Table Of Content

THEATRE RESEARCH INTERNATIONAL Index Volume 19 (1994) compiled by Luc Schumacher Articles Freddie Rokem, ‘ ‘‘What, has this thing Gunilla Dahlberg, Komediantteatern | Héléne Bouvier, ‘An Ethnographic appeared again tonight?’’’, 143-7 1600-Talets Stockholm, 271 Approach to Role-Play in a Eli Rozik, ‘Stage Metaphor: With or Chris Dunton, Make Man Talk True Performance of Madurese Loddrok’' Without. On Rina Yerushalmi’s Nigerian Drama in English since 9-16 Production of The Chairs by 1970, 176 David Bradby Genet the Theatre and lonesco’, 148-55 Ron Engle & Tice L. Miller, eds., The t he Algerian War’, 22 26-37 Egil Térnqvist, ‘Comparative American Stage: Social and William Brooks & P. J. Yarrow, ‘A Performance Semiotics: The End of Economic Issues from the Colonial Note on La Champmeslé and Mlle Ibsen's Et Dukkegjem/A Doll's Period to the Present, 79 Desmares’, 67 House’, 156-64 Josette Féral, La Culture contre l'art, Sarah Bryant-Bertail Woman and the Stacey Wolf, ‘Talking About 83 City the Semiotics of Pornography, Talking About Erika Fischer-Lichte The Semiotics of Embodiment’, 99-110 Theatre: Ethnography, Critical Theater, 182 Marvin Carlson, ‘Invisible Presences Pedagogy, and the Production of Erika Fischer-Lichte, Kurze Geschichte Performance Intertextuality Educated’’ Audiences’, 29-36 des deutschen Theaters, 169 James von Geldern, Bolshevik Barbara Hatley, ‘Contemporary Books Reviewed Festivals 1917-1920, 168 Indonesian Theatre in the Regions Richard Andrews, Scripts and Robert Justin Goldstein, Political Stage Idiom and Social Scenarios The Performance of Censorship of the Arts and Press in Referentiality’, 17-28 Comedy in Renaissance Italy, 68 Nineteenth-Century Europe, 275 Robert D. Hume & Judith Milhous, Ralph Berry, Shakespeare in Miriam Guilbert, Shakespeare in James Lewis's Plans for an Opera Performance: Castings and Performance Love's Labour’s Lost, House in the Haymarket 191-202 Metamorphoses, 270 71 Russell Jackson Shaw's Reviews of Rustom Bharucha, Theatre and the Gerhard Hauck, Reductionism in Daly's Shakespeare: The Wooing of World: Performance and the Politics Drama and the Theatre The Case Ada Rehan’, 203-13 of Culture, 182 of Samuel Beckett, 279 Michal Kobialka Topography of Michael Billington, One Night Stands, Jonathan Haynes The Social Relations Representation’, 118-33 177 of Jonson's Theater, 75 Elie Konigson, 'Dramatized Spaces H. Philip Bolton, Scott Dramatized, Brian Hayward, Galoshins, 84 Between History and 168 Julian Hilton, ed New Directions in Anthropology 37-46 A. M. Bowie, Aristophanes: Myth, Theatre, 281 Judith Milhous & Robert D Hume Ritual and Comedy, 267 David L. Hirst, Giorgio Strehler, 174 James Lewis's Plans for an Opera David Bradley, From Text to Barbara Hodgdon, Shakespeare in House in the Haymarket’, 191-202 Performance in the Elizabethan Performance Henry IV, Part Two Alfred Nordmann The Actors Briet Theatre: Preparing the Play for the 71 Experien es with Chekhov 134-42 Stage, 69 A. J. Honigmann & Susan Brock, James I Peacock Ludruk Revisited James R Brandon, ed., The Cambridge eds., Playhouse Wills: 1558-1642, An Epistolary