Table Of Content

Theatre Journal INDEX TO VOLUME 57 CONTRIBUTORS’ INDEX Werry, Margaret. “The Greatest Show on Earth”: Political Spectacle, Spectacular Politics, and the ARTICLES American Pacific.” 355-382. Balme, Christopher 8. “Selling the Bird: Richard Wolska, Alexandra. “Rabbits, Machines, and the Walton Tully’s The Bird of Paradise and the Dy- Ontology of Performance.” 83-95. Young, Harvey. “The Black Body as Souvenir in namics of Theatrical Commodification.” 1-20. American Lynching.” 639-657. Bennett, Susan. “Theatre/Tourism.” 407-428. Brody, Jennifer DeVere. “The Blackness of Black- AUTO/ ARCHIVES ness . . . Reading the Typography of Invisible Man.” 679-698. Fischer-Lichte, Erika. 557-567. Catanese, Brandi Wilkins. “‘How Do I Rent a Wilkerson, Margaret. 783-788. Negro?’: Racialized Subjectivity and Digital Per- formance Art.” 699-714. PERFORMANCE REVIEWS Davis, Tracy C. “‘Do You Believe in Fairies?’: The Hiss of Dramatic License.” 57-81. Ames, Raina S. Rage Is Not a 1-Day Thing: The DeFrantz, Thomas. “Composite Bodies of Dance: Untaught History of the Montgomery Bus Boycott. The Repertory of the Alvin Ailey American Dance Awele Makeba. 306-308. Theater.” 659-678. Babb, Roger. Hell Meets Henry Halfway. Adapted Dickinson, Peter. “Travels with Tony Kushner and from Witold Gombrowicz’s Possessed by Adriano David Beckham, 2002-2004.” 429-450. Shaplin and Pig Iron Theater Company. 284-286. Edmondson, Laura. “Marketing Trauma and the Boles, William C. Fix Up. Kwame Kwei-Armah. Theatre of War in Northern Uganda.” 451-474. 724-725. Harris, Susan Cannon. “Outside the Box: The Fe- Booker, Margaret. The Piano Lesson. August Wilson. male Spectator, The Fair Penitent, and the Kelly 717-720. Riots of 1747.” 33-55. Brady, Owen E. Oedipus. Sophocles. Translated by Jakovljevic, Branislav. “Daniil Kharms, the Hunger Stephen Berg and Diskin Clay. 311-313. Artist: Toward Eden, and the Other Way Around.” Brandon, James M. Cherry Orchard. Anton Chekhov. 167-189. 504-507. Kelly, Philippa. “Performing Australian Identity: Bruegge, Andrew Vorder. Lorenzaccio. The Shake- Gendering King Lear.” 205-227. speare Theatre. 514-516. Lim, Eng-Beng. “Glocalqueering in New Asia: The Bunzli, James. Elmina’s Kitchen. Kwame Kwei- Politics of Performing Gay in Singapore.” 383- Armah. 726-729. 405. . The Permanent Collection. Thomas Gibbons. MacDonald, Joyce Green. “Bodies, Race, and Per- 726-729. formance in Derek Walcott’s A Branch of the Blue Chirico, Miriam M. The Bay at Nice. David Hare. Nile.” 191-203. 300-303. Richards, Sandra. “What Is to Be Remembered?: Chmel, Patrick. Tropicana. Shunt Theatre Collec- Tourism to Ghana’s Slave Castle-Dungeons.” 617— tive. 496-499. 637. Cikigil, Fatma Necla. Hamlet. William Shakespeare. Schoch, Richard W. “’A Supplement to Public 313-315. Laws’: Arthur Murphy, David Garrick, and Ham- Cleary, Beth. Come home Charley Patton: Part 3 of the let, with Alterations.” 21-32. Geography Trilogy. The Ralph Lemon Company. Shimizu, Celine Parrefias. “The Bind of Represen- 732-734. tation: Performing and Consuming Hypersexu- Crawford, Brett Ashley. The Glass Menagerie. Ten- ality in Miss Saigon.” 247-265. nessee Williams. 308-311. Su, Hongjun. “Reinserting Woman into Contempo- D’Aponte, Mimi Gisolfi. Thom Pain: (based on noth- rary Chinese National Identity: A Comparative ing). Will Eno. 754-756. Reading of Three ‘New Immigrant’ Plays from Day, Amber. The Maria Chronicles. El Teatro Luna. 1990s Shanghai.” 229-246. 482-484. Theatre Journal 57 (2005) 793-802 © 2005 by The Johns Hopkins University Press 794 / Index to Volume 57 Diamond, Catherine. Oedipus the King. Sophocles. Minton, Gretchen E. Timon of Athens. William Shake- 112-114. speare. 519-521. Dunkelberg, Kermit. The Ko Festival of Perfor- Nascimento, Claudia. Dies Irae: My Preposterous mance. 117-120. Theatrum Interioris Show. Created and directed by Ebrahimian, Babak A. Fiir die Kinder von Gestern, Mario Biagini and Thomas Richards. 499-501. Heute und Morgen (For the Children of Yesterday, Nielsen, Lara D. Charlie Victor Romeo. Created by Today, and Tomorrow). Pina Bausch. 509-511. Bob Berger, Patrick Daniels, and Irving Gregory Earnest, Steve. 4:48 Psychosis. Sarah Kane. 298-300. of Collective: Unconscious. 125-127. Evans, Rachel. Pericles. William Shakespeare. 