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T.S. Eliot a guide for the perplexed PDF

180 Pages·2009·0.64 MB·English
by  EllisSteve
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T. S. ELIOT: A GUIDE FOR THE PERPLEXED THE GUIDES FOR THE PERPLEXED SERIES Continuum’s Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challeng- ing. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Related titles include: Beckett: A Guide for the Perplexed Jonathan Boulter Deleuze: A Guide for the Perplexed Claire Colebrook Derrida: A Guide for the Perplexed Julian Wolfreys Existentialism: A Guide for the Perplexed Steven Earnshaw Literary Theory: A Guide for the Perplexed Mary Klages Tolstoy: A Guide for the Perplexed Jeff Love T. S. ELIOT: A GUIDE FOR THE PERPLEXED STEVE ELLIS Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York NY 10038 www.continuumbooks.com © Steve Ellis 2009 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Steve Ellis has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-1-8470-6016-7 (hardback) 978-1-8470-6017-4 (paperback) Library of Congress Cataloging-in-Publication Data Ellis, Steve, 1952- T. S. Eliot: a guide for the perplexed / Steve Ellis. p. cm. Includes bibliographical references and index. ISBN 978-1-84706-016-7 ISBN 978-1-84706-017-4 1. Eliot, T. S. (Thomas Stearns), 1888-1965–Criticism and interpretation. 2. American poetry–20th century–History and criticism. I. Title. PS3509.L43Z67178 2009 821'.912–dc22 2009012171 Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in Great Britain by MPG Books Ltd, Bodmin, Cornwall To my Eliot students, past, present and future I am not sure . . . that we can judge and enjoy a man’s poetry while leaving wholly out of account all of the things for which he cared deeply, and on behalf of which he turned his poetry to account. —T. S. Eliot, The Use of Poetry and the Use of Criticism, p. 87 This page intentionally left blank CONTENTS Acknowledgements viii Abbreviations and Editions of Eliot’s Works Used in the Text ix Introduction: Eliot’s Poetry and the Use of Eliot’s Criticism 1 1. The Early Poetry and Prose 8 2. From The Waste Land to ‘The Hollow Men’ 42 3. ‘Ash-Wednesday’ and the Writing of the 1930s 71 4. Four Quartets 100 Conclusion: New Eliots for Old? 129 Notes 138 Further Reading 150 Bibliography 158 Index 165 vii ACKNOWLEDGEMENTS Excerpts from ‘Journey of the Magi’, ‘A Song for Simeon’, ‘Animula’, ‘Marina’, ‘Sweeney Agonistes’ and Choruses from The Rock in Collected Poems 1909–1962 by T. S. Eliot, copyright 1936 by Harcourt, Inc.. and renewed in 1964 by T. S. Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company. Excerpt from The Family Reunion, copyright 1939 by T. S. Eliot and renewed 1967 by Esme Valerie Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company. Excerpt from The Cocktail Party, copyright 1950 by T. S. Eliot and renewed 1978 by Esme Valerie Eliot, reprinted by permission of Houghton Mifflin Harcourt Publishing Company. The author would like to thank Faber and Faber Ltd for permis- sion to reprint excerpts from ‘Rhapsody on a Windy Night’, ‘Geron- tion’ and ‘Ash-Wednesday’ in Collected Poems 1909–1962 by T. S. Eliot. viii ABBREVIATIONS AND EDITIONS OF ELIOT’S WORKS USED IN THE TEXT ASG After Strange Gods: A Primer of Modern Heresy. The Page-Barbour Lectures at the University of Virginia 1933 (London: Faber, 1934) CP The Complete Poems and Plays (London: Faber, 1969) FLA For Lancelot Andrewes: Essays on Style and Order (1928), new ed. (London: Faber, 1970) ICS The Idea of a Christian Society (London: Faber, 1939) NDC Notes Towards the Definition of Culture (1948), new ed. (London: Faber: 1962) OP On Poetry and Poets (London: Faber, 1957) SW T he Sacred Wood: Essays on Poetry and Criticism (1920), 7th ed. (London: Methuen, 1950) SE Selected Essays, 3rd ed. (London: Faber, 1951) SP Selected Prose, ed. Frank Kermode (London: Faber, 1975) TC To Criticize the Critic and Other Writings (1965), new ed. (London: Faber, 1978) UP The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England (1933), new ed. (London: Faber, 1964) VMP The Varieties of Metaphysical Poetry . . ., ed. Ronald Schuchard (London: Faber, 1993) WLF The Waste Land: A Facsimile and Transcript of the Orig- inal Drafts Including the Annotations of Ezra Pound, ed. Valerie Eliot (London: Faber, 1971) ix

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