Theatre Journal 2008: Vol 60 Index & Table of Contents

2008·2.9 MB·English

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VOLUME 2008
2008 INDEX
Theatre Journal (ISSN 0192-2882)
Volume 60
© 2009 by The Johns Hopkins University Press
David Z. Saltz, Editor
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Theatre Journal
INDEX TO VOLUME 60
CONTRIBUTORS’ INDEX Schlueter, Jennifer. ““A theatrical race’: Ameri-
can Identity and Popular Performance in
ARTICLES the Writings of Constance M. Rourke.”
529-543.
Amine, Khalid, and Marvin Carlson. “Al-halqa Schweitzer, Marlis. “Patriotic Acts of Con-
in Arabic Theatre: An Emerging Site of sumption: Lucile (Lady Duff Gordon)
Hybridity.” 71-85. and the Vaudeville Fashion Show Craze.”
Arrighi, Gillian. “Political Animals: En-
585-608.
gagements with Imperial’‘and Gender
Tycer, Alicia. “Victim. Perpetrator. Bystand-
Discourses in Late-Colonial Australian er’: Melancholic Witnessing of Sarah
Circuses.” 609-629. Kane’s 4.48 Psychosis.” 23-36.
Cayer, Jennifer A. “Roll yo’ hips—don'’t roll Warner, Sara L. “Suzan-Lori Parks’s Drama of
yo’ eyes: Angularity and Embodied Spec- Disinterment: A Transnational Explora-
tatorship in Zora Neale Hurston’s Play, tion of Venus.” 181-199.
Cold Keener.” 37-69. West, William N. “But this will be a mere
Chansky, Dorothy. “Usable Performance confusion’: Real and Represented Confu-
Feminism for Our Time: Reconsidering sions on the Elizabethan Stage.” 217-233.
Betty Friedan.” 341-364. Wolf, Stacy. “Defying Gravity’: Queer Con-
Dolan, Jill. “Feminist Performance Criticism ventions in the Musical Wicked.” 1-21.
and the Popular: Reviewing Wendy Was-
serstein.” 433-457.
Guterman, Gad. “Field Tripping: The Power
of Inherit the Wind.” 563-583.
PERFORMANCE REVIEWS
Im, Yeeyon. “T he Location of Shakespeare in
Anderson, Monica Fay. The Lieutenant of Inish-
Korea: Lee Yountaek’s Hamlet and the
more. Martin McDonagh. 294-298.
Mirage of Interculturality.” 257-276.
Anderson, Rachel. The Lastmaker. Goat Island.
Kahn, Edward. “Desdemona and the Role
665-667.
of Women in the Antebellum North.”
235-2 55. Bacalzo, Dan, Christine Bacareza Balance, L
M. San Pablo Burns, Yuko Kurahashi,
Magnarelli, Sharon. “Staging Shadows / See-
ing Ghosts: Ambiguity, Theatre, Gender, Josephine Lee, Sean Metzger, Angela
Pao, and Karen Shimakawa. The First
and History in Griselda Gambaro’s La
National Asian American Theater Festi-
senora Macbeth.” 365-382.
val. 283-285.
Murphy, Paul. “That a black twisty divil
Black, Cheryl. Trifles. Susan Glaspell. 646-649.
could be hiding under such comeliness’:
———. The Outside. Susan Glaspell. 646-649.
Woman versus woman in Early Twentieth-
———. Suppressed Desires. Susan Glaspell and
Century Irish Theatre.” 201-216.
George Cram Cook. 646-649.
Ou, Hsin-yun. “Gender, Consumption, and
——. Chains of Dew. Susan Glaspell.
Ideological Ambiguity in David Gar-
rick’s Production of The Orphan of China 646-649.
(1759).” 383-407. Blackadder, Neil. Waves. Devised by Katie
Mitchell and the company. 139-141.
Pellarolo, Sirena. “Queering Tango: Glitches
——. Attempts on Her Life. Martin Crimp.
in the Hetero-National Matrix of a Limi-
139-141.
nal Cultural Production.” 409-431.
Brandon, James M. Thyestes. Lucius Annzeus
Pocock, Stephanie J. “The Judicial and the
Seneca. 312-314.
Melodramatic Stage: Trial Scenes in
Brown, Rich. Blahblahblahbang (A Pistol Fit in
Boucicault’s Arrah-na-Pogauned The
One Act). Matt Starritt, with the W.E.T.
Octoroon.” 545-561.
Ensemble. 478-479.
