ebook img

Theatre Journal 2002: Vol 54 Index PDF

9 Pages·2002·2.9 MB·English
by  
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Theatre Journal 2002: Vol 54 Index

Theatre Journal INDEX TO VOLUME 54 CONTRIBUTORS’ INDEX Komaromi, Ann. “Wyspianski’s Wesele: Poised on ARTICLES the Border.” 187-202. Kun, Josh. “A Forum on Theatre and Tragedy In Arrizon, Alicia. “A Forum on Theatre and Tragedy the Wake of September 11, 2001.” 126-28. In the Wake of September 11, 2001.” 117. Lane, Jill. “A Forum on Theatre and Tragedy In the Balme, Christopher B. “A Forum on Theatre and Wake of September 11, 2001.” 109-10. Tragedy In the Wake of September 11, 2001.” Lemon, Rebecca. “Scaffolds of Treason in Macbeth.” 115-16. 25-43. Bank, Rosemarie K. “Representing History: Per- Munoz, José Esteban. “A Forum on Theatre and forming the Columbian Exposition.” 589-606. Tragedy In the Wake of September 11, 2001.” Brody, Jennifer DeVere. “A Forum on Theatre and 122-23. Tragedy In the Wake of September 11, 2001.” O’Quinn, Daniel. “Mercantile Deformities: George 101-2. Colman’s Inkle and Yarico and the Racialization Carlson, Marvin. “A Forum on Theatre and Trag- of Class Relations.” 389-409. edy In the Wake of September 11, 2001.” 133-34. Paredez, Deborah. “Remembering Selena, Re- Case, Sue-Ellen. “A Forum on Theatre and Tragedy membering Latinidad.” 63-84. In the Wake of September 11, 2001.” 107-9. Pellegrini, Ann. “A Forum on Theatre and Tragedy Chaudhuri, Una. “A Forum on Theatre and Trag- In the Wake of September 11, 2001.” 113-15. edy In the Wake of September 11, 2001.” 97-99. Prieto, Antonio. “A Forum on Theatre and Tragedy Conquergood, Dwight. “Lethal Theatre: Perform- In the Wake of September 11, 2001.” 110-12. ance, Punishment, and the Death Penalty.” 339- Puchner, Martin. “Manifesto = Theatre.” 449-65. 67. Rayner, Alice. “A Forum on Theatre and Tragedy Cummins, Doug and Robert Bershere. “Doctoral In the Wake of September 11, 2001.” 129-31. Projects in Progress in Theatre Arts, 2002.” 285- ——. “Rude Mechanicals and the Specters of Marx.” 87. 535-54 Diamond, Elin. “A Forum on Theatre and Tragedy Reinelt, Janelle. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” 136-38. In the Wake of September 11, 2001.” 134-36. Dolan, Jill. “A Forum on Theatre and Tragedy In Rokem, Freddie. “A Forum on Theatre and Trag- the Wake of September 11, 2001.” 106-7. edy In the Wake of September 11, 2001.” 112-13. duBois, Page. “Ancient Tragedy and the Metaphor ——. “Narratives of Armed Conflict and Terrorism of Katharsis.” 19-24. in the Theatre: Tragedy and History in Hanoch Eng, David L. “The Value of Silence.” 85-94 Levin’s Murder.” 555-73. Elam, Harry J., Jr. “A Forum on Theatre and Trag- Roman, David. “Introduction: Tragedy.” 1-18. edy In the Wake of September 11, 2001.” 102-4. Salamensky, S.I. “Re-Presenting Oscar Wilde Evan, Raima. “Women and Violence in A Mouthful Wilde’s Trials, Gross Indecency, & Documentary of Birds.” 263-84. Spectacle. Gere, David. “T-shirts and Holograms: Corporeal Schechner, Richard. “A Forum on Theatre and Fetishes in AIDS Choreography, c. 1989.” 45-62. Tragedy In the Wake of September 11, 2001.” Gross, Janice. “The Tragedy of Algeria: Slimane 131-32. Benaissa’s Drama of Terrorism.” 369-87. Shimakawa, Karen. “A Forum on Theatre and Holland, Sharon P. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.” Tragedy In the Wake of Septenn . 11, 2001.” 123-125. 118-19. Singleton, Brian. “A Forum on Theatre and Trag- Jakovljevic, Branislav. “Shattered Back Wall: Per- edy In the Wake of September 11, 2001.” 119-20. formative Utterance of A Doll's House.” 431-48. Taylor, Diana. “A Forum on Theatre and Tragedy Johnson, Katie N. “Zaza: That ‘Obtruding Harlot’ In the Wake of September 11, 2001.” 