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Theory as Practice: A Critical Anthology of Early German Romantic Writings PDF

494 Pages·1997·24.68 MB·English
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Theory as Practice This page intentionally left blank Theory as Practice A Critical Anthology of Early German Romantic Writings Jochen Schulte-Sasse, General Editor Coedited, translated, and introduced by Haynes Horne Andreas Michel Elizabeth Mittman Assenka Oksiloff Lisa C. Roetzel Mary R. Strand University of Minnesota Press Minneapolis London The University of Minnesota Press gratefully acknowledges financial assistance provided by the Department of German, Scandinavian, and Dutch, the College of Liberal Arts, and the Graduate School of the University of Minnesota for the publication of this book. Copyright 1997 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 Printed in the United States of America on acid-free paper Library of Congress Cataloging-in-Publication Data Theory as practice : a critical anthology of early German romantic writings / Jochen Schulte-Sasse, general editor ; translated, annotated, and introduced by Haynes Home .. . [et al.]. p. cm. Includes bibliographical references. ISBN 0-8166-2778-9. — ISBN 0-8166-2779-7 (pbk.) 1. Romanticism—Germany. 2. Authors, German—18th century— Aesthetics. 3. Authors, German—19th century—Aesthetics. 4. Philosophy, German. I. Schulte-Sasse, Jochen. PT361.T55 1996 830.8'0145—dc20 96-17056 The University of Minnesota is an equal-opportunity educator and employer. Contents Preface ix List of Abbreviations xi General Introduction: Romanticism's Paradoxical i Articulation of Desire Joche,n Schulte-Sasse I. Critique in the Wake of German Idealism 45 Introductory Essay: Representing Self and Other in Early 47 German Romanticism Elizabeth Mittman and Mary R. Strand Notes to Introductory Essay 68 Texts 1. Earliest Program for a System of German Idealism (1796) 72 2. Selections from Fichte-Schelling Correspondence 73 (1800-1801) 3. Novalis: Fichte Studies (1795-96) 90 4. Friedrich Schlegel: Fichte's Basic Characteristics of the 112 Present Age (1808) 5. Friedrich Schlegel: On Incomprehensibility (1800) 118 6. Novalis: Faith and Love and Political Aphorisms (1798) 128 7. Novalis: Soliloquy (1798) 145 Notes 146 II. Theory of Aesthetics 155 Introductory Essay: Romantic Crossovers: Philosophy as Art 157 and Art as Philosophy Andreas Michel and Assenka Oksiloff Notes to Introductory Essay 178 v vi Contents Texts 1. Friedrich Schlegel: Dialogue on Poesy (1799) 180 2. A. W. Schlegel: Theory of Art (Selection) (1798-1803) 194 3. Novalis: The Universal Brouillon (1798-99) 226 4. Friedrich Schlegel: Introduction to the Transcendental 240 Philosophy (1800) 5. Friedrich Schlegel: Concerning the Essence of 268 Critique (1804) Notes 277 III. The Fragmentary Imperative 287 Introductory Essay: The Early Romantic Fragment and 289 Incompleteness Haynes Home Notes to Introductory Essay 311 Texts 1. Friedrich Schlegel: Critical Fragments (1797-1801) 314 2. Friedrich Schlegel: Athenaum Fragments (1798) 319 3. Friedrich Schlegel: Ideas (1800) 326 4. Friedrich Schlegel: Fragments on Literature and 329 Poesy (1797) 5. Friedrich Schlegel: Philosophical Fragments (1796) 335 6. Friedrich Schlegel: Philological Fragments 344 Notes 354 IV. Toward a Theory of the Feminine 359 Introductory Essay: Feminizing Philosophy 361 Lisa C. Roetzel Notes to Introductory Essay 380 Texts 1. Novalis: On Women and Femininity 382 2. Johann Wilhelm Ritter: Natural Philosophy of Femininity 390 3. Friedrich Schlegel: Theory of Femininity 397 4. Friedrich Schlegel: On Diotima (1795) 400 5. Friedrich Schlegel: On Philosophy. To Dorothea 419 6. Dorothea Veit-Schlegel: Selected Diaries and Letters 440 7. Caroline Schlegel-Schelling: Selected Letters/ 443 Reviews/Parody Contents vii Notes 455 Bibliography 463 Selected Studies on Early German Romanticism in English 463 German Romanticism in English Translation 467 Sources for Translations 469 Index 471 This page intentionally left blank Preface In 1987, I asked six graduate students, three each from the Depart- ments of German and of Comparative Literature at the University of Minnesota, whether they were interested in a cooperative project on Early German Romanticism. All responded with enthusiasm, and the present volume is the product of our six-year collaboration. Our pro- ject survived both the inevitable dispersal of the group after each stu- dent's graduation and the equally inevitable disagreements on subject matter, with our devotion to intellectual cooperation still intact. For the first year, we did little besides an exhaustive reading and discus- sion of German Romantic theory; in our second year, we started the selection process and began discussing how best to render central terms in English. Although in the end subgroups took responsibility for individual sections, the translations and notes are the result of genuine teamwork. Even the introductory essays to each section are, to a certain extent, the result of collaborative efforts. However, these essays do document slight differences in our readings of the material, and the individuals identified by name wish to accept full responsibil- ity' for the published version of their readings. All of us would like to thank the Graduate School and the College of Liberal Arts of the University of Minnesota for a generous grant that allowed us to purchase computer equipment, the Western Euro- pean Area Center for summer fellowships supporting the six graduate students, and the Departments of German and Comparative Litera- ture for technical and moral support. Jochen Schulte-Sasse October 1994 ix

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Theory as Practice was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.In light of recent, dramatic revisions in criticism of Europea
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