Table Of Content

Theatre Journal INDEX TO VOLUME 62 CONTRIBUTORS’ INDEX Kritzer, Amelia Howe. “Enough! Women Playwrights Confront the Israeli-Pales- ARTICLES tinian Conflict.” 611-626. Selaiha, Nehad, with Sarah Enany. “Women Aston, Elaine. “Feeling the Loss of Feminism: Playwrights in Egypt.” 627-643. Sarah Kane’s Blasted and an Experiential Sikes, Alan W. “Politics and Pornography: Genealogy of Contemporary Women’s Czech Performance in the International Playwriting.” 575-591. Arena.” 373-387. Barrow, Rosemary. “Toga Plays and Tab- Vogel, Shane. “Jamaica on Broadway: The leaux Vivants: Theatre and Painting on Popular Caribbean and Mock Trans- London’s Late-Victorian and Edwardian national Performance.” 1-21. Popular Stage.” 209-226. Woolf, Brandon. “Negotiating the ‘Ne- Beggs, Anne. “’For Urinetown is your town... .’: gro Problem’: Stew’s Passing (Made) The Fringes of Broadway.” 41-56. Strange.” 191-207. Brater, Jessica, et al. “’Let Our Freak Flags Zamir, Tzachi. “Watching Actors.” 227-243. Fly’: Shrek the Musical and the Branding of Diversity.” 151-172. SPECIAL ISSUE ON CONTEMPORARY Cullingford, Elizabeth. “Evil, Sin, or Doubt? WOMEN PLAYWRIGHTS: FORUM The Dramas of Clerical Child Abuse.” ESSAYS 245-263. Filipowicz, Halina. “Re-Envisioning Solidar- Catanese, Brandi Wilkins. “Taking the Long ity: History, Agency, and the Politics of View.” 547-551. Performance.” 333-347. Crosby, Julie. “It’s All About You: The March Freedman, John. “Contemporary Russian Toward Parity in the American Theatre.” Drama: The Journey from Stagnation to 571-574. a Golden Age.” 389-420. De Angelis, April. “Troubling Gender on Friedman, Sharon. “The Gendered Terrain Stage and with the Critics.” 557-559. in Contemporary Theatre of War by Diamond, Elin. “We Keep Living.” 521-527. Women.” 593-610. Dolan, Jill. “Making a Spectacle, Making a Holmgren, Beth. “The Art of Playing Patriot: Difference.” 561-565. The Polish Stardom of Helena Modjes- Filloux, Catherine. “Hair on a Ribbon That ka.” 349-371. Got Away.” 535-539. Hutchison, Yvette. “The ‘Dark Continent’ Perkins, Kathy A., and Sandra L. Richards. Goes North: An Exploration of Intercul- “Black Women Playwrights in American tural Theatre Practice through Hand- Theatre.” 541-545. spring and Sogolon Puppet Companies’ Reinelt, Janelle. “Creative Ambivalence and Production of Tall Horse.” 57-73. Precarious Futures: Women in British Kattelman, Beth A. “Magic, Monsters, and Theatre.” 553-556. Movies: America’s Midnight Ghost Rosenberg, Tiina. “Still Angry after All These Shows.” 23-39. Years, or Valerie Solanas under Your Kelly, Katherine E. “Making the Bones Sing: Skin.” 529-534. The Feminist History Play, 1976-2010.” Schulman, Sarah. “Supremacy Ideology 645-660. Masquerading as Reality: The Obstacle Kim, Ju Yon. “Trying on The Yellow Jacket: Per- Facing Women Playwrights in America.” forming Chinese Exclusion and Assimila- 567-570. tion.” 75-92. Svich, Caridad. “A Dream of Making.” Kraut, Anthea. “’Stealing Steps’ and Signature 511-514. Moves: Embodied Theories of Dance as Thompson, Judith. “That Stinking Hot Sum- Intellectual Property.” 173-189. mer.” 505-510. 