95-96. of the Stage.” 223-43. Uno, Roberta. “A Forum on Theatre and Tragedy Kobialka, Michal. “A Forum on Theatre and Trag- In the Wake of September 11, 2001.” 128-29. edy In the Wake of September 11, 2001.” 120-21. Theatre Journal 54 (2002) 681-690 © 2002 by The Johns Hopkins University Press 684 / Index to Volume 54 Villarejo, Amy. “A Forum on Theatre and Tragedy Dorsey, Zachary A. Gagarin Way. Gregory Burke. In the Wake of September 11, 2001.” 104-06. 479-80. Vorlicky, Bob. “A Forum on Theatre and Tragedy Earnest, Steve. Falco Meets Amadeus. Burkhard Dri- In the Wake of September 11, 2001.” 125-26. est with Hans H6lzel (Falco) and Wolfgang Walen, Denise A. “Constructions of Female Homo- Amadeus Mozart. 469-71. erotics in Early Modern Drama.” 411-30. Ebrahimian, Babak. Masurca Fogo. Pina Bausch. Ward, Adrienne. “Imaginary Imperialism’: Goldoni 653-54. Stages China in 18th-Century Italy.” 203-21. Fisler, Ben. Shylock. Gareth Armstrong. 492-94. Worthen. W. B. “A Forum on Theatre and Tragedy Foley, Helene P. Agamemnon and His Daughters. In the Wake of September 11, 2001.” 99-100. adapt. Kenneth Cavander. 143-45. Yan, Haiping. “Staging Modern Vagrancy: Female Garner, Stanton B., Jr. King Lear and Howard Katz. Figures of Border-crossing in Ama Ata Aidoo William Shakespeare and Patrick Marber. 139-43. and Caryl Churchill.” 245-62. Gross, Kenneth. Twelfth Night. William Shakespeare. Ziter, Edward. “Kean, Byron, and Fantasies of 650-51. Miscegenation.” 607-26. Harvie, Jen. Mother Clap’s Molly House. Mark Ravenhill. 163-66 PERFORMANCE REVIEWS Headrick, Charlotte. The Prisoner’s Dilemma. David Edgar. 480-82. Abbit, Erica Stevens. Trestle at Pope Lick Creek Kuharski, Allen J. The Late Henry Moss. Sam Shepard. Naomi Wallace. 498-500. 500-502. Alker, Gwendolyn. International Hispanic Theatre Kruger, Loren. They All Fall Down: The Richard Festival. 309-12. Nickel Story. Richard Cahan, adapt. Laura Eason Babb, Roger. SHUT EYE. Joseph Chaikin with the with Jessica Thebus. 296-98. Pig Iron Theatre Company. 312-14. Lane, Harry. Salome. Oscar Wilde, adapt. Richard Bacalzo, Dan. The Square. Lisa Peterson with Chay Strauss with Hedwig Lachman. 651-53. Yew. 489-91 Barton, Robert. The Royal Family and Lady Winde Laws, Page R. Much Ado About Nothing. William mere’s Fan. George S. Kaufman with Edna Ferber Shakespeare. 305-7. Lee, Sun Hee Teresa. Flower Drum Song. Richard and Oscar Wilde. 646-48. Rodgers with Oscar Hammerstein and David Bechtel, Roger. Die Kleinbiirgerhochzeit. Bertolt Henry Hwang. 640-42 Brecht. 299-301. Liston, William T. This England: The Histories. Will- Boles, William C. Humble Boy and Nightingale and iam Shakespeare. 158-60. Chase. Charlotte Jones and Zinnie Harris. 482-85. Lublin, Robert I. and...and...and. Chris Dickman. Bovard, Karen. Necessary Targets. Eve Ensler. 642- 494-96. 43. Moore, Kerry. The Car Man: An Auto-Erotic Thriller. Burch, Stephen Dedalus. The Seagull. Anton Matthew Bourne. 295-96. Chekhov, adapt. Thomas Kilroy. 487-89. ——. Defixiones, Will and Testament: Orders From the Buriss, Catherine Scott. Big Love. Charles L. Mee. 150-52. Dead. Diamanda Galas. 643-45. Park, Samuel. Another American: Asking and Telling. Burston, Jonathan. The Producers. Mel Brooks with Thomas Meehan. 467-69 Marc Wolff. 491-92. Case, Sue-Ellen. Mephisto. Klaus Mann, adapt. Reagan, Alice. Drummer Wanted. Richard Maxwell. Ariane Mnouchkine. 298-99 314-15. Cerniglia, Kenneth J. The Tragedy of Hamlet. Will- Remshardt, Ralf. Woyzek and POEtry. Georg iam Shakespeare, adapt. Peter Brook. 156-58. Biichner and Edgar Allen Poe, adapt. Lou Reed Chaudhuri, Una. Topdog/Underdog. Suzan-Lori with Robert Wilson. 471-75. Parks. 289-91. Reynolds, Steve. The Dying Gaul. Craig Lucas. 