517-— Noh, Aegyung. The Judas Kiss. David Hare. 493- 519. 496. Farley, Kathryn. Doors Open on the Right. Second O’Brien, Karen. The Shaughraun. Dion Boucicault. City. 127-129. 294-296. . Faust/How I Rose. Directed by Martin Acosta O'Leary, Dierdre. The Playboy of the Western World. and written by John Jesurun. 507-509. John Millington Synge. 296-298. . Invasion Free Since 1812. Second City Toron- Orr, Shelley. Measure for Measure. William Shake- to. 127-129. speare. Directed by Simon McBurney. 97-100. Ferreira, Eunice. Mindelact. The Tenth Annual In- . Measure for Measure. William Shakespeare. ternational Theatre Festival of Mindelo. 272-277. Directed by Mark Rylance. 97-100. Ferris, Lesley. The Big Life: The Ska Musical. Book Pasto, David. The Dog in the Manger. Lope de Vega. and lyrics by Paul Sirett, music by Paul Joseph. 315-318. 110-112. . House of Desires. Sor Juana Inés de la Cruz. Fisher, James. One Arm. Tennessee Williams. 315-318. Adapted and directed by Moisés Kaufman. 521- . Tamar's Revenge. Tirso de Molina. 315-318. 523. Peterson, William. FUEL Festival of New Zealand Fleischer, Mary. The Elephant Vanishes. Based on the Theatre. 737-742. stories of Haruki Murakami. 115-117. Powers, Melinda. Electricidad. Luis Alfaro. 742-744. Garner, Jr., Stanton B. Babel. Mohamed Kacimi. Pribisic, Milan. Lulu. A Monster Tragedy. Frank 103-104. Wedekind. 114-115. Hofland, John. The Boy Like a Pinkie. Nikolay Pryor, Jaclyn. Throws Like a Girl: Festival of Inti- Shuvalov. 286-288. mate Performance by Outrageous Women. Cur- Hopkins, D. J. Measure for Measure. William Shake- ated by Jill Dolan. 747-752. speare. Directed by Simon McBurney. 97-100. Rapoo, Connie. Flight. Charlayne Woodard. 722- . Measure for Measure. William Shakespeare. 724. Directed by Mark Rylance. 97-100. Reinelt, Janelle. Stuff Happens. David Hare. 303-306. Jannarone, Kimberly. Theatrical Confrontations. The Richardson, Helen E. The Marriage. Witold Gom- Ninth International Theater Festival. 280-284. browicz. 277-280. Kennicott, Leigh. Light. Jean-Claude Van Itallie. . Operetta. Witold Gombrowicz. 277-280. 752-754. Roman, David. American Songbook. Audra McDon- Kippola, Karl M. Big Death & Little Death. Mickey ald. 734-737. Birnbaum. 756-757. Schultz, Ray. A Streetcar Named Desire. Tennessee Knight, Christina. Bridge and Tunnel. Sarah Jones. Williams. 122-125. 720-722. Scott, Virginia. The Miser. Moliére. 120-122. Kritzer, Amelia Howe. A Dream Play. August Smalec, Theresa. From Aztec to High Tech. Guillermo Strindberg. Adapted by Caryl Churchill. 502- Gomez-Pena. 475-480. 504. . The White Plague. Karel Capek. 475-480. Kuharski, Allen J. Pugilist Specialist. Adriano Solga, Kim. Tyranny of Bliss. Tanya Mars. 105-106. Shaplin. 525-527. Spangler, Matthew. The Parable of the Plums. Adapted Lubin, Cheryl. Proof. David Auburn. 744-747. from James Joyce’s Ulysses. Bloomsday 2004. Mahala, Macelle. Stage Directions. L. Trey Wilson. 100-103. 729-732. Stevenson, Jill. Death and the Ploughman. From an Martinson, Karen Jean. ;Teatro Caliente! 485-489. original work by Johannes von Saaz. SITI Com- Mee, Erin B. all wear bowlers. Trey Lyford and Geoff pany. 512-514. Sobelle. 758-760. Van Den Berg, Klaus. Theatertreffen Festival. 289- . Lidice-Gee Gulab (The Rose of Lidice). Ranjit 294. Ningthouja. 480-482. Vorder Bruegge, Andrew. Lorenzaccio. Alfred de . World Trade CentRE. Ranjit Ningthouja. Musset. Translated and adapted by John Strand. 480-482. 514-516. Mills, Chris. Under the Radar Festival. 489-493. INDEX TO VOLUME 57. / 795 Werry, Margaret. The Fula from America: An African Chansky, Dorothy. American Theater in the Culture Journey. Carlyle Brown. 267-268. of the Cold War: Producing and Contesting Contain- Wetmore, Jr., Kevin J. Exits and Entrances. Athol ment, 1947-1962. Bruce McConachie. 531-532. Fugard. 269-272. Chastain, Linda White. Rasa: Performing the Divine . Nothing But the Truth. John Kani. 269-272. in India. Susan L. Schwartz. 545-546. . Peach Blossom Fan. Kung Shang-Ren. Chattergee, Sudipto. Widows, Pariahs, and Bayadeéres: Adapted by Edward Mast. 106-109. India as Spectacle. Binita Mehta. 543-544. Whitworth, Julia. Master & Margarita. Double Edge Civetta, Peter. The Gendered Pulpit: Preaching in ‘theatre. Adapted from the novel by Mikhail American Protestant Spaces. Roxanne Mountford. Bulgakov. 