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Preview Thursday at noon : PPP! pedagogy profs perform

CD3018--4 UNIVERSITY OF TORONTO 2011-12 SEASON FACULTY of MUSIC ‘Thursday, January 12,2012 12:10 pm. Waker Hall THURSDAYS AT NOON PPP! sdagogy Profs Perform! Lorna MacDonald, soprano Midori Koga, piano Erika Raum, violin Rssell Hartenberger, vibraphone PROGRAM \ ‘Lamerd, sard costante (II Re Pastore) W.A. Mozart aa 3.Le bonheur est chose égére Camille Saint Sains 4 Violons dans le soir 5 ia “-akatombo (Red Dragon Fly) ‘Traditional Japanese folksong °.Chisana Sora (Small Sky) “Toru Takemitsa ‘tYashi no mi (Coconut Fruit) ‘Traditional Japanese folksong te My Fancy Late and Early John Greer (based on Canadian flk melodies) Libera Me (Mass in D miner) Gaetano Donizet it ‘Next on Thursdays at Noon January 19, 2012 Music for 3 Flutes Nora Shulman, Camille Watts, and Susan Hoeppner perform music for 3 flutes by J.J. Quantz, Seymour Barab,.B. Boismoit'=s;'!-%-tTovhaness, and Gary Schocker. Lydia Wong, piano. oe Texts and Translations Lamerd,sard costante (WA. Mozart) Tala test by Pons Messi. Engh Teli by El Len 2008 Lamers sd cost: Fido spooyefdo amame Sol per les wospzer. Init eae e dolce opgeto [ami poi. mo det, [ais pace io wowed. ‘Le bonheur est chotelégire (Camille Ssint-Saéns) Enlh onlin Movin Carll Le bonheur et chose lege, Pasagre, On cotati, ‘One poset, on Te pours. seni! Hb! vous en voule un aute Quele nore faut os ardene dss Des plain, Diew vous préserve des alrmes ede lems (Qu peuvent sombre cous Des beaux jours Le bonheur Si jamais ote coeur regete Larenite ‘Qu anjourdhui vous sbandonnes,Revenes! De tou les chagens de vote me Jeréchime Pour nore fle amié La moti Te bonheur ‘Violons dans le soir (Camille Saint-Saéns) Exlh alain by Richard Ses ‘Quand sires ves qo tout et cane Dan chwie re, oid quent sus eco cil dvin Lop vie ore See ren aren ne Bis pai Darvin soatene {Cesont dx de cri de ang de ise, St comes e ne ake Teenble que Frc ve cae, ose od Serle nts cone, “Tin cto Ser appl de pire de mort Erde mode Erle tran ache mol de seer Génicwufiecrcae Fenn elapse into le coer Diane qpainte ee ‘Arches nes ais por vor rn secon, Fou wate, Fer sues gu dans Pm arches no ope Destine echt she! {al love he. shal be constant Frith ypwne and fh beloved, ‘Only fr er shall ih In 0 dating and eet an objec My joy deli My pence tal Tid Happines i ip hing, Accting, you dink vo atin it, yo purse you pusue ii is awy! ‘lat you wants happiness diferent fom oor: ‘your ardent desies denna pleases, Ged pre you fo cole, tha can darken the couse of Beat days Happines. ver your heat egress thirsbeer ‘which eodsy you abandon, Ream! (fal dhe woubls of your soul I dim forthe ke of our faith Sendhil Happines ‘When evening ha len and all at ast quiet In wore nae, There is benenth ee and heavenly sky ‘The mos pring agony (On ler gavel in hushed woods, Frente win ae beard ‘Avram of eis, oftobs ad hiss, Unresined and wneniting “The violin bow test rear and waithe Acros the shining sings ~ For hese re re rier of pleasure death ‘And mercy ‘Aad the burning bow ins aficon, (Groans sufrs nd caress — ‘Avolupeaous dager that pierces the east With exiauted eomay. ‘May you bows be cured for your alding chords, Foryour expose ou ‘Molen sword that a night rip fiom our bodies ‘Shred of ving sh! Akatombo ‘Traditional Japanese folksong. Dgonis as red as sunset, Back when T wt young In ewig she, thereon her back ‘When the diy was Jone ‘Mountain fc in Inte November Long ao ic seems Mulberry tees and weasres we would gather ‘Was ionly jus a deem? Jus fiftcenshe went sway one day Married then 0 young ie a ster low, loved and mised er Lenars never eemed to come Dragons as red as snset, Back when [wat young [Now in my eer, when face dragons “Tears are alway sure 9 come Libra Me (Gaetano Donizetti) “ibe me de sanguinibus, Deus, Des salts mese:et exit Tinga mes jam tam, Domine, labia mea aperies:e os meum annandahie adem ‘Quoniam si voluiseserifcum, dedisem wig: olocestis non delecabeis Sscificium Deo spsitus conibuas: cor contitum et Jnumiliaom, Deus, non despicies. ‘Benigne fc, Domine, in bona volun wa Sion: sedifcenur nut Ierualem, Yushi No Mi ‘Traditional Japanese folisong, “There wat a coconit inthe shore You maybe come fom sme ilnd? How lng hae you been losing onthe Maybe your mother pln ee ail way inthe topical wind 2nd ies branches makes big sade. But both you and ae exes fom our homeland now. Hele sorrow of he wandering fe again when I presed him ‘omy breast Thinking about being i om my home, eas ‘el down Goa my ejes when Isa the sun Sein Below the Dorion, Looking atthe sees waves, emenbered my sweet home. don't know when, but someday Il go back home