Table Of Content

THEATRE RESEARCH INTERNATIONAL Volume 25 (2000) compiled by Luc Schumacher Articles ‘Bulgarian Theatre Companies in Gian-Paolo Biasin & Manuela Gieri Ross Birrell, ‘The Radical Negativity the Second Half of the Twentieth eds., Luigi Pirandello and Paradoxical Performativity of Century’, 175-82 Contemporary Perspectives, 91-2 Postmodern Iconoclasm: Marcel Eli Rozik, ‘Intention and Purpose in Jean-Pierre Bordier, ed., Le Jeu thédtral Duchamp and Antonin Artaud Rina Yerushalmi’s Woyzeck 91’, ses marges s frontiéres, 295 275-83 10-28 John Russell Brown, New Sites for Sarah Bryant-Bertail, ‘The Trojan Claude Schumacher, ‘Would You Shakespeare: Theatre, The Women A Love Story : A Postmodern Splash Out on a Ticket to Moliére’s Audience and Asia, 298-9 Semioticso f the Tragic’, 40-52 Palais Royal?’, 248-54 Marius Buning, Danielle De Ruyter Marvin Carlson, ‘The Ghosts of Vassil Stefanov, ‘Ninety-Five Years of Matthijs Engelberts & Sjef Versailles’, 3-9 National Theatre in Sofia’, 129-32 Houppermans, eds ‘ Sa? mue1l01 ] B > Ralitza Dimitrova, ‘An Aural Nicole Vigouroux-Frey & Monique Today/Aujourd hui Beckett Workshop: Bulgarian Radio Drama Prunet, ‘Panorama and Stages in Versus Beckett, 92-3 164-7 Development’, 121-8 Martin Butler, ed Re-Presenting |! Lukas Erne, ‘Eighteenth-Century Nicole Vigouroux-Frey, ‘Opening Up Jonson History, Performance Swiss Peasant Meets Bard: Ulrich Doors of Perception: Stanislas 88-9 Braker’s A Few Words About Stratiev and Yordan Radichkov’ Thomas Cartelli Repositioning W1il7l8i0e) m 25S5h-a6ke5 speare § Plays 13, 3‘4P6u ppets: A Stylish Art Form’, PSohsatkecsopleoanriea:l ANpaptrioopnraila tiFoonrsm,a t2i9o7n-s8 Richard J. Hand & Michael Wilson 183-90 Richard Cave, Elizabeth Shafer & The Grand-Guignol: Aspects of Dean Wilcox, ‘The Defamiliarization Brian Woolland, Ben Jonson and Theory and Practice’, 266-75 Chroif sat aS igWniilfliicfaonrtd , P‘hAe nCoommepnuotne’r, 74-85 Theatre, 88 M. A. Katritzky, ‘Comic Stage Alain Chevalier, Nicole Leclercq & Reconstruction of Richelieu’s Palais Routines in Guarinonius’ Medical René Hainaux, eds., Bibliographic GadTr eKaatyinsea r,o f ‘1A6 1J0’e,w i2n 17t-he3 2 Dark: The MicCahradeiln alW ilTshoena,t res,e e 1R6i4c1’h,a rd2 33J.- 4H7a nd Aderst s arBtisb ldiuo grasppehcyt,a cleV 7 oluPmeer fo2r miBonwg ks Aesthetics of Absence—Monodrama in French published between 1985 as Evocation and Formation of Books Reviewed and 1995, 306 Genetic’ Collective Memory’, 53-63 Glenda Abramson, Drama and Sarah Colvin, The Rhetorical Friedemann Kreuder, ‘Theatre as a Ideology in Modern Israel, 94-5 Feminine: Gender and Orient on the Medium of Recollection—Klaus David Allen, Performing Chekhov, German Stage, 1647-1742, 197-8 Michael Griiber’s and Antonio 200-1 Celia R. Daileader, Eroticism on the Recalcati’s Rudi Installation (1979)’, Richard James Allen & Karen Renaissance Stage: Transcendence 64-73 Pearlman, eds., Performing the Desire and the Limits of the Liora Malka, ‘Woyzeck 91—A World