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Things that Didn't Happen: Writing, Politics and the Counterhistorical, 1678-1743 PDF

296 Pages·2019·7.448 MB·English
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John McTague John McTague D T H I N G S Counterhistorical writing, fabricating or speculating on what might have happened I T but in reality did not, tends to cluster around moments of crisis, when writers need D T H AT history to make the most sense, but it happens not to. James Francis Edward Stuart, the Prince of Wales born in 1688, was not an illegitimate child smuggled H into the queen’s birthing chamber in a warming pan, but it suited many people to N DIDN’T say he was. In 1708, the same prince did not quite land on the coast of Scotland with a force of 5,000 men in order to claim the Scottish crown, but writers busied I themselves with exploring what would have happened if he had succeeded. ’ N T This stimulating and original book looks at counterhistorical writing in late Stuart HH AA PP PP EE NN and early Hanoverian England, a period of social change and political uncertainty, G when speculation of all kinds fl ourished. This book’s aim is less to determine what ‘really’ happened than to show how the tension between the factual and the H counter-factual played out in the changing political culture of S the period. From the alleged ‘Popish Plot’ of Titus Oates A to the South Sea Bubble, McTague draws on a rich T variety of sources – popular, archival and canonically WWrriittiinngg,, literary – to investigate the propagandic and literary P H exploitation of three kinds of things that did not PPoolliittiiccss aanndd tthhee occur at this time: failures which inspired ‘what if’ P A CCoouunntteerrhhiissttoorriiccaall,, narratives, speculative futures which failed to come T to pass and ‘pure’ fi ctions created and disseminated for E 11667788––11774433 political gain. In a fi nal section, he presents a new reading of the various versions of Pope’s Dunciad – texts which in their N cannibalisation and repurposing of the material of political and literary culture refl ect and deploy the methodologies and strategies of counter-historical propaganda explored in earlier chapters. JOHN MCTAGUE is Lecturer in English Literature at the University of Bristol. Cover image: details from A Raree Show ([London], [1681]), British Museum, London © The Trustees of the British Museum. Cover design: www.stay-creative.co.uk Things that Didn’t Happen Studies in the Eighteenth Century ISSN: 2398–9904 This major series from Boydell & Brewer, published in association with the British Society for Eighteenth-Century Studies, aims to bring into fruitful dialogue the different disci- plines involved in all aspects of the study of the long eighteenth century (c.1660–1820). It publishes innovative volumes, singly or co-authored, on any topic in history, science, music, literature and the visual arts in any area of the world in the long eighteenth cen- tury and particularly encourages proposals that explore links among the disciplines, and which aim to develop new cross-disciplinary fields of enquiry. Series editors: Ros Ballaster, University of Oxford, UK; Matthew Grenby, Newcastle Uni- versity, UK; Robert D. Hume, Penn State University, USA; Mark Knights, University of Warwick, UK; Renaud Morieux, University of Cambridge, UK. Previously published Material Enlightenment: Women Writers and the Science of Mind, 1770–1830, Joanna Wharton, 2018 Celebrity Culture and the Myth of Oceania in Britain, 1770–1823, Ruth Scobie, 2019 British Sociability in the Long Eighteenth Century: Challenging the Anglo-French C onnection, edited by Valérie Capdeville and Alain Kerhervé, 2019 Things that Didn’t Happen Writing, Politics and the Counterhistorical, 1678–1743 John McTague THE BOYDELL PRESS Published in association with © John McTague 2019 All Rights Reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner The right of John McTague to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988 First published 2019 The Boydell Press, Woodbridge ISBN 978 1 78327 409 3 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620–2731, USA website: www.boydellandbrewer.com A CIP catalogue record for this book is available from the British Library The publisher has no responsibility for the continued existence or accuracy of URLs for external or third-party internet websites referred to in this book, and does not guaran- tee that any content on such websites is, or will remain, accurate or appropriate This publication is printed on acid-free paper Typeset in Warnock Pro by Sparks—www.sparkspublishing.com To my parents Contents List of Illustrations ix Acknowledgements x List of Abbreviations xii Introduction 1 I: Fabrications 25 1 Incorrigibility : The Warming Pan Scandal of 1688–89 27 2 ‘Working in th’immediate power to be’ : The Popish and Protestant Plots 55 II: Failures 85 3 Travesties : The Assassination and Insurrection Plots of 1683 87 4 Contingency and Incontinence: The Jacobite Invasion of 1708 111 III: Speculations 139 5 The Indifference of Number : The South Sea Bubble, 1720–21 141 6 ‘Some Convenient Order’ : Mandeville, Berkeley, and the Narration of Ethical Exchange 167 IV: The Dunciads 181 7 Living in Counterhistory : The Dunciads as Mock- Prophecy 183 8 The Indifference of the Dunces : Agency in the Dunciads 207 viii Contents 9 Gravitation, Providence, and Theories of History in the Dunciads 223 Conclusion: Events that Didn’t Happen 249 Bibliography 257 Index 275 List of Illustrations Fig. 1. Bernard Lens, Mary of Modena with the Prince of Wales, Fitzwilliam Museum, Cambridge. © The Fitzwilliam Museum, Cambridge. 40 Fig. 2. Satirical print attributed to Pieter Schenk (1688), depicting Mary of Modena, the infant Prince of Wales and Father Petre, British Museum, London. © The Trustees of the British Museum. 41 Fig. 3. Anon., The Two Associations (London, 1681), p. 5, John Rylands Library, University of Manchester. Copyright of The University of Manchester. 61 Fig. 4. A Ra-ree Show ([London], [1681]), British Museum, London. © The Trustees of the British Museum. 65 Fig. 5. Three of Spades, South Sea Bubble playing cards. London: Printed for Carington Bowles, 1721. Bancroft Collection, Kress Collection of Business and Economics, Baker Library, Harvard Business School. 162 Fig. 6. Anon., The Prevailing Candidate, or the Election carried by Bribery and the Devil ([London], [ca. 1721], British Museum, London. © The Trustees of the British Museum. 164 The author and publisher are grateful to all the institutions and individuals listed for permission to reproduce the materials in which they hold copy- right. Every effort has been made to trace the copyright holders; apologies are offered for any omission, and the publisher will be pleased to add any necessary acknowledgement in subsequent editions.

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