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323 Pages·2011·4.63 MB·English
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THEORY AFTER ,THEORY׳ Edited by Jane Elliott and Derek Attridge O Routledge Taylor & Francis Croup LONDON AND NEW YORK First edition published 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon 0X14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, ail informa business © 2011 Jane Elliott and Derek Attridge for selection and editorial matter; individual contributions; the contributors The right of the Jane Elliott and Derek Attridge to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted, in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. Typeset in Bembo by Book Now Ltd, London Printed and bound in Great Britain by TJ International, Padstow, Cornwall All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Theory after ‘theory’/edited by Jane Elliott and Derek Attridge. p. cm. Includes bibliographical references and index. 1. Literature—History and criticism—Theory, etc. 2. Literature—Philosophy. I. Elliott, Jane, 1969-. II. Attridge, Derek. PN441.T445 2011 80 l'.95-dc222010033268 ISBN13: 978-0-415-48418-3 (hbk) ISBN13: 978-0-415-48419-0 (pbk) ISBN13: 978-0-203-83116-8 (ebk) CONTENTS Notes on contributors viii Acknowledgements xiii Introduction: theory’s nine lives 1 Jane Elliott and Derek Attridge PART I Assessing the field 17 1 Philosophy after theory: transdisciplinarity and the new 19 Peter Osborne 2 Theory as a research programme - the very idea 34 Cary Wolfe 3 Theory after critical theory 49 William Rasch 4 Extinct theory 62 Claire Colebrook PART II Between theory and practice: judgem ent, will, potentiality 73 5 Perception attack: the force to own time 75 Brian Massumi 6 The will of the people: dialectical voluntarism and the subject of politics Peter Hallward 7 The persistence of hope: critical theory and enduring in late liberalism 105 Elizabeth A.Povinelli 8 The practice of judgement: Hannah Arendt’s ‘Copernican revolution’ 120 Linda M. C. Zerilli PART III Rethinking the politics of representation 133 9 When reflexivity becomes porn: mutations of a modernist theoretical practice 135 Rey Chow 10 The canny subaltern 149 Eva Cherniavsky 11 Theory after postcolonial theory: rethinking the work of mimesis 163 Simon Gikandi PART IV Biopolitics and ethics 179 12 After life: swarms, demons and the antinomies of immanence 181 Eugene Thacker 13 Inclining the subject: ethics, alterity and natality 194 Adriana Cavarero 14 The person and human life 205 Roberto Esposito PART V Renewing the aesthetic 221 15 The wrong turn of aesthetics Henry Staten 16 Literature after theory, or: the intellective turn 237 Laurent Dubreuil 17 The liberal aesthetic 249 Amanda Anderson PART VI Philosophy after theory 263 18 The arche-materiality of time: deconstruction, evolution and speculative materialism 265 Martin Hagglund 19 Concepts, objects, gems 278 Ray Brassier 20 Pharmacology of spirit: and that which makes life worth living 294 Bernard Stiegler Index 311 NOTES ON CONTRIBUTORS Amanda Anderson is Caroline Donovan Professor of English Literature at The Johns Hopkins University and Director of the School of Criticism and Theory (at Cornell University). She is the author of The Way We Argue Now: A Study in the Cultures f Theory (Princeton University Press, 2006), The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment (Princeton University Press, 2001) and Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture (Cornell University Press, 1993). She has also co-edited, with Joseph Valente, Disciplinarity at the Fin de Siècle (Princeton University Press, 2002). Ray Brassier is Associate Professor of Philosophy at the American University of Beirut. He is the author of Nihil Unbound: Enlightenment and Extinction (Palgrave, 2007). He is currently working on a book that proposes to conjoin historical with eliminative materialism. Adriana Cavarero is Professor of Political Philosophy at the University of Verona. Her publications include Relating Narratives: Storytelling and Selfliood (Routledge, 2000), Stately Bodies: Literature, Philosophy and the Question of Gender (University ofMichigan Press, 2002), For More than One Voice: Toward a Philosophy of Vocal Expression (Stanford University Press, 2005) and Horrorism: Naming Contemporary Violence (Columbia University Press, 2008). Eva Cherniavsky is Andrew R. Hilen Professor of American Literature and Culture and affiliated faculty in Women’s Studies at the University ofWashington. She is the author of That Pale Mother Rising: Sentimental Discourses and the Imitation of Motherhood in Nineteenth-Century America (Indiana University Press, 1995) and of Incorporations: Race, Nation, and the Body Politics of Capital (University of Minnesota Press, 2006). Her current research considers the changing contours ofthe political in the context of neoliberal governance with an emphasis on the reimagination of citizenship in popular culture. Rey Chow is Anne Firor Scott Professor of Literature at Trinity College of Arts and