :.rif JL,-r -( ✓~-~~O)Red Bridge co,.ltd., -f l., t B *~;~~O) distribution companyO)Yamajin co,.ltd. ~~'g l., t L, '@:ff-C9 o B *;~lifMJ<~tl::;~ ( fM!P'@~ -\' / JL,0)1-:>-C& >L J, I.W.tttit.Wfi:1't&O)B *5~::J >7-JL,c tJ '@ International Wine Challenge LondonO)Sake Co-Chairman ~~cll') '@iiB, National Research Institute of Brewing (NRIB)O )Sake Expert Assessor-C t &>L J, -f -3l ., t::.1.L~fJ,,t;i t.WcpO)~q tJ~q -CB* ;~O) -:1□ -=E-1/ 3 ✓ ~fi-:, t L' *9 o ~* fldiWSETO) 'J-1' / · -:1□ ~-7 k ~iffi L.t, 'J -1' ✓f::fMj9 '@ r~ttl¥JtJ~JL.:aJ ~ <~ V:* L.f, .:: o B * c L' -30 0 ~tl:I f.::;:. c O)'l;JL.\ fkfi, B *1¥ltJ t O)O)t\ti:a-c 'J-1' / ~~ ( , -f L.t,; ~ ( ~/v-C ~*L~ o L.,~L.,, ~A,-·*-:1·'J-1'/~§ffiL.,~~-aAO)~A,-·*-:1·'J-1' ✓~,; ;:. O)WSETO)Diploma~~,S~J::? t::c ~ pti, * l., f::o ~lv-Cd"J-'@c [!inp]riJ<JJit::tJ~JigO)* ✓ · ,, v - ~--Cai:L>J . ~tit.Wi¥JtJ)tL ,,~=i!s-¥5! ~~/vf:: c IEJ~t::, &~f::~tJ<~ B *f~~O),~=i!s-¥5! t1!i i,mij ~ ittlaL 'f::~ffi-C9 o -f /vfJ~, WSETiJ< r B *5~J c L' -3~ q0)005~~, ~ttl¥JtJ~JigtJ, i;, ]l!t::t;t~tJ<OOO) Research lnstitute-C aiJ' @NRIBO)ffi~iJ<~ nt:: ff~-C~';!C-~:1 □ ~-7 kf::*it, tit.Wcp-Cf fi!lffll ., tf9) ( ;:. c, ;:. nti B *5~ Eli *tJ{L, J:: L, J:: ~lffiHtf::jR]tJ, -3c L, -3$ ~ ~:i:P*9 '@f::l t-C t;;. <, * ~n t c tJ ( ;:. O)WSETiJ<-f0 )00~{1:;}tji;O)f10)1-:> c tJ '@; :_ ~:i:~ l., t L' *9 o -f l., t ;:_0 )-:]'□ ~-7 k -C B*;~~~,5~;:_ c Eli*, ~q B*Af:: c-:, t t, OO~itf::jRJtJ, -3B *5~i,f~U1¥Jt::~,5~f::cll')I:: t3F-m-l:::i:~tJ{&l LJ' -f L.t,~ ~tJ ;:_C tJO)-C9 0 f.&§ :lit, $Ul-C aiJ'@AntonyM oss MW, -f L.t, tit.Wl¥Jt.i: B *5~f.f~=,lr0)-A "Ci:v' .'>@ Natsuki Kikuya 31:1c: :3tl::educator~iif~9 '@~i.\'.~~0)-A -C &>L JtJ tJ<,;, f.&t~ ~I:: B *;"@ v-"'Jl,3~~0)~i.\'. ~ ~ sl:.ttL .,, 9-C l::certificateO)holderl:: t;;.-:,t L' *9 o -f L.t,; :. O)ii.\'.~fi, B *5m::fM!9 '@t:mffB l::t-Jf:: '@~□~iJ{~ l., ( fflf.i ~ti,f:: t 0)-C ai) LJ, ~~1¥J~i-t!!iJ' i; ~ t t 7'~~~ i:, l., L' -:1□ ~-7 k -Cai:>'@c~ it*9o ~3F;.;.tci: ~ * t, ~q c :3tf::, B*O))t{l::-Cai:>'@B *5~~ B*Al¥1~±-t!!tJ, i; t, -f L.t,0 0~1¥!~ ±-t!!tiJ;, t-titl::~/v-Cd"J-*it fvtJ, ! V Foreword Hello, everyone. My name is Kenichi Ohashi MW, and I come from Japan - the home of sake. I run the Tokyo-based wine and sake consultancy firm Red Bridge Co. Ltd, and also Yamajin Co. Ltd, a distribution company for alcoholic beverages produced in Japan. Japanese sake is one of the categories I am very deeply involved with, and I currently preside as Sake Co-Chairman of the world's largest sake competition, which forms part of the International Wine Challenge (London). I am also a Sake Expert Assessor of the National Research Institute of Brewing (NRIB), and from these different positions I promote Japanese sake on the world stage. Through WSET's wine qualifications, I have learned much about wine from an objective standpoint. As someone who has never left Japan, I studied wine in detail over many years from a 'Japanese' perspective. However, when aiming to become a Master of Wine, I was told by a friend, who is a Master of Wine, that I should study for the WSET Diploma. In doing so, I discovered new viewpoints at every turn, and learned how to think from a broad-based, global perspective. At the same time, the course enabled me to see Japan's very specific approach in a new light. Now, following careful proofreading by NRIB, WSET has added Japanese sake - our national beverage - to its worldwide educational programme. This marks not only the internationalisation of Japanese sake, but also signifies how WSET is one of the keys to its promotion around the world. From a Japanese perspective too, being able to learn about Japanese sake objectively through this programme has great significance in terms of the international promotion of sake, and therefore this qualification is of great importance. Together with Antony Moss MW and Natsuki Kikuya (a global educator of sake), I myself am an examiner who assesses educators, and I am already a certificate holder, having passed the Level 3 Award in Sake examination. This examination encompasses detailed knowledge of Japanese sake, as well as the practical aspects, and I believe it is a wonderful programme. I encourage you wholeheartedly to learn together with us about the Japanese tradition of sake, both from a Japanese and international perspective! Kenichi Ohashi MW vii Introduction WSET has only been actively involved with the world of sake since 2013. Nevertheless in three years the WSET has been able to gain the support and trust of the global sake community thanks to the passion and drive of our colleagues. However, it takes more than desire to put together a qualification such as the Level 3 Award in Sake. It takes a huge amount of researching, planning and testing. It has been a thrilling ride for our colleagues as they became immersed in the uniquely wonderful world of sake that is now starting to get the global attention it so justly deserves. The result of all this hard work is this new book Understanding sake: Explaining style and quality which we are delighted has the support of the National Research Institute of Brewing located in Saijo in Hiroshima Prefecture. This