Theatre Journal 2000: Vol 52 Index

9 Pages·2000·2 MB·English

ace
VOLUME 52
2000 INDEX
Theatre Journal (ISSN 0192-2882)
Volume 52, 2000
© 2000 by The Johns Hopkins University Press
Susan Bennett, Editor
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Theatre Journal
INDEX TO VOLUME 52
CONTRIBUTORS INDEX
Theatrical Truth: Glikeriia Fedotova and Polina
Strepetova.” 497-519.
ARTICLES
Shimakawa, Karen. “Ghost Families in Sung Rao’s
Arrizon, Alicia. “Mythical Performativity: Relocat- Cleveland Raining.” 377-92.
ing Aztlan in Chicana Feminist Culutral Produc- Steen, Shannon. “Racial Subjectivity and Whiteness
tions.” 23-50. in Eugene O’Neill’s The Emperor Jones.” 335-56.
Becker, Becky. “Robbie McCauley: A Journey To-
PERFORMANCE REVIEWS
ward Movement.” 519-42.
Carney, Sean. “The Passion of Joanna Baillie: Play- Bateman, David. The Birth of Casper G. Schmidt. Sky
wright as Martyr.” 227-52. Gilbert. 125-26.
Cima, Gay Gibson. “Black or Unmarked? Phillis Baumrin, Seth. Ode to Progress; Judith; Donna Musica’s
Wheatley, Mercy Otis Warren, and the Limits of Butterflies; Castle of Holstebro II; and Itsi Bitsi.
Strategic Anonymity.” 465-95. Odin Teatret. 406-10.
Cummins, Doug. “Doctoral Projects in Progress in Bechtel, Roger. Life’s a Dream. Calder6én de la Barca.
Theatre Arts, 2000.” 253-58. 401-3.
Elam, Harry J., Jr. “The Dialectics of August Wilson’s Brady, Owen. The 1999 Stratford Festival. 269-72.
The Piano Lesson.” 357-76. Carlson, Marvin. The 11th Cairo International Festi-
Harris, Hilary. “Failing ‘White Woman’: Interro- val for Experimental Theatre. 283-86.
gating the Performance of Respectability.” 183- Cheng, Meiling. Them. osseus labyrint. 395-97.
210. Cleary, Beth. The Zulu. Mbongeni Ngema. 571-72.
Hodin, Mark. “The Disavowal of Ethnicity: Legiti- Clemons, Leigh. 13th Annual Eurokaz Festival of
mate Theatre and the Social Construction of International Theatre and 5th Annual PUF Interna-
Literary Value in Turn-of-the-Century America.” tional Theatre Festival. 276-78.
211-26. Cummings, Scott T. Letters from Cuba. Maria Irene
Kondo, Dorinne. “(Re)Visions of Race: Contempo- Fornes. 563-65.
rary Race Theory and the Cultural Politics of
DiCenzo, Maria. Le Costume (The Suit). Can Themba,
Racial Crossover in Documentary Theatre.” 81- adapt. Barney Simon, Mothobi Mutloatse, trans.
108. Marie-Heléne Estienne. 572-74.
Kun, Josh. “The Aural Border.” 1-22. Dicus, Elena Raine. Black Butterfly, Jaguar Girl, Pinata
Lopez, Tiffany Ana. “Violent Inscriptions: Writing Woman, and Other Superhero Girls, Like Me. 417-
the Body and Making Community in Four Plays 18.
by Migdalia Cruz.” 51-66. Ferguson, Marcia L. Magic Frequencies. Meredith
Meyer, Richard. “’Have You Heard the One about Monk. 410-12.
the Lesbian Who Goes to the Supreme Court?’:
Fisher, James. The Good Person of Setzuan. Bertold
Holly Hughes and the Case Against Censor-
Brecht, adapt. Tony Kushner. 120-21.
ship.” 543-52.
Freeman, Sara. Some Explicit Polaroids and Sweet
Most, Andrea. “’You’ve Got to Be Carefully Taught’: Dreams. Mark Ravenhill, Diane Esguerra. 397-98.
The Politics of Race in Rodgers and Hammer- Gandrow, Kristen. Antony and Cleopatra. William
stein’s South Pacific.” 307-34. Shakespeare. 123-25.
