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Twelfth Night Program PDF

5 Pages·1992·0.41 MB·English
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e r a e p \ s e k a h S m a i l l i W y b Twelfth Night CAST by William Shakespeare Directed by Joe Cazalet & Des Gallant Orsino, Ralph MacLeod Duke of Illyria Costume Designer Set & Props Designer Lighting Designer Sebastian, Louisa Martins-Collins brother of Viola & Scott Clarkson Andrea Robertson Spyros Stais Ann Smart Antonio, a sea captain Michael Carley friend to Sebastian Musical Director Nathalie Michaud A Sea Captain, John Wojewoda friend to Viola Musicians Valentine, Scott Clarkson gentleman attending the Duke Emily Burton Cello and Recorders Lawrence Burton Viol di gamba Sir Toby Belch, Tim Goldrick John Kavanagh Lute and Viol di gamba uncle to Olivia Anne Lapierre Recorders Sir Andrew Aguecheek Paul Burke Stage Manager Malvolio, Brett Halna du Fretay Cathy Cochrane steward to Olivia Assistant Stage Manager Fabian, Lawrence Copeland servant to Olivia Elizabeth Bartlett Feste, Marie Paquette Head Electrician a clown Monika Renner Olivia, Noelle Scorrano a countess Viola, Louisa Martins—Collins Costume Crew Head Props Crew Head sister to Sebastain Andrea Wiesenfeld Valerie Viertel Maria, Tracy Carroll attendant to Olivia A Priest John Wojewoda Running Crew Head (Costumes) Running Crew Head (Props) An Officer John Wojewoda Lise Rouillier Mary Frances Moore Scott Clarkson will play the role of Sebastian in its -atiry ai Ppil XJth at icX4in ad ?pil 23td at 2:Om 2 Director’s Notes PRODUCTION Shakespeare was born in 1564, came to London sometime around 1588, and shortly thereafter began his career as an actor, playwright and shareholder in his theatre company. By the time Twelfth Night or What You Will was first performed (around 1601), Shakespeare had reached his full maturity as a playwright; Romeo and Juliet, Julius Ceasar. A Midsummer Night’s Dream, Much Ado About Nothing, and Henry V had been successfully performed and Props Construction Crew Krikor Ajemian Hamlet, Othello, and King Lear were soon to follow. By the time of his Mandy Callaghan retirement, around 1612, 1613, the Elizabethan/Jacobean theatre was at the Huguette Faucher height of its popularity, boasting many new playhouses, including The Susana Madueno Theatre, The Rose, and The Swan. Parallel to the success and popularity of theatre was equally vigorous Donald Munro growth in the power of the Puritan middle—class, which saw theatre as “The Ingrid Moerman Chapel of Satan” and sought to have the theatre closed. Only the protection Véronique Pied of certain powerful patrons saved the theatre from the wrath of the Puritans in Shakespeare’s lifetime, but some twenty years after his death in 1642 the Mark Towler Puritans, under Oliver Cromwell, gained enough power to depose the monarchy and establish a theocracy known as the Commonwealth. Among the very first abacntsninogf othfea1nlewprgaocvteicrnemeonftthweasatrthee, acslowsienlgl aosf vthiretutahlelyatraelsl aontdhetrheforsmtrsicotf Props Running Crew Simon Baker public entertainment. Not until the Restoration (of the monarchy) in 1660 David Larsen was there any “legal” theatre permitted in English. There are some Alix Sideris indications that some “underground” theatre existed during the repressive reign of the Commonwealth and this speculation is the point of departure for ogruorupproodfucytoiounngopfeTopwleelftwhhoNihgahvte, wnehvicehr wseeeanrea speltatyingorinbetehne ilnatea p1l6a5y0h’os.useA, Costume Construction Crew Robert Birnie have discovered a copy of The First Folio and have formed a secret society Barbara Diabo to rehearse and perform Twelfth Night as means of celebration, to have an Rebecca Doll opportunity to dance, sing, revel in short, to play in a world where play was looked upon as a major sin. — Maeve Haldane Suzie Koury Joe Cazalet James Lighter Des Gallant Françoise M&hot Mark Stevenson SPECIAL Jacqueline Rousseau Costume Running Crew Gaetane Bertol Fabric Painting & Dyeing Cameron Hurst Heather McCreath Jean—Guy Rannou Beth Richardson Costume First Hand Helene Tremblay Scenery Construction Crew Francesca Callow Milliner Walter Cassidy Isabelle Desjardins Annette Li Georgina Sabesky Steve Roumeliotis 1manda Million Allan Crossman Department of Music Loyola Physical Plant 4 5 PRODUCTION DEPARTMENT OF THEATRE STAFF Donna Cooper Production Secretary Scenery Running Crew Francesca Callow Helne Dansereau Cutter Christianna Burke Maggie Ewing Wardrobe Manager Nick La Morgia Pierre-Rena Goupil Technical Director Cameron Hurst Valerie Glover Publicity Director Grant Suter Nancy Allison-Helms Voice Coach Erin McLaughlin Asst. Property Master Eric Mongerson Production Coordinator Scenery Paint Crew Genevieve Dubé (Head) Jane Needles Theatre Administrator Françoise Methot Andy Nelson Scene Shop Supervisor Tim Whyte Philip Spensley Chair Charlotte Veillette Tailor William Reznicek Design Advisor Front-of-House\Publicity Note: There is no smoking allowed in the inner lobby Ann Armstrong Joe De Paul Gary Desparois Donald Read Vivian Sallai Erin Smith Publicity Wayne Moy Christine Petrakos Poster Design Russ Justason 6 CONCORDIA UNIVERSITY FACULTY OF FINE ARTS DEPARTMENT OF THEATRE THE DEPARTMENT OF THEATRE OFFERS BFA SPECIALIZATION IN THEATRE PERFORMANCE BFA SPECIALIZATION IN DRAMA IN EDUCATION BFA SPECIALIZATION IN DESIGN FOR TUE THEATRE BFA JOINT SPECIALIZATION IN PLAYWRIGUTING (ENGLISH AND THEATRE) BFA MAJOR IN THEATRE

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