109-110. 332-334. Young, Harvey. The Bluest Eye. Lydia Diamond, . Hrotsvit of Gandersheim: Contexts, Identities, based on the novel by Toni Morrison. 525-527. Affinities, and Performances. Phyllis R. Brown, Zaytoun, Constance Kathryn. Gem of the Ocean. Linda A. McMillin, and Katharina M. Wilson, August Wilson. 715-717. eds. 332-334. Conceison, Claire. Gao Xingjian and Transcultural BOOK REVIEWS Chinese Theatre. Sy Ren Quah. 534-535. Coppa, Francesca. Vanishing Women: Magic, Film, Abrams, Joshua. Land/Scape/Theatre. Elinor Fuchs and Feminism. Karen Beckman. 342-344. and Una Chaudhuri, eds. 320-321. Dolan, Jill. Reading the Material Theatre. Ric Knowles. Anderson, Charles O. The Black Dancing Body: A 781-782. Geography from Coon to Cool. Brenda Dixon Dorsey, Zachary A. Manhood and the Duel: Mascu- Gottschild. 774-775. linity in Early Modern Drama and Culture. Jennifer Andes, Anna. Achilles in Greek Tragedy. Pantelis A. Low. 147-148. Michelakis. 149-151. Edwards, Kurt A. Clifford Odets and American Politi- Asssumpcao, Pablo. Tentative Transgressions: Homo- cal Theatre. Christopher J. Herr. 140-141. sexuality, AIDS, and the Theater in Brazil. Severino Ferris, Lesley. ;Carnaval! Barbara Mauldin, ed. 768- J. Albuquerque. 539-541. 769. Babbitt, Kevin. Mary Magdalene and the Drama of ___. Carnival: Culture in Action: The Trinidad Expe- Saints: Theater, Gender and Religion in Late Medi- rience. Milla Cozart Riggio, ed. 768-769. eval England. Theresa Coletti. 331-332. Fletcher, Judith. Greek and Roman Actors: Aspects of Barton, Bruce. Theater sans Frontiéres: Essays on the an Ancient Professicn. Pat Easterling and Edith Dramatic Universe of Robert LePage. Joseph I. Hall, eds. 148-149. Donohoe Jr. and Jane M. Koustas, eds. 323-325. Fukushima, Yoshiko. The Theatre of Suzuki Tadashi. . The Theatre of Form and the Production of lan Carruthers and Takahashi Yasunari. 535-536. Meaning: Contemporary Canadian Dramaturgies. Ric Gibson, Melissa Dana. Censorship of the American Knowles. 323-325. Theatre in the Twentieth Century. John Houchin. Baum, Robert Craig. Tree: Belief/Culture/Balance. 775-777. Ralph Lemon. 772-774. . The Censorship of British Drama 1900-1968, Beach, Maria. Staging the War: American Drama and Vol. I 1900-1932. Steve Nicholson. 775-777. World War II. Albert Wertheim. 532-533. Golub, Spencer. Shakespeare in the Undiscovered Bean, Annemarie. From Traveling Show to Vaude- Bourn: Les Kurbas, Ukranian Modernism, and Early ville: Theatrical Spectacle in America, 1830-1910. Soviet Cultural Politics. Irene R. Makaryk. 546- Robert M. Lewis, ed. 137-138. 547. Bial, Henry. Yiddish Theatre: New Approaches. Joel Green, Sharon L. Contemporary Theatre in Mayan Berkowitz, ed. 132-133. Mexico: Death-Defying Acts. Tamara L. Underiner. Bose, Neilesh. Acts of Authority/Acts of Resistance: 538-539. Theater and Politics in Colonial and Postcolonial Hoffman, Warren. Our Musicals, Ourselves: A Social India. Nandi Bhatia. 542-543. History of the American Musical Theatre. John Bush Brodie, Meghan. Redressing the Past: The Politics of Jones. 338-339. Early English-Canadian Women’s Drama, 1880-1920. Hopkins, D. J. A Short History of Western Perform- Kym Bird. 325-327. ance Space. David Wiles. 319-320. Carlyon, David. Jump Jim Crow: Lost Plays, Lyrics, House, Jr., Cleo. Appropriating Blackness: Perfor- and Street Prose of the First Atlantic Popular Cul- mance and the Politics of Authenticity. E. Patrick ture. W. T. Lhamon, Jr. 136-137. Johnson. 762-763. Cartelli, Thomas. Performing Transversally: Reimagin- Irobi, Esiaba. African Drama and Performance. John ing Shakespeare and the Critical Future. Bryan Conteh Morgan and Tejumolan Olaniyan, eds. Reynolds. 329-331. 770-771. 796 / Index to Volume 57 Jackson, Julie. Marlowe and the Popular Tradition of Russell, Susan. Space and Time in Epic Theater: The the English Drama before 1595. Ruth Lunney. 327- Brechtian Legacy. Sarah Bryant-Bertail. 131-132. 328. Savilonis, Margaret F. Experimenters, Rebels, and Johnson, Katie N. Composing Ourselves: The Little Disparate Voices: The Theatre of the 1920s Celebrates Theatre Movement and the American Audience. Dor- American Diversity. Arthur Gewirtz and James J. othy Chansky. 