714 / Index to Volume 62 Yan, Haiping. “Turning Points: Women Gavrila, Rebecca. A Streetcar Named Desire. Playwrights in Contemporary China.” Tennessee Williams. 469-470. 9515-519. Goodland, Katharine. The Emperor Jones. Eugene O'Neill. 290-291. PLAYS Hawk, Gavin. 7(x1) Samurai. David Gaines. 116-118. Klavdiev, Yury. ] Am the Machine Gunner. John Heijes, Coen. A Midsummer Night's Dream. Freedman, trans. 443-450. William Shakespeare. 683-684. Pulinovich, Yaroslava. The Natasha Plays: Juntunen, Jacob. An Apology for the Course Natasha's Dream and I Won. John Freed- and Outcome of Certain Events Delivered man, trans. 421-442. by Doctor John Faustus on This His Final Evening. Mickle Maher. 291-293. PERFORMANCE REVIEWS Kruger, Loren. Foreplay. Mpumelelo Paul Bennett, Michael Y. Waiting for Godot. Samuel Grootboom. 453-454. Beckett. 110-111. . Our Future Metropolis: Mr. Daniel H. Boyd, Johnathon D. Gin & “It.” Reid Far- Burnham Presents a Plain Talk for the ringion. 685-686. Development of Chicago. Adapted by John Calder, David. Kill the Old Torture Their Young. Musial. 265-267. David Harrower. 288-290. Kuftinec, Sonja Arsham. “Oregon Shake- Case, Claudia Wilsch. Bloody Bloody Andrew speare Festival.” 93-98. Jackson. Alex Timbers and Michael Lambert, Tina. The Penelopiad. Margaret Friedman. 459-460. Atwood. 673-675. Chambers, Jonathan. The Pee-wee Herman Larlham, Daniel. ““The World as a Place of Truth’: Wroctaw International Theatre Show. Paul Reubens, Bill Steinkellner, and John Paragon. 454-457. Festival.” 98-101. Chansky, Dorothy. Smudge. Rachel Axler. Lewis, Megan. “South Africa’s National Arts Festival.” 275-280. 664-666. Cherry, James M. FABRIK: The Legend of M. Lodge, Mary Jo. Ragtime. Terrence McNally, Stephen Flaherty, Lynn Ahrens, and Rabinowitz. Wakka Wakka Productions, Inc. 108-110. Marcia Milgrom Dodge. 460-462. Chirico, Miriam. Compulsion. Rinne Groff. Lutterbie, John. Quartett. Heiner Miiller. 472-474. 451-453. Colbert, Soyica D. The Book of Grace. Suzan- MacDonald, Laura. Sweet Charity. Neil Simon, Cy Coleman, Dorothy Fields, and Lori Parks. 666-668. Stephen Mear. 464-467. Connick, Rob. WWE Raw: Road to Summerslam. World Wrestling Entertainment. 118-120. Mantoan, Lindsey. In the Wake. Lisa Kron. . WWE Raw Live. World Wrestling 670-673. Entertainment. 118-120. Mclvor, Charlotte. The ‘alworth Farce. Enda Walsh. 462464. Decker, Pamela. Romeo and Juliet. Pavol Liska and Kelly Copper. 681-683. McKinney, Ryan. Ordinary Days. Adam Gwon. Dekker, Nicholas John. Panic. Improbable. 470-472. McMahon, Christina S. “FESTLIP 2009.” 111-113. . Story ofa Rabbit. Hugh Hughes and 280-285. Aled Williams. 111-113. Murdoch, J. L. The Gwangdae. 101-105. Earnest, Steve. Addicted to Bad Ideas: Peter . Hahoe Talchum. 101-105. Lorre’s 20th Century. Wor/I lnfdern o Poole, Justin Aaron. “Live Arts Festival and Friendship Society. 114-116. Philly Fringe.” 293-295. . Good Cop Bad Cop. Kassys Theatre Raw, Laurence. Crazy World. Adapted by Baris Initiative. 114—-116. Erdenk. 105-106. . Don John. Kneehigh Theatre Com- Remshardt, Ralf. War Horse. Nick Stafford. pany. 114-116. 271-275. Evans, Rachel. Little House on the Prairie, The . Stovepipe. Adam Brace. 