Interview 9-16 Guide to Asian Theatre, 287 268 David Ian Rabey, A Review of George W. Brandt, ed., German and Maurice Hunt, ed., Approaches to Playscripts Published in Britain Dutch Theatre, 1600-1848, 166 Teaching Shakespeare's The 1993 162-66 Bertold Brecht, Journals 1934-1955, Tempest and Other Late Romances, Margaret Loftus Ranald, ‘The 170 270 Performance of Feminism in The Peter Brook, There Are No Secrets Christopher Innes, Avant-Garde Taming of the Shrew’, 214-25 Thoughts in Acting and Theatre, Theatre, 1892-1992, 79 Thomas Riccio, ‘Emandulo: Process 284 Russell Jackson & Robert Smallwood, and Performance in a Changing Kent Cartwright, Shakespearean eds., Players of Shakespeare 3 South Africa’, 238-61 Tragedy and Its Double, 74 Further Essays in Shakespearian Theatre Research International—Volume 19 Index Performance by Players with the Alan Read, Theatre and Everyday Life. Christopher Baugh, 82 Royal Shakespeare Company, 172 An Ethics of Performance, 81 Ross Birrell, 180 Sue Jennings & Ase Minde, Art Peter Reynolds, Novel Images: David Bradby, 83, 180 Therapy and Dramatherapy: Masks Literature in Performance, 86 Barbara Bell, 168 of the Soul, 179 Sandra Richards, The Rise of the Susanna Braund, 165 Henry Ansgar Kelly, Ideas and Forms of English Actress, 274 John M. Breen, 75 Tragedy from Aristotle to the Ritchie Robertson & Edward Timms, Mark Thornton Burnett, 68, 268 Middle Ages, 165 eds., Theatre and Performance in Alasdair Cameron, 84, 183 Dennis Kennedy, Looking at Austria from Mozart to Jelinek — Richard Allen Cave, 174 Shakespeare: A Visual History of Austrian Studies 4, 170 Thomas Docherty, 181 Twentieth-Century Performance, George Rowell, The Old Vic Theatre, Ditty Dokter, 179 171 78 Joyce Doolittle, 174 Adrian Kiernander, Ariane E. S. Schaffer, ed., Knowledge and Ann Fridén, 80 Mnouchkine, 175 Performance — Comparative Viv Gardner, 274 Kela Kvam, ed., Strindberg’s Post- Criticism 14, 181 Spencer Golub, 168 Inferno Plays, 275 Mady Schutzman & Jan Cohen-Cruz, Darryll Grantley, 79, 285 Lars Kleberg, Theatre as Action: Soviet eds., Playing Boal: Theatre, Richard J. Hand, 275 Russian Avant-Garde Aesthetics, Therapy, Activism, 287 Russell Jackson, 270 276 Laurence Senelick, ed., Gender in Corinna Salvadori Lonergan, 68 André Lascombes, ed., Spectacle and Performance: The Presentation of Richard McCabe, 70, 269 Image in Renaissance Europe, 68 Difference in the Performing Arts, Gerry McCarthy, 77 G. Ley, A Short Introduction to the 183 John McCormick, 78 Greek Theater, 267 Theodore Shank, ed., Contemporary Jan McDonald, 167 John McCormick, Popular Theatres of British Theatre, 283 Obi Maduakor, 176 Nineteenth-Century France, 76 Maria Shevtsova, Theatre and Cultural Michael Mangan, 177, 272 Iain Macintosh, Architecture, Actor Interaction, 180 J. M. Mossman, 267 and Audience, 82 Bert O. States, Hamlet and the Harriet Murphy, 170 Nancy Klein Maguire, Regicide and Concept of Character, 73 S. J. Nicholson, 276 Restoration: English Tragicomedy Apollonia Steele & Jean F. Tener, eds., David Olive, 270 1660-1671, 272 The Alden Nowlan Papers: An Lois Oppenheim, 279 Marco de