138-140. Kolb. 766-767. Johnson, Odai. Early American Theatre from the Revo- Schachter, Beth. Understanding Adrienne Kennedy. lution to Thomas Jefferson: Into the Hands of the Philip C. Kolin. 763-765. People. Heather S. Nathans. 133-134. Seamon, Mark. Theatre Symposium: Constructions of Jones, David Richard. Strategies of Political Theatre: Race in Southern Theatre: From Federalism to the Post-War British Playwrights. Michael Patterson. Federal Theatre Project. Noreen Barnes-McLain, 144-145. ed. 765-766. Jortner, David. The Ethos of Noh: Actors and Their Shaffer, Jason. Harlequin Britain: Pantomime Enter- Art. Eric C. Rath. 777-778. tainment 1690-1760. John O’Brien. 341-342. Kirle, Bruce. Making Americans: Jews and the Broad- Sloan, Kathryn. Shakespeare, from Stage to Screen. way Musical. Andrea Most. 336-337. Sarah Hatchuel. 778-780. Klett, Elizabeth. Turning Turk: English Theater and . Shakespeare's Violated Bodies: Stage and Screen the Multicultural Mediterranean, 1570-1630. Daniel Performance. Pascale Aebischere. 778-780. Vitkus. 541-542. Steen, Shannon. Yellowface: Creating the Chinese in Kolin, Philip C. Playing Underground: A Critical American Popular Music and Performance, 1850s— History of the 1960's Off-Off-Broadway Movement. 1920s. Krystyn Moon. 529-531. Stephen J Bottoms. 780-781. . Cold War Orientalism: Asia in the Middlebrow Krasner, David. Professing Performance: Theatre in Imagination, 1945-1961. Christine Klein. 529-531. the Academy from Philology to Performativity. Shan- Stephenson, Jenn. Shakespeare in Canada: A World non Jackson. 152-153. Elsewhere? Diana Brydon and Irena K. Makaryk, Kruger, Loren. A History of Theatre in Africa. Martin eds. 322-323. Banham, ed. 548-550. Tharp, Richard. The Temptation of Innocence in the . Playing for Life: Performance in Africa in the Dramas of Arthur Milier. Terry Otten. 141-142. Age of AIDS. Louise M. Bourgault. 548-550. Trotter, Mary. Theatre Stuff: Critical Essays on Con- . Theatre and Empowerment: Community Drama temporary Irish Theatre. Eamonn Jordan, ed. 142- on the World Stage. Richard Boon and Jane Plastow, 144. eds. 548-550. ———. Theatre Talk: Voices of Irish Theatre Practitio- Lee, Esther Kim. National Abjection: The Asian Ameri- ners. Lilian Chambers, Ger FitzGibbon, and can Body Onstage. Karen Shimakawa. 154-155. Eamonn Jordan, eds. 142-144. Lim, Eng-Beng. Staging Nation: English Language Vorlicky, Bob. Staging Masculinities: History, Gen- Theatre in Malaysia and Singapore. Jacqueline Lo. der, Performance. Michael Mangan. 334-336. 536-538. Wax, Jeff. Looking for Sex in Shakespeare. Stanley Miller, Ray. Anna Held and the Birth of Ziegfeld’s Wells. 328-329. Broadway. Eve Golden. 337-338. Ybarra, Patricia. Writing and Rewriting National The- Mullenix, Elizabeth Reitz. Theatre, Culture and Tem- atre Histories. S. E. Wilmer, ed. 550-551. perance Reform in Nineteenth-Century America. John Young, Harvey. A History of African American The- W. Frick. 135-136. atre. Errol G. Hill and James V. Hatch. 761-762. Neilson, Patrick. Staged Properties in Early Modern English Drama. Jonathan GilHarris and Natasha FORUM Korda, eds. 145-147. “A Forum on Black Theatre: What Is a Black Onstad, Andréa J. Performance and Evolution in the Play? and/or What Is Playing Black?” Age of Darwin: Out of Natural Order. Jane R. Goodall. 340-341. Bean, Annemarie. “Black (Play) Is . . . Black (Play) Pullen, Kristin. Interfaces: Women, Autobiography, Ain’t: The Gumbo of Theatrical Blackness.” 608- Image, Performance. Sidonie Smith and Julia 610. Watson, eds. 151-152. Bryant-Jackson, Paul. “Obatala in Revolutionary Randall, Tresa. Modern Dance, Negro Dance: Race in (Postmodern) Diaspora.” 612-614. Motion. Susan Manning. 771-772. Dicker/sun, Glenda. “Katrina: Acting Black/Play- Richmond, Farley. Rasa: Performing the Divine in ing Blackness.” 614-616. India. Susan L. Schwartz. 545-546. Gill, Glenda E. “The Transforming Power of Per- Ridout, Nicholas. Staging the Savage God: The Gro- forming the Classics in Chocolate, 1949-1954.” tesque in Performance. Ralf E. Remshardt. 344-345. 592-596. INDEX TO VOLUME 57. / 797 George-Graves, Nadine. “Basic Black.” 