Sciences, Duke University. Since 1991 she has authored seven books, including Writing Diaspora (Indiana University Press, 1993), Ethics after Idealism (Indiana University Press, 1998), The Protestant Ethnic and the Spirit of Capitalism (Columbia University Press, 1992), The Age of the World Target: Selj-Referentiality in War, Theory, and Comparative Work (Duke University Press, 2006) and Sentimental Fabulations, Contempormy Chinese Films: Attachment in the Age of Global Visibility (Columbia University Press, 2007). Her writings have been widely anthologized and translated into multiple European and Asian languages. The Rey Chow Reader, ed. Paul Bowman, is available from Columbia University Press. Claire Colebrook is Edwin Erle Sparks Professor ofEnglish at Pennsylvania State University. She has published books on contemporary European philosophy, liter­ ary theory, feminist theory, literary history and poetry. Her two most recent books are Milton, Evil and Literary History (2009) and Deleuze and the Meaning of Life (2010). Laurent Dubreuil is a Professor ofRomance Studies and Comparative Literature and the Director of the French Studies Program at Cornell University. His main research has to do with philosophy, literary criticism and theory, and the epistemol- ogy of the disciplines. He is the author of several books, including, A force d’amitié (Paris: Hermann, 2009), L’État critique de la littérature (Paris: Hermann, 2009) and Empire of Language (Ithaca: Cornell University Press, forthcoming in 2011). The editor-at-Iarge of the French interdisciplinary journal Labyrinthe, Dubreuil is cur­ rently assembling a special issue of Diacritics on ‘Negative Politics’. A Mellon Fellow in the New Directions Program, Laurent Dubreuil is also working more and more on neuroscience, evolutionary theory or animal behaviour from a ‘theoretical’ and ‘experimental’ perspective. Roberto Esposito teaches Theoretic Philosophy at the Istimto Italiano du Scienze Umane in Naples and in Florence. His main works, winch have been translated into a number of different foreign languages, are Categorie dell’impolitico (11 Mulino, 1988, 1999), Nove pensieri sulla politica (11 Mulino, 1993), L’origine della politica (Donzelli, 1996), Communitas: Origine e destino della comunità (Einaudi, 1998), translated as Communitas: The Origin and Destiny of Community (Stanford University Press, 2010) and Immunitas: Protezione e negazione della vita (Einaudi, 2002). His most works are Bios: Politica efiloso- fia (Einaudi, 2004), translated as Bios: Biopolitics and Philosophy (University ofMinnesota, 2008), Terza Persona: Politica della vita e filosofia dell’impersonale (Einaudi, 2007) and Termini della politica: Comunità, immunità, biopolitica (Mimesis, 2009). Simon Gikandi is Robert Schirmer Professor ofEnglish at Princeton University. His many books include Reading the African Novel (Portsmouth, 1987, rep. 1994), Reading Chinua Achebe, (Portsmouth, 1991,rep. 1996), Writing in Limbo: Modernism and Caribbean Literature (Cornell Univeristy Press, 1992), Maps of Englishness: Writing Identity in the Culture of Colonialism (Columbia University Press, 1992) and Ngugi wa Thiong’o (Cambridge University Press, 2000). He is the general editor of The Encyclopedia of African Literature (Routledge, 2003) and co-'-editor of The Cambridge History of African and Caribbean Literature (Cambridge University Press, 2004). He is currently completing a book on the relation between slavery and the culture of taste. Martin Hagglund is a Junior Fellow in the Harvard Society of Fellows and a Distinguished International Fellow of the London Graduate School. He is the author of Kronofobi: Essaer om tid och andlighet (Symposion, 2002) and Radical Atheism: Derrida and. the Time ofLife (Stanford University Press, 2008). He is cur­ rently completing his next book, Chronolibidinal Reading: Proust, Woolf, Nabokov. He is also working on a sequel to Radical Atheism, which turns from a critique of tran­ scendence to a critique of immanence, by engaging Bergson and Deleuze on fundamental questions of time, life and desire. Peter Hallward teaches at the Centre for Research in Modern European Philosophy at Kingston University London and is the author of Damming the Flood: Haiti and the Politics of Containment (Verso, 2007), Out of this World: Deleuze and the Philosophy of Creation (Verso, 2006), Badiou: A Subject to Truth (University of Minnesota Press, 2003) and Absolutely Postcolonial: Writing Between the Singular and the Specific (Manchester University Press, 2001). He is currently working on a book-length project entitled The Will of the People. Brian Massumi specializes in the philosophy ofexperience, art and media theory, and political philosophy. He is the author of Parablesfor the Virtual: Movement, Affect, Sensation (Duke University Press, 2002), A User’s Guide to Capitalism and Schizophrenia: Deviationsfrom Deleuze and Guattari (MIT Press, 1992) and First and Last Emperors: The Absolute State and the Body of the Despot (with Kenneth Dean; Autonomedia, 1993). He is an editor