Radulescu, Domnica. “Caterina’s Colom-
Canavan, Claire. I//umination. Sally Jacques
bina: The Birth of a Female Trickster in
and Blue Lapis Light. 473-475.
Seventeenth-Century France.” 87-113.
702 Index to Volume 60
Cermatori, Joseph P. The Cenci. Antonin Ar- Lee, Sun Hee Teresa. Bahala Na (Let It Go).
taud. 668-670. Clarence Coo. 462-463.
Chansky, Dorothy. Oh, the Hu ity and Other Lewis, Megan. (Un)patriotic Acts of an
Exclamations. Will Eno. 459-460 Imagined Community: The Klein Karoo
Chirico, Miriam. The Evildoers. Dav id Adjmi. Nasionale Kunstefees (KKNK). 654-659.
467-469 Lodge, Mary Jo. Spring Awakening. Book and
Choate, I Teresa. The Coast of Utopia. Tom lyrics by Steven Sater, music by Duncan
Stoppard. 133-137 Sheik. 460-462
Crochunis, Thomas C. The Mollus« . Hubert Mayer, Sophie. Carmen. Libretto by Ludovic
Henry Davies. 309-310. Halévy and Henri Meilhac, score by
Croft, Clare. Tempo de Verao. Marcia Milhazes. Georges Bizet. 480-482.
127-128 Nigh, Katherine Jean. The Breach: 1 Story al bout
Dolan, Jill. Time Is the Mercy of Eternity. Deb 1e Drowning of New Orleans. Catherine
Margolin. 649-650. Filloux, Tarell Alvin McC raney, and Joe
Dougherty, Laura R. The Pinch Brothers (Also Sutton. 471-473.
Sisters) in: “The Bawdy I louse.” Jonny Omasta, Matt. The American Girls Revue. Book
Porkpie. 631-633.5 and lyrics by Gretchen Cryer, music by
Douglas, Jennifer D. Fragments. Samuel Beck- Ne Nc} Ford. 303—306.
ett. 465-467 Park, Samuel. Yellow Face. David Henry
Earnest, Steve. A Moon for the Misbeg Hwang. 280-283
Eugene O'Neill. 148 149 Persley, Nicole Hodge »s. The Color P urple. Book
Eckard, Bonnie J. Who Do You Think by Marsha Norman, songs by Brenda
SITi Company. 672-674 monet \llee Willis, and Stephen Bray.
Evans, Rachel. Edward II[I. Christopher Mar- 3-144
lowe 482-484. weieiae Mark Days of Significance. Roy Wil-
Fischer, Carol A. Adding Machine, a Musi- liams. 141-143.
s
cal. Music by Joshua Schmidt, libretto Ramirez, Kimberly. Yerm a. Federico Garcia
by Jason Loewith and Joshua Schmidt. Lorca. 298-300
643-646 Raw, Laurence. Baliar Noktas oe Shake-
Godwin, Laura Grace. T/t speare, adapted by Can Mies. 25-127.
he Histories. William Shakespeare. . Timon of Athe . William ete »speare.
184-489 125-127.
Goodlander, Jennifer. Beckett Shorts Samuel Raymond, Tiffany Knight. Che Skin of Ou
Beckett. 163 465 Thornton Wilder. 146-148.
Griff in, Bradley W. Black Watch. Gregory Remshardt, Ralf. Die Dreigros« nleennoonvee r (The
Burke. 469-471 I ] reeOpNeY my Opera). Bertolt Brecht and
Harrick, Stephen. Blu an Group: How t Kurt Weill. 639-643
\VA IEL IT Man Group CThhee AMAaaseqnu e of ttlhre e RRoeed Deatrhth Punch-
6 33-635 drunk. 639-643.
Blue Man ¢ Rodriguez, Chantal. Melancholia. The Latino
Group 65>5> -095Q5e [heater Company Laboratory. 288 990.
Hawk, Gavin. Smash aptation eore Rogers, Ryan. Gri ity. Steven Pearson and
Be rnat 1 Sha p's No An Unsocial Social- Robyn Hunt. 47 478
ist. Jeffrey Hatcher. 491-493 Roman, David. Los [Ilea n Michael John
1
Heinze, Roxane. In the Heights Concep- Garcés. 115-117
tion, music, and lyrics by Lin-Manuel Ro vost , Alisa C. Elisabeth. Music by Sylves-
Miranda, book by Quiara Alegria Hudes ter Levay, book and lyrics by Michael
145-146 Kunze. 302-303
Hofland, John. Les Kurt 1S . sn 1 Rouse, John. Theatertreffen Festival. 650-654.