610-612. Dolan, Jill (curator). Throws Like a Girl: Festival of Harrison, Paul Carter. “Performing Africa in Amer- Intimate Performance by Outrageous Women. ica.” 587-590. 747-752. Hatch, James V. “The Color of Art.” 596-598. Double Edge Theatre. Master & Margarita. 109-110. Johnson, E. Patrick. “The Pot Calling the Kettle El Teatro Luna. The Maria Chronicles. 482-484. ‘Black.’” 605-608. Eno, Will. Thom Pain: (based on nothing). 754-756. Jones, Joni L./Iya Omi Osun Olomo. “Cast a Wide Fugard, Athol. Exits and Entrances. 269-272. Net.” 598-600. Gibbons, Thomas. The Permanent Collection. 726- Krasner, David. “What Have We Learned?” 585- 729. 587. Gombrowicz, Witold. The Marriage. 277-280. McCauley, Robbie. “The Struggle Continues.” 583- . Operetta. 277-280. 585. . Possessed. 284-286. Nyong’o, Tavia. “Black Theatre’s Closet Drama.” Gomez-Pena, Guillermo. From Aztec to High Tech. 590-592. 475-480. Parks, Suzan-Lori. “New Black Math.” 576-583. Gregory, Irving. Charlie Victor Romeo. 125-127. Shannon, Sandra. “What Is a Black Play? Tales Hare, David. The Bay at Nice. 300-303. from My Theoretical Corner.” 603-605. . The Judas Kiss. 493-496. Smith, Anna Deavere. “Black ‘Plays.’” 571-576. . Stuff Happens. 303-306. Williams, Judith. “Mixing and Playing: Performing Jesurun, John (writer). Faust/How I Rose. 507-509. Blackness in Brazil.” 600-603. Jones, Sarah. Bridge and Tunnel. 720-722. Joseph, Paul (music). The Big Life: The Ska Musical. 110-112. Joyce, James. The Parable of the Plums. 100-103. PERFORMANCE REVIEW INDEX Kacimi, Mohamed. Babel. 103-104. Kane, Sarah. 4:48 Psychosis. 298-300. PERFORMANCES REVIEWED Kani, John. Nothing But the Truth. 269-272. Kaufman, Moisés (adaptor and director). One Arm. Acosta, Martin (director). Faust/How I Rose. 507— 521-523. 509. Kung Shang-Ren. Peach Blossom Fan. 106-109. Alfaro, Luis. Electricidad. 742-744. Kwei-Armah, Kwame. Elmina’s Kitchen. 726-729. Auburn, David. Proof. 744-747. . Fix Up. 724-725. Bausch, Pina. Fiir die Kinder ven Gestern, Heute und Lope de Vega. The Dog in the Manger. 315-318. Morgen (For the Children of Yesterday, Today, and Lyford, Trey. all wear bowlers. 758-760. Tomorrow). 509-511. Makeba, Awele. Rage Is Not a 1-Day Thing!: The Berg, Stephen (translator). Oedipus. 311-313. Untaught History of the Montgomery Bus Boycott. Berger, Bob. Charlie Victor Romeo. 125-127. 306-308. Biagini, Mario. Dies Irae: My Preposterous Theatrum Mast, Edward (adaptor). Peach Blossom Fan. 106- Interioris Show. 499-501. 109. Birnbaum, Mickey. Big Death & Little Death. 756- Mars, Tanya. Tyranny of Bliss. 105-106. 757. McDonald, Audra. American Songbook. 734-737. Boucicault, Dion. The Shaughraun. 294-296. Moliére. The Miser. 120-122. Brown, Carlyle. The Fula from America: An African Murakami, Haruki. The Elephant Vanishes. 115-117. Journey. 267-268. Ningthouja, Ranjit. Lidice-Gee Gulab (The Rose of Bulgakov. Mikhail. Master & Margarita. 109-110. Lidice). 480-482. Capek, Karel. The White Plague. 475-480. . World Trade CentRE. 480-482. Chekhov, Anton. Cherry Orchard. 504-507. Pig Iron Theater Company. Hell Meets Henry Half- Churchill, Caryl. Adaptation of A Dream Play by way. 284-286. August Strindberg. 502-504. The Ralph Lemon Company. Come home Charley Clay, Diskin (translator). Oedipus. 311-313. Patton: Part 3 of the Geography Trilogy. 732-734. Collective: Unconscious. Charlie Victor Romeo. 125- Richards, Thomas. Dies Ira: My Preposterous 127. Theatrum Interioris Show. 499-501. Daniels, Patrick. Charlie Victor Romeo. 125-127. Second City. Doors Open on the Right. 127-129. Diamond, Lydia. The Bluest Eye (based on the novel Second City Toronto. Invasion Free Since 1812. 127- by Toni Morrison). 525-527. 129. de la Cruz, Sor Juana Inés. House of Desires. 315- Shakespeare, William. Hamlet. 313-315. 318. . Measure for Measure. 97-100. de Musset, Alfred. Lorenzaccio. 514-516. . Pericles. 517-519. 798 / Index to Volume 57 . Timon of Athens. 519-521. Freud Playhouse, UCLA Campus, Westwood. 298- Shaplin, Adriano. Hell Meets Henry Halfway. 284- 300. 286. Guggenheim Museum, Peter B. Lewis Theatre. 475- . Pugilist Specialist. 524-525. 480. Shunt Theatre Collective. Tropicana. 496-499. Hartford Stage, Hartford. 300-303. Shuvalov, Nikolay. The Boy Like a Pinkie. 286-288. HERE Arts Center, New York City. 758-760. Sirett, Paul (book and lyrics). The Big Life: The Ska Historic Pantages Theatre, Minneapolis. 