Theatre Journal 2002: Vol 54 Index

9 Pages·2002·2.9 MB·English

Theatre Journal
INDEX TO VOLUME 54
CONTRIBUTORS’ INDEX
Komaromi, Ann. “Wyspianski’s Wesele: Poised on
ARTICLES the Border.” 187-202.
Kun, Josh. “A Forum on Theatre and Tragedy In
Arrizon, Alicia. “A Forum on Theatre and Tragedy the Wake of September 11, 2001.” 126-28.
In the Wake of September 11, 2001.” 117. Lane, Jill. “A Forum on Theatre and Tragedy In the
Balme, Christopher B. “A Forum on Theatre and Wake of September 11, 2001.” 109-10.
Tragedy In the Wake of September 11, 2001.” Lemon, Rebecca. “Scaffolds of Treason in Macbeth.”
115-16. 25-43.
Bank, Rosemarie K. “Representing History: Per- Munoz, José Esteban. “A Forum on Theatre and
forming the Columbian Exposition.” 589-606. Tragedy In the Wake of September 11, 2001.”
Brody, Jennifer DeVere. “A Forum on Theatre and 122-23.
Tragedy In the Wake of September 11, 2001.”
O’Quinn, Daniel. “Mercantile Deformities: George
101-2. Colman’s Inkle and Yarico and the Racialization
Carlson, Marvin. “A Forum on Theatre and Trag- of Class Relations.” 389-409.
edy In the Wake of September 11, 2001.” 133-34. Paredez, Deborah. “Remembering Selena, Re-
Case, Sue-Ellen. “A Forum on Theatre and Tragedy membering Latinidad.” 63-84.
In the Wake of September 11, 2001.” 107-9. Pellegrini, Ann. “A Forum on Theatre and Tragedy
Chaudhuri, Una. “A Forum on Theatre and Trag- In the Wake of September 11, 2001.” 113-15.
edy In the Wake of September 11, 2001.” 97-99. Prieto, Antonio. “A Forum on Theatre and Tragedy
Conquergood, Dwight. “Lethal Theatre: Perform- In the Wake of September 11, 2001.” 110-12.
ance, Punishment, and the Death Penalty.” 339- Puchner, Martin. “Manifesto = Theatre.” 449-65.
67. Rayner, Alice. “A Forum on Theatre and Tragedy
Cummins, Doug and Robert Bershere. “Doctoral In the Wake of September 11, 2001.” 129-31.
Projects in Progress in Theatre Arts, 2002.” 285- ——. “Rude Mechanicals and the Specters of Marx.”
87. 535-54
Diamond, Elin. “A Forum on Theatre and Tragedy Reinelt, Janelle. “A Forum on Theatre and Tragedy
In the Wake of September 11, 2001.” 136-38. In the Wake of September 11, 2001.” 134-36.
Dolan, Jill. “A Forum on Theatre and Tragedy In Rokem, Freddie. “A Forum on Theatre and Trag-
the Wake of September 11, 2001.” 106-7. edy In the Wake of September 11, 2001.” 112-13.
duBois, Page. “Ancient Tragedy and the Metaphor ——. “Narratives of Armed Conflict and Terrorism
of Katharsis.” 19-24. in the Theatre: Tragedy and History in Hanoch
Eng, David L. “The Value of Silence.” 85-94 Levin’s Murder.” 555-73.
Elam, Harry J., Jr. “A Forum on Theatre and Trag- Roman, David. “Introduction: Tragedy.” 1-18.
edy In the Wake of September 11, 2001.” 102-4. Salamensky, S.I. “Re-Presenting Oscar Wilde
Evan, Raima. “Women and Violence in A Mouthful Wilde’s Trials, Gross Indecency, & Documentary
of Birds.” 263-84. Spectacle.
Gere, David. “T-shirts and Holograms: Corporeal Schechner, Richard. “A Forum on Theatre and
Fetishes in AIDS Choreography, c. 1989.” 45-62. Tragedy In the Wake of September 11, 2001.”
Gross, Janice. “The Tragedy of Algeria: Slimane 131-32.
Benaissa’s Drama of Terrorism.” 369-87. Shimakawa, Karen. “A Forum on Theatre and
Holland, Sharon P. “A Forum on Theatre and Tragedy In the Wake of September 11, 2001.”
Tragedy In the Wake of Septenn . 11, 2001.” 123-125.
118-19.
Singleton, Brian. “A Forum on Theatre and Trag-
Jakovljevic, Branislav. “Shattered Back Wall: Per- edy In the Wake of September 11, 2001.” 119-20.
formative Utterance of A Doll's House.” 431-48. Taylor, Diana. “A Forum on Theatre and Tragedy
Johnson, Katie N. “Zaza: That ‘Obtruding Harlot’ In the Wake of September 11, 2001.” 95-96.
of the Stage.” 223-43. Uno, Roberta. “A Forum on Theatre and Tragedy
Kobialka, Michal. “A Forum on Theatre and Trag- In the Wake of September 11, 2001.” 128-29.
edy In the Wake of September 11, 2001.” 120-21.
