Theatre Journal 2012: Vol 64 Index & Table of Contents

2012·2.3 MB·English

Theatre Journal
INDEX TO VOLUME 64
CONTRIBUTORS’ INDEX Savran, David. “’ You've got that thing’: Cole
Porter, Stephen Sondheim, and the Erot-
ARTICLES ics of the List Song.” 533-48.
Sofer, Andrew. “Spectral Readings.” 323-36.
Arons, Wendy. “Queer Ecology / Contempo- Van Kooy, Dana. “Darkness Visible: The Early
rary Plays.” 565-82. Melodrama of British Imperialism and
Begley, Varun. “Objects of Realism: Bertolt
the Commodification of History in Sheri-
Brecht, Roland Barthes, and Marsha
dan’s Pizarro.” 179-95
Norman.” 337-54.
Worthen, W. B. “’The written troubles of the
Bernstein, Robin. “Toward the Integration brain’: Sleep No More and the Space of
of Theatre History and Affect Studies:
Character.” 79-97
Shame and the Rude Mechs’s The Method
Gun.” 213-30. PERFORMANCE REVIEWS
DuComb, Christian. “Staging Violence in
Pig Iron Theatre Company’s Anodyne.” Abrams, Joshua. The Li 1 of Marina
197-211. Abramovic. 267-69
Edgecomb, Sean F. “The Ridiculous Perfor- Barnett, Dennis. Passing the Flame: DAH
mance of Taylor Mac.” 549-63. Theatre’s 20th Anniversary Festival
Fisek, Emine. “Animating Immigration: Labor 264-67
Movements, Cultural Policy, and Activist Blaney, Darren Patrick. |
Theatre in 1970s France.” 41-57 598-601
Herrera, Brian Eugenio. “Compiling West Sid Boyd, Johnathon D. El pa
Story’s Parahistories, 1949-2009.” 231-47 g rot$ esco (ine Fast
Hodgdon, Barbara. “Material Remains at 433-35.
Play.” 373-88. Calder, David. Le Festival Ouverture
Kornhaber, David. “The Philosopher, the allens, Johan. Edward II. 601-3.
Playwright, and the Actor: Friedrich anavan, Claire. I’ve Never Been
Nietzsche and the Modern Drama’s 114-15
Concept of Performance.” 25-40. hambers-Letson, Joshua Takano. Burning
Marra, Kim. “Riding, Scarring, Knowing: A Bluebeard. 603-5.
Queerly Embodied Performance Histori- Crane, Robert. Mask and Soul. 275-77
ography.” 489-511. Del Vecchio, Jessica. Sontag: Reborn. 592-95.
Miller, Derek. “Performative Performances —. You, My Mother. 592-95
A History and Theory of the ‘Copyright Dinero, Dan. The People in the Picture. 108-10.
Performance.’” 161-77. Ferdman, Bertie. The Tenant. 271-73.
Monks, Aoife. “Human Remains: Acting, Ob- Friedman, Andrew. Jolin Gabriel Borkman. 430-33
jects, and Belief in Performance.” 355-71 Grunert, Andrea. Juno and the Paycock. 27-30
Muller, David G. “Bajazet '37: Jacques Co- ———. The Veil. 427-30.
peau’s Palais a Volonté at the Comédie- Heijes, Coen. Macbeth. 102-5.
Frangaise.” 1—24. Hopkins, D. J. Sleep No More. 269-71.
Nereson, Ariel. “Queens ‘Campin” Onstage: Innes, Kari-Anne. Our Lady of the Underpass.
Performing Queerness in Mae West's 107-8.
‘Gay Plays.’” 513-32. Jannarone, Kimberly. Ley s Théatre du Peuple;
Ridout, Nicholas. “On the Work of Things: Avignon Festival. 2 53-57.
Musical Production, Theatrical Labor, Juliano, Linzi. Digital: A | ove Story; Bully;
and the ‘General Intellect.’” 389-408. Grand Theft Auto IV; Por tal; Dys4ia.
