OCT 2 5 2005 SPECTRUM " ' ' ^ y | fvj 33^ | 3 # 0 ume 0 ssue Things Fall Apart Holy Discontent at Willow Creek The Parallel Society Breaking the Glass Ceiling Living Through the Greatest Religious Change in History Before I Left for College Berrien Springs Michigan www.spectrummagazine.org SPECTRUM SPECTRUM is a journal established to encourage Seventh- day Adventist participation in the Editor Bonnie Dwyer Associate Editor Leigh Johnsen discussion of contemporary issues Advertising and Circulation Julie Lorenz from a Christian viewpoint, to Design Laura Lamar Special Projects Alexander Carpenter look without prejudice at all sides of a subject, to evaluate the merits All Rights Reserved Copyright © 2005 Association of Adventist Forums of diverse views, and to foster Editorial Board Gary Land Book Advisory Council Christian intellectual and cultural History growth. Although effort is made Beverly Beem Andrews University Nancy Lecourt, chair English English to ensure accurate scholarship Walla Walla College Juli Miller Pacific Union College and discriminating judgment, the Marketing Communication statements of fact are the Roy Branson Consultant Terrie Aamodt Center for Law and Public El Dorado Hills, California History responsibility of contributors, and Policy Walla Walla College the views individual authors Columbia Union College Richard Rice express are not necessarily those Theology Gary Chartier Alita Byrd Loma Linda University Business Law and Ethics of the editorial staff as a whole Writer La Sierra University or as individuals. Pretoria, South Africa Charles Scriven President James Hayward SPECTRUM is published Chip Cassano Kettering College of Medical Biology by the Association of Adventist Writer/Editor Arts Andrews University Forums, a nonsubsidized, nonprofit University of Maryland Gerhard Svrcek-Seiler David R. Larson organization for which gifts are Sharon Fujimoto-Johnson Vienna, Austria Religion deductible in the report of income Writer/Graphic Designer Loma Linda University for purposes of taxation. Sacramento, California Norman Young Cooranbong, Australia A. Gregory Schneider The publishing of SPECTRUM Fritz Guy Behavioral Science depends on subscriptions, gifts Theology Pacific Union College from individuals, and the voluntary La Sierra University efforts of the contributors. SPECTRUM can be accessed on the World Wide Web at <www.spectrummagazine.org> Title of Painting: The Old Man About the Cover Art: Editorial Correspondence I have a brother in jail and wanted to do something for him that would have a lasting effect on him while there. So Direct all correspondence I decided to paint a book of images that expressed what I and letters to the editor to: wanted to say, knowing that a picture is worth a thousand words. This picture is one of those images. The old man with Jesus in his heart represents the wisdom that comes with SPECTRUM old age. I don't want my brother to wait until it is too late to P. O. Box 619047 open his heart to Jesus. Roseville, CA 95661-9047 TEL: (916) 774-1080 About the Artist: A senior theology/graphic design major at Walla Walla College, FAX: (916) 791-4938 London L. Lee was a missionary in Japan for four years. While [email protected] there, he taught English and Bible, along with graphic design and fine art. He and his wife of three years, Nikisha, plan to Letters to the editor may be edited for publication- become career missionaries after they finish school. ISSN: 0890-0264 SPECTRUM Volume 33, Issue 3 • Summer 2005 « : (Contents i Noteworthy 4 Holy Discontent at Willow Creek A "Sistah's" Guide to Opera The Bible 7 Picturing Christ: Incarnation and Iconography By Cynthia Westerbeck Should we make Jesus in our image? Issues in the Adventist World Church 17 Things Fall Apart By Bonnie Dwyer and Alexander Carpenter The people of the hake Region Conference discover the power of the constituents in the wake of leadership changes. 26 Seventh-day Adventist Church Gets New Fundamental Belief— The First in a Quarter Century By Lawrence T. Geraty How a committee of two thousand moved the Church forward. 30 Dropouts: Missional Challenge for a Maturing Church By Monte Sahlin Why are so many of us leaving the family? 36 The Parallel Society By Tim Puko At what cost does the Church eschew the urban lifestyle? 41 Culture and Adventism: Europe and the United States as a Case Study By Reinder Bruinsma History and culture are not to be denied in the life of the Church. The Back Story on the General Conference 49 Present Tense Behind the General Conference Platform By Chris Blake Is the Hope Channel focusing on us? 54 Who Said What: Speeches Heard at the General Conference Session Compiled by Alexander Carpenter How does the Church score when it comes to interacting with society? 