Munoz, José Esteban. “Feeling Brown: Ethnicity Gay, Monika. Fuil Circle. Charles Mee. 414-16.
and Affect in Ricardo Bracho’s The Sweetest Hang-
Grieman, Pamela. Nelken. Pina Bausch. 412-14.
over (and other STDs).” 67-80. Gross, Robert F. Permanent Brain Damage; The Uni-
Sanders, Julie. “Caroline Salon Culture and Female verse; Eddie Goes to Poetry City, Part One; Samuel's
Agency: The Countess of Carlisle, Henrietta Major Problems; Miss Universal Happiness. Rich-
Maria, and Public Theatre.” 449-64. ard Foreman. 133-37.
Scheie, Timothy. “Performing Degree Zero: Barthes, Habell-Pallan, Michelle. ;Que Pasa Con La Raza, Eh?
Body, Theatre.” 161-82. Carmen Aguirre, Latino Theatre Group. 112-14.
Schuler, Catherine. “Materialism, Metaphysics and Hammerbeck, David. La Bataille de Stalingrad
Theatre Journal 52 (2000) 599-607 © 2000 by The Johns Hopkins University Press
602 / Index to Volume 52
(Requim). Rézo Gabriadzé, Theatre Studio of Trotter, Mary. Medea, Mrs. Warren’s Profession, The
Tblisi. 575-76. Plough and the Stars. Euripides, trans. Kenneth
Herrera, Patricia E. Minotaur; or, The King’s Bull. MacLeish, Volatic Ltd., George Bernard Shaw,
Jonathon Ward. 115-16. Sean O’Casey. 559-61.
Hester, Jessica. In the House of the Moles. Terry van den Berg, Klaus. Theatertreffen Berlin. 266-69.
Galloway. 416-17. Wolff, Tamsen. Preaching to the Perverted. Holly
Horowitz, Arthur. The Resistible Rise of Arturo Ui. Hughes. 557-59.
Bertolt Brecht. 121-23. Young, Stuart. Seagulls and The Free State. Andrzej
Kaplan, Deborah. The Country Wife. William Sadowski, Janet Suzman. 567-71.
Wycherley. 403+.
PERFORMANCES REVIEWED
Kohler, Michael. Festival d'Avignon. 263-66.
Kotzamani, Marina. Agamemnon (The Ghost Sonata). Adjanohoun, Florisse. Atakoun. 259-63.
Aeschylus. 576-78. Aeschylus. Agamemnon (The Ghost Sonata). 576-78.
Krajewska-Wieczorek, Anna. The 11th International . The Oresteia. Ted Hughes, trans. 561-63.
Istanbul Theatre Festival. 272-76. Aguirre, Carmen. With Latino Theater Group. ;Que
Krasner, David. In the Blood. Suzan-Lori Parks. 565- Pasa Con La Raza, Eh? 112-14.
67. Albee, Edward. The Zoo Story. 278-80.
Kuftinec, Sonja. Broken Hearts: A B.H. Mystery . Lisa Alfaro, Luis. Black Butterfly, Jaguar Girl, Pifiata
Loomer. 393-95. Woman, and Other Superhero Girls, Like Me. 417-
Kylander-Clark, Erica. The Oresteia. Aeschylus, trans. 18.
Ted Hughes. 561-63. Baez, Josefina. Apartarte/Casarte. 110-12.
Lewis, Megan. The 25th Anniversary Standard Bank Bausch, Pina. Nelken. 412-14.
National Arts Festival. 280-83. Beaser, Robert and Terrence McNally. Central Park
Liston, William T. A Midsummer Night's Dream. (The Food of Love). With Wendy Wasserstein and
William Shakespeare. 399-401. Deborah Drattell; A. R. Gurney and Michael
Long, John. Camino Real. Tennessee Williams. 418- Torke. 126-28.
20. Bellefeuille, Robert and Philippe Soldevila. Evxils.
Maresh, Karin. Edinburgh Fringe Festival. 278-80. 259-63.
McDermott, Kristen. The Tempest. William Shakes- Bernhard, Thomas. Claus Peymann kauft sich eine
peare. 553-55. Hose (Claus Peymann buys a pair of pants). 266-69.
Nascimento, Claudia Tatinge. Vozes Dissonantes. Birch, Cyril, trans. Peony Pavilion. Peter Sellars,
Denise Stoklos. 555-57. adapt. 131-33.
Ortiz, Ricardo L. The Last Angry Brown Hat and Brecht, Bertolt. The Good Person of Setzuan. Tony
Clean. Alfredo Ramos, Edwin Sanchez. 109-10. Kushner, adapt. 120-21.