732-734. Musical. 110-112. Jack H. Skirball Center for the Performing Arts, SITI Company. Death and the Ploughman. 512-514. New York City. 296-298. Sobelle, Geoff. All wear bowlers. 758-760. John F. Kennedy Center for the Performing Arts, Sophocles. Oedipus. 311-313. Eisenhower Theatre, Washington, D.C. 122-125, . Oedipus the King. 112-114. 308-311. Strand, John (translator and adaptor). Lorenzaccio. Kirk Douglas Theatre, Culver City. 722-724. 514-516. Ko Theater Works, Amherst. 117-120. Strindberg, August. A Dream Play. 502-504. Mark Taper Forum, Los Angeles. 269-272, 742-744. Synge, John Millington. The Playboy of the Western New York State Theater, New York City. 115-117. World. 296-298. Penumbra Theatre Company, Minneapolis. 729- Tirso de Molina. Tamar's Revenge. 315-318. 732. Van Itallie, Jean-Claude. Light. 752-754. Pig Iron Theater Company, Philadelphia. 284-286. von Saaz, Johannes. Death and the Ploughman. 512- Plays and Players Theatre, Philadelphia. 284-286. 514. Rose Hall, Lincoln Center, New York City. 734- Wedekind, Frank. Lulu. A Monster Tragedy. 114- 737. 115. The Rude Mechanicals Theatre Collective, Austin. Williams, Tennessee. A Streetcar Named Desire. 122- 747-752. 125. St. Ann’s Warehouse, Brooklyn. 489-493. . The Glass Menagerie. 308-311. Second City, Chicago. 127-129. . One Arm. Adapted and directed by Moisés The Shakespeare Theatre, Washington, D.C. 514— Kaufman. 521-523. 516, 517-519. Wilson, August. Gem of the Ocean. 715-717. SITI Company, New York City. 512-514. . The Piano Lesson. 717-720. Steppenwolf Theatre Company, Chicago. 504-507, Wilson, L. Trey. Stage Directions. 729-732. 521-523, 525-527. Woodard, Charlayne. Flight. 722-724. Subjective Theatre Company, Loft Theatre, New Zimmerman, Mary (director). Pericles. 517-519. York City. 475-480. Theater in My Basement, Phoenix. 485-489. Companies, US Theatre@Boston Court, Pasadena. 752-754. American Repertory Theatre, Cambridge. 120-122, Walter Kerr Theatre, New York City. 715-717. 311-313. Woolly Manimoth Theatre Company, Washington, Berkeley Repertory Theater, Berkeley. 720-722. D.C. 756-757. Brooklyn Academy of Music. 507-509, 509-510. Center for Independent Artists, Minneapolis. 127- Companies, Foreign 128. Abbey Theatre, Dublin. 294-296, 296-298. Center for New Theater at CalArts, REDCAT The- Ankara State Theatre Company (Akiin Sahnesi), ater, Los Angeles. 106-109. Akiin Stage, Ankara. 313-315. Center Stage, Pearlstone Theater, Baltimore. 726- Complicite, London. 97-100, 115-117. 729. Odessa Puppet Theatre, Odessa. 286-288. Clarence Brown Theatre Company, Knoxville. 103- The Riot Group, London. 524-525. 104. Royal Court Theatre, London. 298-300. Collective: Unconscious, New York City. 125-127. Royal National Theatre, London. 97-100, 303-306, Double Edge Theatre, Ashfield. 109-110. 502-504, 724-725. DUMBO Stable, Brooklyn. 489-493. Royal Shakespeare Company, Swan Theatre, East West Players, Los Angeles. 744-747. Stratford-Upon-Avon. 315-318. El Teatro Luna, Chicago. 482-484. Sana Leipak Nachom Artistes Group, Imphal, The Fichandler, Arena Stage, Washington, D.C. Manipur, India. 480-482. 717-720. Schaubiihne am Lehniner Platz, Berlin. 114-115. Foundry Theater, New York City. 489-493. Second City Toronto, Toronto. 127-129. Fountain Theatre, Los Angeles. 269-272. Setagaya Public Theatre, Tokyo. 115-117. INDEX TO VOLUME 57 / 799 Shakespeare’s Globe Theatre, London. 97-100. Berkowitz, Joel, ed. Yiddish Theatre: New Approaches. Shunt Theatre Collective, The Shunt Vaults, Lon- 132-133. don Bridge, London. 496-499. Bhatia, Nandi. Acts of Authority/Acts of Resistance: Stage Pungkyung, Aroonggooji Theatre, Seoul. 493- Theater and Politics in Colonial and Postcolonial 496. India. 542-543. Tanztheater Wuppertal, Wuppertal, Germany. 509- Bird, Kym. Redressing the Past: The Politics of Early 510. English-Canadian Women’s Drama, 1880-1920. 325- Teater Tanah Air, Denpasar, Indonesia. 112-114. 327. Teatr Narodowy, Scena Przy Wierzbowej, Warsaw. Boon, Richard, and Jane Plastow, eds. Theatre and 277-280. Empowerment: Community Drama on the World Teatro Juvarra, Torino. 499-501. Stage. 548-550. Théatre des Halles, Avignon. 