Theatre Journal 54 (2002) 681-690 © 2002 by The Johns Hopkins University Press
684 / Index to Volume 54
Villarejo, Amy. “A Forum on Theatre and Tragedy Dorsey, Zachary A. Gagarin Way. Gregory Burke.
In the Wake of September 11, 2001.” 104-06. 479-80.
Vorlicky, Bob. “A Forum on Theatre and Tragedy Earnest, Steve. Falco Meets Amadeus. Burkhard Dri-
In the Wake of September 11, 2001.” 125-26. est with Hans H6lzel (Falco) and Wolfgang
Walen, Denise A. “Constructions of Female Homo- Amadeus Mozart. 469-71.
erotics in Early Modern Drama.” 411-30. Ebrahimian, Babak. Masurca Fogo. Pina Bausch.
Ward, Adrienne. “Imaginary Imperialism’: Goldoni 653-54.
Stages China in 18th-Century Italy.” 203-21. Fisler, Ben. Shylock. Gareth Armstrong. 492-94.
Worthen. W. B. “A Forum on Theatre and Tragedy Foley, Helene P. Agamemnon and His Daughters.
In the Wake of September 11, 2001.” 99-100. adapt. Kenneth Cavander. 143-45.
Yan, Haiping. “Staging Modern Vagrancy: Female Garner, Stanton B., Jr. King Lear and Howard Katz.
Figures of Border-crossing in Ama Ata Aidoo William Shakespeare and Patrick Marber. 139-43.
and Caryl Churchill.” 245-62. Gross, Kenneth. Twelfth Night. William Shakespeare.
Ziter, Edward. “Kean, Byron, and Fantasies of 650-51.
Miscegenation.” 607-26. Harvie, Jen. Mother Clap’s Molly House. Mark
Ravenhill. 163-66
PERFORMANCE REVIEWS Headrick, Charlotte. The Prisoner’s Dilemma. David
Edgar. 480-82.
Abbit, Erica Stevens. Trestle at Pope Lick Creek
Kuharski, Allen J. The Late Henry Moss. Sam Shepard.
Naomi Wallace. 498-500.
500-502.
Alker, Gwendolyn. International Hispanic Theatre
Kruger, Loren. They All Fall Down: The Richard
Festival. 309-12.
Nickel Story. Richard Cahan, adapt. Laura Eason
Babb, Roger. SHUT EYE. Joseph Chaikin with the
with Jessica Thebus. 296-98.
Pig Iron Theatre Company. 312-14.
Lane, Harry. Salome. Oscar Wilde, adapt. Richard
Bacalzo, Dan. The Square. Lisa Peterson with Chay
Strauss with Hedwig Lachman. 651-53.
Yew. 489-91
Barton, Robert. The Royal Family and Lady Winde Laws, Page R. Much Ado About Nothing. William
mere’s Fan. George S. Kaufman with Edna Ferber Shakespeare. 305-7.
Lee, Sun Hee Teresa. Flower Drum Song. Richard
and Oscar Wilde. 646-48.
Rodgers with Oscar Hammerstein and David
Bechtel, Roger. Die Kleinbiirgerhochzeit. Bertolt
Henry Hwang. 640-42
Brecht. 299-301.
Liston, William T. This England: The Histories. Will-
Boles, William C. Humble Boy and Nightingale and
iam Shakespeare. 158-60.
Chase. Charlotte Jones and Zinnie Harris. 482-85.
Lublin, Robert I. and...and...and. Chris Dickman.
Bovard, Karen. Necessary Targets. Eve Ensler. 642-
494-96.
43.
Moore, Kerry. The Car Man: An Auto-Erotic Thriller.
Burch, Stephen Dedalus. The Seagull. Anton
Matthew Bourne. 295-96.
Chekhov, adapt. Thomas Kilroy. 487-89.
——. Defixiones, Will and Testament: Orders From the
Buriss, Catherine Scott. Big Love. Charles L. Mee.
150-52. Dead. Diamanda Galas. 643-45.
Park, Samuel. Another American: Asking and Telling.
Burston, Jonathan. The Producers. Mel Brooks with
Thomas Meehan. 467-69 Marc Wolff. 491-92.
Case, Sue-Ellen. Mephisto. Klaus Mann, adapt. Reagan, Alice. Drummer Wanted. Richard Maxwell.
Ariane Mnouchkine. 298-99 314-15.
Cerniglia, Kenneth J. The Tragedy of Hamlet. Will- Remshardt, Ralf. Woyzek and POEtry. Georg
iam Shakespeare, adapt. Peter Brook. 156-58. Biichner and Edgar Allen Poe, adapt. Lou Reed
Chaudhuri, Una. Topdog/Underdog. Suzan-Lori with Robert Wilson. 471-75.