Grin. StepanI peechnnik. 7-309 Roxworthy, Emily. Dawn's Light: The Journey
Johnson, Bret t D. Sunday in th aa u of Gordon Hirabayashi. Jeanne Sakata
George noo by James Lapine, music and 661-664.
I rics by Stephen Sondheim. 638-639 Ruff, Felicia J. Pygmalion George Bernard
Kidd, Jonathan Ivy. Macbeth. William Shake- Shaw. 290-292.
speare. 664-665 Seamon, Mark. FISHTANK. Steven Epp, Na-
Kruger, Loren. National Arts Festival. 117-120 than Keepers, and Dominique Serrand
Larlham, Daniel. Sizwe Banzi Is Dead. Athol 670-67
Fugard, John Kani, and Winston Nt- Sherman, Donovan. Blue Shade Bryan Reyn-
shona. 659-661. olds. 137-139
INDEX TO VOLUME 60 / 703
Smalec, Theresa. Hamlet. William Shake- ——. Oklahoma! The Making of an American
speare. 277-278. Musical. Tim Carter. 328-329.
Solga, Kim. Top Girls. Caryl Churchill. Carney, Brian T. Tony Kushner: New Essays
300-301. on the Art and Politics of the Plays. James
Soriano, Christina Tsoules. Wild Cursive. Cho- Fisher, ed. 331-332.
reography by Lin Hwai-min. 310-312. Chambers, Jonathan. New Deal Theater: The
Spencer, Jenny. Siioot/Get Treasure/Repeat. Mark Vernacular Tradition in American Political
Ravenhill. 285-288. Theater. Ilka Saal. 685-686.
Stone, Robin. A Disappearing Number. Simon Chansky, Dorothy. Sisters in Sin: Brothel Drama
McBurney. 489-491. in America, 1900-1920. Katie N. Johnson.
Thornberry, Rebecca Stone. Urinetown, the 153-154.
Musical! Greg Kotis and Mark Hollman. Cherry, James M. American Drama in the Age of
278-280. Film. Zander Brietzke. 682-683.
Van Groeschel, Phil. Cyrano de Bergerac. Ed- Conti, Meredith. Transatlantic Stage Stars in
mond Rostand. 306-307. Vaudeville and Variety: Celebrity Turns.
Wetmore, Kevin J. Distracted. Lisa Loomer. Leigh Woods. 326-328.
292-294. Cramer, Michael A. Robert E. Sherwood: The
Williams, Jim. Hey Girl! Romeo Castellucci Playwright in Peace and War. Harriet Hy-
and Societas Raffaello Sanzio. 667-669. man Alonso. 687-688.
Wollman, Elizabeth L. Passing Strange. Music Curley, Eileen. Strange Duets: Impresarios and
by Stew and Heidi Rodewald, book and Actresses in the American Theatre, 1865-—
lyrics by Stew. 635-638. 1914. Kim Marra. 155-156.
Worth, Jennifer. Theatertreffen Festival. Curtin, Adrian. The Senses in Performance.
120-125. Sally Banes and André Lepecki, eds.
Young, Stuart. The Cherry Orchard. Anton 317-319.
Chekhov. 129-132. Davis, jim. Fantasies of Empire: The Empire The-
——. Uncle Vanya. Anton Chekhov. atre of Varieties and the Licensing Contro-
Three Sisters. Anton Chekhov. 129- versy of 1894. Joseph Donohue. 495-496.
Delgado, Maria M. Performing Spanishness:
History, Cultural Identity and Censorship in
the Theatre of José Marta Rodriguez Méndez.
Michael Thompson. 499-500.
BOOK REVIEWS Escoffery, David. S. Against Theatre: Creative
Destructions on the Modernist Stage. Alan
Barnette, Jane. Critical Theory and Performance,
revised and enlarged edition. Janelle Ackerman and Martin Puchner, eds.
G. Reinelt and Joseph R. Roach, eds. 168-169.
Ewert, Kevin. This Wide and Universal Theater:
315-316.
Baumrin, Seth. An Actor’s Work: A Student's Shakespeare in Performance Then and Now.
David Bevington. 325-326.
Diary. Konstantin Stanislavski. 689-690.
Bennett, Michael Y. The Cambridge Companion Fahey, Joseph. Remaking American Theater:
to Edward Albee. Stephen Bottoms, ed. Charles Mee, Anne Bogart, and the Siti Com-
pany. Scott T. Cummings. 330-331.
151-152.