271-275. Musical. Rachel Sheinkin, Rachel Port- Schmidt, Heidi. In the Next Room, or the vibra- man, and Donna di Novelli. 296-298. tor play. Sarah Ruhl. 669-670. Ferris, Lesley. The Great Game: Afghanistan. Seamon, Mark. My Father’s Bookshelf. Live Richard Bean et al. 267-271. Action Set. 106-108. Fitzgerald, Jason. The Lily's Revenge. Taylor Shanahan, Ann M. Endgame. Samuel Beckett. Mac. 457-458. 467-469. INDEX TO VOLUME 62 i 7 Sweigart-Gallagher, Angela. The Bluest Water: Curtin, Adrian. Sound: A Reader in Theatre A Hurricane Camille Story. Jason Chimo- Practice. Ross Brown. 706-707. nides. 298-301. Deroze, Phyllisa Smith. African Women Play- Venning, Dan. As You Like It. William Shake- wrights. Kathy Perkins, ed. 689-690. speare. 677-681. Dolan, Jill. “We Will Be Citizens”: New Essays . The Tempest. William Shakespeare. on Gay and Lesbian Theatre. James Fisher, 677-681. ed. 136-137. Westgate, J. Chris. Boleros for the Disenchanted. Duncan, Ashley. Shakespeare and the Problem José Rivera. 285-288. of Adaptation. Margaret Jane Kidnie. White, Ann Felino. Sweet Tea: Black Gay Men 493-494. of the South. E. Patrick Johnson. 675-677. Ford, Vanessa. Engaging Audiences: A Cognitive Ybarra, Patricia. “The 2010 New York Fornés Approach to Spectating in the Theatre. Bruce Festival.” 661-664. McConachie. 303-304. Freeman, Sara. Political Theatre in Post-Thatcher BOOK REVIEWS Britain: New Writing, 1995-2005. Amelia Howe Kritzer. 306-308. Arlin, Marcy. The New Theatre of the Baltics: Genna, Raimondo. Violence Performed: Local From Soviet to Western Influence in Esto- Roots and Global Routes of Conflict. Patrick nia, Latvia, and Lithuania. Jeff Johnson. Anderson and Jisha Menon, eds. 487-488. 480-481. Gilleman, Luc. The Sacrament and Other Plays Baumrin, Seth. Ukrainian Drama and Theater of Forbidden Love. Hugo Claus. 123-125. in the Seventeenth and Eighteenth Centuries. Hagen, Lisa Hall. When Broadway Was the Paulina Lewin. 481-482. Runway: Theater, Fashion, and American Bennett, Susan. (Syn) Aesthetics: Redefining Culture. Marlis Schweitzer. 697-698. Visceral Performance. Josephine Machon. Hamera, Judith. Marina Abramovic. Mary 304-305. Richards. 691-692. Bernd, Lisa. Shakespeare's Ideas: More Things . The DbD Experience: Chance Knows in Heaven and Earth. David Bevington. What It’s Doing! Rachel Rosenthal. Kate 317-318. Noonan, ed. 691-692. Beynon, John C. The Gendering of Men, Haugo, Ann. Footpaths and Bridges: Voices from 1000-1750, vol. 2: Queer Articulations. the Native American Women Playwrights Thomas A. King. 140-141. Archive. Shirley A. Huston-Findley and Boyd, Johnathon D. Teatro Chicana: A Collective Rebecca Howard, eds. 687-688. Memoir and Selected Plays. Laura E. Gar- Herrera, Brian Eugenio. Choreographing the cia, Sandra M. Gutierrez, and Felicitas Folk: The Dance Stagings of Zora Neale Numiez. 135. Hurston. Anthea Kraut. 322-323. Brandon, James M. Theatre & Identity in Impe- Hohman, Valleri J. Historical Dictionary of Rus- rial Russia. Catherine A. Schuler. 476-477. sian Theater. Laurence Senelick. 475-476. Bremner, Kelly J. G. Theatre Is More Beautiful Hughes, Erika. Holocaust Drama: The Theater Than War: German Stage Directing in the of Atrocity. Gene A. Plunka. 