Parks. 289-91. Reynolds, Steve. The Dying Gaul. Craig Lucas. 149-
Cioffi, Kathleen. Ferdydurke. Witold Gombrowicz, 50.
adapt. Allen J. Kuharski. 301-3 Ringer, Loren. The Notebook and The Proof. Agota
Cummings, Scott T. 25th Annual Humana Festival of Kristof. 475-76.
New American Plays. 154-56. Roessler, Norman. Tod Eines Handlungsreisenden
——. 26th Annual Humana Festival of New American (Death of a Salesman). Arthur Miller. 147-49.
Plays. 635-38. Rosten, Bevya. Harold Pinter Festival. 477-79.
Davies, Telory W. Rhinoceros Eugene lIonesco. 645- Rudolph, Sarah J. The Bomb-itty of Errors. Jordan
46. Allen-Dutton with Jason Catalano, Gregory
Dean, Joan Fitzpatrick. The Lieutenant of Inishmore. Qaiyum, and Erik Weiner. 307-9.
Martin McDonagh. 161-63. Russett, Margaret. Pera Palas. Sinan Unel. 630-32.
INTDO VEOLUXME 54 / 685
Satin, Leslie. PASTFo1 David Gordon Carlson, Marla. Medieval Practices of Space, Barbara
Saul, Scott. Shlanim 1 Gan Vaude Dan \. Hanawalk and Michal Kobialka, eds. 519-20.
Froot. 293-95. Chambers, Jonathan. Performance Analysis
Schildcrout, Jordan. (¢ John Guare troductory Casebook, Colin Counsell and Laurie
152-54. Wolf, eds. 179-80
Shafer, Yvonne. She Stoo} Oliver Gold-
smith. 648-50 ( lemonsif Wr|i etiignhg.s Moon deDrrna ma| haenordi es Th( eaf trA e, ania1 840\- 1S9e9le0c,
Smith, Tom. ‘Ulalena. ARRA Montreal. 632-34 George Brandt, ed. 335-36.
Stephens, Jeffrey. The Hous f Danowski, Christopher and Tamara Underiner.
Federico Garcia Lorca. 145-47 Chicano Drama: Performance ociety and Myth,
Stevenson, Sarah Lansdale. Br Jorge Huerta. 668-69
Corthron. 291-93 Donkin, Ellen. Wom
Templeton, Joan. Hedda Gal ! Henrik Ibset IT) na Dortor
Jon Robin Baitz. 485-87 Catherine Burroughs, ed
Tucker, Betsy Rudelich. ) Edmondson, Laura
Anonymous. 303-5 Theatre, Karin Barber. 511-1
Turner, Jeff. Hay Fever. Noel Coward. 638-40 rt Pa l} Catherine
Vogel, Shane. Fifti ] \
C ole
196-98 Effing er, Marta American
Westlake, I nts, Annemarie
of
Cook. 627 Jody l
Waldinger, Barbara. William Tydeman, ed. 658
Mortimer. 654-56 Escoffery, David S. The Athenian In
Whitworth, Julia. M K eQ1a The Chorus
63244 -35 Wilson. 168-69
Euba, Femi
BOOK REVIEWS
Armstrong, Ann Elizabeth
David Graver
SusanC . Haedicke and Tobin Nell
Farfan, Penny ‘mance
haus, eds. 669
Arrizon, Alicia Histor Historiographies, Maggie B.
Gale and Viv Gardner,
Frick, John W
I 1V¢
Ball, John Ag
in the Theater Politics, Jane Alexander Butsch. 326-27
Bay-Cheng Gamel, Mary-Kay
Helen Foley. 167
! 26, Robert Crunden. 665-66 Gibson, Melissa. British Theatre Between the Wars,
Beard, Deanna M. Toten i 1918-1938, Clive Barker and Magayg ie B. Gale, eds.
KOO yy Modernt
58. Red Peril: The Por
Bennett, Beate Hein
NR epresen> iatta ion On 7 S
lington Rutter. 177 t » YidWdidiaisahl Theee atre ay, /eeen WIiesen
Bennett, Susan l Jeffrey Veidlinger.
i eares a Engiani J 1 C al
B. Dawson and Paul Yachnin Houston, Gail Turley. The Economics of the British
Brino-Dean, Terry. T/ Stage, 1800-1914, Tracy Davis. 5034.
idder, J. Lucinda. Extreme Exposure: An Anthology
Solo Performance Texts from the Twentieth Cen-
tury, Jo Bonney, ed. 180-81.
us, Tim Prentki and Jan Selman. Kilpatrick, David. Arguments for a Theatre, Howard
Barker. 171-72
Howard Barker's Theatreo f Seduction, Charles
Lamb. 171-72
686 / Index to Volume 54
Klett, Elizabeth. Shakespeare and Sexuality, Catherine Rundell, Richard J. Theatre Under the Nazis, John
M. S. Alexander and Stanley Wells, eds. 524-25 London, ed. 510-11.
Lewis, Barbara \frican American Performance and Sabatini, Arthur. Perform or Else: From Discipline to
[heater History: A ¢ ! Reader, Harry Elam Jr. Performance, Jon McKenzie. 505
and David Krasner, eds Schechter, Ronald. Daughters of Eve: A Cultural
Mackey, Barbara. I History of French Theater Women from the Old
I Cos Regime to the Fin-de-Siecle, Lenard Berlanstein.