149- Cioffi, Kathleen. Ferdydurke. Witold Gombrowicz, 50. adapt. Allen J. Kuharski. 301-3 Ringer, Loren. The Notebook and The Proof. Agota Cummings, Scott T. 25th Annual Humana Festival of Kristof. 475-76. New American Plays. 154-56. Roessler, Norman. Tod Eines Handlungsreisenden ——. 26th Annual Humana Festival of New American (Death of a Salesman). Arthur Miller. 147-49. Plays. 635-38. Rosten, Bevya. Harold Pinter Festival. 477-79. Davies, Telory W. Rhinoceros Eugene lIonesco. 645- Rudolph, Sarah J. The Bomb-itty of Errors. Jordan 46. Allen-Dutton with Jason Catalano, Gregory Dean, Joan Fitzpatrick. The Lieutenant of Inishmore. Qaiyum, and Erik Weiner. 307-9. Martin McDonagh. 161-63. Russett, Margaret. Pera Palas. Sinan Unel. 630-32. INTDO VEOLUXME 54 / 685 Satin, Leslie. PASTFo1 David Gordon Carlson, Marla. Medieval Practices of Space, Barbara Saul, Scott. Shlanim 1 Gan Vaude Dan \. Hanawalk and Michal Kobialka, eds. 519-20. Froot. 293-95. Chambers, Jonathan. Performance Analysis Schildcrout, Jordan. (¢ John Guare troductory Casebook, Colin Counsell and Laurie 152-54. Wolf, eds. 179-80 Shafer, Yvonne. She Stoo} Oliver Gold- smith. 648-50 ( lemonsif Wr|i etiignhg.s Moon deDrrna ma| haenordi es Th( eaf trA e, ania1 840\- 1S9e9le0c, Smith, Tom. ‘Ulalena. ARRA Montreal. 632-34 George Brandt, ed. 335-36. Stephens, Jeffrey. The Hous f Danowski, Christopher and Tamara Underiner. Federico Garcia Lorca. 145-47 Chicano Drama: Performance ociety and Myth, Stevenson, Sarah Lansdale. Br Jorge Huerta. 668-69 Corthron. 291-93 Donkin, Ellen. Wom Templeton, Joan. Hedda Gal ! Henrik Ibset IT) na Dortor Jon Robin Baitz. 485-87 Catherine Burroughs, ed Tucker, Betsy Rudelich. ) Edmondson, Laura Anonymous. 303-5 Theatre, Karin Barber. 511-1 Turner, Jeff. Hay Fever. Noel Coward. 638-40 rt Pa l} Catherine Vogel, Shane. Fifti ] \ C ole 196-98 Effing er, Marta American Westlake, I nts, Annemarie of Cook. 627 Jody l Waldinger, Barbara. William Tydeman, ed. 658 Mortimer. 654-56 Escoffery, David S. The Athenian In Whitworth, Julia. M K eQ1a The Chorus 63244 -35 Wilson. 168-69 Euba, Femi BOOK REVIEWS Armstrong, Ann Elizabeth David Graver SusanC . Haedicke and Tobin Nell Farfan, Penny ‘mance haus, eds. 669 Arrizon, Alicia Histor Historiographies, Maggie B. Gale and Viv Gardner, Frick, John W I 1V¢ Ball, John Ag in the Theater Politics, Jane Alexander Butsch. 326-27 Bay-Cheng Gamel, Mary-Kay Helen Foley. 167 ! 26, Robert Crunden. 665-66 Gibson, Melissa. British Theatre Between the Wars, Beard, Deanna M. Toten i 1918-1938, Clive Barker and Magayg ie B. Gale, eds. KOO yy Modernt 58. Red Peril: The Por Bennett, Beate Hein NR epresen> iatta ion On 7 S lington Rutter. 177 t » YidWdidiaisahl Theee atre ay, /eeen WIiesen Bennett, Susan l Jeffrey Veidlinger. i eares a Engiani J 1 C al B. Dawson and Paul Yachnin Houston, Gail Turley. The Economics of the British Brino-Dean, Terry. T/ Stage, 1800-1914, Tracy Davis. 5034. idder, J. Lucinda. Extreme Exposure: An Anthology Solo Performance Texts from the Twentieth Cen- tury, Jo Bonney, ed. 180-81. us, Tim Prentki and Jan Selman. Kilpatrick, David. Arguments for a Theatre, Howard Barker. 171-72 Howard Barker's Theatreo f Seduction, Charles Lamb. 171-72 686 / Index to Volume 54 Klett, Elizabeth. Shakespeare and Sexuality, Catherine Rundell, Richard J. Theatre Under the Nazis, John M. S. Alexander and Stanley Wells, eds. 524-25 London, ed. 510-11. Lewis, Barbara \frican American Performance and Sabatini, Arthur. Perform or Else: From Discipline to [heater History: A ¢ ! Reader, Harry Elam Jr. Performance, Jon McKenzie. 505 and David Krasner, eds Schechter, Ronald. Daughters of Eve: A Cultural Mackey, Barbara. I History of French Theater Women from the Old I Cos Regime to the Fin-de-Siecle, Lenard Berlanstein. 