Rossen, Rebecca. “Jews on View: Spectacle, 595-98.
Degradation, and Jewish Corporeality in Kruger, Loren. The Great Fire. 277-78.
Contemporary Dance and Performance.” Kuftinec, Sonja Arsham. Oregon Shakespeare
59-78. Festival. 249-53.
640 Index to Volume 64
Bisaha, David. Theatre, Communication, (
Lee, Melissa. The Re
437-39 Realism. Tobin Nellhaus. 303-4
Lewis, Megan, with Natalia Hokin. South Bovle, Michael Shane. Walter Benjamin and
Af rica’s National Arts Festival. 260-64 Bertolt Brecht: The Story of a Friendship.
Lococo, MarkE . Show Boat. 422-24 Erdmut Wizisla, translated by Christine
MacDonald Laura. Lady] in t‘ he1 Dark : 417 9 Shuttleworth. 137-38.
Sound of Music. 417-22 Boynton, Michael onakespearean
Mavorga Irma. b 412-14 nLvViIgQoOrTaAtTiInNgG the Study of Dramati
McCormick, Stacie Selmon. Stich ind P e> rformaranncce e tht hrou1 gh Co“gnnointttiivnee octei N
Muller, DavidG . 1 A Amy Cook. 134-36
Nahm, Kee-Yoon Brown, Kevin. 7 1e President Electric: Ronalt
590-92 Reagan and the Politics of Performance
Nelso2n7 8-P8a1t ricia Elise. Bre limothy Raphael. 465-66.
Burch, Milbre. American Women Theatre Critics
Owicki, Eleanor. Ulster Bank Belfast Festival Biographies and Selected Writings of Twelve
cee
at Queens 424-2 Reviewers, 1753-1919. AlmaJ . Bennett
arker-Starbuck, Jennifer 313-14
Clavcomb, Rvan. Sarah Kane in Context. Lau
rens de Vos and Graham Saunders, eds
onde
651-35
Clum, John M. Reading the Plat
in. Jan Balak ian. 6 >
St
Salamon. 626-2
Costa, | rancisco QOQuee? Thea and tie
Legacy of ¢ Yeomans. Robert A. Schanke
62 >—Z6
Crane, Robert. Modernism
l Kyit } bila i
tion. Irena R Makaryk and
Virlana Tkacz, eds. 471-73
Robert. Theatre and Citizenship: The His
y of a Practice. David Wiles. 459-60
Decker, Todd Phe inng o BReerr lin RR eader1 . . BReensejta -
min Sears, ed 29-3
Irving Berlin's Amer
er. Jeffrey Magee 629
1a Lesley
BOOK REVIEW ESSAYS
Duffly, Catherine M
( Lil
Cohen-Cruz. 463-6
Fearnow, Mark. Red
c ae
ene Vesig
Anne I letcl
f Good Hope | ishbane Joel. I oO
and Performance
1L1Y0 _97
g
BOOK REVIEWS Stephen Sondheim. 627
Geary Fonzie D., Il. Laurette
Aliano, Kelly. ( Stage Legend. Lynn Kear. 311
( Gibson, Melissa Dana. Representing 5 the Past
Rick Roemer. 623-25 Essays in Performance Historiography.
A \ndes, 4 Anna. C? Sees is and oe tl . e Art Charlotte Canning and Thomas Postle
Emmanuela Bakola. 132-3 ‘ 5 wait, eds. 129-30
INDEX TO VOLUME 64 / 641
Gindt, Dirk. Lady Dicks and Lesbian Brothers: Perry, Curtis. Murder Most Foul: Hamlet
Staging the Unimaginable at the WOW Café Through the Ages. David Bevington.
133-3
Theatre. Kate _ y. 622-23.