58 Breaking the Glass Ceiling Lisa Beardsley Interviews Ella Simmons Catching up with the woman who took the General Conference Session by surprise. Issues in Global Christianity 63 Who Sets the Agenda for the World Church? A Conversation with Lamin Sanneh How faith may help dissolve barriers between and among us. 67 Living Through the Greatest Religious Change in History By Philip Jenkins The most important issue now may be the contrast between where the money and the people are. The Best of the Adventist Literary Journals 7 I Before I Left for College By Elisabeth Jane Catalano Call Me Ishmael (and other excuses) By Mindy Mills Lonely By Larry Tatia?ia Baxter Guardian By Carol June Hooker "Discrimaniggawhitegurl" By Katie J. Roddy Rattlesnakes Fear the Rabbits By Kyle Lemmon the opiate By Ishmael Facundo Book Reviews 77 Five on Nature By James L. Hayward What's on the nightstand of a biologist? Letters 79 Abimael Acosta, Dennis W. McOmber, Jim Benko, Steve Pawluk, Dave Reynolds Editorials 3 The Coded Talk of Friendship By Bonnie Dwyer 79 A Symphony of Girlfriends By Charles Scriven Poetry Cover The Pilgrim By Lindsey Bauer 2 SPECTRUM • Volume 33, Issue 3 • Summer 2005 FROM The Coded Talk of Friendship THE EDITOR ... and your comment, so astute and perfectly weird, made me feel enclosed again in the coded talk of friendship, that tall pagoda where companions can sit on pillows and observe the great China of life filing by and say whatever comes to mind. (Billy Collins, "Influence," in The Art of Drowning, 12) W ell, here you have it in your hand, dear friend, the great China of this Adventist life filing by with the summer s cargo of experiences. Were we to find ourselves ensconced in that tall pagoda of friendship, sitting on pillows, having a cup of tea, these are prob- ably some of the comments that I would make about this past summer. After describing the heat of Saint Louis, and emphasis on the youth, his love for the Church. the fun we had taking nighttime photos in front Before I ended up sounding like a public rela- of the city's famous arch that gave us halos from tions machine, I'd have to switch the subject to the the reflection of the flash, I would want to say "Blues" that I heard my last night there, or the something profound about this year's General restaurants, or the jewel box conservatory that I Conference. And I would try to wax eloquent about visited across town. the Church being the people, and then just give up Then we'd talk about your family, your funniest and talk about the Jamaican women. experience of late. "And so what else is new?" you They seemed to be there by the hundreds. would ask. Some travel agent must have put together a really Then I'd tell you about the Lake Region great vacation package. They did not have a booth Conference story that has taken over my life for the to staff, they were not delegates, or presenters, or past month. up for election. They brought their friends and "Don't you get discouraged when you hear enthusiasm and seemed to tour through the exhibit about all these problems?" you'd ask. hall at least once a day. And then I'd have to add to Yes, and no. There are problems, but the people them the women of Nigeria, who clearly won the give me hope. To talk with them about them is to fashion award for best costumes. I bought one of hear how much they love the Church, no matter their dresses, I loved them so much. how flawed. They want to fix it, make it better. And, the elections, you would say, trying to get Their commitment is inspiring. me back on track. Yes, it's been a summer of extremes—the highs Jan Paulsen gives me hope for the Adventist of General Conference immediately contrasted by Church; he's a good man. the lows of financial malfeasance. The ribbon of Why do you say that? hope that runs through all of it is the love and Because of his nomination of a woman to be a enthusiasm of the people for their church. vice president of the Church, and his defense of Call me weird, but that's the way I see it. that nomination. Finally, the majority of the mem- bers have one of their own in the inner circle. Bonnie Dwyer And? Editor His openness, his interest in conversation, his NOTEWORTHY Hebrews being beaten. That incident Holy Discontent at HID D EH drove Moses to kill the Egyptian and Willow Creek then into the desert where he at last agreed to work with God. By Bonnie Dwyer Next Hybels uses an example It begins with drums, an extended from the world of cartoons—Popeye. Is spiritualism invading Adventist churches today? vibrant drum solo. Acts 2:42-4-7 In the midst of the crisis central to appears on the video screens each episode Popeye always exploded: throughout the auditorium, but it is "I can't take it no more, that's all I not read aloud. Instead an ethereal can stand," and the audience chimes voice soars above the drums, scenic in with Hybels for the last line, "I'm landscape images roll across video Popeye the sailor man." screens, then slides of churches, and So, Hybels asks the audience, finally people. Dancers fill the stage. 