34 666-65. aresh, Karin Sebesta, Judith. Read g Stephen Sondheim: A Collec I for 1 tion of Critical E ssays, Sandor Goodhart, ed. 516- M nent, Mary Trotter 17 irks, Jonathan Sell, Mike. Performing History: Theatrical Representa tions of the Past in Contemporary Theatre, Freddie y1 Rokem. 504-5. cKenzie, Jon. Theatre Smith, Gretchen Elizabeth. A Feminist Perspective on and Michael Shanks Renaissance Drama, Alison Findlay. 336-38 illeret, Margo. | r¢ ng Fil ry 1) Steen, Shannon. Shakespeare and Race, Catherine tip, Jean Graham-]ones. 169: M.S. Alexander and Stanley Wells, eds. 522-24. Tenneriello, Susan. Revealing Masks: Exotic Influ 4 7T! ences and Ritualized Performance in Modernist Mu ibrielle Cody and Rebecca Schneider sic Theater, W. Anthony Sheppard. 664-65. Trotter, Mary AM odeJr n . Drama, tistyt s A Casebook of Adelaide: Th Major British, Irish and rican Playwrights, Ann Blainey Kimball King, ed Underiner, Tamara and Christopher Danowski. Stage, Irene Cl} ( ino |D rama: Perf( orman Soc iety and Myth, va Sormova, eds. 508-10 Jorge Huerta. 668-69 Voris, Renate. The Theater { liiller, Jonathan Kalb. 322-23 Waltz, Gwendolyn at f the Avant-Garde 1890 |1 950: A1 Critical Anthology, Bert Cardullo and Robert Knopf eds. 662-64 Wichmann-Walczak, Elizabeth PERFORMANCE REVIEW INDEX PERFORMANCES REVIEWED Kenneth Cavander adapt 143-45 Allen-Dutton, Jordan with JasonC atalano, Gregory Qaiyum, and Erik Weiner. Tlie B ! ith, Pt 507-9 Anony mous y Armstrong, Gareth ARR \ Montreal Rxele dvecca Baitz, Jon Robin, Hedda Gabler. Henrik Ibsen 185-87 Bausch, Pina Masurca Foe 3-54 Bernstein, Leonard. Score Ann Bogart and the SITI Company with Jocelyn Clarke, adapt. 6 INDEX TO VOLUME 54 / 687 Bogart, Ann and the SIT] Company with Charles L. Hairston, Jerome. a.m. Sunday. 635-38. Mee. bobrauschenbergamerica. 154-56 Hammerstein, Oscar with Richard Rodgers and ———.. With Jocelyn Clarke, adapt. Score. Leonard David Henry Hwang. Flower Drum Song. 640-42. Bernstein. 635-38. Harris, Zinnie. Nightingale and Chase. 482-85. Bourne, Matthew. The Car Man: An Auto-Erotic Howe, Tina. Rembrandt's Gift. 635-38. Thriller. 295-96. Hwang, David Henry with Richard Rodgers and Brecht, Bertolt. Die Kleinbiirgerhochzeit. 299-301. Oscar Hammerstein. Flower Drum Song. 640-42. Brook, Peter, adapt. The Tragedy of Hamlet. William Ibsen, Henrik. Hedda Gabler. Jon Robin Baitz, adapt. Shakespeare. 156-58. 485-87. Brooks, Mel with Thomas Meehan. The Producers. lonesco, Eugene. Rhinoceros. 645-46. 467-69. jones, Charlotte. Humble Boy. 482-85 Biichner, Georg. Woyzeck. 471-75. Kaufman, George S. with Edna Ferber. The Royal Burke, Gregory. Gagarin Way. 479-80. Family. 646-48. Cahan, Richard. They All Fall Down: The Richard Kilroy, Thomas, adapt. The Seagull. Anton Chekhov. Nickel Story. Laura Eason with Jessica Thebus, 487-89. adapt. 296-98. Kristof, Agota. The Notebook. 475-76. Catalano, Jason with Jordan Allen-Dutton, Gregory ——. The Proof. 475-76. Qaiyum, and Erik Weiner. The Bomb-itty of Er Kuharski, Allen J., adapt. Ferdydurke. Witold Gom- rors. 307-9 browicz. 301-3 Cavander, Kenneth, adapt. Agamemnon and His La Zaranda. La Puerto Estrecha. 309-12. Daughters. 143-45 Lachman, Hedwig with Richard Strauss, adapt Chaikin, Joseph with the Pig Iron Theatre Com- Salome. Oscar Wilde. 651-53. pany. SHUT EYE. 312-14 Lorca, Federico Garcia. The House of Bernarda Alba Chekhov, Anton. The Seagull. Thomas Kilroy, adapt. 145-47. 487-89. Lucas, Craig. The Dying Gaul. 149-50 Cia. dos Atores. Melodrama. 309-12. Machado, Eduardo. When the Sea Drown: Clarke, Jocelyn, with Ann Bogart and the SITI 154-56. Company, adapt. Score. Leonard Bernstein. Malayerba. Nuestra Senora de las Nubes. 