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Thomas Hardy and Desire: Conceptions of the Self PDF

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TThhoommaass HHaarrddyy aanndd DDeessiirree CCoonncceeppttioionnss o off t thhee S Seellff J Jaannee T Thhoommaass Thomas Hardy and Desire AlsobyJaneThomas THOMASHARDY,FEMININITYANDDISSENT:Reassessingthe‘Minor’Novels THEWELL-BELOVEDWITHTHEPURSUITOFTHEWELL-BELOVED, ThomasHardy(editor) ACHANGEDMANANDOTHERSTORIES,ThomasHardy(editor) LIFE’SLITTLEIRONIES,ThomasHardy(editor) Thomas Hardy and Desire Conceptions of the Self Jane Thomas SeniorLecturerinEnglish,UniversityofHull,UK Palgrave macmillan ©JaneThomas2013 Softcoverreprintofthehardcover1stedition2013 Allrightsreserved.Noreproduction,copyortransmissionofthis publicationmaybemadewithoutwrittenpermission. Noportionofthispublicationmaybereproduced,copiedortransmitted savewithwrittenpermissionorinaccordancewiththeprovisionsofthe Copyright,DesignsandPatentsAct1988,orunderthetermsofanylicence permittinglimitedcopyingissuedbytheCopyrightLicensingAgency, SaffronHouse,6–10KirbyStreet,LondonEC1N8TS. Anypersonwhodoesanyunauthorizedactinrelationtothispublication maybeliabletocriminalprosecutionandcivilclaimsfordamages. Theauthorhasassertedherrighttobeidentifiedastheauthorofthiswork inaccordancewiththeCopyright,DesignsandPatentsAct1988. Firstpublished2013by PALGRAVEMACMILLAN PalgraveMacmillanintheUKisanimprintofMacmillanPublishersLimited, registeredinEngland,companynumber785998,ofHoundmills,Basingstoke, HampshireRG216XS. PalgraveMacmillanintheUSisadivisionofStMartin’sPressLLC, 175FifthAvenue,NewYork,NY10010. PalgraveMacmillanistheglobalacademicimprintoftheabovecompanies andhascompaniesandrepresentativesthroughouttheworld. Palgrave®andMacmillan®areregisteredtrademarksintheUnitedStates, theUnitedKingdom,Europeandothercountries. ISBN978-1-349-30961-0 ISBN978-1-137-30506-0(eBook) DOI 10.1057/9781137305060 AcataloguerecordforthisbookisavailablefromtheBritishLibrary. AcatalogrecordforthisbookisavailablefromtheLibraryofCongress. 10 9 8 7 6 5 4 3 2 1 22 21 20 19 18 17 16 15 14 13 Transferred to Digital Printing in 2013 Contents Preface vi Acknowledgements vii ListofAbbreviations ix Introduction–ThomasHardyandDesire:ConceptionsoftheSelf 1 1 HouseandHome:NostalgicDesireandtheLocusofBeing 15 2 Desire,FemaleAmityandSapphicSpace 41 3 SexualDesireandtheLureoftheErotic 71 4 PoorMenandLadies:AspirationalDesire 95 5 AsYouLikeIt:Cross-DressingandtheGenderedExpressionof Desire 119 6 Art,AestheticsandMasculineDesire:TheWell-Beloved(1897) 144 7 ‘ScannedAcrosstheDarkSpace’:Poetry,DesireandAesthetic Fulfilment 164 Notes 192 Bibliography 215 Index 228 v Preface Things are not all as graspable and sayable as on the whole we are led to believe; most events are unsayable, occur in a space that no word has ever penetrated, and most unsayable of all are works of art,mysteriousexistences,whoselifeenduresalongsideours,which passesaway. RainerMariaRilke(1903;2011)LetterstoaYoungPoet:6 Myonlydesire’sadesire tobefreefromdesire. ‘Desire’saDesire’,SelimaHill,Gloria:SelectedPoems (Newcastle-upon-Tyne:BloodaxeBooks,2008:117) vi Acknowledgements Much of this book was written during two periods of research leave from the University of Hull for which I am deeply grateful. A British Academy OverseasConferenceGrantandawardsfromHullUniversity’sFacultyofArts and Social Sciences Research and Staff Development funds enabled me to participateinseminalHardyconferencesinDorchester,UK,andNewHaven, Connecticut. My thanks go to Rosemarie Morgan, Angelique Richardson and Richard Nemesvari for the opportunity to be a part of ‘Hardy at Yale’ 2010and2012.IowealargedebtofgratitudetotheThomasHardySociety of Great Britain and to its dedicated and hard-working Council of Man- agement. I particularly appreciate the practical and scholarly support and the friendship of Mike Nixon, Helen Gibson, Brenda Parry, Sue Clarke, Sue Theobald,FurseandRosemarySwann,DeeandPatrickTolfree,HelenLange, Andrew and Marilyn Leah, Mary Kinsey and, above all, the Society’s inde- fatigable Chairman, Tony Fincham, for inviting me to companion him on some wonderful walks through the landscape of Hardy’s novels in Dorset and Cornwall and for