34 666-65.
aresh, Karin Sebesta, Judith. Read g Stephen Sondheim: A Collec
I for 1 tion of Critical E ssays, Sandor Goodhart, ed. 516-
M nent, Mary Trotter 17
irks, Jonathan Sell, Mike. Performing History: Theatrical Representa
tions of the Past in Contemporary Theatre, Freddie
y1 Rokem. 504-5.
cKenzie, Jon. Theatre Smith, Gretchen Elizabeth. A Feminist Perspective on
and Michael Shanks Renaissance Drama, Alison Findlay. 336-38
illeret, Margo. | r¢ ng Fil ry 1) Steen, Shannon. Shakespeare and Race, Catherine
tip, Jean Graham-]ones. 169: M.S. Alexander and Stanley Wells, eds. 522-24.
Tenneriello, Susan. Revealing Masks: Exotic Influ
4 7T! ences and Ritualized Performance in Modernist Mu
ibrielle Cody and Rebecca Schneider sic Theater, W. Anthony Sheppard. 664-65.
Trotter, Mary AM odeJr n . Drama, tistyt s A Casebook of
Adelaide: Th Major British, Irish and rican Playwrights,
Ann Blainey Kimball King, ed
Underiner, Tamara and Christopher Danowski.
Stage, Irene Cl} ( ino |D rama: Perf( orman Soc iety and Myth,
va Sormova, eds. 508-10 Jorge Huerta. 668-69
Voris, Renate. The Theater { liiller, Jonathan
Kalb. 322-23
Waltz, Gwendolyn at f the Avant-Garde 1890
|1 950: A1 Critical Anthology, Bert Cardullo and
Robert Knopf eds. 662-64
Wichmann-Walczak, Elizabeth
PERFORMANCE REVIEW INDEX
PERFORMANCES REVIEWED
Kenneth Cavander
adapt 143-45
Allen-Dutton, Jordan with JasonC atalano, Gregory
Qaiyum, and Erik Weiner. Tlie B ! ith, Pt
507-9
Anony mous y
Armstrong, Gareth
ARR \ Montreal
Rxele dvecca Baitz, Jon Robin, Hedda Gabler. Henrik Ibsen
185-87
Bausch, Pina Masurca Foe 3-54
Bernstein, Leonard. Score Ann Bogart and the SITI
Company with Jocelyn Clarke, adapt. 6
INDEX TO VOLUME 54 / 687
Bogart, Ann and the SIT] Company with Charles L. Hairston, Jerome. a.m. Sunday. 635-38.
Mee. bobrauschenbergamerica. 154-56 Hammerstein, Oscar with Richard Rodgers and
———.. With Jocelyn Clarke, adapt. Score. Leonard David Henry Hwang. Flower Drum Song. 640-42.
Bernstein. 635-38. Harris, Zinnie. Nightingale and Chase. 482-85.
Bourne, Matthew. The Car Man: An Auto-Erotic Howe, Tina. Rembrandt's Gift. 635-38.
Thriller. 295-96. Hwang, David Henry with Richard Rodgers and
Brecht, Bertolt. Die Kleinbiirgerhochzeit. 299-301. Oscar Hammerstein. Flower Drum Song. 640-42.
Brook, Peter, adapt. The Tragedy of Hamlet. William Ibsen, Henrik. Hedda Gabler. Jon Robin Baitz, adapt.
Shakespeare. 156-58. 485-87.
Brooks, Mel with Thomas Meehan. The Producers. lonesco, Eugene. Rhinoceros. 645-46.
467-69. jones, Charlotte. Humble Boy. 482-85
Biichner, Georg. Woyzeck. 471-75. Kaufman, George S. with Edna Ferber. The Royal
Burke, Gregory. Gagarin Way. 479-80. Family. 646-48.
Cahan, Richard. They All Fall Down: The Richard Kilroy, Thomas, adapt. The Seagull. Anton Chekhov.
Nickel Story. Laura Eason with Jessica Thebus, 487-89.
adapt. 296-98. Kristof, Agota. The Notebook. 475-76.
Catalano, Jason with Jordan Allen-Dutton, Gregory ——. The Proof. 475-76.
Qaiyum, and Erik Weiner. The Bomb-itty of Er Kuharski, Allen J., adapt. Ferdydurke. Witold Gom-
rors. 307-9 browicz. 301-3
Cavander, Kenneth, adapt. Agamemnon and His La Zaranda. La Puerto Estrecha. 309-12.