307-10 635-38. Mann, Klauss. Mephisto. Ariane Mnouchkine, adapt. Compania Nacional de Teatro de México. De 298-99. Monstruos y Prodigios: La Historia de los Castrati. Marber, Patrick. Howard Katz. 139-43. 309-12. Marnich, Melanie. Quake. 154-56. Cook, Susana. Hamletang Martin, Jane. Flaming Guns of the Purple Sage. 154 Corthron, Kia. Breath 56 Coward, Noel. Hay Fever. Maxwell, Richard. Drummer Wanted Dickman, Chris. and...and...and. 494-96 McDonagh, Martin. The Lieutenant Dresser, Richard. Wonderful World. 154-56 161-63 Driest, Burkhard, book. Music and Lyrics by Hans Mee, Charles. Big Love. 150-52 H6lzel (Falco) and Wolfgang Amadeus Mozart . bobrauschenbergamerica. With Anne Bogart Falco Meets Amadeus. 469-71. and the SIT] Company. 154-56 Eason, Laura with Jessica Thebus, adapt. They All . Li1mm onade [ounsae les j £ ours. . OS2 ww Fall Down: The Richard Nick Story. Richard Cahan Meehan, Thomas with Mel Brooks. The Producers. 296-98. 467-69. Edgar, David. The Prisoner's Dilemma. 480-82 Meyer, Marlane. The Mystery of Attraction. 635-38 Ensler, Eve. Necessary Targets. 642-43. Miller, Arthur. Tod Eines Handlungsreisenden (Death Ferber, Edna with George S. Kaufman. The Royal of a Salesman). 147-49. Family. 646-48. Mnouchkine, Ariane, adapt. Mephisto. Klaus Mann Foreman, Richard. Maria Del Bosco. 627-30. 298-99, Froot, Dain. Shlammer: A Gangster-Vaudeville. 293 Mortimer, Lillian. No Mother to Guide Her. 654-56. 95. Parks, Suzan-Lori. Topdog/Underdog. 289-91. Galas, Diamanda. Defixiones, Will and Testament: Peterson, Lisa with Chay Yew. The Square. 489-91. Orders From the Dead. 643-45. Pig Iron Theatre Company with Joseph Chaikin. Goldsmith, Oliver. She Stoops to Conquer. 648-50 SHUT EYE. 312-14. Gordon, David. PASTForward. 315-18 Pinter, Harold. A Kind of Alaska. 477-79. Gombrowicz, Witold. Ferdydurke. Allen J. Kuharski, —. Ashes to Ashes. 477-79. adapt. 301-3. ——. Celebration. 477-79. Guare, John. Chaucer in Rome. 152-54. ——. Mountain Language. 477-79. 688 / Index to Volume 54 —. One for the Road. 477-79. Arena Stage, Washington, D.C. 143-45. ———. The Homecoming. 477-79. Aurora Theatre Company, Berkeley. 498-500. Poe, Edgar Allen. POEtry. Lou Reed with Robert BAT Theatre Company, New York City. 654-56. Wilson, adapt. 471-75. Berkeley Repertory Theatre. 150-52, 645-46. Qaiyum, Gregory with Jordan Allen-Dutton, Jason Capitol Theatre, Olympia, Washington. 496-98. Catalano, and Erik Weiner. The Bomb-itty of Er- Circle in the Square Theatre, New York City. 634— rors. 307-9. 35. Rapp, Adam. Finer, Noble Gases. 635-38. Ensemble Actors’ Theatre, Columbus, Ohio. 494- Ravenhill, Mark. Mother Clap’s Molly House. 163-66. 96. Reed, Lou with Robert Wilson, adapt. POEtry Folger Theatre, Washington, D.C. 648-50. Edgar Allen Poe. 471-75. Hartford Stage Company. 642-43. Rodgers, Richard with Oscar Hammerstein and Holderness Theater Company, New York City. David Henry Hwang. Flower Drum Song. 640-42. 650-51. Shakespeare, William. King Lear. 139-43 Intiman Theatre, Seattle. 149-50. ——. Much Ado About Nothing. 305-7. La MaMa E.T.C., New York City. 301-3. ———. This England: The Histories. 158-60. Lincoln Center, New York City. 477-79. ——. Tragedy of Hamlet, The. Peter Brook, adapt. Lincoln Center Theatre at the Mitzi E. Newhouse 156-58. Theatre, New York City. 152-54. ——. Twelfth Night. 650-51. Long Wharf Theater, New Haven. 630-32. Shepard, Sam. The Late Henry Moss. 500-502. Lookingglass Theatre Company, Chicago. 296-98. Strauss, Richard with Hedwig Lachman, adapt. Los Angeles Theater Center. 293-95. Salome. Oscar Wilde. 651-53. Mark Taper Forum, Los Angeles. 491-92, 640-42. Teatro de los Andes. Las Abarcas del Tiempo. 309-12. Mercer Arena, Seattle. 