his matchless enthusiasm for and knowledge of all things Hardyian. It has been a pleasure and a privilege to be the Academic DirectoroftheInternationalThomasHardyConferenceandFestivalof2010 and2012.Ihavegreatlyappreciatedtheopportunitytotestoutmyideasin suchanengagedandrichlyinformedenvironmentofnew,establishedand independentscholars. The national and international community of Hardy scholars is wide and generous and I have benefitted from discussions with Mary Rimmer, Angelique Richardson, Richard Nemesvari, Roger Ebbatson, William Greenslade, Bill Morgan, Dennis Taylor, Hillis Miller, Penny Boumelha, Sanae Uehara, Neil Sargent, Linda Shires, Kari Nixon, Rebecca Welshman andJacquelineDillion.IamgratefultoPhillipMallettforhisunfailingsup- port and encouragement, to Keith Wilson and Barrie Bullen who read and commented incisively on draft sections of this book and to Simon Gatrell who did this and more, talking and walking me through Hardy’s vision of WessexandindulgingmymildobsessionwithDorsetcreamteasontheway. My thanks also go to Philip Davis for generously providing references over theyears. William T. Flynn of the Institute for Medieval Studies, University of Leeds, assisted with Latin translations as did my colleagues David Bagchi and Veronica O’Mara. My thanks also go to James Booth, David Kennedy, MartinGoodmanandespeciallyPaulGilbertfortheirreadinesstoengagein discussions about Hardy, Lacan and desire. Kathy Mills and Frances Kelly vii viii Acknowledgements kept me going when my own interest and enthusiasm flagged, and Dan Bryanenlivenedmanyanhourwithhisowntakeondesire. I thank Paula Kennedy of Palgrave Macmillan for commissioning this book,BenDoyleforhispatienceandgoodhumourinseeingitthroughand Devasena Vedamurthi and the production team at Integra India, for their assistance in preparing it for publication. I am particularly grateful to Tim Armstrong and Hillis Miller for their willingness to engage with and com- mentonthetypescript,toKirstenSimisterandCarolineRhodesattheFerens Art Gallery, and Hull Museums for permission to use Herbert J. Draper’s Ulysses and the Sirens and to Suzanne Fairless-Aitken and Bloodaxe Books forpermissiontoquoteSelimaHill. IowemosttoJohnOsborne,withoutwhomIwouldnothavegotthisfar, and to Rhiannon, Aeronwy and Carys who I hope will never give way on theirdesire.Thisbookisforthem. Abbreviations AL ALaodicean(1881;1997),ed.JohnSchad(London:Penguin). BE APairofBlueEyes(1873;2005),ed.withnotesbyAlanManford, introductionbyTimDolin(Oxford:OUP). CL TheCollectedLettersofThomasHardyin7vols.,ed.RichardLittle PurdyandMichaelMillgate,1978–1988(Oxford:Clarendon Press),vol.1:1840–1892(1978);vol.2:1893–1901(1980);vol.3: 1902–08(1982);vol.4:1909–1913(1984);vol.5:1914–1919 (1985);vol.6:1920–1925(1987);vol.71926–1927(1988). ‘DP’ ‘TheDistractedPreacher’inWessexTales(1888(1912);1998). DR DesperateRemedies(1871;2003),ed.withintroductionandnotes byPatriciaIngham(Oxford:OUP). FMC FarfromtheMaddingCrowd(1874;2002),ed.withnotesby SuzanneB.Falck-Yi,introductionbyLindaShires(Oxford:OUP). ‘FoR’ ‘TheFiddleroftheReels’inWessexTales(1888(1912);1998). HoE TheHandofEthelberta(1876;1997),ed.withintroductionby TimDolin(London:Penguin). Hynes TheCompletePoeticalWorksofThomasHardyin5vols.,ed. SamuelHynes(1982–1995)(ClarendonPress:Oxford);vol.I (1982);vol.II(1987);vol.III(1985). ILH AnIndiscretionintheLifeofanHeiressandOtherStories(1878; 1994),ed.PamelaDalziel(Oxford:OUP). ‘IW’ ‘AnImaginativeWoman’inLife’sLittleIronies(1894;1999). JO JudetheObscure(1895;1998),ed.PatriciaIngham(Oxford:OUP). LLI Life’sLittleIronies(1894;1999),ed.AlanManford,introduction byNormanPage(Oxford:OUP). LNI TheLiteraryNotesofThomasHardy,ed.LennartBjörk(1984), vol.I(Basingstoke:Macmillan). LN2 TheLiteraryNotesofThomasHardy,ed.LennartBjörk(1985) vol.2(Basingstoke:Macmillan). LW TheLifeandWorkofThomasHardybyThomasHardy,ed.Michael Millgate(1984)(Basingstoke:Macmillan). ‘MH’ ‘TheMelancholyHussaroftheGermanLegion’(1890),pub WessexTales(1888(1912);1998). MoC TheMayorofCasterbridge(1886;2004).ed.withnotesbyDale Kramer,introductionbyPamelaDalziel(Oxford:OUP). PW ThomasHardy’sPersonalWritings,ed.HaroldOrel(1967) (London:Macmillan). ix

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