311-312. Late Twentieth Century. Marvin Carlson. Joice, Candace M. Feminist Theatrical Revisions 483-484. of Classic Works. Sharon Friedman, ed. Chernetsky, Vitaly. Performing Violence: Liter- 138-139. ary and Theatrical Experiments of New Jortner, David. Kabuki’s Forgotten War: 1931- Russian Drama. Birgit Beumers and 1945. James R. Brandon. 485-486. Mark Lipovetsky. 478-480. Kerr, Darin. The Scene of Harlem Cabaret: Race, Clemons, Leigh. The Swastika and the Stage: Sexuality, Performance. Shane Vogel. German Theatre and Society, 1933-1945. 323-324. Gerwin Strobl. 310-311. Klein, Emily. Pittsburgh in Stages: Two Hundred Conti, Meredith. A Spectacle of Suffering: Clara Years of Theater. Lynne Conner. 128-129. Morris on the American Stage. Barbara Krasner, David. The American Play, 1787-2000. Wallace Grossman. 698-700. Marc Robinson. 126-127. Cornish, Matt. Searching for a New German Laster, Dominika. Grotowski’s Empty Room. Identity: Heiner Miiller and the Geschichts- Paul Allain, ed. 482-483. drama. Theresa M. Ganter. 122-123. Lee, Melissa. The Director's Craft: A Handbook Cowan, T. L. Playing with Words: The Spoken for the Theatre. Katie Mitchell. 694-695. Word in Artistic Practice. Cathy Lane, ed. Londré, Felicia Hardison. Stagestruck Filmmaker: 492-493. D. W. Griffith and the American Theatre. David Mayer. 704-705. 716 / Index to Volume 62 May, Theresa J. Native American Performance . Susan Glaspell and Sophie Treadwell. and Representation. S. E. Wilmer, ed. Barbara Ozieblo and Jerry Dickey. 688-689. 700-701. Mayo, Sandra M. Historical Dictionary of Riccio, Thomas. Pina Bausch. Royd Climen- African American Theater. Anthony D. haga. 692-693. Hill, with Douglas Q. Barnett. 130-131. Rollie, Emily A. Queer Theatre in Canada. Mee, Erin B. Classics in Post-Colonial Worlds. Rosalind Kerr, ed. 695-696. Lorna Hardwick and Carol Gillespie, Sansom, Rockford. Directors and the New Musi- eds. 314-315. cal Drama: British and American Musical . Crossroads in the Black Aegean: Oedi- Theatre in the 1980s and "90s. Miranda pus, Antigone, and Dramas of the African Lundskaer-Nielsen. 308-309. Diaspora. Barbara Goff and Michael Shifflett, Matthew. Moliére, the French Revolu- Simpson. 314-315. tion, and the Theatrical Afterlife. Mechele Mielke, Laura L. Rogue Performances: Staging Leon. 705-706. the Underclasses in Early American Theatre Smith, Tyler. The Contrast: Manners, Morals, Culture. Peter P. Reed. 703-704. and Authority in the Early American Repub- Mobley, Jennifer-Scott. Babylon Girls: Black lic. Cynthia A. Kierner. 127-128. Women Performers and the Shaping of the Solga, Kim. National Theatres in a Changing Modern. Jayna Brown. 