156-58. Thebus, Jessica with Laura Eason, adapt. They All Ontological-Hysteric Theatre, New York City. 627- Fall Down: The Richard Nickel Story. Richard Cahan. 30. ; 296-98. Performance Space 122, New York City. 314-15. Unel, Sinan. Pera Palas. 630-32. Pig Iron Theatre Company, Philadelphia. 312-14. Wallace, Naomi. The Trestle at Pope Lick Creek. 498- Pittsburgh Irish & Classical Theatre. 487-89. 500. Playwrights Horizons, New York City. 291-93. Weiner, Erik with Jordan Allen-Dutton, Jason Public Theater, New York City. 289-91, 489-91. Catalano, and Gregory Qaiyum. The Bomb-itty of Royal George Cabaret, Chicago. 307-9. Errors. 307-9. Royce Hall at the University of California, Los Wellman, Mac. Music by Michael Ross. Description Angeles. 643-45. Beggared; or the Allegory of WHITENESS. 154-56. Royal Shakespeare Company at the University of Wilde, Oscar. Lady Windemere’s Fan. 646-48. Michigan, Ann Arbor. 158-60. —. Salome. Richard Strauss with Hedwig Lach- St. James Theatre, New York City. 467-69. man, adapt. 651-53. Second Stage Theatre, New York City. 634-35. Wilson, Robert with Lou Reed, adapt. POEtry. Signature Theatre Company, New York City. 500- Edgar Allen Poe. 471-75. 502. Wolff, Marc. Another American: Asking and Telling SITI Company, New York City. 154-58. 491-92 Tanztheatre Wuppertal, Brooklyn Academy of Yew, Chay with Lisa Peterson. The Square. 489-91. Music. 000-000. Zimmerman, Mary. Metamorphoses. 634-35 White Oak Dance Project, Brooklyn Academy of Music. 315-18. PRODUCING GROUPS REVIEWED WOW Café, New York City. 627-30 Companies, U.S. Aaron and Cecile Goldman Theatre, Merris Cafritz Companies, Foreign Center for the Arts, Washington, D.C. 492-94. Almeida Theatre, London. 477-79. Actor’s Gang, Los Angeles. 298-99. Berliner Ensemble, Berlin. 299-301, 471-75. Actors Theatre of Louisville. 154-56, 635-38, 638- Betty Nansen Teatret Copenhagen. 471-75. 40 Broomhill Opera Company, London. 303- 5. Adventures in Motion Pictures at the Ahmanson Canadian Opera Company, Toronto. 651-53. Theatre, Los Angeles. 295-96. Cia. dos Atores, Brazil. 307-10. Ambassador Theatre, New York City. 485-87. Compania Nacional de Teatro de México. 309-12. Aquila Theatre Company, New York City. 305-7. De Onderneming, Théatre National de Bretagne, ARRA Montreal/Cove Entertainment, Lahaina, Rennes, France. 475-76. Maui. 632-34. Duke on 42nd Street, New York City. 309-12. INDEX TO VOLUME 54 / 689 Gate Theatre, Dublin. 477-79. Barker, Clive and Maggie B. Gale, eds. British Het Nationale Toneel, Amsterdam. 145-47. Theatre Between the Wars, 1918-1938. Rev. Melissa La Zaranda, Andalusia, Spain. 309-12. Gibson. 659-61. Malayerba, Ecuador. 307-10. Barker, Howard. Arguments fora Theatre. Rev. David Royal Court Theatre, London. 482-85. Kilpatrick. 171-72. Royal National Theatre, London. 139-43, 163-66, Bean, Annemarie, ed. A Sourcebook of African-Ameri- 482-85. can Performance: Plays, People, Movements. Rev. Royal Shakespeare Company, The Other Place, Marta J. Effinger. 676-77. Stratford-upon-Avon. 161-63, 480-82. Berlanstein, Lenard. Daughters of Eve: A Cultural Royal Shakespeare Company at the University of History of French Theater Women from the Old Michigan, Ann Arbor. 158-60. Regime to the Fin-de-Siécle. Rev. Ronald Schechter. Schauspielhaus Bochum, Kammerspiele Theatre, 666-68. Bochum, Germany. 147-49. Blainey, Ann. Fanny and Adelaide: The Lives of tie Shakespeare’s Globe Theatre, London. 139-43. Remarkable Kemble Sisters. Rev. Elizabeth Reitz Spier Festival, Cape Town, South Africa. 303-5. Mullenix. 334-35. Tanztheatre Wuppertal, Brooklyn Academy of Bolton, Betsy. Women, Nationalism, and the Romantic Music. 653-54. Stage: Theatre and Politics in Britain, 1780-1800. Teatro de los Andes, Andes. 