Daughters. 143-45 Lachman, Hedwig with Richard Strauss, adapt
Chaikin, Joseph with the Pig Iron Theatre Com- Salome. Oscar Wilde. 651-53.
pany. SHUT EYE. 312-14 Lorca, Federico Garcia. The House of Bernarda Alba
Chekhov, Anton. The Seagull. Thomas Kilroy, adapt. 145-47.
487-89. Lucas, Craig. The Dying Gaul. 149-50
Cia. dos Atores. Melodrama. 309-12. Machado, Eduardo. When the Sea Drown:
Clarke, Jocelyn, with Ann Bogart and the SITI 154-56.
Company, adapt. Score. Leonard Bernstein. Malayerba. Nuestra Senora de las Nubes. 307-10
635-38. Mann, Klauss. Mephisto. Ariane Mnouchkine, adapt.
Compania Nacional de Teatro de México. De 298-99.
Monstruos y Prodigios: La Historia de los Castrati. Marber, Patrick. Howard Katz. 139-43.
309-12. Marnich, Melanie. Quake. 154-56.
Cook, Susana. Hamletang Martin, Jane. Flaming Guns of the Purple Sage. 154
Corthron, Kia. Breath 56
Coward, Noel. Hay Fever. Maxwell, Richard. Drummer Wanted
Dickman, Chris. and...and...and. 494-96 McDonagh, Martin. The Lieutenant
Dresser, Richard. Wonderful World. 154-56 161-63
Driest, Burkhard, book. Music and Lyrics by Hans Mee, Charles. Big Love. 150-52
H6lzel (Falco) and Wolfgang Amadeus Mozart . bobrauschenbergamerica. With Anne Bogart
Falco Meets Amadeus. 469-71. and the SIT] Company. 154-56
Eason, Laura with Jessica Thebus, adapt. They All . Li1mm onade [ounsae les j £ ours. . OS2 ww
Fall Down: The Richard Nick Story. Richard Cahan Meehan, Thomas with Mel Brooks. The Producers.
296-98. 467-69.
Edgar, David. The Prisoner's Dilemma. 480-82 Meyer, Marlane. The Mystery of Attraction. 635-38
Ensler, Eve. Necessary Targets. 642-43. Miller, Arthur. Tod Eines Handlungsreisenden (Death
Ferber, Edna with George S. Kaufman. The Royal of a Salesman). 147-49.
Family. 646-48. Mnouchkine, Ariane, adapt. Mephisto. Klaus Mann
Foreman, Richard. Maria Del Bosco. 627-30. 298-99,
Froot, Dain. Shlammer: A Gangster-Vaudeville. 293 Mortimer, Lillian. No Mother to Guide Her. 654-56.
95. Parks, Suzan-Lori. Topdog/Underdog. 289-91.
Galas, Diamanda. Defixiones, Will and Testament: Peterson, Lisa with Chay Yew. The Square. 489-91.
Orders From the Dead. 643-45. Pig Iron Theatre Company with Joseph Chaikin.
Goldsmith, Oliver. She Stoops to Conquer. 648-50 SHUT EYE. 312-14.
Gordon, David. PASTForward. 315-18 Pinter, Harold. A Kind of Alaska. 477-79.
Gombrowicz, Witold. Ferdydurke. Allen J. Kuharski, —. Ashes to Ashes. 477-79.
adapt. 301-3. ——. Celebration. 477-79.
Guare, John. Chaucer in Rome. 152-54. ——. Mountain Language. 477-79.
688 / Index to Volume 54
—. One for the Road. 477-79. Arena Stage, Washington, D.C. 143-45.
———. The Homecoming. 477-79. Aurora Theatre Company, Berkeley. 498-500.
Poe, Edgar Allen. POEtry. Lou Reed with Robert BAT Theatre Company, New York City. 654-56.
Wilson, adapt. 471-75. Berkeley Repertory Theatre. 150-52, 645-46.
Qaiyum, Gregory with Jordan Allen-Dutton, Jason Capitol Theatre, Olympia, Washington. 496-98.
Catalano, and Erik Weiner. The Bomb-itty of Er- Circle in the Square Theatre, New York City. 634—
rors. 307-9. 35.
Rapp, Adam. Finer, Noble Gases. 635-38. Ensemble Actors’ Theatre, Columbus, Ohio. 494-
Ravenhill, Mark. Mother Clap’s Molly House. 163-66. 96.
Reed, Lou with Robert Wilson, adapt. POEtry Folger Theatre, Washington, D.C. 648-50.
Edgar Allen Poe. 471-75. Hartford Stage Company. 642-43.
Rodgers, Richard with Oscar Hammerstein and Holderness Theater Company, New York City.
David Henry Hwang. Flower Drum Song. 640-42. 650-51.
Shakespeare, William. King Lear. 139-43 Intiman Theatre, Seattle. 149-50.
——. Much Ado About Nothing. 305-7. La MaMa E.T.C., New York City. 301-3.
———. This England: The Histories. 158-60. Lincoln Center, New York City. 477-79.
——. Tragedy of Hamlet, The. Peter Brook, adapt. Lincoln Center Theatre at the Mitzi E. Newhouse
156-58. Theatre, New York City. 152-54.