701-702. Europe. S. E. Wilmer, ed. 121-122. Moreman, Shane T. Feminist and Queer Perfor- Sorgenfrei, Carol Fisher. No Theatre Transver- mance: Critical Strategies. Sue-Ellen Case. sal. Stanca Scholz-Cionca and Christo- 137-138. pher Balme, eds. 486-487. Nielsen, Ken. Portrayals of Americans on the Spatz, Ben. Practice-as-Research in Performance World Stage: Critical Essays. Kevin J. and Screen. Ludivine Allegue, Simon Wetmore Jr., ed. 488-489. Jones, Baz Kershaw, and Angela Piccini, Omasta, Matt. Performing Childhood in the eds. 490-491. Early Modern Theatre: The Children’s . Mapping Landscapefso r Performance Playing Companies (1599-1613). Edel as Research: Scholarly Acts and Creative Lamb. 495-497. Cartographies. Shannon Rose Riley and Oppedisano, Callie. The Radicalization of Irish Lynette Hunter, eds. 490-491. Drama, 1600-1900: The Rise and Fall of Tabor, Nicole. Culture Makers: Urban Perfor- Ascendancy Theatre. Desmond Slowey. mance and Literature in the 1920s. Amy 318-319. Koritz. 320-321. O’Rourke, Deirdre. Shakespeare Re-Dressed: Venning, Dan. The Spectator and the Spectacle: Cross-Gender Casting in Contemporary Per- Audiences in Modernity and Postmodernity. formance. James C. Bulman, ed. 139-140. Dennis Kennedy. 494-495. Ovalle, Priscilla Petia. Selenidad: Selena, Vigue, Chanelle Renee. Unfriendly Witnesses: Latinos, and the Performance of Memory. Gender, Theater, and Film in the McCarthy Deborah Paredez. 696-697. Era. Milly S. Barranger. 133-134. Owicki, Eleanor. The Ulster Literary Theatre and Vrtis, Robert J. American Puppet Modernism: the Northern Revival. Eugene McNulty. Essays on the Material World in Perfor- 319-320. mance. John Bell. 131-132. Park, Joohee. The Laity, the Church and the Werth, Brenda. Memory, Allegory, and Testi- Mystery Plays: A Drama of Belonging. mony in South American Theater: Upstaging Tony Corbett. 309-310. Dictatorship. Ana Elena Puga. 313-314. Peck, James. The Cambridge Introduction to Williams, Jim. Crossing Cultural Borders Theatre Historiography. Thomas through the Actor’s Work. Claudia Tatinge Postlewait. 305-306. Nascimento. 125-126. Polster, Joshua E. Stone Tower: The Political Theater of Arthur Miller. Jeffrey D. Mason. 132-133. Posner, Dassia N. The Moscow Yiddish Theater: PERFORMANCE REVIEW INDEX Art on Stage in the Time of Revolution. Benjamin Harshav. 477-478. PERFORMANCES REVIEWED Pribisic, Milan. The Theatre of Societas Raffaello Sanzio. Claudia Castellucci et al. 315-316. Atwood, Margaret. The Penelopiad. 673-675. Rehm, Maggie. Women Writers of the Province- Axler, Rachel. Smudge. 664-666. town Players: A Collection of Short Works. Bean, Richard, et al. The Great Game: Afghani- Judith E. Barlow, ed. 700-701. stan. 267-271. INDEX TO VOLUME 62 / 717 Beckett, Samuel. Endgame. 467-469. Timbers, Alex, and Michael Friedman. Bloody . Waiting for Godot. 110-111. Bloody Andrew Jackson. 459-460. Brace, Adam. Stovepipe. 271-275. Wakka Wakka Productions, Inc. FABRIK: Chimonides, Jason. The Bluest Water: The Legend of M. Rabinowitz. 108-110. A Hurricane Camille Story. 298-301. Walsh, Enda. The Walworth Farce. 462-464. Erdenk, Baris, adapted by. Crazy World. Williams, Tennessee. A Streetcar Named Desire. 105-106. 469-470. Farrington, Reid. Gin & “It.” 685-686. World/Inferno Friendship Society. Addicted Gaines, David. 7(x1) Samurai. 116-118. to Bad Ideas: Peter Lorre’s 20th Century. Groff, Rinne. Compulsion. 472-474. 114-116. Grootboom, Mpumelelo Paul. Foreplay. World Wrestling Entertainment. WWE Raw: 453-454. Road to Summerslam. 118-120. Gwon, Adam. Ordinary Days. 470-472. . WWE Raw Live. 118-120. Harrower, David. Kill the Old Torture Their Young. 