309-12. Rev. James Peck. 319-21. Teatr Provisorium and Kompania Teatr, Lublin, Bonney, Jo, ed. Extreme Exposure: An Anthology of Poland. 301-3. Solo Performance Texts from the Twentieth Century Thalia Theater Hamburg, Brooklyn Academy of Rev. J. Lucinda Kidder. 180-81. Music. 471-75. Brandt, George, ed. Modern Theories of Drama: A Theater des Westens, Berlin. 469-71. Selection of Writings on Drama and Theatre, 1840- Theatre Royal Haymarket, London. 646-48. 1990. Rev. Leigh Clemons. 335-36. Traverse Theatre, Edinburgh. 479-80 Burroughs, Catherine, ed. Women in British Roman- tic Theatre: Drama, Performance and Society, 1790 Festivals 1840. Rev. Ellen Donkin. 321-22. Fifth Annual Sex Workers’ Art Show. Olympia, Butsch, Richard. The Making of American Audiences: Washington. 496-98. From Stage to Television, 1750-1990. Rev. John W. Harold Pinter Festival. New York City. 477-79. Frick. 326-27. International Hispanic Theatre Festival, New York Cardullo, Bert and Robert Knopf, eds. Theatre of the City. 309-12. Avant-Garde 1890-1950: A Critical Anthology. Rev. 25th Annual Humana Festival of New American Gwendolyn Waltz. 662-64. Plays. Louisville. 154-56 Carson, Christie and Jacky Bratton, eds. The Cam- 26th Annual Humana Festival of New American bridge “King Lear” CD-ROM Text and Performance Plays. Louisville. 635-38. Archive. Rev. Mary Polito. 677-78 Choudhury, Mita. Interculturalism and Resistance in the London Theater, 1660-1800: Identity, Perform- BOOK REVIEW INDEX ance, Empire. Rev. James Peck. 319-21. Cody, Gabrielle and Rebecca Schneider, eds. Re:Direction: A Theoretical and Practical Guide. BOOKS REVIEWED Rev. Kerry Moore. 672-74. Alexander, Catherine M. S. and Stanley Wells, eds. Cohen, Leah Hager. The Stouf fDrefams : Behind the Shakespeare and Sexuality. Rev. Elizabeth Klett. Scenes of An American Community Theater. Rev. 524-25. Terry Brino-Dean. 329-30. Alexander, Catherine M. S. and Stanley Wells, eds. Cole, Catherine. Ghana's Concert Party Theatre. Rev. Shakespeare and Race. Rev. Shannon Steen. 522- Laura Edmondson. 511-13. 24. Counsell, Colin and Laurie Wolf, eds. Performance Analysis: An Introductory Casebook. Rev. Jonathan Alexander, Jane. Command Performance: An Actress Chambers. 179-80. in the Theater of Politics. Rev. John Agee Ball. 327- 28. Crunden, Robert. Body and Soul: The Making of Banham, Martin, James Gibbs, and Femi Osofisan, American Modernism: Art, Music, and Letters in the eds. African Theatre: Playwrights and Politics. Rev. Jazz Age 1919-1926. Rev. Sarah Bay-Cheng. 665- Femi Euba. 671-72. 66. Barber, Karin. The Generation of Plays: Yoriiba Popu- Davis, Tracy. The Economics of the British Stage, lar Life in Theatre. Rev. Laura Edmondson. 511- 1800-1914. Rev. Gail Turley Houston. 503-4. ‘SS. Dawson, Anthony B. and Paul Yachnin. The Culture 690 / Index to Volume 54 of Playgoing in Shakespeare's England: A Collabora- 1990: Five Centuries of a Genre. Rev. Barbara tive Debate. Rev. Susan Bennett. 521-22. Mackey. 333-34. Elam, Harry Jr. and David Krasner, eds. African London, John, ed. Theatre Under the Nazis. Rev. American Performance and Theater History: A Criti Richard J. Rundell. 510-11. cal Reader. Rev. Barbara Lewis. 517-18. McAuley, Gay. Space in Performance: Making Mean- Eynat-Confino, Irene and Eva Sormova, eds. Space ing in Theatre. Rev. Paul D. Naish. 508-10. and the Postmodern Stage. Rev. Paul D. Naish. McCabe, Terry. Mis-directing the Play: An Argument 508-10. Against Contemporary Theatre. Rev. Jonathan Findlay, Alison. A Feminist Perspective on Renais- Marks. 515-16. sance Drama. Rev. Gretchen Elizabeth Smith. 336- McKenzie, Jon. Perform or Else: From Discipline to 38. Performance. Rev. Arthur Sabatini. 