Goldstein, Julia. Theatre, Facilitation and Nation Plunka, Gene A. The Politics of Jean Genet ‘s Late
Formation in the Balkans and Middle East Theatre: Spaces of Revolution. Carl Lavery.
Sonja Arsham Kuftinec. 462-63. 139-41.
Hamill, Kyna. The Drama of Ideas: Platonic Riccio, Thomas. Devising in Process. Alex Mer-
Provocations in Theater and Philosophy. mikides and Jackie Smart, eds. 304-6.
Martin Puchner. 300-302. Ross, Zackary. Adapting King Lear for the
Kahan, Benjamin. The Drama of Marriage: Stage. Lynne Bradley. 470-71.
Gay Playwrights/Straight Unions from Sabee, Olivia. Apollo's Angels: A History of Bal-
Oscar Wilde to the Present. John M. Clum. let. Jennifer ici 1336 -3a77.
617-18. Shawyer, Susanne. Political Performances:
Katrak, Ketu H. fFe mini t Visions and Queer Theory and Practice. Susan C. Haedicke,
Futures in Postcolonial Drama: Community Deirdre Heddon, Avraham Oz, and E. J.
Kinship, and Citizenship. Kanika Batra. Westlake, eds. 145—46.
622 0-2 2? Sponsler, Claire. Shakespeare and the Grammat
Kubly, Jenna L. The Journal of War and Culture veness. Sarah Beckwith. 469-70
of Forgit
Studies. Debra Kelly and Luke Dixon, Smith, Tyler. The Frightful Stage: Political Censor-
eds. 306-7. ship of the Theater in Nineteenth-Century Eu-
Lantz, Victoria P. Performing Conquest: Five rope. Robert Justin Goldstein, ed. 466-67
Centuries of Theater, History, and Identity Winston, Jessica. Shakespeare's Imi 1ginary Con-
in Tlaxcala, Mexico. Patricia A. Ybarra. stitution: Late Elizabethan Politics and the
460-62. Theatre of Law. Paul Raffield. 467-69.
Lasik, Franklin J. r Historiography: Criti- Wooden, Isaiah Matthew. Bulldaggers, Pansies
cal Interventio tee Bial and Scott and Chocolate Babies: Performance, Race
Magelssen, aa 30-32 ind Sexuality in the Harlem Renaissance.
Listengarten, Julia. Interrogating Antigonien JamesF . Wilson. 619-20.
PD ostm. odern Ione ae hilosophy adnidal CritSii cinsitmea.e S. } Yde, Matthew. August Strindberg. Eszt er Szal
Wilmer and Audroné Zukauskaité, eds czer. 310-11
299-300.
M ircia, David. The Theatre Practice 1f Tadashi
Suzuki: A Critical Stuc 1 DVD Ex-
amples. Paul Allain. 474 PERFORMANCE REVIEW INDEX
Mazur, Ann M. Off
the PERFORMANCES REVIEWED
Gruber.
McMahan, Mat on WwW. Mines: Making Abramovic, Marina, and Robert Wilson
t-Garde ao ter in the 1970s. Iris The Life and Death of Marina Abramov
Smith Fischer. 473 5 760
Mechler, Mary M. Plat Blythe, Alecky and Adam Cork. Lond
PD layhouses: Inz INQi D Perforameaamnes 101-2.
1660-180 ). Michael Cordner and Peter Chekhov, Anton, Fedor Chaliapin, et
Holland, eds. 3 309-10. and Soul bt
Middleton, Billy. Albee n PdDe rform.a nc—e . Rakesh| , and Kristian Smeds
tH. I i CoSlo lomon. T1A4D2 -43.2 Der Kirschgarten. 273-75
Moriah, Kristin. I’m Black When I’m Singing, Dart, Iris Rainer, Mike Stoller, and Artie But-
I’m Blue When I Ain’t and Other Plays. ler. The People in the Picture. 108-10.
Sonia Sanchez. 141-42. Diamond, Lydia R. Stick Fly. 441-44.