Bergman, Ted L. L. An Eye on Race: Perspec- Gaughan, Lisa Jane. Drama/Theatre/Perfor-
tives from Theater in Imperial Spain. John mance. Simon Shepherd and Mick Wallis.
Beusterien. 157-158. 164-165.
Geary, Fonzie D. Il. Thornton Wilder and
Bondari, Katrina. Found in Translation: Greek
Drama in English. J. Michael Walton. the Puritan Narrative Tradition. Lincoln
515-516. Konkle. 152-153.
Bradley, Laura. Theatre Censorship in Honeck- Gotman, Kélina. Stage Fright, Animals, and
Other Theatrical Problems. Nicholas Rid-
er’s Germany: From Volker Braun to Samuel
out. 165-167.
Beckett. Barrie Baker. 496-497.
Holland, Peter. British Pantomime Performance.
Buckner, Jocelyn L. Contemporary African
Millie Taylor. 675-676.
American Women Playwrights: A Casebook.
Philip C. Kolin, ed. 693-694. Hostetter, Anthony. Theater ofa City: The Places
of London Comedy, 1598-1642. Jean E.
Calderazzo, Diana. The American Musical and
the Performance of Personal Identity. Ray- Howard. 695-696.
Huang, Alexander C. Y. Shakespeare and the
mond Knapp. 161-163.
—. Lady in the Dark: Biography ofa Musical. American Popular Stage. Frances Teague.
Bruce D. McClung. 328-329. 680-681.
704 Index to Volume 60
Jortner, David. Remembering and Imagining the Theatre. Nick Rowe. 333-334.
Holoct l ain of Memory. Christo Pellegrini, David. Art and Politics: Psychoanaly-
pher Bigsby 324. sis, Ideology, Theatre. Walter A. Davis.
Kamaralli, Anna Shakespeare Films in the 501-503.
PDpr oductcri oona imndd 1pi xeceppnttiioo n Rivera-Servera, Ramon H. Cultural Agency in
Russell Jackson. 681-682 the Americas. Doris Sommer, ed. 158-160.
Kammer, Miriam. Stas K,C s of Evil: Oc HuMlittiios m inti t Schaffer, Timothy J. Brecht and Political Theatre:
Western Theater and Drama. Robert Lima The Mother on Stage. Laura Bradley.
498-499. ;
170-171
Kattelman, Beth A. Visual Delights Two: Exhubi- Schechter, Joel. Landmark Yiddish Plays: A Criti-
tio ld 7 nR,w eceptitokn . Vanessa Toulmin and cal Anthology. Joel Berkowitz and Jeremy
Simon Popple, eds. 679-680. Dauber, eds. and trans. 321-323.
Kelly Baron. Ira Aldridge: The African Roscius Scott, Jeffrey. Theatre, Body and Pleasure. Simon
Bernth Lindfors, ed. 507-508. Shepherd. 167-168.
Knowles, Ric iD p Scott, Virginia. The Cambridge Companion
Cross-Cultural tions in to Moliére. David Bradby and Andrew
asia. Helen Gilbert and Jacqueline Lo. Calder, eds. 320-32
319-320 Senelick, Laurence. It. Joseph Roach. 509-510.
Krasner, David. Rethinking Tragedy. Rita Fel Sherman, Jon Foley Multi-Media: Video
ski, ed. 514-515 Installation Performance. Nick Kaye.
Kurahashi, Yuko. Ci 692-693.
Spectators Dra Smith, Tamara. The Cult of Kean. Jeffery Ka-
Text. Barbara Ozieblo and Maria han. 508-509
Dolores Narbona-Carrion. 160-161 Solomon, Matthew. Performing Dark Arts: A
Londré, Felicia Hardison. Ne Women Dra- Cultural History of Conjuring. Michael
matists in neri 1890 1920. Sherry D Mangan. 676-677.
Engle. 694-695 Sorgenfrei, Carol Fisher. Inexorable Modernity:
MacDonald, Laura. The Musical as | Japan's Grappling with Modernity in the
Scott McMillin. 163—164 Arts. Hiroshi Nara, ed. 510-511.
Mahala, Macelle. Forgetting Lot’s Wife: On Stevenson, Jill. A{ 1 ™ Commo7n4 Stag. e:g Thesapatteer a1n d
ive Spectatorship. Martin Harries Public Life in Medieval Arras. Carol Symes.
513-514.