103-104. Bottoms, Stephen J. Playing Underground: A Critical Theatre Royal Stratford East, London. 110-112. History of the 1960's Off-Off-Broadway Movement. Workcenter of Jerzy Grotowski and Thomas 780-781. Richards, Pontedera, Italy. 499-501. Bourgault, Louise M. Playing for Life: Performance in Africa in the Age of AIDS. 548-550. Festivals and Symposia Brown, Phyllis R., ed. Hrotsvit of Gandersheim: Con- Bloomsday 2004, Dublin. 100-103. texts, Identities, Affinities, and Performances. 332- FUEL Festival of New Zealand Theatre, Hamilton. 334. 737-742. Bryant-Bertail, Sarah. Space and Time in Epic Theater: Ko Festival of Performance, Amherst. 117-120. The Brechtian Legacy. 131-132. Mindelact: The Tenth Annual International Theatre Brydon, Diana, ed. Shakespeare in Canda: A World Festival of Mindelo, Republic of Cape Verde. Elsewhere? 322-323. 272-277. Carruthers, Ian, and Takahashi Yasunari. The The- Philadelphia Fringe Festival, Philadelphia. 284- atre of Suzuki Tadashi. 535-536. 286. Chambers, Lilian, ed. Theatre Talk: Voices of Irish Puppeteers of America Regional Festival, Spokane. Theatre Practitioners. 142-144. 286-288. Chansky, Dorothy. Composing Ourselves: The Little Stratford Festival, Tom Patterson Theatre, Stratford, Theatre Movement and the American Audience. 138- Canada. 519-521. 140. jTeatro Caliente!, Phoenix. 485-489. Chaudhuri, Una, ed. Land/Scape/Theatre. 320-321. Theatertreffen Festival, Berlin. 289-294. Coletti, Theresa. Mary Magdalene and the Drama of Theatrical Confrontations: The Ninth International Saints: Theater, Gender and Religion in Late Medi- Theater Festival, Lublin. 280-284. eval England. 331-332. Throws Like a Girl: Festival of Intimate Perform- Donohoe, Joseph I. Jr., ed. Theater sans Frontiéres: ance by Outrageous Women. 747-752. Essays on the Dramatic Universe of Robert LePage. 2004 Next Wave Festival, Brooklyn. 507-509. 323-325. Under the Radar Festival, New York City. 489-493. Easterling, Pat, ed. Greek and Roman Actors: Aspects of an Ancient Profession. 148-149. FitzGibbon, Ger, ed. Theatre Talk: Voices of Irish Theatre Practitioners. 142-144. BOOK REVIEW INDEX Frick, John W. Theatre, Culture and Temperance Re- BOOKS REVIEWED form in Nineteenth-Century America. 135-136. Fuchs, Elinor, and Una Chaudhuri, eds. Land/Scape/ Aebischer, Pascale. Shakespeare's Violated Bodies: Stage Theatre. 320-321. and Screen Performance. 778-780. Gewirtz, Arthur, and James J. Kolb. Experimenters, Albuquerque, Severino J. Tentative Transgressions: Rebels, and Disparate Voices: The Theatre of the Homosexuality, AIDS, and the Theater in Brazil. 1920s Celebrates American Diversity. 766-767. 539-541. Golden, Eve. Anna Held and the Birth of Ziegfeld’s Banham, Martin, ed. A History of Theatre in Africa. Broadway. 337-338. 548-550. \ Goodall, Jane R. Performance and Evolution in the Barnes-McLain, Noreen, Od. Theatre Symposium: Age of Darwin: Out of Natural Order. 340-341. Constructions of Race in Southern Theatre: From Gottschild, Brenda Dixon. The Black Dancing Body: Federalism to the Federai Theatre Projeci. 765-766. A Geography from Coon to Cool. 774-775. Beckman, Karen. Vanishing Women: Magic, Film, Hall, Edith, ed. Greek and Roman Actors: Aspects of and Feminism. 342-344. an Ancient Profession. 148-149. 800 / Index to Volume 57 Harris, Jonathan Gil, and Natasha Korda, eds. Mangan, Michael. Staging Masculinities: History, Staged Properties in Early Modern English Drama. Gender, Performance. 334-336. 145-147. Manning, Susan. Modern Dance, Negro Dance: Race Hatch, James V., and Errol G. Hill. A History of in Motion. 771-772. African American Theatre. 761-762. Mauldin, Barbara, ed. ;Carnaval! 768-769. Hatchuel, Sarah. Shakespeare, from Stage to Screen. McConachie, Bruce. American Theater in the Culture 778-780. of the Cold War: Producing and Contesting Contain- Herr, Christopher J. Clifford Odets and American ment, 1947-1962. 531-532. Political Theatre. 140-141. McMillin, Linda A., ed. Hrotsvit of Gandersheim: Hill, Errol G., and James V. Hatch. A History of Contexts, Identities, Affinities, and Performances. African American Theatre. 761-762. 332-334. Houchin, John. Censorship of the American Theatre in Mehta, Binita. Widows, Pariahs, and Bayadeéres: India the Twentieth Century. 775-777. as Spectacle. 