Munoz, José Esteban. Uncloseting Drama: Fosse, Jon, translated by Simon Stephens. |
Americaa n Modernism and Queer Perfor- Am the Wind. 105-6.
mance. Nick Salvato. 618-619. Greenidge, nenreeee Milk Like Sugar. 439-41
Nixon, Adam W. Moving Targets: Political The- Grise, Virginia. blu. 412-14.
atre in a Post-political Age. Ryan Reynolds. Hart, Moss, a + Weill, and Ira Gershwin,
144-45. translated by Roman Hinze. Lady in the
Oldham, Thomas A. Performing Bodies in Dark. 417-22.
Medieval and Post-Modern Martyrs, A Hemingway, Ernest. The Select (The Sun Also
tics, and Artists. Marla Carlson. 632- Rises). 435-37.
642 Index to Volume 64
Ibsen, Henrik. Jolin Gabriel Borkman Torrence, Jay. Burning
Kern, Jerome, Oscar Hammerstein II, and Vogel, Paula. How I Le:
Edna Ferber. Sh Boat. 422-24 Woodshed Collective
Kramer, Larry 585-88
Lee, Young Jean. Untitle minist Show COMPANIES, US
590-92
Lindsav, Howard, Russel Crouse, Richard American Conservatory Theater, San Fran-
Rodgers, and Oscar Hammerstein II, cisco. 585-88
translated by Heiko Wohlgemuth and American Repertory Theater, Cambridge,
Massachusetts. 116-17
Kevin Schroeder. The Sound of Musi
Art Group, New York City. 583-85
417-22
opez, Matthew. Somewhere. 414 17 » Builder’s Association, New York City
ove, Christine; Rockstar Games; Valve Cor- 592-95
poration; Anna Anthropy. Digital La Colectiva Chorizo y Maguey with Com-
Story; Bully; Lol Gtr and { iTlhiee ft Auto! i V pany of Angels, Los Angeles. 412-14
Dys4ia. 595-98 Elevator Repair Service, New York City
nn, Kirk, and Peter Stopschinski 435-37
B So Happy. 114-15 La Jolla Playhouse, San Diego. 439-41
Manson, Caden, Jemma Nelson, and Big Art Lookingglass Theatre Company, Chicago
roke se. 583-85 oe 78
Marlowe, Chris +. Edward II. 601 Lyric Opera of Chicago, C hicago. 422-24.
McPher The Veil. 427-30 The Neo-Futurists, Chicago. 603-5
598-601 New York City Players, New York City.
ee Q 409-12
rk. 283-85 New York Neo-Futurists, New York City
409-12
The Old Globe, San Diego. 414-17
Poor Dog Group Los Angeles. 278-81
Roundabout Theatre Company, New York
City 108-10
Rude Mechanicals, Austin, Texas. 114-15.
Second Stage Theatre, New York City. 589-90
Steppenwolf Theatre Company, ¢ hicago
283-85
Robert Lopez, and Matt Stone Teatro Vista, Chicago. 107-8
rn », 99-101
Theatre of a Two-Headed Calf, New York
Citv. 592-95
Woodshed Collective, New York City. 227 71 7
Woolly Mammoth Theatre Company, Wash-
ington, DC. 281-83
The Wooster Group, New York City. 409-12
Young Jean Lee’s Theater Company, Bri yoklyn,
New York. 590-92
COMPANIES, FOREIGN
DAH Theatre, Belgrade, Serbia. 264-67.
Hannover Staatsoper, Hannover, Germany
Stephen, and James Goldman. I 417-22.
110-12 Metalovoice, Corbigny, France. 257-60
Susan, David Rieff, and Moe Angelos Pan Pan Theatre, Dublin. 437-39.
wn. 592-95 Punchdrunk Theatre Company, London.
Gert. rud. e, adapted hbyy Marissa Chibas 269-71.
and Travis Preston. Bre7 Schaubiihne am Lehninerplatz, Berlin. 601-3.