——. Twelfth Night. 650-51. Long Wharf Theater, New Haven. 630-32.
Shepard, Sam. The Late Henry Moss. 500-502. Lookingglass Theatre Company, Chicago. 296-98.
Strauss, Richard with Hedwig Lachman, adapt. Los Angeles Theater Center. 293-95.
Salome. Oscar Wilde. 651-53. Mark Taper Forum, Los Angeles. 491-92, 640-42.
Teatro de los Andes. Las Abarcas del Tiempo. 309-12. Mercer Arena, Seattle. 156-58.
Thebus, Jessica with Laura Eason, adapt. They All Ontological-Hysteric Theatre, New York City. 627-
Fall Down: The Richard Nickel Story. Richard Cahan. 30. ;
296-98. Performance Space 122, New York City. 314-15.
Unel, Sinan. Pera Palas. 630-32. Pig Iron Theatre Company, Philadelphia. 312-14.
Wallace, Naomi. The Trestle at Pope Lick Creek. 498- Pittsburgh Irish & Classical Theatre. 487-89.
500. Playwrights Horizons, New York City. 291-93.
Weiner, Erik with Jordan Allen-Dutton, Jason Public Theater, New York City. 289-91, 489-91.
Catalano, and Gregory Qaiyum. The Bomb-itty of Royal George Cabaret, Chicago. 307-9.
Errors. 307-9. Royce Hall at the University of California, Los
Wellman, Mac. Music by Michael Ross. Description Angeles. 643-45.
Beggared; or the Allegory of WHITENESS. 154-56. Royal Shakespeare Company at the University of
Wilde, Oscar. Lady Windemere’s Fan. 646-48. Michigan, Ann Arbor. 158-60.
—. Salome. Richard Strauss with Hedwig Lach- St. James Theatre, New York City. 467-69.
man, adapt. 651-53. Second Stage Theatre, New York City. 634-35.
Wilson, Robert with Lou Reed, adapt. POEtry. Signature Theatre Company, New York City. 500-
Edgar Allen Poe. 471-75. 502.
Wolff, Marc. Another American: Asking and Telling SITI Company, New York City. 154-58.
491-92 Tanztheatre Wuppertal, Brooklyn Academy of
Yew, Chay with Lisa Peterson. The Square. 489-91. Music. 000-000.
Zimmerman, Mary. Metamorphoses. 634-35 White Oak Dance Project, Brooklyn Academy of
Music. 315-18.
PRODUCING GROUPS REVIEWED WOW Café, New York City. 627-30
Companies, U.S.
Aaron and Cecile Goldman Theatre, Merris Cafritz Companies, Foreign
Center for the Arts, Washington, D.C. 492-94. Almeida Theatre, London. 477-79.
Actor’s Gang, Los Angeles. 298-99. Berliner Ensemble, Berlin. 299-301, 471-75.
Actors Theatre of Louisville. 154-56, 635-38, 638- Betty Nansen Teatret Copenhagen. 471-75.
40 Broomhill Opera Company, London. 303- 5.
Adventures in Motion Pictures at the Ahmanson Canadian Opera Company, Toronto. 651-53.
Theatre, Los Angeles. 295-96. Cia. dos Atores, Brazil. 307-10.
Ambassador Theatre, New York City. 485-87. Compania Nacional de Teatro de México. 309-12.
Aquila Theatre Company, New York City. 305-7. De Onderneming, Théatre National de Bretagne,
ARRA Montreal/Cove Entertainment, Lahaina, Rennes, France. 475-76.
Maui. 632-34. Duke on 42nd Street, New York City. 309-12.
INDEX TO VOLUME 54 / 689
Gate Theatre, Dublin. 477-79. Barker, Clive and Maggie B. Gale, eds. British
Het Nationale Toneel, Amsterdam. 145-47. Theatre Between the Wars, 1918-1938. Rev. Melissa
La Zaranda, Andalusia, Spain. 309-12. Gibson. 659-61.
Malayerba, Ecuador. 307-10. Barker, Howard. Arguments fora Theatre. Rev. David
Royal Court Theatre, London. 482-85. Kilpatrick. 171-72.
Royal National Theatre, London. 139-43, 163-66, Bean, Annemarie, ed. A Sourcebook of African-Ameri-
482-85. can Performance: Plays, People, Movements. Rev.
Royal Shakespeare Company, The Other Place, Marta J. Effinger. 676-77.
Stratford-upon-Avon. 161-63, 480-82. Berlanstein, Lenard. Daughters of Eve: A Cultural
Royal Shakespeare Company at the University of History of French Theater Women from the Old
Michigan, Ann Arbor. 158-60. Regime to the Fin-de-Siécle. Rev. Ronald Schechter.
Schauspielhaus Bochum, Kammerspiele Theatre, 666-68.