Auseddiie nnceee: me Crowdsui, PDiussblleli cs Irezise, Bryoni. Living History Museums: Undo-
viduals. Richard Butsch. 683-685 ing History through Performance. Scott
Mazer, Sharon Pacific Performances: Theat- Magelssen. 677-678.
ricalihi 1d Cross-Cultural Encounter in Van Aken, Kellee. Angels in the American The-
he South Seas. Christopher B. Balme.
512-513.
McCaslin-Doyle, John. The Cambridge Compan- Van Kooy, Dana. Theatric Revolution: Drama
ion to Brecht, 2nd ed. Peter Thomson and Censorship, and Romantic Period Subcul-
Glendyr Sacks, eds. 688-689 tures — 1773- 1832. David Worrall. 504—505.
McConachie, Bruce. Stages of Emergency: Cold Young, Harvey. Documentation, Disappearance
War Nuclear Civil Defense. Tracy C. Davis and the Representation of I ive Performance.
503-504. Matthew Reason. 316-31
McFarren, Cheryl Kennedy. The Actor, Image —. Racism on the Victorian Stage: Represen-
and Action: Acting and Cognitive Neurosci- tation of Slavery and the Black Character.
ence. Rhonda Blair. 690-691. Hazel Waters. 506-507.
Muneroni, Stefano. Mistero Buffo. The Collected Ziter, Edward. Dissident Syria: Making Op-
Plays of Dario Fo, Volume Two. Dario Fo, positional Arts Official. Miriam Cooke.
Ron Jenkins, trans. 169-170. 500-501.
Nathans, Heather S. Early American Women
Critics: Performance, Religion, Race. Gay
Gibson Cima. 156-157.
O’Rourke, Deirdre. Memory and Forgetting in PERFORMANCE REVIEW INDEX
English Renaissance Drama: Shakespeare
Marlowe, Webster. Garrett A. Sullivan Jr. PERFORMANCES REVIEWED
324-325.
Park-Fuller, Linda M. Playing the Other: Dra- Adjmi, David. The Evildoers. 467-469.
matiz:ing Personal Narratives in Playback Artaud, Antonin. The Cenci. 668-670.
INDEX TO VOLUME6 0 / 705
Beckett, Samuel. Beckett Shorts. 463-465. Margolin, Deb. Time Is the Mercy of Eternity.
——. Fragments. 465-467. 649-650. .
Blue Man Group. Blue Man Group: How to be a Marlowe, Christopher. Edward II. 482-484.
Megastar Tour 2.1. 633-635. McBurney, Simon. A Disappearing Number.
———. Blue Man Group: Orlando. 633-635. 489-491.
Brecht, Bertolt, and Kurt Weill. Die Dreigro- McDonagh, Martin. The Lieutenant of Inish-
schenoper (The Threepenny Opera). 639-643. more. 294-298.
Burke, Gregory. Black Watch. 469-471. Milhazes, Marcia. Tempo de Verio. 127-128.
Castellucci, Romeo, and Societas Raffaello Miranda, Lin-Manuel (conception, music, and
Sanzio. Hey Girl! 667-669. lyrics), Quiara Alegria Hudes (book). In
Chekhov, Anton. The Cherry Orchard. 129-132. the Heights. 145-146.
——. The Seagull. 129-132. Mitchell, Katie, and the company. Waves.
———.. Three Sisters. 129-132. 139-141.
——. Uncle Vanya. 129-132. Norman, Marsha (book), Brenda Russell,
Churchill, Caryl. Top Girls. 300-301. Allee Willis, and Stephen Bray (songs).
Coo, Clarence. Bahala Na (Let It Go). 462-463. The Color Purple. 143-144.
Crimp, Martin. Attempts on Her Life. 139-141. O'Neill, Eugene. A Moon for the Misbegotten.
Cryer, Gretchen (book and lyrics), Nancy 148-149.
Ford (music). The American Girls Revue. Pasechnik, Stepan. Les’ Kurbas: The Harlequin’s
303-306. Grin. 307-309.
Davies, Hubert I lenry. The Mollusc. 309-310. Pearson, Steven, and Robyn Hunt. Gravity.
Eno, Will. Oh, the Humanity and Other Exclama- 475-478.
tions. 459-460. Porkpie, Jonny. The Pinch Brothers (Also Sisters)
Epp, Steven, Nathan Keepers, and Dominique in: “The Bawdy House.” 631-633.
Serrand. FISHTANK. 670-672. Punchdrunk. The Masque of the Red Death.
Filloux, Catherine, Tarell Alvin McCraney, 639-643.
and Joe Sutton. The Breach: A Story about Ravenhill, Mark. Shoot/Get Treasure/Repeat.
the Drowning of New Orleans. 471-473. 285-288.