book not only offers a very detailed and comprehensive overview of the techniques used in the production of sake - it also explains how these techniques are combined to produce the impressive array of different styles that brewers are able to tease out of a humble grain of rice. This desire to explain and get under the skin of a subject so that students can be equipped with understanding as well as knowledge is what lies at the heart of our Level 3 qualifications. We hope that you enjoy reading this book and if you are studying for the Level 3 Award in Sake then I wish you every success in the examination . l Ian Harris Chief Executive, Wine & Spirit Education Trust WHAT IS SAKE? What is Sake? This chapter explains in simple terms what sake is, and the ways in which it 1 differs from other familiar alcoholic beverages such as beer, wine and spirits. Sake is an alcoholic beverage made from polished around 40% abv) and keeps its delicate acidity intact. (white) rice. This makes sake more similar to wine and beer. Because rice is a starchy solid, two other ingredients However, like some kinds of wine, certain kinds of (water and a type of mouldy rice called k/5}1)a re used sake have a small amount of high strength distilled together to transform the solid rice into a sugary liquid. alcohol added (see Chapter 13 Ji5zi5 Alcohol and The fourth ingredient (yeast) converts those sugars into Filtration for more details). alcohol using a process called fermentation, to make an alcoholic beverage we can drink. HOW SAKE IS DIFFERENT FROM WINE Before describing the details of how these Like wine, sake is a fermented beverage. It has an ingredients are used to make sake, it is helpful to alcoholic strength that is similar to wine. However, contrast sake with some other common alcoholic the use of rice as a raw material, rather than grapes, beverages. This way it is possible to show why sake results in very different flavours and requires different is in a category of its own, and therefore cannot production processes. accurately be considered as a special kind of beer, Grapes contain high levels of acids and distinct wine or spirit. aromas and flavours that are expressed in the final wine. Black grapes additionally contain colour pigments HOW SAKE IS DIFFERENT FROM SPIRITS (to make the wine red) and preservative tannins (that Sake is a relatively strong alcoholic beverage (around give red wine a dry, mouth-drying texture rather like 15-17% abv), but its alcoholic strength is closer to that black tea). Colour and tannins are absent in polished of wine (12-14% abv), rather than to that of spirits such {white) rice, and there is very little acidity and flavour. as whisky, vodka or brandy (around 40% abv). The The production process usually adds little or none of reason for this difference is simple. these, so a 'typical' sake is almost colourless, lacks After the yeast has fermented the sugars into alcohol, tannins, is only delicately acidic and its flavours are spirits need to go through an additional production more delicate than those of wine. process to concentrate that alcohol further. This process is called distillation, and is typically achieved by heating HOW SAKE IS DIFFERENT FROM BEER the fermented alcoholic liquid so the alcohol selectively Like sake, beer is made from starchy, solid, cereal boils off, and then cooling the separated alcoholic grains but it differs in a number of ways. vapour so that it can be collected as a more highly Comparing beer and sake, the starch-to-sugar concentrated alcoholic liquid. conversion uses very different methods. In beer Most of the aromas and flavours are captured with production, whole unpolished grains (usually barley) the alcohol, but most of the water and acidity is left are encouraged to start germinating, and this makes behind. the grains produce substances (called enzymes) that Sake is not a spirit because it is not distilled. As such, convert their densely stored starch into fermentable it has moderate alcohol (around 15-17% abv, rather than sugar. This process is called malting. Once the enzymes are released, the grains are heated to dry them out. This halts the conversion process and stops the grains Table 1: A comparison between spirits and sake. growing into cereal plants, but leaves the chemicals SPIRITS SAKE available for the brewer to use to break starch down into fermentable sugar. These grains are called malt. Is it distilled? Always Never Sake is made from polished rice. It is not possible to Typicaal lcoholics trength( %a bv) Around4 0%a bv 15-17%a bv make polished rice grains germinate because the part Table 2: A comparison between wine and sake. WINE( grapeju ice) SAKE(p olishedr ice) Whatc ant he raw materialc ontributet o the final product? • Colour( fromb lackg rapes,i f used) • No colour • Intensed, istincta romasa ndf lavours • Veryl ittle flavour • Tannins(f romb lackg rapes,i f used) • No tannin • Highl evelso f acids • Veryl ittle acid Doest he raw materialc ontainf ermentables ugars? Yes No Is the raw materiala solid or a liquid? Liquid Solid

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