Marinis, The Semiotics of Inventory of the Archive at the John Osborne, 166 Performance, 84 University of Calgary Libraries, 174 Jane Plastow, 286 Frederick J. Marker & Lise-Lone Gary Taylor & John Jowett, Chrissie Poulter, 287 Marker, Ingmar Bergman: A Life in Shakespeare Reshaped, 1606-1623, Michael L. Quinn, 84, 280, 281 the Theater, 80 269 David Ian Rabey, 71, 172, 178, 284 David Mayer, ed., Playing Out the James H. McTeague, Before Janelle Reinelt, 87 Empire: Ben Hur and Other Toga Stanislavsky: American Professional Michael Robinson, 275 Plays and Films. A Critical Acting Schools and Acting Theory W. Schrickx, 271 Anthology, 278 1875-1925, 277 Claude Schumacher, 76 Zakes Mda, When People Play People Michelene Wandor, Drama Today: A Adrienne Scullion, 86, 278 Development Communication Critical Guide to British Drama, Kate Shaw, 171 Through Theatre, 286 1970-1990, 178 Brian Singleton, 175, 287 Susan Melrose, A Semiotics of the lan Watson, Towards a Third Theatre: Peter Skrine, 169 Dramatic Text, 280 Eugenio Barba and the Odin Bert O. States, 73 Patrick Miles, ed., Chekhov on the Teatret, 180 Anna-Marie Taylor, 170, 284 British Stage, 77 Stanley Wells, ed., Shakespeare Survey Diana Theodores, 177 Klaus Peter Miller, ed., Englisches 45: ‘Hamlet’ and Its Afterlife, 70 Peter Thomson, 268 Theater der Gegenwart Peter Whitebrook, William Archer: Mick Wallis, 81 Geschichte(n) und Strukturen, 284 A Biography, 167 Nigel Warrington, 277 J. R. Mulryne & Margaret Shewring Don B. Wilmeth & Tice L. Miller, eds, David Whitton, 273 eds., Theatre and Government The Cambridge Guide to American Robert Wilcher, 283 Under the Early Stuarts, 268 Theatre, 285 Gary Jay Williams, 74 Jean Newlove, Laban for Actors and Dancers, 177 Reviewers Theatres and Theatre Companies Noél Peacock, Moliére in Scotland, 273 Michael Anderson, 267 England Helen Peters, The Plays of Codco, 84 Marie Axton, 69 London Peggy Phelan, Unmarked: The Politics Martin Banham, 182 Little Theatre, Haymarket, 201 of Performance, 87 Susan Basnett, 182 The Opera House, 191-202 Theatre Research International—Volume 19 Index Queen’s/King’s Theatre, 191, 200, Beckett, Samuel, 140 Durif, Eugéne, 227 201 Bentaga, Abdallah, 230 Edwards, Dic, 262 France Berglund, Axel-Ivar, 249 Eisenman, Peter, 130 Bordeaux Bergman, Ingmar, 157-63 Ellis, Mary, 215-16 Grand Théatre, 200 Bergman, Ingrid, 218 Esslin, Martin, 148, 156 Nanterre Billington, Michael, 223 Fabian, Johannes, 10 Théatre des Amandiers, 228 Blau, Herbert 145 Fairbanks, Douglas, 217-18 Paris Bleasdale, Alan, 263 Fals, Iwan, 24, 27 Théatre du Soleil, 234 Blin, Roger, 227-9, 233-4 Farrow, Mia, 218 Indonesia Bond, Edward, 265 Fehn, Gerhard, 140 Bengkel Theatre, 18, 25 Booth, Eric, 222 Feltham, John, 200 Dinasti, 25, 27 Bourgeat, Francois, 227 Fischer-Lichte, Erika, 156 Gidag-Gidig, 23 Brinchmann, Arild, 157, 161-3 Fitzgerald, Percy, 205 Rukun Kemala, 47, 48, 51 Brook, Peter, 115-16 Fletcher, John, 214 Teater Koma, 18 Bryant, A. T., 249 Fliedel, Edna, 153 Teater Kubur, 18 Bunker, Edith, 113 Fontanne, Lynn, 216, 217 Teater Sae, 18 Burton, Richard, 218 Frayn, Michael, 263 Yogyakarta Group, 22 Butler, Judith, 