Fugard, Athol, John Kani, and Winston Nt- Reynolds, Bryan. Blue Shade. 137-139.
shona. Sizwe Banzi Is Dead. 659-661. Rostand, Edmond. Cyrano de Bergerac.
Garcés, Michael John. Los Illegals. 115-117. 306-307.
Garcia Lorca, Federico. Yerma. 298-300. Sakata, Jeanne. Dawn's Light: The Journey of
Glaspell, Susan. Trifles. 646-649. Gordon Hirabayashi. 661-664.
—_—. The Outside. 646-649. Sater, Steven (book and lyrics), Duncan Sheik
—. Chains of Dew. 646-649. (music). Spring Awakening. 460-462.
——, and George Cram Cook. Suppressed Schmidt, Joshua (music), Jason Loewith and
Desires. 646-649. Joshua Schmidt (libretto). Adding Ma-
Goat Island. The Lastmaker. 665-667. chine, a Musical. 643-646.
Halévy, Ludovic, and Henri Meilhac (libretto), Seneca, Lucius Anneeus. Tliyestes. 312-314.
Georges Bizet (score). Carmen. 480-482. Shakespeare, William. Bahar Noktasi. 125-127.
Hatcher, Jeffrey. Smash: An Adaptation of ———. The Glorious Moment: The Histories.
George Bernard Shaw’s Novel An Unsocial 484-489.
Socialist. 491-493. —.. Hamlet. 277-278.
Hwai-min, Lin (choreographer). Wild Cursive. ———.. Macbeth. 664-665.
310-312. —. Timon of Athens. 125-127.
Hwang, David Henry. Yellow Face. 280-283. Shaw, George Bernard. Pygmalion. 290-292.
Jacques, Sally, and Blue Lapis Light. I//umina- SITI Company. Who Do You Think You Are.
tion. 473-475. 672-674.
Kotis, Greg, and Mark Hollman. Urinetown, Starritt, Matt, with the W.E.T. Ensemble.
the Musical! 278-280. Blahblahblahbang (A Pistol Fit in One Act).
Lapine, James (book), Stephen Sondheim 478-479.
(music and lyrics). Sunday in the Park with Stew, and Heidi Rodewald, Stew (music,
George. 638-639. book, and lyrics). Passing Strange.
The Latino Theater Company Laboratory. 635-638.
Melancholia. 288-290. Stoppard, Tom. The Coast of Utopia. 133-137.
Levay, Sylvester (music), Michael Kunze Wilder, Thornton. The Skin of Our Teeth.
(book and lyrics). Elisabeth. 302-303. 146-148.
Loomer, Lisa. Distracted. 292-294. Williams, Roy. Days of Significance. 141-143.
706 Index to Volume 60
COMPANIES, US English National Opera, London. 480-482.
Finborough Theatre, London. 309-310.
Actors Co-op, Los Angeles. 146-148 Istanbul State Theatre, Istanbul. 125-127.
Asolo Repertory Theatre, Sarasota, Florida. Marcia Milhazes Compania de Danca, Rio de
491-493 Janiero. 127-128.
Blue Lapis Light, Austin, Texas. 473-475. National Theatre, London. 139-141
Blue Man Grour Chicago and Orlando National Theatre, Prague. 306-307.
Florida. 633-635. National Theatre of Scotland, Glasgow.
Chicago Shakespeare Theater, Chicago. 469-471
465-467. Orange Tree Theatre, Richmond, UK. 646-649.
Cornerstone Theater Company, Los Angeles Punchdrunk Company, London. 639-643.
115-117. Royal Shakespeare Company, Stratford-upon-
Court Theatre, Chicago. 312-314. Avon. 129-132, 141-143, 484489.
East West Players, Los Angeles 662-664 Sheffield Theatres, Sheffield, UK. 129-132.
Flea Theater, New York City. 459-460 Societas Raffaello Sanzio, Cesena, Italy.
Goat Island, Chicago. 665-667. 667-669.
Hotel Savant, New York City. 669-670 Soulpepper 1 heatre C ompany, Toront«
Latino Theater ¢ ompany Laboratory, Los 300-301.
Angeles. 288-290. Takarazuka Revue Company, Takarazuka,
Lincoln Center Theatre New York City. Japan. 302-303.
133-137 Theatre de C omplic ite, London. 489-491.
Mu Performing Arts, Minneapolis. 462-463.