288-290. COMPANIES, US Hughes, Hugh, and Aled Williams. Story of About Face Theatre, Chicago. 675-677. a Rabbit. 111-113. Improbable. Panic. 111-113. Berkeley Repertory Theatre, Berkeley, CA. 670-673. Johnson, Patrick E. Sweet Tea: Black Gay Men of the South. 675-677. Endstation Theatre Company, Amherst, VA. Kneehigh Theatre Company. Don John. 298-301. Irish Repertory Theatre, New York City. 114-116. 290-291. Kron, Lisa. In the Wake. 670-673. Liska, Pavol, and Kelly Copper. Romeo and Les Fréres Corbusier, New York City. 459-460. Juliet. 681-683. Live Action Set, Minneapolis. 106-108. Lookingglass Theatre Company, Chicago. Live Action Set. My Father’s Bookshelf. 106-108. 265-267. Mac, Taylor. The Lily’s Revenge. 457-458. Maher, Mickle. An Apology for the Course Roundabout Theatre Company, New York and Outcome of Certain Events Delivered City. 110-111, 470-472. Steep Theatre Company, Chicago. 288-290. by Doctor John Faustus on This His Final Steppenwolf Theatre Company, Chicago. Evening. 291-293. McNally, Terrence, Stephen Flaherty, Lynn 467-469. Ahrens, and Marcia Milgrom Dodge. Theater Oobleck, Chicago. 291-293. Wakka Wakka Productions, Inc., New York Ragtime. 460-462. City. 108-110. Miiller, Heiner. Quartett. 451-453. Wor/I lnfdern o Friendship Society, Brooklyn, Musial, John, adapted by. Our Future Metrop- NY. 114-116. olis: Mr. Daniel H. Burnham Presents a Yale Repertory Theatre, New Haven, CT. Plain Talk for the Development of Chicago. 265-267. 472-474. O'Neill, Eugene. The Emperor Jones. 290-291. COMPANIES, FOREIGN Parks, Suzan-Lori. The Book of Grace. 666-668. Reubens, Paul, Bill Steinkellner, and John Druid Theatre Company, Galway, Ireland. Paragon. The Pee-wee Herman Show. 462-464. 454-457. Hoipolloi, Cambridge, UK. 111-113. Rivera José. Boleros for the Disenchanted. Improbable, London. 111-113. 285-288. Kassys Theatre Initiative, Amsterdam. Ruhl, Sarah. In the Next Room, or the vibrator 114-116. play. 669-670. Kneehigh Theatre Company, Cornwall, UK. Shakespeare, William. As You Like It. 677-681. 114-116. . A Midsummer Night's Dream. 683-684. Sydney Theatre Company, Sydney, Australia. . The Tempest. 677-681. 469-470. Sheinkin, Rachel, Rachel Portman, and Donna Tricycle Theatre, London. 267-271. di Novelli. Little House on the Prairie, The Musical. 296-298. FESTIVALS Simon, Neil, Cy Coleman, Dorothy Fields, and Stephen Mear. Sweet Charity. The 2010 New York Fornés Festival, New York City. 661-664. 464467. Stafford, Nick. War Horse. 271-275. 718 / Index to Volume 62 Blue Ridge Summer Theatre Festival, Climenhaga, Royd. Pina Bausch. 692-693. Amherst, VA. 298-301. Conner, Lynne. Pittsburgh in Stages: Two FESTLIP 2009, Rio de Janeiro. 280-285. Hundred Years of Theater. 128-129. Live Arts Festival and Philly Fringe, Phila- Corbett, Tony. The Laity, the Church and the delphia. 293-295. Mystery Plays: A Drama of Belonging. Oregon Shakespeare Festival, Ashland. 93-98. 309-310. Orlando Fringe Festival, Orlando, FL. Fisher, James, ed. “We Will Be Citizens”: 116-118. New Essays on Gay and Lesbian Theatre. South Africa’s National Arts Festival, 136-137. Grahamstown. 