'What is it that you can't stand? "Shout into the darkness," the singers What is your holy discontent? What say, "calling out that there is hope." is your Popeye moment?" As the music ascends in a final For the Adventist pastors in measure, a lectern is lifted to the attendance from the Pacific Union stage. Jim Mellado, president of the Southwest Airlines; Ken Blanchard, Conference, part of their discontent Willow Creek Association, walks out author of the One Minute Manager, could conceivably concern the recent- to welcome the seven thousand peo- and Dr. Jack Groppel, a nutritionist ly published book by their union con- ple clapping in the auditorium, as and tennis trainer, among others. ference president, Thomas Mostert, well as the ones who are watching Hybels receives a standing ova- called Hidden Heresies. via satellite in one hundred cities. tion as he takes the stage to give the In it, Mostert strings together The tenth annual Willow Creek opening presentation. He begins by quotes from the writings of Ellen Leadership Summit is underway. affirming pastors, telling them he White to call into question the teach- Mellado makes a point of saying knows the dark nights of the soul ings of Bill Hybels, Rick Warren, that Willow Creek is dedicated to that come with pastoral work, as well Robert Schuller, and Joel Osteen. serving the local church, but by now as the grand visions. "Church work is Mostert suggests that because they people in business and industry are a forever game; you're never just a do not emphasize God's law, hidden benefiting from the leadership sum- pastor," he says. "You're at the helm within their teachings is heresy that mit, too. And the lineup of speakers of the most important ship on earth." represents modern spiritualism. reflects the cross-over. Then he asks the key question of The pastors from the Northern In addition to two of the best- the day, of the seminar: what precedes California Conference recently heard known preachers in America today— the vision that is so often talked about a presentation by Mostert at their Bill Hybels and Rick Warren— in leadership books? What gives birth camp meeting in which he suggested the conference participants will hear to it? Hybels first turns to the story of that a couple groups of pastors will Colleen Barrett, president of Moses in Egypt watching one of the have problems with his book's mes- sage. On the one hand, said Mostert, happening, use whatever good meth- Keneally, and Dave Barry at the are the pastors who don't believe in ods of theirs we can, and wait until eleventh annual Sun Valley the Spirit of Prophecy. the end-time events mature fully to Writers' Conference. The audience With that, he launched into an worry about any dangers? is mostly white, privileged (Dave explanation of what pastors should do "We could. But remember, Satan Barry: "Attention—there is a non- if they have disagreements with Ellen never uses a strategy that is too obvious. luxury car in the parking lot. White. He told them to go to the He is not only planning to use Sunday It wall be towed soon; in the mean- ministerial director in their confer- churches as part of his final great decep- time, please avert your eyes.") ence and work through this problem, tion; he will also seek to sidetrack and The stage is Hemingway chic: but that it was not something that neutralize the work of God's remnant large leather sofas, heavy tables, should drive them from the ministry. church," Mostert says (28, 29). mission-style lamps, huge oak By the time Mostert had finished The Adventist pastors at the bookcases, horse blankets, a grand addressing that issue the meeting had Leadership Summit do not seem to let piano. The talk has been good, ended. The pastors disbursed and Mostert's comments sidetrack them. great even: poetry read by Billy made comments about how disagree- As they discuss the presentations they Collins; comments on speaking ment with Mostert about Willow heard, they comment on how the "American" from Robert MacNeil; Creek indicated