Bochum, Germany. 147-49. Blainey, Ann. Fanny and Adelaide: The Lives of tie
Shakespeare’s Globe Theatre, London. 139-43. Remarkable Kemble Sisters. Rev. Elizabeth Reitz
Spier Festival, Cape Town, South Africa. 303-5. Mullenix. 334-35.
Tanztheatre Wuppertal, Brooklyn Academy of Bolton, Betsy. Women, Nationalism, and the Romantic
Music. 653-54. Stage: Theatre and Politics in Britain, 1780-1800.
Teatro de los Andes, Andes. 309-12. Rev. James Peck. 319-21.
Teatr Provisorium and Kompania Teatr, Lublin, Bonney, Jo, ed. Extreme Exposure: An Anthology of
Poland. 301-3. Solo Performance Texts from the Twentieth Century
Thalia Theater Hamburg, Brooklyn Academy of Rev. J. Lucinda Kidder. 180-81.
Music. 471-75. Brandt, George, ed. Modern Theories of Drama: A
Theater des Westens, Berlin. 469-71. Selection of Writings on Drama and Theatre, 1840-
Theatre Royal Haymarket, London. 646-48. 1990. Rev. Leigh Clemons. 335-36.
Traverse Theatre, Edinburgh. 479-80 Burroughs, Catherine, ed. Women in British Roman-
tic Theatre: Drama, Performance and Society, 1790
Festivals 1840. Rev. Ellen Donkin. 321-22.
Fifth Annual Sex Workers’ Art Show. Olympia, Butsch, Richard. The Making of American Audiences:
Washington. 496-98. From Stage to Television, 1750-1990. Rev. John W.
Harold Pinter Festival. New York City. 477-79. Frick. 326-27.
International Hispanic Theatre Festival, New York Cardullo, Bert and Robert Knopf, eds. Theatre of the
City. 309-12. Avant-Garde 1890-1950: A Critical Anthology. Rev.
25th Annual Humana Festival of New American Gwendolyn Waltz. 662-64.
Plays. Louisville. 154-56 Carson, Christie and Jacky Bratton, eds. The Cam-
26th Annual Humana Festival of New American bridge “King Lear” CD-ROM Text and Performance
Plays. Louisville. 635-38. Archive. Rev. Mary Polito. 677-78
Choudhury, Mita. Interculturalism and Resistance in
the London Theater, 1660-1800: Identity, Perform-
BOOK REVIEW INDEX ance, Empire. Rev. James Peck. 319-21.
Cody, Gabrielle and Rebecca Schneider, eds.
Re:Direction: A Theoretical and Practical Guide.
BOOKS REVIEWED
Rev. Kerry Moore. 672-74.
Alexander, Catherine M. S. and Stanley Wells, eds. Cohen, Leah Hager. The Stouf fDrefams : Behind the
Shakespeare and Sexuality. Rev. Elizabeth Klett. Scenes of An American Community Theater. Rev.
524-25. Terry Brino-Dean. 329-30.
Alexander, Catherine M. S. and Stanley Wells, eds. Cole, Catherine. Ghana's Concert Party Theatre. Rev.
Shakespeare and Race. Rev. Shannon Steen. 522- Laura Edmondson. 511-13.
24. Counsell, Colin and Laurie Wolf, eds. Performance
Analysis: An Introductory Casebook. Rev. Jonathan
Alexander, Jane. Command Performance: An Actress
Chambers. 179-80.
in the Theater of Politics. Rev. John Agee Ball. 327-
28. Crunden, Robert. Body and Soul: The Making of
Banham, Martin, James Gibbs, and Femi Osofisan, American Modernism: Art, Music, and Letters in the
eds. African Theatre: Playwrights and Politics. Rev. Jazz Age 1919-1926. Rev. Sarah Bay-Cheng. 665-
Femi Euba. 671-72. 66.
Barber, Karin. The Generation of Plays: Yoriiba Popu- Davis, Tracy. The Economics of the British Stage,
lar Life in Theatre. Rev. Laura Edmondson. 511- 1800-1914. Rev. Gail Turley Houston. 503-4.
‘SS. Dawson, Anthony B. and Paul Yachnin. The Culture
690 / Index to Volume 54
of Playgoing in Shakespeare's England: A Collabora- 1990: Five Centuries of a Genre. Rev. Barbara
tive Debate. Rev. Susan Bennett. 521-22. Mackey. 333-34.
Elam, Harry Jr. and David Krasner, eds. African London, John, ed. Theatre Under the Nazis. Rev.
American Performance and Theater History: A Criti Richard J. Rundell. 510-11.
cal Reader. Rev. Barbara Lewis. 517-18. McAuley, Gay. Space in Performance: Making Mean-
Eynat-Confino, Irene and Eva Sormova, eds. Space ing in Theatre. Rev. Paul D. Naish. 508-10.
and the Postmodern Stage. Rev. Paul D. Naish. McCabe, Terry. Mis-directing the Play: An Argument
508-10. Against Contemporary Theatre. Rev. Jonathan
Findlay, Alison. A Feminist Perspective on Renais- Marks. 515-16.
sance Drama. Rev. Gretchen Elizabeth Smith. 336- McKenzie, Jon. Perform or Else: From Discipline to
38. Performance. Rev. Arthur Sabatini. 505-7.
Foley, Helen. Female Acts in Greek Tragedy. Rev. Montano, Linda, ed. Performance Artists Talking in
Mary-Kay Gamel. 167-68. the Eighties. Rev. Kestutis Nakas. 323-24.