Pacific Performance Project / east, Columbia, FESTIVALS
South Carolina. 475-478
The Physically Handicapped Actors and Edinburgh Fringe Festival, Edinburgh.
Musical Artists League (PHAMALy), 285-288.
The First National Asian American Theater
Denver. 278-280.
Pinchbottom Burlesque, New York City. Festival, New York City. 283-285.
631-633 International Hispanic Theatre Festival, Mi-
Pittsburgh Irish and Classical Theatre, Pitts- ami. 298-300.
burgh. 294-298. National Arts Festival, Grahamstown, South
Roundabout Theatre Company, New York Africa. 117-120.
City. 290-292, 638-639. [heatertreffen Festival, Berlin. 120-125,
Seattle Repertory Theatre, Seatile. 471-473. 650-654.
Shakespeare Theatre Company, Washington, (Un)patriotic Acts of an Imagined Communi-
D.C. 482-484 ty: The Klein Karoo Nasionale Kunste-
SITI Company, New York City. 672-674 fees (KKNK), Oudtshoorn, South Africa.
Teatro Avante, Miami. 298-300. 654 659.
[héatre de la Jeune Lune, Minneapolis.
670-672
Transversal Theatre € ompany, Irvine, Califor-
nia. 137-139 BOOK REVIEW INDEX
Washington Ensemble Theatre (W.E.T.),
Seattle. 478-479 Ackerman, Alan, and Martin Puchner, eds
Against Theatre: Creative Destructions on
The Wooster ¢ sroup, New York City. 277-278.
Yale Repertory Theatre, New Haven, Con- the Modernist Stage. 168-169.
necticut. 467-469. Alonso, Harriet Hyman. Robert E. Sherwood:
The Playwright in Peace and War. 687-688.
COMPANIES, FOREIGN Baker, Barrie. Theatre Censorship in Honecker’s
Germany: From Volker Braun to Samuel
Ankara Sinasi Sahnesi, Ankara. 125-127. Beckett. 496-497.
Baxter Theatre Centre, C ape Town, South Balme, Christopher B. Pacific Performances:
Africa. 659-661 Theatricality and Cross-Cultural Encounten
Berliner Ensemble, Berlin. 639-643.. in the South Seas. 512-513.
Birmingham Repertory Theatre, Birmingham, Banes, Sally, and André I epecki, eds. The
UK. 129-132. Senses in Performance. 317-319.
Cheek by Jow1, London. 129-132. Berkowitz, Joel, and Jeremy Dauber, eds. and
Cloud Gate Dance Theatre of Taiwan, Taiwan. trans. Landmark Yiddish Plays: A Critical
310-312. Antholooy gy. 239211_-239232.
INDEX TO VOLUME 60 / 707
Kaye,
Beusterien, John. An Eye on Race: Perspectives Nick. Multi-Media: Video— Installation—
from Theater in Imperial Spain. 157-158. Performance. 692-693.
Bevington, David. This Wide and Universal The- Knapp, Raymond. The American Musical
ater: Shakespeare in Performance Then and and the Performance of Personal Identity.
Now. 325-326. 161-163.
Bigsby, Christopher. Remembering and Imagin- Kolin, Philip C., ed. Contemporary African
ing the Holocaust: The Chain of Memory. American Women Playwrights: A Casebook.
323-324. 693-694. ae
Blair, Rhonda. The Actor, Image, and Ac- Konkle, Lincoln. Thornton Wilder and the Puri-
tion: ae pe Cognitive Neuroscience. tan Narrative Tradition. 152-153.
690-691. Lima, Robert. Stages of Evil: Occultism in West-
Bottoms, Stephen, ed. The Cambridge Compan- ern Theater and Drama. senor
ion to Edward Albee. 151-152 Lindfors, Bernth, ed. Ira Aldridge: African
Bradby, David, and Andrew Calder, eds. The Roscius. 507-508.
Cambridge Companion to Moliére. 320-321. Magelssen, Scott. Living History Museums:
Bradley, Laura. Brecht and Political Theatre: The Undoing History through Performance.
Mother on Stage. 498-499. 677-678.
Brietzke, Zander. American Drama in the Age of Mangan, Michael. Performing Dark Arts: A
Film. 682-683. Cultural History of Conjuring. 676-677.
Butsch, Richard.7 T he Citizen Audience: Crowds, Marra, Kim. Strange Duets: Impresarios and Ac-
Publics, and Individuals. 683-685. tresses in the American Theatre, 1865-1914.
Carter, Tim. Oklahoma! The Making of an Ameri- 155-156.