that you must not nutritionist Dr. Groppel sounds like an Michael Chabon's inspiring tale of believe in the Spirit of Prophecy, Adventist in his advocacy of rest when writing his first novel. because he never got around to the he repeats the words about Sabbath The theme of the conference is other part of his original point. from Genesis 2. They find Warren's 'Writing in Unpredictable Times." Many pastors would disagree advice practical, not heretical. W S. Merwin has looked into the with Mostert on his assertion that Warren continues the story of distance and recited recent poems there are heresies hidden in the Moses that Hybels started and about a black dog, about picking Willow Creek materials. Forty-five describes how God used what was in blueberries after dark—that is, about Seventh-day Adventist churches and Moses' hand to accomplish his work. death. Firoozeh Dumas has told organizations belong to the Willow Moses' rod became the rod of God. funny stories about her experience Creek Association. The Adventist 'What is in your hand?" Warren asks. growing up Iranian in California in members include the Southern "What is in your heart, what is in the 1970s. (The repairman arrives Union, the Washington Conference, your hand?" That is what Sunset with an "I Play Cowboys and the Center for Creative Ministries, Oaks Seventh-day Adventist Church Iranians" bumper sticker; her mother and churches from Maine, Florida, pastor Walt Groff says he is taking promptly informs him that they are Kentucky, Tennessee, North away from the leadership confer- from "Toorkey.") David Macauley Carolina, Ohio, Michigan, Colorado, ence—that and batteries recharged has talked in great detail about doing California, Nebraska, Virginia, for ministry in the local church. the drawings for his new book, Maryland, Arizona, and Washington. Mosque—his response to the events "It is no doubt impossible to fully of September 2001. ("I worked hard Bonnie Dwyer is editor of Spectrum magazine. know which religious leaders God is to get this right. I didn't want to using and which may be unknowingly have to change our dog's name from following a plan created by His enemy," Faux Pas to Fatwah....") A "Sistah's" Guide to Opera Mostert writes. "The fruitage of There have been ideas, feelings, most Christian leaders and churches laughter, tears. Nothing seems to be today seems positive. Large numbers By Nancy Lecourt missing. Still, when Angela Brown of lives are changed from a secular An Idaho afternoon in August: begins to sing on Sunday afternoon, focus to a commitment to Jesus. . . . thunderhead shadows creep the audience is stunned. Her grace "If God is leading Sunday across sage hills. A large white tent and spirit are as welcome as the moist churches to save people for the king- breathes lightly in the dry air. A Continued on page 61... dom, are they not doing a work that thousand readers are gathered to is beyond the reach of Adventists? hear the likes of Amy Tan, Thomas Shouldn't we thank God for what is Cahill, Mitch Albom, Thomas THE BIBLE ^Keocg VWtTWT ^Hmec Ye 4LS0 lyve Uwio LOVe 0M€ VOU.TK^T Y€ Love oxe ?-fiissH# ^HOTKe^ 4iHeKKHS uliscin.cs: Discussed: the Second Commandment, Roman symbols, war of images, Christ Pantocrator, iconoclasts, First Council of Nicea, Roman and Eastern Orthodox Catholics, Jesus of the People Picturing Christ: Incarnation and Iconography By Cynthia Westerbeck A s Seventh-day Adventists, we are familiar with the general Protestant fear that religious art is idolatrous or, perhaps worse, Catholic. The rejection of iconography was historically used by Protestants as a clear visual way to distinguish them- selves from Catholics during the Protestant Reformation. We are also familiar with the utilitarian objections to art that shaped the aesthetic sensibilities of our nine- teenth-century founders. John Ruskin succinctly captured this tion that such works of art violate the attitude toward art when he declared, Second Commandment, which declares: "the entire validity of art depends upon its being either full of truth, or full of You shall not make for yourself use."1 As inheritors of this utilitarian any carved image ^graven image, principle, church decorating committees idol]], or any likeness of anything frequently struggle to justify the pur- that is in heaven above, or that is chase of any work of art—whether in the earth beneath, or that is in painting, sculpture, banner, or stained the water under the earth; you glass—to congregations that insist the shall not bow down to them nor money could be put to better use. serve them. For I, the Lord your Rarely, however, do Adventist deco- God, am a jealous God... .