of The Politics ff Everyday Fear (University of Minnesota Press, 1993) and A Shock to Thought: Expression After Deleuze and Guattari (Routledge, 2002). His translations from the French include Gilles Deleuze and Felix Guattari’s A Thousand Plateaus. Peter Osborne is Professor ofModern European Philosophy and Director ofthe Centre for Research in Modern European Philosophy at Kingston University London. He is an editor of the journal Radical Philosophy. His books include The Politics ff Time: Modernity and Avant-Garde (Verso, 1995; 2nd ed., forthcoming), Philosophy in Cultural Theory (Routledge, 2000), Conceptual Art (Phaidon, 2002), Marx (Grant, 2005), Walter Benjamin: Critical Evaluations in Cultural Theory (ed., Routledge, 3 Volumes, 2005) and EI arte mas alla de la estética: Ensayosfüosoficos sobre el arte contemporaneo (CENDEAC, Murcia, 2010). He is currently completing a book on philosophical aspects of contemporary art. Elizabeth A. Povinelli is Professor of Anthropology and Gender Studies at Columbia University, where she has also served as the Director of the Institute for Research on Women and Gender and Co-Director of the Center for the Study of Law and Culture. Her research focuses on developing a critical theory of late lib­ eralism. This critical task is grounded in theories of the translation, transfiguration and the circulation of values, materialities and socialities within settler liberalisms. She is the author of three books: Labor’s Lot (University of Chicago Press, 1994), The Cunning f Recognition (Duke University Press, 2002) and The Empire ofLove (Duke University Press, 2006). She was the editor of Public Culture and sits on the editorial committees/boards of Cultural Anthropology, American Anthropology and Social Analysis. William Rasch is Professor of German Studies and Director of the Center for Theoretical Inquiry in the Humanities at the Indiana University. He is the author of Niklas Luhmann’s Modernity (Stanford University Press, 2000) and Sovereignty and Its Discontents (Birkbeck Law Press, 2004), editor of a collection of essays by Luhmann called Theories of Distinction (Stanford University Press, 2002) as well as editor or co-editor of numerous volumes and special issues on Luhmann, Carl Schmitt, German film and the bombing war during the Second World War. His current research centres on political and legal theory. Henry Staten is Lockwood Professor in the Humanities and Adjunct Professor of Philosophy at the University ofWashington. He is the author of Wittgenstein and Derrida (University of Nebraska Press, 1984), Nietzsche’s Voice (Cornell University Press, 1990) and Eros in Mourning: Homer to Lacan (Johns Hopkins University Press, 1984). Bernard Stiegler is the Director of the Department of Cultural Development at the Centre Georges-Pompidou in Paris and the founder of the political group Ars Industrialis. He has published more than 25 books in French, his best-kiiown work being the three-volume project La technique et le temps published in English translation as Technics and Time, vol. 1: The Fault of Epimetheus (Stanford Umversity Press, 1998), Technics and Time, vol 2: Disorientation (Stanford University Press, 2009), and Technics and Time, vol. 3: Cinematic Time and the Question ofMalaise (Stanford University Press, 2011). He also published, with Jacques Derrida, Echographies of Television (Polity, 2002). Other books in translation include Acting Out (Stanford Umversity Press, 2009) and For a New Critique ofPolitical Economy (Polity, 2010). Eugene Thacker is associate professor in the Media Studies programme at the New School in New York. He is the author of After Life (University of Chicago Press, forthcoming) as well as Horror f Philosophy (Zero Books, forthcoming). Cary Wolfe is Bruce and Elizabeth Dunlevie Professor of English at Rice University and founding editor of the Posthumanities series at the University of Minnesota Press. His books and edited collections include Animal Rites: American Culture, the Discourse ofSpecies, and Posthumanist Theory (University ofChicago Press, 2003), Zoontologies: The Question of the Animal (University of Minnesota Press, 2003), ]What Is Posthumanism? (University ofMinnesota Press, 2003) and The Other Emerson (ed. with Branka Arsic, University ofMinnesota Press, 2010). Linda M. G. ZeriUi is Charles E. Merriam Distinguished Professor of Political Science and the College and Professor of Gender Studies at the University of Chicago. She has published in the areas of feminist theory, democratic theory and Continental philosophy. Her most recent book is Feminism and the Abyss of Freedom (University of Chicago Press, 2005).

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This volume argues that theory, far from being dead, has undergone major shifts in order to come to terms with the most urgent cultural and political questions of today. Offering an overview of theory’s new directions, this groundbreaking collection includes essays on affect, biopolitics, biophilo
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