100 Freeman, Morgan 221 Israel Campbell, Ken, 265 Freud, Sigmund, 147 T el Aviv Cannon, Jack, 220 Friedan, Betty, 218 Cameri Theatre, 148 De Certeau, Michel, 105-6 Friel, Brian, 263 Italy Césaire, Aimé, 226, 231, 234 Frohman, Charles, 205 Milan Chaplin, Charles, 106 Fugard, Athol, 263 Teatro alla Scala, 200 Chekhov, Anton, 134-42 Garland, Patrick, 157, 160-3 Russia Chéreau, Patrice, 228, 233, 234 Garrick, David, 214, 215 Moscow Churchill, Caryl, 265 Gatti, Armand, 226 Moscow Arts Theatre, 137-8 Cixous, Héléne, 234 De Gaulle, Charles, 227, 2 29, 235 South Africa Clifford, James, 29, 33 Gautier, Jean-Jacques, 233 Kwasa Group, 238-61 Coles, Charles, 121 Geertz, Clifford, 11 Loft Theatre, 238-61 Cotsirilos, Stephanie, 222 Genet, Jean, 226-3 USA Cousin, Gabriel, 226 Gere, Richard, 222 Wooster Group, 113, 141 Coward, Noél, 216 Gerringer, Robert, 221 New York Cox, Brian, 222 Gielgud, John, 114 Daly's Theatre, 204-9 Cox, Susan, 223 Gilbert, Mrs George H., 205 Fifth Avenue Theatre, 204 Crimp, Martin, 265-6 Godard, Jean-Luc, 226 Garrick Theatre, 215-16 Cross, Robert, 239, 257 Goftman, Erving, 44 Dale, Jim, 222 Graber, Yossi, 152 General Name Index Dalton, Timothy, Grayson, Kathryn, 220 Adamov, Arthur, 229 Daly, Augustin, 203- Greenstreet, Sydney, 217 Aldridge, Ira, 220 Davis, John Henry, Greer, Germaine, 219, 221 Allen, Woody, 218 Dee, Ruby, 220 Grey, Spaulding, 113 Alter, Jean, 112-13 Derrida, Jacques, 119 Guare, John, 264 de Angelis, April, 265 Dewhurst, Colleen, 220 Hadi, Wisran, 22, 23 Angelin, Margaret, 215, 217 Diamond, Jack, 219 Hammond, Percy, 216, 217 Antoon, A. J., 221 Dolan, Jill, 30, 31 Harris, Thomas, 197, 200 Archer, William, 207, 208, 210 Dolmetsch, Arnold, 208 Harwood, Ronald, 263 Aristophanes, 264 Donald, Andrew, 257 Haskell, Molly, 101 Artaud, Antonin, 119, 120, 130, 131 Dort, Bernard, 228 Hatley, Barbara, 10 Asquith, Ros, 223 Douglas, Mary, 100 Havergal, Giles, 262 Atkinson, Brooks, 217 Drake, Alfred, 219 Hazlitt, William, 209 Ayckbourn, Alan, 263 Dréville, Valérie, 106-7 Holly, Ellen, 220 Ayliff, H. K., 21 5 Drew, John, 205, 214 Holroyd, Michael, 203, 204 Barker, Howard, 266 Dribble, Henry Wagtaff, 216 Hughes, Declan, 265 Barthes, Roland, 100, 101, 106, 229 Dubois, Cora, 11 Ibsen, Henrik, 114, 143, 146, 147, Barber, John, 223 Dumont, 192, 197, 200 156-64 Baudrillard, Jean, 131 Duncan, Martin, 223 Ionesco, Eugéne, 148-55, 229 Bauman, Richard, 34 Dunlop, Frank, 222 Ivey, Marilyn, 13 Baxandall, Michael, 134-5 Duras, Marguerite, 262 jackson, Sir Barry, 215 Theatre Research International— Volume 19 Index Jameson, Frederic, 119 Nightingale, Benedict, 223 Spewack, Belle, 219 Jarry, Alfred, 265 Noer, Arifin, 17, 23 Spewack, Sam, 219 Johnson, Jennifer, 265 Novosielski, Michael, 199, 200, 201 Stanislavsky, Konstantin, 137-41, 146 Johnson, Terry, 263-4 Nxumalo, Tiki, 240, 242 Stapleton, Jean, 113 Jones, James Earl, 220 Olivier, Laurence, 114 Stein, Peter, 138, 139, 140 Julia, Raul, 221 O'Reilly, Robert Bray, 201 Stoppard, Tom, 262, 263 Kantor, Tadeusz, 116, 119, 121-5, Orrell, John, 196 Streep, Meryl, 221 127-31 Osborne, John, 266 Strindberg, August, 146 Keel, Howard, 220 Packard, Tina, 