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Twisted Fables for Twisted Minds: This’ll either heal you or make you go insane PDF

230 Pages·2017·3.567 MB·English
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TWISTED FABLES FOR TWISTED MINDS by Professor Cinematiko Meditatori with a forward by the Barefoot Doctor This will either heal you or make you go insane © Professor Cinematiko Meditatori 2017 First published by Element in 2003 This edition published by Wayward Publications Ltd © 2017 www.waywardpublications.com The moral right of Professor Cinematiko Meditatori to be asserted as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All Rights reserved. No part of this publication may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the Publisher Cover design Spanky Pymm Epub ISBN 978-1-912062-20-1 in epub format Mobi ISBN 978-1-912062-21-8 in mobi format AZW3 ISBN 978-1-912062-22-5 in azw3 format PDF ISBN 978-1-912062-23.2 in pdf ISBN 978-1-912062-24-9 in print British Library Cataloguing-in-Publication Data For Jake A word from the author This is a reprinted updated version of Twisted Fables for Twisted Minds, though we still welcome any feedback on references, items or chunks that need updating in your opinion as we can adjust manuscript mid-flight – and in return the author will reward you with an acknowledgment in the revised version. Cinematiko Meditatori, 2017 Professor of Ontology, University of Awasa FOREWORD by Barefoot Doctor When first approached by Professor Cinematiko Meditatori to write the foreword to this collection of fables, I was, flattered that a man of his ilk should ask me. The fact that I’m credited with writing it initially anyway, was actually a cover up. It was in fact the good doctor who wrote this unlikely tale and had me front it for him because he didn’t feel the time was yet right to distract himself from his important work by coming forwards with such an offering. But now with the world situation as it is, and there probably being not much time left to set things in order, he feels that the time is now right for him to come forwards and claim rightful authorship over the title. Now that he’s finally come out I expect you’ll be hearing a lot more from this rather interesting fellow. Personally, I can attest to him being possessed of one of the most brilliant minds in history. If I had a fraction of his genius, I would be a very different man. Meanwhile having spent since 2004 when the book was first published being the face of the project, I feel in a position to give you the gist of it as I understand it. My father was fond of telling me shaggy dog stories as a child and Cinematiko’s approach is very reminiscent of this, which is why I relate. It’s the absurdist, surreal, borderline nonsensical dimension that he creates which is so similar in fact to how things are in so called real life. Indeed, I know for a fact that every detail and every aspect of every part of every story is based entirely on fact: Things that actually happened around him, people he actually met. In his work he travels even more extensively than I do and meets even more people than I do, and so has a vast wealth of details and nuances to draw from. Just like any great work of art you’ve got to be in the mood for it. Even Mozart can get on a music lover’s nerves if played at the wrong time. But if you are in the mood for it, you’ll find this a rip-roaring tale, which if it catches you at the right moment will often have you collapsing on the floor in uncontrollable laughter. I say this from personal experience. When I was fronting the promotion of the book originally, going round doing readings in bookstores, I never managed to finish reading a single chapter because I would invariably fall apart with tears of laughter rolling down my cheeks, unable to see a word on the page, just before I got to the gag each time, so instead of the audience receiving their pay off line and their ticket to join me in the mirth of it all they had to content themselves which watching me laughing uncontrollably in front of them for five minutes before saying I can’t handle it, I’ve got to go. And each time it happened I would phone Cinematiko and we would giggle together like children. I’m also flattered that he chose me as his model for one of the main literary devices in the book. Each chapter comprises a story or fable in its own right. And yet all of the chapters interlink as the story of this growing cast of characters unfolds. And at the critical point in each chapter where the subject is faced with complete breakdown or redemption, a being appears ‘maybe an angel, maybe a barefoot doctor’ who makes an intervention and sends the story off in a new twist. He based this character entirely on me from having observed me making such interventions in real life. People talk a lot these days about having mentors and the more the word is used, the less value it seems to have. So when I call Dr Meditatori my mentor, I want you to know that I mean that in the truest sense. I have never met anyone, with the possible exception of R.D. Laing, who has such a grasp of the human condition. Yet because he was so busy doing his real work, he has been unable until now to share the incredible fruits of it with the world. I confess I’ve been rather instrumental in inducing him to finally come forwards in order to make his valuable contribution

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