Contents Acknowledgments vii Noteto the Reader ix Introduction Chapter 1:Investigatingthe "ConcreteThings"ofReality 7 Chapter2: Blurringthe Boundarybetweenthe Fictionaland the Real: Ishi no meand "likenno haikei" 35 Chapter3: TrueLies and DramatizedFacts: Mokugekisha and Mihitsu nokoi 75 Chapter4: Memoir, Murder, and the MetafictionalAesthetic in Taninnokao 125 Chapter5:RethinkingAbe: ObjectivityasEpistemology, Ethics, and Art 167 Bibliography 175 Index 187 Aboutthe Author 197 v Acknowledgments lowe a great deal to the supportand hard work ofmany people over a long pe riod oftime. I would like to thank Edie Sarra, who supervised the dissertation that was the origin ofthis book, and other members ofmy committee atIndiana University, Sumie Jones, Scott O'Bryan, and Angela Pao. Each brought differ ent and enriching enthusiasms, knowledge, and perspectives, and all were gen erous with their time andtalents. Dissertationresearch inJapan was made possi ble by a Fulbright lIE Graduate Research Fellowship. At the University of Tokyo MatsuuraHisaki ofthe Culture and Representation department was kind to serve as my adviser. I also benefited from the guidance ofAbe scholars Hi raoka Tokuyoshi, Father William Currie, S.1., and Toba Koji, who generously shared his own work on Abe's reportage period. Thanks also go to Bruce Baird for close readings and insightful comments. Back inBloomington financial sup port for this research came from Indiana University's College of Arts and Sciences and the University Graduate School and moral support from Charles and Kyoko Andrews, Janet Donley, Barb Grinder, and Mary Cender Miller. Lastly, I wish to thank my family, especially my mother and father, for their love and encouragement, and forteaching me about another Authorwho became acharacterinHis ownwork. vii
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