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Todd Haynes: Interviews PDF

263 Pages·2014·1.456 MB·English
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Todd Haynes: Interviews Conversations with Filmmakers Series Gerald Peary, General Editor This page intentionally left blank Todd Haynes i n t e r v i e w s Edited by Julia Leyda University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2014 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2014 ∞ Library of Congress Cataloging-in-Publication Data Haynes, Todd. Todd Haynes : interviews / edited by Julia Leyda. pages cm. — (Conversations with filmmakers series) Includes bibliographical references and index. Includes filmography. ISBN 978-1-61703-983-6 (cloth : alk. paper) — ISBN 978-1-61703-984-3 (ebook) 1. Haynes, Todd—Interviews. 2. Motion picture producers and directors—United States—Interviews. I. Leyda, Julia editor of compilation. II. Title. PN1998.3.H385A3 2014 791.4302’33092—dc23 2014001978 British Library Cataloging-in-Publication Data available Contents Introduction ix Chronology xv Filmography xvii Karen Carpenter: Getting to the Bare Bones of Todd Haynes’s Superstar: The Karen Carpenter Story 3 Sheryl Farber / 1989 Todd Haynes: The Intellectual from Encino 13 Jeffrey Lantos / 1991 Poison at the Box Office 19 Michael Laskawy / 1991 Cinematic/Sexual: An Interview with Todd Haynes 26 Justin Wyatt / 1992 Appendix: An Interview with Todd Haynes 33 Michael William Saunders / 1995 Diary of a Sad Housewife: Collier Schorr Talks with Todd Haynes 42 Collier Schorr / 1995 Todd Haynes 49 Alison MacLean / 1995 Antibodies: Larry Gross Talks with Safe’s Todd Haynes 60 Larry Gross / 1995     v vi    contents Briefs, Barbies, and Beyond 73 Blase DiStefano / 1995 All That Glitters: Todd Haynes Mines the Glam Rock Epoch 77 Amy Taubin / 1997 Todd Haynes (Interview) 81 Nick James / 1998 Flaming Creatures 86 John C. Mitchell / 1998 Interview with Todd Haynes 93 Keith Phipps / 1998 Fanning the Flames 101 Amy Taubin / 1998 Heaven Sent 105 Dennis Lim / 2002 Imitation of Film: Todd Haynes Mimics Melodrama in Far from Heaven 110 Anthony Kaufman / 2002 Past Perfect 115 Geoffrey O’Brien / 2002 A Scandal in Suburbia 123 Jon Silberg / 2002 The Many Faces of Bob Dylan: An Interview with Todd Haynes 130 Richard Porton / 2007 Conversations: Todd Haynes 138 Stephanie Zacharek / 2007 Todd Haynes 143 Noel Murray / 2007 contents    vii It Ain’t Me Babe 149 Matt Prigge / 2007 From Underground to Multiplex: An Interview with Todd Haynes 152 Scott MacDonald / 2008 Interview with Todd Haynes 170 Sam Adams / 2011 HBO: Mildred Pierce—The Evening Class Interview with Todd Haynes 177 Michael Guillén / 2011 Daughter Dearest 185 Amy Taubin / 2011 Todd Haynes on Mildred Pierce: Too Racy for Indies, but Perfect for TV 193 Eric Kohn / 2011 “Something That Is Dangerous and Arousing and Transgressive”: An Interview with Todd Haynes 201 Julia Leyda / 2012 Key Resources 227 Index 233 This page intentionally left blank Introduction One thing becomes strikingly clear in reading this collection of inter- views: Todd Haynes likes to talk. From the beginning he has been gen- erous with his time, making himself available to interviewers of every stripe without discriminating: famous film critics, academics, bloggers, and writers for local and niche publications, all get a crack at him. Given his extensive influences and interests—experimental cinema, melo- drama, celebrity and stardom, feminist and queer theory, and serial television, to name a few—it comes as no surprise that he comfortably moves among such different discourses. In assembling this collection, I have tried to include a representative sample of this range of sources and contexts. In my correspondence with these writers in my capacity as editor of this volume, I was impressed by the number of contributors who re- marked on what a pleasure it was to conduct these interviews. When I had the opportunity to do my own interview with him, I immediately understood. Haynes is not only whip-smart and extremely knowledge- able about film, politics, theory, and popular culture, he also comes to the interview ready to rethink and reconsider his own films, engaging enthusiastically with even the most obscure questions. These interviews also trace several important and recurring issues in his body of work: the tension between formalism and emotional engage- ment, social ostracism of non-normative behaviors or identities, and the centrality of popular culture in contemporary life. Interviewers pursue these and other threads throughout his career as they ask him questions about his latest release as well as previous works, giving readers of this book a chance to observe the development and sedimentation of various perspectives and retrospectives. Todd Haynes first attracted attention for his 1987 film Superstar: The Karen Carpenter Story, a short biopic of the pop singer performed by dolls and presented in the mode of a television disease movie. The clever un- derground allure of the film conceals its stealth mission: it seduces the viewer, expecting camp or irony, into a powerful emotional encounter     ix

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