543-544. Jackson, Shannon. Professing Performance: Theatre in Michelakis, Pantelis. Achilles in Greek Tragedy. 149- the Academy from Philology to Performativity. 152- 151. 153. Moon, Krystyn. Yellowface: Creating the Chinese in Johnson, E. Patrick. Appropriating Blackness: Perfor- American Popular Music and Performance, 1850s— mance and the Politics of Authenticity. 762-763. 1920s. 529-531. Jones, John Bush. Our Musicals, Ourselves: A Social Morgan, John Conteh, and Tejumolan Olaniyan, History of the American Musical Theatre. 338-339. eds. African Drama and Performance. 770-771. Jordan, Eamonn, ed. Theatre Stuff: Critical Essays on Most, Andrea. Making Americans: Jews and the Broad- Contemporary Irish Theatre. 142-144. way Musical. 336-337. , ed. Theatre Talk: Voices of Irish Theatre Prac- Mountford, Roxanne. The Gendered Pulpit: Preach- titioners. 142-144. ing in American Protestant Spaces. 332-334. Klein, Christine. Cold War Orientalism: Asia in the Nathans, Heather S. Early American Theatre from the Middlebrow Imagination, 1945-1961. 529-531. Revolution to Thomas Jefferson: Into the Hands of the Knowles, Ric. Reading the Material Theatre. 772-774. People. 133-134. . The Theatre of Form and the Production of Nicholson, Steve. The Censorship of British Drama Meaning: Contemporary Canadian Dramaturgies. 1900-1968, Vol. I 1900-1932. 775-777. 323-325. O’Brien, John. Harlequin Britain: Pantomime Enter- Kolb, James J., and Arthur Gewirtz. Experimenters, tainment 1690-1760. 341-342. Rebels, and Disparate Voices: The Theatre of the Olaniyan, Tejumolan, and John Conteh Morgan, 1920s Celebrates American Diversity. 766-767. eds. African Drama and Performance. 770-771. Kolin, Philip C. Understanding Adrienne Kennedy. Otten, Terry. The Temptation of Innocence in the 763-765. Dramas of Arthur Miller. 141-142. Koustas, Jane M., ed. Theater sans Frontiéres: Essays Patterson, Michael. Strategies of Political Theatre: on the Dramatic Universe of Robert LePage. 323- Post-War British Playwrights. 144-145. 325. Plastow, Jane, and Richard Boon, eds. Theatre and Lemon, Ralph. Tree: Belief/Culture/Balance. 772-774. Empowerment: Community Drama on the World Lewis, Robert M., ed. From Traveling Show to Vaude- Stage. 548-550. ville: Theatrical Spectacle in America, 1830-1910. Rath, Eric C. The Ethos of Noh: Actors and Their Art. 137-138. 777-778. Lhamon, W. T., Jr. Jump Jim Crow: Lost Plays, Lyrics, Remshardt, Ralf E. Staging the Savage God: The and Street Prose of the First Atlantic Popular Cul- Grotesque in Performance. 344-345. ture. 136-137. Reynolds, Bryan. Performing Transversally: Reimagin- Lo, Jacqueline. Staging Nation: English Language ing Shakespeare and the Critical Future. 329-331. Theatre in Malaysia and Singapore. 536-538. Riggio, Milla Cozart, ed. Carnival: Culture in Action: Low, Jennifer A. Manhood and the Duel: Masculinity The Trinidad Experience. 768-769. in Early Modern Drama and Culture. 147-148. Schwartz, Susan L. Rasa: Performing the Divine in Lunney, Ruth. Marlowe and the Popular Tradition of India. 545-546. the English Drama before 1595. 327-328. Shimakawa, Karen. National Abjection: The Asian Makaryk, Irene R., ed. Shakespeare in Canda: A American Body Onstage. 154-155. World Elsewhere? 322-323. Smith, Sidonie, ed. Interfaces: Women, Autobiogra- . Shakespeare in the Undiscovered Bourn: Les phy, Image, Performance. 151-152. Kurbas, Ukranian Modernism, and Early Soviet Cul- Sy Ren Quah. Gao Xingjian and Transcultural Chi- tural Politics. 546-547. nese Theatre. 534-535. INDEX TO VOLUME 57 / 801 Underiner, Tamara L. Contemporary Theatre in Mayan Wiles, David. A Short History of Western Performance Mexico: Death-Defying Acts. 538-539. Space. 319-320. Vitkus, Daniel. Turning Turk: English Theater and the Wilmer, S. E., ed. Writing and Re-writing National Multicultural Mediterranean, 1570-1630. 541-542. Theatre Histories. 550-551. Watson, Julia, ed. Interfaces: Women, Autobiography, Wilson, Katharina M., ed. Hrotsvit of Gandersheim: Image, Performance. 151-152. Contexts, Identities, Affinities, and Performances. Wells, Stanley. Looking for Sex in Shakespeare. 328- 332-334. 329, Yasunari, Takahashi. The Theatre of Suzuki Tadashi. Wertheim, Albert. Staging the War: American Drama 535-536. and World War. II. 532-533.