defintely. Deliver me fom the gui of Hoodihed, © God, you ‘who ae God my Saviog and my tongue wil sng of your sigheousnes ‘Open ny ips, Lod and my mouth will declare your pris. ‘You do not dlgh in cic, o | would bring it you do not ake pleasure in burnt oferings. My serice,O God, isa broken sii. broken and contite hear you, Go wll oe despise. ‘May it please you to prosper Zion, to build up che was ofJeruslem. (Pam 5121418) BIOGRAPHIES ‘Canadian soprano LORNA MACDONALD enjoys 2 ‘cater of distinction a an active performer, voice teacher, Profesor of Voice and the Lois Marshall Chair in Voice Studies at the Univesity of Toronto. From 1994-2007 she served as Head ofVoice Seuies,and she isa recipient fof Ontario’ prestigious OCUFA Avard for "teaching excellence and ovtsanding contributions ro university teaching”. MacDonald headsup a graduate program in ‘voice pedagogy in which she combines the rich works ‘of science, education snd arto prepare a new generation fof young singers and voice teachers. Lorna teaches lundergraduate and graduate voice majors atthe University fof Toronto, and she hata private studio of profesional Singers who are performing throughout Europe and [North America, on Broadway. film, Grammy and Juno ‘nominated artiste in popular music art song and opera.A {graduate of Dalhousie Univerty and the New England ‘Conservatory of Music, with additonal sts inthe US and Europe, she maintains strong es with her birthplace in Port Morien, Nova Scotia Pianise MIDORI KOGA joined the piano and piano pedagogy faculty at theUniversiy of Toronto as Associate Profesor in fal of 2004, Previously she held the postion ‘of Asociate Profesor of Piano, nd Director of Piano Pedagogy at Michigan Sete University She holds 4 Bachelor’ Degree from the University of British Columbia, Master of Music and Doctor of Musical [Arts degrees from the University of Michigan and a performance diploma from dhe Mozarteum Hochschule fr Musk in Salzburg, Aus Koga has been fetured as soloist, chamber musician and accompanist in music festivals throughout the world, inchding the Banff Cente for Fine Ars, Mozateum Sommerakademie Fesspel in Salaburg. the Al Fresno New Music Festival, the Jobannesen International Festival ofthe ‘Arts in British Columbia, che World Sexophone Congress in Vleneia, Spain, the International Computer Music Fess. ‘Active ato as a lecturer, she has presented atthe World Pedagogy Conference, the Music Teachers’ National ‘Associaton National Conference, and the National ‘Conference on Piano Pedagogy She has been poblished -nomerous times in the American Music Teacher; the tile Music Making and Wells: Proje The Posie Ets {of MusiMaking onthe Heli and Wel-eing of Ses was recipient ofthe 2001 National Arce ofthe Year Award presented by the MTNA. (Canadian volint ERIKA RAUM quickly rose through the ranks by taking fit place athe 1992 Joseph Sziget Intemational Violin Competition in Budapest. She has appeared as guest ats with orchestras such as the Budapest Radio Orchestra, the Saombathely Symphony COrchesta the Austro-Hungarian Orchestra, andthe Franz set Chamber Orchestra 'A distinguished musician internationally 2s both recitals and chamber musician, some of her recent highlights include the Festival Pablo Casals in Prades France, Beethoven Festival in Warsaw and the BargeMusic Fesial in New York ‘Asa recording artist, Erika joined pianist Anton Ker in releasing the world premiere recording of Cal CC2erny’ piano and violin works, recorded on Musica| ‘Viva of CBC Records Along with this recording, Ms. Ram’ performances are often ear on an array of CBC networks across Canada, "Ms. Raum i curzentdy on the ficuty of the Faculty of ‘Masi, University of Toronto and the Glenn Gould School at the Rol Conservatory of Music. During the summer ‘season, she serves on the faculty ofthe Banff Centre forthe Ars. [RUSSELL HARTENBERGER has been 2 member of [Nonus and ofthe Steve Reich ensemble since 1971, With ‘these cwo groups, Profesor Hartenberger has performed throughout the world including appearances with the [New York Philharmonic, Boston Symphony, Cleveland Orchestra, Landon Symphony, Israel Philharmonic, Cologne Radio Orchestra, Toronto Symphony, BBC Crchesta, New Japan Philharmonic, nd with other leading orchestrs in Europe, Asa and North America, Prof Hartenberger has appeared on over 70 recordings for vatious labels inclading Nonesuch, ECM, DGG, Sony, Philip and Nexus. He has ao performed with the (Oklahoma City Symphony, the New Haven Symphony, the US. Air Force Band, the Paul Winter Consort, the (Canadian Opera Company, and tthe Malboro Music Festival under Pablo Casals

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