Gale, Maggie B. and Viv Gardner, eds. Women, Munoz, José Esteban. Disidentifications: Queers of
Theatre and Performance: New Histories, New Histo Color and the Performance of Politics. Rev. Alicia
riographies. Rev. Penny Farfan. 520-21. Arrizon. 507-8.
Graver, David, ed. Drama for a New South Africa: Nicholson, Steve. British Theatre and the Red Peril:
Seven Plays. Rev. Femi Euba. 671-72. The Portrayal of Communism 1917-1945. Rev. Mel-
Glenn, Susan. Female Spectacle: the Theatrical Roots of issa Gibson. 659-61.
Modern Feminism. Rev. Deanna M. Toten Beard. Pearson, Mike and Michael Shanks. Theatre/Archae-
657-58. ology. Rev. Jon McKenzie. 332-33.
Goodhart, Sandor, ed. Reading Stephen Sondheim: A Prentki, Tim and Jan Selman. Popular Theatre in
Collection of Critical Essays. Rev. Judith Sebesta. Political Culture: Britain and Canada in Focus. Rev.
516-17 Terry Brino-Dean. 329-30.
Graham-Jones, Jean. Exorcizing History: Argentine Rokem, Freddie. Performing History: Theatrical Rep-
Theatre Under Dictatorship. Rev. Margo Milleret. resentations of the Past in Contemporary Theatre.
169-71. Rev. Mike Sell. 504-5
Haedicke, Susan C. and Tobin Nellhaus, eds. Pe Rovit, Rebecca and Alan Goldfarb, eds. Theatrical
forming Democracy: International Pespectives on Performance During the Holocaust: Texts, Docu-
Urban Community Based Performance. Rev. Anne ments, Memoirs. Rev. Freddie Rokem. 331.
Elizabeth Armstrong. 669-70. Rutter, Carol Chillington. Enter the Body: Women
Hanawalt, Barbara A. and Michal Kobialka, eds and Representation on Shakespeare's Stage. Rev.
Medieval Practices of Space. Rev. Marla Carlson. Beate Hein Bennett. 177-78.
519-20. Sheppard, W. Anthony. Revealing Masks: Exotic
Hodge, Alison, ed. Twentieth Century Actor Train Influences and Ritualized Performance in Modernist
ing. Rev. Cindy Rosenthal. 674-76. Music Theater. Rev. Susan Tenneriello. 664-65.
Howard, Pamela. What is Scenography? Rev. Christin Tatlow, Anthony. Shakespeare, Brecht, and the Inter-
Yannacci. 678-79. cultural Sign. Rev. John Osburn. 661-62.
Huerta, Jorge. Chicano Drama: Performance, Society Trotter, Mary. Ireland's National Theaters: Political
md Myth. Rev Tamara Underiner and Christo Performance and the Origins of the Irish Dramatic
pher Danowski. 668-69 Movement. Rev. Karin Maresh. 174-175.
Johnson, Odai. Rehearsing Tydeman, William, ed. The Medieval European Stage,
formance, Radical 500-1550. Rev. Jody Enders. 658-59.
Rev. James Peck van Erven, Eugene. Community Theatre: Global Per-
Kalb, Jonathan. The of Heinaer Miiller. Rev spectives. Rev. Terry Brino-Dean. 329-30.
Renate Voris. 322 Veidlinger, Jeffrey. The Moscow State Yiddish The-
King, Kimball, ed. Modern Dramatists: A Casebook of atre: Jewish Culture on the Soviet Stage. Rev. Nina
Major British, Irish and American Playwrights. Rev. Hein. 178-79
Mary Trotter. 175-76. Watt, Stephen, Eileen Morgan, and Shakir Mustafa,
Konijn, Elly A Acting Emotions: Shaping Emotions eds. A Century of Irish Drama: Widening the Stage.
on Stage. Rev. Cindy Rosenthal. 674-76 Rev. Paige Reynolds. 173-74.
Lamb, Charles. Howard Barker's Theatre of Seduction Wilson, Peter. The Athenian Institution of the Khoregia:
Rev. David Kilpatrick. 171-72. The Chorus, the City and the Stage. Rev. David S.
Layiwola, Dele, ed. African Theatre in Performance: A Escoffery. 168-69.
Festschrift in Honor of Martin Banham. Rev. Thomas Yan, Haiping, ed. Theater and Society: An Anthology
R>i ccio of Contemporary Chinese Drama. Rev. Elizabeth
Leggatt, Comedy 1490 Wichmann-Walczak. 325-26.