221 Stroeva, M. N., 137, 138 Kennelly, Brendan, 264 Papp, Joseph, 220, 221 Sullivan, Barry, 210, 211 King, Francis, 223 Patte, Pierre, 200 Sydney, Basil, 215 Kirby, Johanna, 223 Peacock, James L., 9-16 Taylor, Elizabeth, 218 Kirk, Lisa, 219 Peduzzi, Richard, 228 Taylor, Mark, 118 Koltés, Bernard-Marie, 22 , 234-5 Pelzel, John, 11 Taylor, Sam, 217 Kowzan, Tadeusz, 156 Pennant, Thomas, 197 Taylor, William, 199, 201 Kramer, Larry, 264 Peters, Margot, 203, 204 Terry, Ellen, 212 Kraus, Karl, 134 Philipe, Gérard, 106 Thomas, Edward, 265 Krisinsky, Wladimir, 145 Pickford, Mary, 217, 218 Tinker, Jack, 223 Kroll, Jack, 222 Pierce, C. S., 111 Truffaut, Francois, 107 Kuhn, Hans Peter, 120 Piermarini, Luigi, 200 Turner, Victor, 9 Lapotaire, Jane, 222 Planchon, Roger, 226 Tynan, Kenneth, 229 de Lauretis, Teresa, 101, 106 Pontecorvo, Gillo, 226 Ullman, Tracey, 221 Lazar, Paul, 141 Porter, Cole, 219, 220 Ultz, 223 Leach, Wilford, 221 Pratt, Ray, 242 Valle-Inclan, Ramon del, 265 Lecompte, Elizabeth, 141 Pyne, Natasha, 218 Vanbrugh, John, 191, 196, 198 Lemahieu, Daniel, 227 Quigley, Austin, E., 158 Vaughan, Stuart, 220, 221 Lewis, James, 191-202, 205 Quinn, Michael, 106, 112, 113 Velaquez, 127, 129 = Losey, Joseph, 157, 160, 161, 163 Redgrave, Vanessa, 222 Venturas, Themi, 239, 240 Lucie, Doug, 265 Regnault, Francois, 233 Victory, Fiona, 223 Lunt, Alfred, 216-17 Regnault, Maurice, 229 Vilar, Jean, 106, 226 Mackenzie, Suzie, 223 Rehan, Ada, 203-15 Vinaver, Michel, 226 McGibbon, Murray, 239 Resnais, Alain, 226 Vitez, Antoine, 99, 102, 103, 104, McLaren, Peter, 35 Robertson, W. Graham, 209 107, 108 Mamet, David, 266 de Rojas, Fernando, 99, 102, 104, 105 Voltaire, 200 Mansfield, Richard, 212 Rossellini, Roberto, 218 Walcott, Derek, 264 Mantle, Burns, 217 Rudolph, Nils-Peter, 138, 139, 140 Walkley, A. B., 209 de Marinis, Marco, 112 Sander, Otto, 138 Walpole, Horace, 198 Marlowe, Julia, 204, 215, 216, 217 Sartre, Jean-Paul, 229, 230 Wedekind, Frank, 265 Martin, Nan, 221 Saussure, Ferdinand de, 111 Welles, Orson, 107 Mesguich, Daniel, 114 Savona, Jeannette, 234 White, Edmund, 230, 233 Miller, Ann, 220 Savory, Phyllis, 247 White, Jane, 220 Miller, Arthur, 264 Schechner, Richard, 31 Wickert, Hartmut, 139-41 Miller, Jonathan, 2222 Scott, Clement, 205, 210 Wijaya, Putu, 17, 23, 26 Morison, Patricia, 219 Shakespeare, William, 145, 203-25 Wildgruber, Ulrich, 138, 139 Morley, Sheridan, 223 Shaw, Fiona, 222, 224 Williams, Nigel, 228 Morris, Shona, 223 Shaw, George Bernard, 203-13, 221 Wilson, Edwin, 203 Mnouchkine, Ariane, 115, 116, 234 Shepard, Sam, 264 Wilson, Robert, 119, 120, 130, 131 Mohamed, Goenawan, 17 Sheridan, Richard Brinsley, 197, 200, Winter, William, 205, 206, 208, 209 Moltke-Hansen, David, 14 201 Witkiewicz, Stanislaw, 123, 124 Moreau, Jeanne, 99, 101-108 Sholle, David, 35 Woddis, Carole, 223 Mosher, Greg, 113 Sidney, George, 220 Yacine, Kateb, 226, 234 Murphy, Tom, 264 Sjéstrand, Per, 157, 161, 162 Yerushalmi, Rina, 148-55 Mutwa, Credo Vusa’mazulu, 249 Sledge Eddie, 219 Zeffirelli, Franco, 218 Nugbane, Harriet, 253 Sly, Christopher, 217 Neuenfels, Hans, 157, 159, 161, 162 Sothern, E. H., 215, 216