Unnameable: An Anthology of Visible, 196 Without Intimacy’, 29-39 Australian Performance Texts, 95-6 Tracy C. Davis & Ellen Donkin, eds Svetlana Pancheva, ‘Words as John H. Astington, English Court Women and Playwriting in Diagnosis’, 147-8 Theatre, 1558-1642 , 87-8 Nineteenth-Century Britain New Bulgarian Drama: Imagery Elaine Aston, Feminist Theatre 199-200 and Style’, 160-3 Practice: A Handbook, 205-6 Janette Dillon, Theatre, Court and Monique Prunet, ‘A Melting Pot of Philip Auslander, Liveness City, 1595-1610: Drama and Social Talents’, 149-59 Performance in a Mediatized Space in London, 194 ——, ‘A Galaxy of Directors’, 168-74 Culture, 98-9 Peter Egri, Modern Games With David Ian Rabey, ‘On Being a Sally Banes, Dancing Women: Female Renaissance Forms: From Leonardo Shakespearian Dramatist: An Bodies on Stage, 207-8 and Shakespeare to Warhol and Approach to The Back of Beyond’, Richard Beacham, Spectacle Stoppard, 90 284-94 Entertainments of Early Imperial Ruth B. Emde, Schauspielerinnen im Snejina Roussinova-Zdravkova, Rome , 87 Europa des 18. Jahrhunderts: Ihr ii Theatre Research International—Vol 25 Index Leben, ihre Schrifter ypenheim, ed., Samuel Beckett Laurence Senelick, 203-4, 304—5 Publikum, 198-9 Arts: Music, Visual Arts Yvonne Shafer, 204—5 Rachel Fensham & Peter Eckersall Print Media, 93-4 Kirsten Shepherd-Barr, 91 eds., Dis/Orientations: Cultural Pechter, Othello and Marian R. Sperberg-McQueen, 197-8 Praxis in Theatre in / etive Traditions, 296 Ronald Wainscott, 300-1 Australia, 96 Picon-Vallin, Meyerhold: Les Dean Wilcox, 98-9, 303-4 Alison Gyger, Civilizin la création théatrale, 17, David Wiles, 194 Pioneering Opera in Au Helen Hackett, A Midsumn bin, ed., The World Dream, 89-90 ypedia of Contemporary Elizabeth Hanson, Di Volume 5, The Arab General Names Index 97-8 Abel, Sam, 8 Subject in Renaiss Adorno, Theodor W., 276 196 K. Sherman, Comedies Albertinus, Agidius, 227-9 Geraldine Harris, Staging Southern Theatre History, Anastassov, Petar, 158 Femininities: Perfor 812, 299 Antoine, André, 266 Performativity, 302 nfield, Out on Stage: Lesbian Aragny, Jean, 270 Thomas F. Heck Theatre in the Twentietl Artaud, Antonin, 82, 276-83 Performance 304—5 the Performing Peta Tait & Elizabeth Schafer, eds., Athey, Ron, 273 Azarian, Krikor, 170-1 Practice, 203-4 ian Women’s Drama: Texts Bakhtin, M., 268 Alison Hodge, ed., Twen minisms, 95 Actor Training, 302 Egil Térnqvist, Ibsen, Strindberg and Bakunin, M., 276, 277, 280 Jean E. Howard & Phyllis Rackin he Intimate Theatre: Studies in Barker, Howard, 284—5 Engendering a Nation sion Presentation, 91 Barlow, Graham, 248 Account of Shakespe Williams, Our Moonlight Barthes, Roland, 40, 47, 78, 81-2 4 Midsummer Night’s Beaumarchais, Pierre-Augustin Caron History, 194-5 de, 4-5, 6, 7, 8 Coppélia Kahn, Roman in the Theatre, 89-90 Beinart, Haim, 53 Warriors, Wounds Ben-Nahoom, Jonathan, 53 194-5 Ben Nakhum, Ada, 17 Dorothea Kehler, ed Reviewers Berlioz, Hector, 40, 42 Night’s Dream: Criti Michael Anderson, 87 