Taganka Theatre, Moscow. 275-77
Swift, Tom. Swamy ile. 113-14
Teatro Real, Madrid. 267-69.
Svers, Karinne Keithley, Kristen Kosmas,
Le Théatre du Peuple, Bussang, France.
Brendan Connelly, and Rick Burkhardt
295923 -5 2
\UA y \MAon}tth er. 550992 -95
INDEX TO VOLUME 64 643
FESTIVALS PIep rformaannccee thtrhorouugcnh Cos v mitiv1 e Science.
24 2
34 56.
Avignon Festival, Avignon, France. 253-5 Cordner, Mic hael, and Peter I lolland, eds
Le Festival Ouverture, Corbigny, France. Plaay ers, Plaayawtrii ghcetilss, PYloauyhhooru ses: Insevneacsittcicgeaists-
257-60 Ing Performance, 1660-1800. 309-10.
Manchester International Festival, Manches- Davy, Kate. Lady Dicks and Lesbian Brothers
ter, UK. 267-69 taging the Unimaginablaet the WOW Café
Oregon Shakespeare Festival, Ashland. 6 <9 99220 .
249-53. De Vos, Laurens, and Graham Saunders, eds
Passing the Flame: DAH Theatre’s 20th
Sarah Kane in Context. 631-32.
Anniversary Festival, Belgrade, Serbia. Fletcher, Anne. Rediscovering Mordecai Gorelik
264-67 Scene Di
Radar | \. Theater Festival, Los Angeles 138-39
~ 78-81 Gill, Catie
South Africa’s National Arts Festival
Grahamstown. 260-64 than t} o Licensi
Ulster Bank Belfast Festival at Queens, RBQ elfast. Goldstein, Robert
124-27. 1 Ce
Under the Radar Festival, New York City eteenth-Century Europe. 466-67
599_905 Gruber, William. Offstage Space
Wiener Festwochen, Vienna He LTnheeaartre tf Tile Im UTE On 302-3
Haedicke, Susan ¢ Deirdre Heddon, Avra-
BOOK REVIEW INDEX
ham Oz, and E. J. Westlake, eds. Politi
ul. 1i 7 IT ha /le 7Y Peerrfto rn ce: Th : sand 1d | Py
A Crit
, Emmanuela. (
( edyj . 1132 9 3 2
Balakian, Jan. R Kelly, Debra, and Luke Dixon, eds. 7
f War and Culture Studies. 306
Kuftinec, Sonja Arsham. Theatre, Facilitation
Magee, Jeffrey
VV } Theater6.2
13-14 Makaryk, Irena R., and Virlana Tkacz
Hamlet
lg 133
Bial, Henry, and Scott Magelssen, eds
Bradley, Lynne ’ King Lear rnyt
Stage. 470-71 -uchner, Martin. 7
Canning, Charlotte, and Thomas Postlewait
ea: s. Ne_p—r eselilrioniee Tite St: ES . S r} f
Historio pin 129-30
arlson, Marla. Performing BD odie
ad Arti
iu De
lum, John M. Thi
165 Hb
Reynolds, Ryan
)
y Ie ance Theatre in
Theatre as Call and Response. 463-65 Roemer, Rick. Char!
ook, Amy. Shakespearean Neuroplay: Rein tou
vigorating the Study of D, ramataiticc lT exts an f 29 Pla] ys. 6232.
Index to Volume 64
Szalcz
1 Que rformance. 618-19 Wiles, David
I'm Black When I'm Singing tory of a Pra
)t ry P Wilmer, S. E., and Audroné Zukauskaité,
eds. Inte va y 1S?E EEEQUTEE F’O)o ss! tmode}le
1y and Criticism. 299-300
Wilson, JamesF . Bu
ssance. 619-20
Wizisla, Erdmut, translated by Christine
Shuttleworth
Brecht: The Sto
Ybarra, Patricia A
A 1rurle