505-7. Foley, Helen. Female Acts in Greek Tragedy. Rev. Montano, Linda, ed. Performance Artists Talking in Mary-Kay Gamel. 167-68. the Eighties. Rev. Kestutis Nakas. 323-24. Gale, Maggie B. and Viv Gardner, eds. Women, Munoz, José Esteban. Disidentifications: Queers of Theatre and Performance: New Histories, New Histo Color and the Performance of Politics. Rev. Alicia riographies. Rev. Penny Farfan. 520-21. Arrizon. 507-8. Graver, David, ed. Drama for a New South Africa: Nicholson, Steve. British Theatre and the Red Peril: Seven Plays. Rev. Femi Euba. 671-72. The Portrayal of Communism 1917-1945. Rev. Mel- Glenn, Susan. Female Spectacle: the Theatrical Roots of issa Gibson. 659-61. Modern Feminism. Rev. Deanna M. Toten Beard. Pearson, Mike and Michael Shanks. Theatre/Archae- 657-58. ology. Rev. Jon McKenzie. 332-33. Goodhart, Sandor, ed. Reading Stephen Sondheim: A Prentki, Tim and Jan Selman. Popular Theatre in Collection of Critical Essays. Rev. Judith Sebesta. Political Culture: Britain and Canada in Focus. Rev. 516-17 Terry Brino-Dean. 329-30. Graham-Jones, Jean. Exorcizing History: Argentine Rokem, Freddie. Performing History: Theatrical Rep- Theatre Under Dictatorship. Rev. Margo Milleret. resentations of the Past in Contemporary Theatre. 169-71. Rev. Mike Sell. 504-5 Haedicke, Susan C. and Tobin Nellhaus, eds. Pe Rovit, Rebecca and Alan Goldfarb, eds. Theatrical forming Democracy: International Pespectives on Performance During the Holocaust: Texts, Docu- Urban Community Based Performance. Rev. Anne ments, Memoirs. Rev. Freddie Rokem. 331. Elizabeth Armstrong. 669-70. Rutter, Carol Chillington. Enter the Body: Women Hanawalt, Barbara A. and Michal Kobialka, eds and Representation on Shakespeare's Stage. Rev. Medieval Practices of Space. Rev. Marla Carlson. Beate Hein Bennett. 177-78. 519-20. Sheppard, W. Anthony. Revealing Masks: Exotic Hodge, Alison, ed. Twentieth Century Actor Train Influences and Ritualized Performance in Modernist ing. Rev. Cindy Rosenthal. 674-76. Music Theater. Rev. Susan Tenneriello. 664-65. Howard, Pamela. What is Scenography? Rev. Christin Tatlow, Anthony. Shakespeare, Brecht, and the Inter- Yannacci. 678-79. cultural Sign. Rev. John Osburn. 661-62. Huerta, Jorge. Chicano Drama: Performance, Society Trotter, Mary. Ireland's National Theaters: Political md Myth. Rev Tamara Underiner and Christo Performance and the Origins of the Irish Dramatic pher Danowski. 668-69 Movement. Rev. Karin Maresh. 174-175. Johnson, Odai. Rehearsing Tydeman, William, ed. The Medieval European Stage, formance, Radical 500-1550. Rev. Jody Enders. 658-59. Rev. James Peck van Erven, Eugene. Community Theatre: Global Per- Kalb, Jonathan. The of Heinaer Miiller. Rev spectives. Rev. Terry Brino-Dean. 329-30. Renate Voris. 322 Veidlinger, Jeffrey. The Moscow State Yiddish The- King, Kimball, ed. Modern Dramatists: A Casebook of atre: Jewish Culture on the Soviet Stage. Rev. Nina Major British, Irish and American Playwrights. Rev. Hein. 178-79 Mary Trotter. 175-76. Watt, Stephen, Eileen Morgan, and Shakir Mustafa, Konijn, Elly A Acting Emotions: Shaping Emotions eds. A Century of Irish Drama: Widening the Stage. on Stage. Rev. Cindy Rosenthal. 674-76 Rev. Paige Reynolds. 173-74. Lamb, Charles. Howard Barker's Theatre of Seduction Wilson, Peter. The Athenian Institution of the Khoregia: Rev. David Kilpatrick. 171-72. The Chorus, the City and the Stage. Rev. David S. Layiwola, Dele, ed. African Theatre in Performance: A Escoffery. 168-69. Festschrift in Honor of Martin Banham. Rev. Thomas Yan, Haiping, ed. Theater and Society: An Anthology R>i ccio of Contemporary Chinese Drama. Rev. Elizabeth Leggatt, Comedy 1490 Wichmann-Walczak. 325-26.

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.