Bernhardt, Sarah, 268 89-90 Jane Baldwin, 202 Berton, René, 268, 269, 272, 273 Baz Kershaw, The Radic: Martin Banham, 97-8 Binet, Alfred, 270, 273 Performance: Between Brecht Susan Bassnett, 91-2 Blau, Herbert, 82 Baudrillard, 303-4 Christopher Baugh, 87-8 Blocher, Christoph, 263 William Davies King, ed Edward Braun, 201-2 Bodmer, Johann Jakob, 256 Rising’: The Correspond Mark Thornton Burnett, 196-7, 297-8 Bogart, Anne, 41 Agnes Boulton and Eug Mimi Colligan, 200 Bond, Edward, 271, 285 299-300 Thomas F. Connolly, 90 Booth, Stephen, 285 Maurice Kurtz, Jacques Copeau Brett Ashley Crawford, 205 Bossuet, J. B., 252 Biography of a Theatre, 202 Brian Crow, 206-7 Boychev, Hristo, 160-1 Thomas Leuchtenmiiller, Die Macht Ewan Fernie, 88 Braker, Ulrich, 255-65 der Vergangenheit, 204—5 James Fisher, 299-300. Brecht, Bertolt, 41, 47 Jim McCarthy, Political Theatre Cara Gargano, 207-8 Brentano, Bernard von, 65 During the Spanish Civil War, 92 Todd Gilman, 295-6 Brenton, Howard, 271 Carol Martin & Henry Bial, eds Mike Gonzalez, 92 Biichner, Georg, 12-39 Brecht Sourcebook., 301-2 Deirdre E. Heddon, 205-6, 302-3 Bunyan, John, 261 Jeffrey D. Mason & J. Ellen Gainor, Russell Jackson, 89-90 Caffaro, Francois, 252-3 eds., Performing America: Cultural Edward Kahn, 296 Callan, Ron, 286 Nationalism in American Theater, Gad Kaynar, 94-5 Camillo, Giulio, 72 300-1 E. M. Langille, 295 Carlson, Marvin, 57, 79, 277, 279, 281 Jeffrey Masten, Textual Ir tercourse Jan McDonald, 199-200 Carroll, Lewis, 291 Collaboration, Authorship, and Andrew McKinnon, 302 Carroll, Noél, 271 Sexualities in Renaissance Drama, Clare McManus, 88-9 Charlan, Bernard, 271 295-6 Anna McMullan, 92-4 Chase, James Hadley, 273 Brenda Murphy, ed., The Cambridge Ian Maxwell, 95-7 Chekhov, Anton, 284 Companion to American Women Meg Mumford, 198-9, 301-2 Choisy, Camille, 267, 274 Playwrights, 205 Susan Pfisterer, 95 Clouzot, Henri-Georges, 273 ——, Congressional Theatre Stanley Richardson, 299 Conklin, John, 7-8 Dramatizing McCarthyism on Claude Schumacher, 306 Corigliano, John, 3-9 Stage, Film, and Television, 300-1 Barbara Sebek, 194-5 Corneille, Pierre, 251 Theatre Research International—Volume 25 Index iii Lancaster, H. C., 248 Racine, Jean, 248-9, 250, 251, 253 Landau, Tina, 40-52 Radichkov, Yordan, 133-46, 165 Lawrenson, Tom, 234, 252 Radoev, Ivan, 153-4 Lefebvre, Henri, 280 Recalcati, Antonio, 64-73 Le Maire, Jean, 233, 241, 246 Richelieu, cardinal de, 233-4 acques, 82 Lemercier, Jacques, 233-46 Richter, Hans, 277, 279 René, 280 Lessing, Gotthold Ephraim, 256 Rossini, Gioacchino, 4-9 hev, Ivan, 171-2 Level, Maurice, 267, 269 Rothstein, Edward, 5 breva, Yana, 16] Lorde, André de, 267, 270, 272, 273 Rudkin, David, 284, 285 Donev, Kamen, 162-3 Louis XIII, king of France, 233 Sabatier, Guy, 267 Yorfman, Ariel, 273 Louis XIV, 248, 249, 250, 252 Sade, marquis de, 272 Juchamp, Marcel, 276 Louis XVI, 8 Sartre, Jean-Paul, 3 Duve, Thierryd e, 277, 278 ) 89 Lough, John, 248, 250-1 Sauval, Henri, 233 Um |b erto, 375 /5 