275-280. Friedman, Sharon, ed. Feminist Theatrical Revi- Spoleto Festival USA, Charleston, SC. sions of Classic Works. 138-139. 114-116. Ganter, Theresa M. Searching for a New German Wroclaw International Theatre Festival, Identity: Heiner Miiller and the Geschichts- Poland. 98-101. drama. 122-123. Garcia, Laura E., Sandra M. Gutierrez, and BOOK REVIEW INDEX Felicitas Nunez. Teatro Chicana: A Collec- tive Memoir and Selected Plays. 135. Allain, Paul, ed. Grotowski’s Empty Room. Goff, Barbara, and Michael Simpson. Cross- 482-483. roads in the Black Aegean: Oedipus, Anti- Allegue, Ludivine, Simon Jones, Baz Kershaw, gone, and Dramas of the African Diaspora. and Angela Piccini, eds. Practice-as-Re- 314-315. search in Performance and Screen. 490-491. Grossman, Barbara Wallace. A Spectacle of Suf- Anderson, Patrick, and Jisha Menon, eds. fering: Clara Morris on the American Stage. Violence Performed: Local Roots and Global 698-700. Routes of Conflict. 487-488. Hardwick, Lorna, and Carol Gillespie, eds. Barlow, Judith E., ed. Women Writers of the Classics in Post-Colonial Worlds. 314-315. Provincetown Players: A Collection of Short Harshav, Benjamin. The Moscow Yiddish The- Works. 700-701. ater: Art on Stage in the Time of Revolution. Barranger, Milly S. Unfriendly Witnesses: 477-478. Gender, Theater, and Film in the McCarthy Hill, Anthony D., with Douglas Q. Barnett. Era. 133-134. Historical Dictionary of African American Bell, John. American Puppet Modernism: Essays Theater. 130-131. on the Material World in Performance. Huston-Findley, Shirley A., and Rebecca 131-132. Howard, eds. Footpaths and Bridges: Voices Beumers, Birgit, and Mark Lipovetsky. from the Native American Women Play- Performing Violence: Literary and Theatri- wrights Archive. 687-688. cal Experiments of New Russian Drama. Johnson, Jeff. The New Theatre of the Baltics: 478-480. From Soviet to Western Influence in Estonia, Bevington, David. Shakespeare's Ideas: More Latvia, and Lithuania. 480-481. Things in Heaven and Earth. 317-318. Kennedy, Dennis. The Spectator and the Spec- Brandon, James R. Kabuki's Forgotten War: ' tacle: Audiences in Modernity and Post- 1931-1945. 485-486. modernity. 494-495. Brown, Jayna. Babylon Girls: Black Women Kerr, Rosalind, ed. Queer Theatre in Canada. Performers and the Shaping of the Modern. 695-696. 701-702. Kidnie, Margaret Jane. Shakespeare and the Brown, Ross. Sound: A Reader in Theatre Prac- Problem of Adaptation. 493-494. tice. 706-707. Kierner, Cynthia A. The Contrast: Manners, Bulman, James C., ed. Shakespeare Re-Dressed: Morals, and Authority in the Early Ameri- Cross-Gender Casting in Contemporary can Republic. 127-128. Performance. 139-140. King, Thomas A. The Gendering of Men, Carlson, Marvin. Theatre Is More Beautiful Than 1600-1750, vol. 2: Queer Articulations. War: German Stage Directing in the Late 140-141. Twentieth Century. 483-484. Koritz, Amy. Culture Makers: Urban Perfor- Case, Sue-Ellen. Feminist and Queer Perfor- mance and Literature in the 1920s. 320-321. mance: Critical Strategies. 137-138. Kraut, Anthea. Choreographing the Folk: The Castellucci, Claudia, et al. The Theatre of Dance Stagings of Zora Neale Hurston. Societas Raffaello Sanzio. 