11 Musical. 328-329. McClung, Bruce D. Lady in the Dark: Biography
Cima, Gay Gibson. Early American Women of a Musical. 328-329.
Critic s: Performance, Religion, Race. McMillin, Scott. The Musical as Drama.
156-157. 163-164.
Cooke, Miriam. Dissident Syria: Making Op- Nara, Hiroshi, ed. Inexorable ae Japan's
positional Arts Official. 500-501. Grappling with Modernity int he Arts.
Cummings, Scott T. Remaking American The- 510-511.
ter: Charles Mee, Anne Bogart, and the Siti Ozieblo, Barbara, and Maria Dolores Nar-
Company. 330-33 bona-Carrién. Codifying the National
Davis, [racy C. Stages of Emergency: Cold War Self: Spectators, Actors and tl 1e American
Nuclear Civil Defense. 503-504. Dramatic Text. 160-161.
Davis, Walter A. Art and Politics: Psychoanaly- Reason, Matthew. Documentation, Disappear-
sis, Ideology, Theatre. 501-503. ance, and the Representation of Live Perfor-
Donohue, Joseph. Fantasies of Empire: The mance. 316-317.
Empire Theatre of Varieties and the Licensing Reinelt, Janelle G., and Joseph R. Roach, eds.
Controversy of 1894. 495-496. Critical Theory and Performance, revised
Engle, Sherry D. New Women Dramatists in and enlarged edition. 315-316.
America, 1890-1920. 694-695 Ridout, Nicholas. Stage Fright Animals, and
Felski, Rita, ed. Rethinking Tragedy. 514-515. Other Theatrical Problems. 165-167.
Fisher, James, ed. Tony Kushner: New Essays on Roach, Joseph. It. 509-510.
the Art and Politics of the Plays. 331- Sake Rowe, Nick. Playing the Other: Dramatizing
0, Dario. Mistero Buffo. The Collected Plays of Personal Narratives in Playback Theatre.
Dario Fo, Volume Two. 169-170 333-334.
Gilbert, Helen, and Jacqueline Lo. Performance Saal, Ilka. New Deal Theater: The Vernacular
and Cosmopolitics: Cross-Cultural Transac- Tradition in American Political Theater.
tions in Australasia. 319-320. 685-686.
Harries, Martin. Forgetting Lot's Wife: On Schanke, Robert A., ed. Angels in the American
Destructive Spectatorship. 683-685. Theater: Patrons, Patronage, and Philan-
Howard, Jean E . Theater ofa City: The Places of thropy. 332-333.
London Comedy, 1598-1642. 695-696. Shepherd, Simon. Theatre, Body and Pleasure.
Jackson, Russell. Shakespeare Films in the 167-168.
Making: Vision, Production, and Reception. Shepherd, Simon, and Mick Wallis. Drama
681-682. Theatre/Performance. 164-165.
Johnson, Katie N. Sisters in Sin: Brothel Drama Sommer, Doris, ed. Cultural Agency in the
1 America, 1900-1920. 153-154. Americas. 158-160.
Kahan, Jeffery. The Cult of Kean. 508-509.
708 Index to Volume 60
Stanislavski, Konstantin. An Actor’s Work: A foulmin, Vanessa, and Simon Popple, eds.
Student's Diary. 689-690. Visual Delights Two: Exhibition and Recep-
Sullivan, Garrett A., Jr. Memory and Forgetting tion. 679-680.
in English Renaissance Drama: Shakespear Walton, J. Michael. Found in Translation: Greek
Marlowe, Webster. 324 Drama in English. 515-516.
Symes, Carol. A Common Stage: Waters, Hazel. Racism on the Victorian Stage:
Public Life in Medieval Representation of Slavery and the Black
Taylor, Millie. British Pantor Character. 506—507.
6/>—-6/06. Woods, Leigh. Transatlantic Stage Stars in
Teague, Frances. Sliakespeare and the American Vaudeville and Variety: Celebrity Turns.
Popular Stage. 680-681. 326-328
Thompson, Michael. Performing Spanishness Worrall, David. Theatric Revolution: Drama,
History, Cultural Ident ity and Censorship in 1 Censorship, and Romantic Period Subcul-
Hl€ Theatre of lose Maria RR odrifgouueezr MéLnindde z. tures 17a7m3 1832. 504-505.
499 500.
Thomson, Peter, and Glendyr Sacks, eds. The
Cambr} idg/ e Companion tf ) Brecht, 2nd ed.
688-689.