O97 8, 81-2 Lulli, Jean-Baptiste, 233 241, 245 nburg, Johann Joachim, 256 Mamet, David, 273 Schapiro, Meyer, 74-6, 83 Manchev, Pancho, 184 Schlegel, August Wilhelm von, 255 Mancini, Marie-Anne, duchesse de Schlegel, Johann Elias, 255 Bouillon, 253 Schiller, Friedrich, 255 (,eorges Mangan, Michael, 287 Schneider, Eric, 287 Michael, 75, 278 Marinkov, Petar, 156-7 Sévigné, madame de, 251 iissli, Johann Heinrich (Fusely Massalitinov, Nicolai Ossipovich Shakespeare, William, 10, 255-65 Henry), 256 175, 177 284-93 ;amboni, Dario, 276 Maupassant, Guy de, 267 Sher, Antony 285 seorgiev, Kolio, 157-8 Maurey, Max, 267, 274 Shklovsky, Victor, 80 shilain, Eddy, 268 Maxa, Paula, 268, 270 Smollett, Tobias, 261 Giddens, Anthony, 30-1, 35 4 Mazarin, cardinal de, 249, 253 States, Bert, 78 rillespie, Michael Allan, 280 Mee, Charles, 40-52 Strindberg, August, 280 sceethe, Wolfgang von, 255, 260, 261 Meéleése, Pierre, 248, 252 Stratiev, Stanislav, 133-46 ;oldsmith, Oliver, 261 Merleau-Ponty, Maurice, 80 Tarantino, Quentin, 271 ;Olev, Ivan, 158-9 Méténier, Oscar, 266, 267, 272, 274 Teofilov, Ivan, 185 Gordon, Mel, 269, 270, 271 Minkov, Margarit, 156 Tieck, Ludwig, 255 ;ottsched, Johann Christoph Mirbeau, Octave, 272, 273 Tzanev, Stefan, 151-3 sraham, Colin, 7 Mitkov, Zdravko, 173-4 Tzankov, Vili, 169 Graver, David, 279 Mladenova, Margarita, 171-2 Van Lochon, Michel, 233 Greenberg, Clement, 278 Moliére, 3, 233, 238, 248, 250, 251 Vigarani, Carlo, 233 Griiber, Klaus Michael, 64 Morfov, Alexander, 172-3 Vilojny, Shmuel, 54-63 Gryphius, Andreas, 255 Morris, Desmond, 31 Vinci, Leonardo da, 277 Guarinonius, Hippolytus, 217 Morris, Robert, 278 Wagner, Richard, 9 Haitov, Nikolai, 154-5 Moskov, Stefan, 173 Walz, Ruth, 65, 71 Hanchev, V., 185 Mozart, Wolfgang Amadeus, 4-8 Wieland, Christoph Martin, 255, 256 Hauptmann, Gerhart, 255 Neeman, Oren, 53-63 Williford, Christa, 248 Herder, Johann Gottfried, 255 Neilson, Francis, 270 Wilson, Lanford Hinkle Gerald 3 Niehoff, Karena, 72 Wilson, Robert, 75-83 Hitchcock, Alfred, 273 Nietzsche, Friedrich, 272, 276, 277, Witkiewicz, Stanislaw Ignacy, 83 Hoffmann, William, 3-9 280, 281 Yankov, Stefan, 191 Holland, Peter, 285 Noble, Adrian, 285 Yates, Frances, 7] Husserl, Edmund, 78-9, 82 Nonon, Charles, 273 Yerushalmi, Rina, 12-39 Hutcheon, Linda, 8 Oden, T. C., 30 Yordanov, Nedyalko, 150-1 Hyde, Jonathan, 285, 286 Ognianova, Iulia, 169-170 Zandbank, Shimon, 17 lliev, Kalin, 161-2 O’Regan, Michael, 248 Zlatinov, Dimitar, 162 lliev, Konstantin, 147-8 Orlan, 273 Zola, Emile, 272 Ionesco, Eugene, 10 Papazov, Boyan, 155-6 Iser, Wolfgant, 54 Paulais, L., 268, 269 Jackson, Russell, 293 Pavis, Patrice, 77-8, 80-1 Jarry, Alfred, 276, 280 Paz, Octavio, 277 Jencks, Charles, 9 Petrova, Ana, 162-3 Cumulative Indices Jones, Amelia, 278 Petrov, Valery, 149-50 Contents Index, Volumes | to 25, Judd, Donald, 278 Picard, Raymond, 249, 250, 251 311-25 Kennelly, Brendan, 290 Pierron, Agnés, 267 Author Index, Volumes 1 to 25 Kuspit, Donald, 279 Poe, Edgar Allan, 273 326-30