315-316. 322-323. Claus, Hugo. The Sacrament and Other Plays of Forbidden Love. 123-125. INDEX TO VOLUME 62 / 719 Kritzer, Amelia Howe. Political Theatre in Post- Puga, Ana Elena. Memory, Allegory, and Testi- Thatcher Britain: New Writing, 1995-2005. mony in South American Theater: Upstaging 306-308. Dictatorship. 313-314. Lamb, Edel. Performing Childhood in the Early Reed, Peter P. Rogue Performances: Staging the Modern Theatre: The Children’s Playing Underclasses in Early American Theatre Companies (1599-1613). 495-497. Culture. 703-704. Lane, Cathy, ed. Playing with Words: The Spo- Richards, Mary. Marina Abramovic. 691-692. ken Word in Artistic Practice. 492-493. Riley, Shannon Rose, and Lynette Hunter, Leon, Mechele. Moliére, the French Revolution, eds. Mapping Landscapes for Performance and the Theatrical Afterlife. 705-706. as Research: Scholarly Acts and Creative Lewin, Paulina. Ukrainian Drama and Theater Cartographies. 490-491. in the Seventeenth and Eighteenth Centuries. Robinson, Marc. The American Play, 1787-2000. 481-482. 126-127. Lundskaer-Nielsen, Miranda. Directors and Rosenthal, Rachel, Kate Noonan, ed. The DbD the New Musical Drama: British and Ameri- Experience: Chance Knows What It’s Doing! can Musical Theatre in the 1980s and ‘90s. 691-692. 308-309. Scholz-Cionca, Stanca, and Christopher Machon, Josephine. (Syn) Aesthetics: Redefining Balme, eds. No Theatre Transversal. Visceral Performance. 304-305. 486-487. Mason, Jeffrey D. Stone Tower: The Political Schuler, Catherine A. Theatre & Identity in Theater of Arthur Miller. 132-133. Imperial Russia. 476-477. Mayer, David. Stagestruck Filmmaker: D. W. Schweitzer, Marlis. When Broadway Was the Griffith and the American Theatre. 704-705. Runway: Theater, Fashion, and American McConachie, Bruce. Engaging Audiences: A Culture. 697-698. Cognitive Approach to Spectating in the Senelick, Laurence. Historical Dictionary of Theatre. 303-304. Russian Theater. 475-476. McNulty, Eugene. The Ulster Literary Theatre Slowey, Desmond. The Radicalization of Irish and the Northern Revival. 319-320. Drama, 1600-1900: The Rise and Fall of Mitchell, Katie. The Director's Craft: A Hand- Ascendancy Theatre. 318-319. book for the Theatre. 694-695. Strobl, Gerwin. The Swastika and the Stage: Nascimento, Claudia Tatinge. Crossing German Theatre and Society, 1933-1945. Cultural Borders through the Actor’s Work. 310-311. 125-126. Vogel, Shane. The Scene of Harlem Cabaret: Race, Ozieblo, Barbara, and Jerry Dickey. Susan Sexuality, Performance. 323-324. Glaspell and Sophie Treadwell. 700-701. Wetmore, Kevin J., Jr, ed. Portrayals of Ameri- Paredez, Deborah. Selenidad: Selena, Latinos, cans on the World Stage: Critical Essays. and the Performance of Memory. 696-697. 488-489. Perkins, Kathy, ed. African Women Playwrights. Wilmer, S. E., ed. National Theatres in a 689-690. Changing Europe. 121-122. Plunka, Gene A. Holocaust Drama: The Theater , ed. Native American Performance and of Atrocity. 311-312. Representation. 688-689. Postlewait, Thomas. The Cambridge Introduc- tion to Theatre Historiography. 305-306.