(Exod. rating committees confront the objec- 20:4-5 NKJV) We are unambiguous in our reading of the other translated into Christ as the vine. A fish became the commandments—keep the Sabbath, honor your par- ichthus, an acronym for the name of Christ as well as ents, don't kill, don't commit adultery, don't steal, the symbol of Christ as "fisher of men." Even the don't lie—but we ignore the Second Commandment, pagan god Eros could come to represent the love of or at least interpret it very loosely. Even Ellen White God through Jesus Christ, or the figure of Hermes car- dismissed the prohibition against pictures in her dis- rying a lamb could become Christ the Good Shepherd.3 cussion of this command: These symbols, so easily mistaken as Roman images, were used as a private code among believers during The second commandment prohibits image wor- times of persecution. The one symbol notably absent ship; but God himself employed pictures and was that of the cross, which was not a particularly symbols to represent to His prophets lessons popular image during a time of Roman rule. which He would have them give to the people By the time Christianity was recognized as an offi- and which could thus be better understood than if cial church in 313 with the Edict of Milan, Christians given in any other way. He appealed to the under- had a fully developed set of symbols that reminded standing through the sense of sight.2 them of Christ's life and teachings. As Thomas Mathews says, "the lanky Good Shepherd of Early The theological debate over this troubling com- Christian art wrestled with the muscular Hercules and mand has tended to focus on whether creating an won."4 Mathews goes on to argue that the fourth cen- image of Christ is the same as worshiping it. But the tury "ushered in a war of images" as the Christian commandment clearly says, don't make any carved Church suddenly found itself in charge of an entire images. Period. That is why both the Jewish and empire and needing a new style of art to match its new Muslim faiths prohibit representational art. status. As Mathews states, So how did the early Christian Church come to value images of Christ and Mary, especially given that Because the impoverished art of the catacombs it grew out of a Jewish tradition that interpreted liter- and cemeteries was inadequate to express the ally the prohibition against images in the Second grand claims the Christians were making for Commandment? The progression from symbols their god, they now appropriated the grandest scrawled on the walls of catacombs to elaborate icons imagery they could lay hands on, namely that decorating the walls and ceilings of cathedrals became which had been developed in the service of impe- a battle not over money, but over the very nature of rial propaganda. Finding themselves with an Christ. If we understand the early debate over the role emperor of their own faith, Christians boldly of art, perhaps the discussions about art in our own appropriated for their own religious purposes the churches can take on a new theological dimension that entire vocabulary of imperial art, transforming transcends our utilitarian roots. motifs and compositions that had been used for imperial propaganda into propaganda for Christ.5 From Catacomb Encryption The image of the emperor carried huge power for to "Emperor Mystic" the Romans; it could even stand in for the emperor The history of how first-century Christians came to himself in a court of law.6 Christian emperors simply disregard the Second Commandment remains vague, assumed this tradition, but added to their secular but it does seem certain that the early Christians were power the significance of their semi-divine status. And influenced both by a Jewish culture that rejected repre- since it was important to emphasize Christ's role as sentational art and a Roman culture that celebrated the true power behind the throne, it wasn't long before artistic realism. Jewish artists employed in Roman icons of Christ in majesty replaced earlier images of workshops would have been familiar with Roman sym- the secular Roman rulers in the hearts and minds of bols. When these Jews converted to Christianity they the people. Images of Mary enthroned also lifted Mary continued to paint what they knew, but they gave the above her humble origins, clothed her in rich robes, Roman symbols new Christian meanings. placed her on a throne, and made her a mother figure A grapevine, once the symbol of Bacchus, easily worthy of raising an emperor.
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