Pang, Cecilia J. Peony Pavilion. Tang Xianzu, trans. . The Resistible Rise of Arturo Ui. 121-23.
Cyril Birch. 131-33. Breytenbach, Breyten. Johnny Cockroach. 280-83.
Penner, James. Fool For Love. Sam Shepard. 116-18. Bulgakov, Mikhail. Maistora i Margarita. Stefan
Provenzano, Tom. Much Ado About Nothing: Mariachi Moskov, adapt. 263-66.
Style. William Shakespeare, adapt. Tony Plana Calderén de la Barca. Life's a Dream. 401-3.
and Bert Rosario. 118-19. Céline, Louis-Ferdinand. Voyage au bout de la nuit.
Raw, Laurence. The Cherry Orchard. Anton Chekhov. Societas Raffaello Sanzio, adapt. 128-29.
405. Chekhov, Anton. Cherry Orchard. 405.
Reinelt, Janelle. Mnemonic. Theatre de Complicite. Dietz, Steven. Force of Nature. 129-31.
578-79. Drattell, Deborah and Wendy Wasserstein. Central
Rivera-Servera, Ramon. Apartarte/Casarte. Josefina Park (The Festival of Regrets). With A.R. Gurney
Baez. 110-12. and Michael Torke; Terrence McNally and Rob-
Rudolph, Sarah. Force of Nature. Steven Dietz. 129- ert Beaser. 126-28.
a. Dresser, Richard. Below the Belt. 263-66.
Running-Johnson, Cynthia. Festival International des Esguerra, Diane. Sweet Dreams. 397-99.
Francophonies en Limousin. 259-63. Estienne, Marie-Héléne, trans. Le Costume (The Suit).
Scheie, Timothy.Voyage au bout de la nuit. Louis- Barney Simon and Mothobi Mutloatse, adapt.
Ferdinand Céline. 128-29. 572-74.
Shengold, David. Central Park. Wendy Wasserstein Euripides. Medea. Kenneth MacLeish and Volatic
with Deborah Drattell, A. R. Gurney with Michael Ltd., trans. 559-61.
Torke, and Terrence McNally with Robert Beaser. Filho, Antunes. Fragmentos Troianos (The Trojan
126-28. Women). 272-76.
INDEX TO VOLUME 52 / 603
Foreman, Richard. Eddie Goes to Poetry City, Part Petersen, Oscar and Heinrich Reisenhofer. Suip
One. 133-37. (Drink/ing). 280-83.
. Miss Universal Happiness. 133-37. Plana, Tony and Bert Rosario, adapt. Much Ado
. Permanent Brain Damage. 133-37. About Nothing: Mariachi Style. 118-19.
. Samuel's Major Problems. 133-37. Poe, Edgar Allen. Maskque of the Red Death. INAT,
. The Universe. 133-37. adapt. 276-78.
Fornes, Maria Irene. Letters from Cuba. 563-65. Pretorius, Chris. Dark Continent. 280-83.
Gabriadzé, Rézo. With Theatre Studio of Tblisi. La Priestly, David. Andromache. 278-80.
Bataille de Stalingrad (Requim). 575-76. Ramos, Alfredo. The Last Angry Brown Hat. 109-10.
Galloway, Terry. In the House of the Moles. 416-17. Ravenhill, Mark. Some Explicit Polaroids. 397-98.
Gilbert, Sky. The Birth of Casper G. Schmidt. 125-26. Reisenhofer, Heinrich and Oscar Petersen. Suip
Glaspell, Susan. Alison’s House. 421-42. (Drink/ing). 280-83.
Gurney, A.R. and Michael Torke. Central Park Rosario, Bert and Tony Plana, adapt. Much Ado
(Strawberry Fields). With Wendy Wasserstein and About Nothing: Mariachi Style. 118-19.
Deborah Drattell; Terrence McNally and Robert Sadowski, Andrzej. Seagulls. 567-71.
Beaser. 126-28. Sanchez, Edwin. Clean. 109-10.
Hauptmann, Gerhart. Rose Bernd. 266-69. Sassine, Williams. Les Indépendan-tristes. Jean-Claude
Horvath, Odén von. Figaro laft sich scheiden (Figaro Idée, adapt. 259-63.
gets a divorce). 266-69. Sellars, Peter, adapt. Peony Pavilion. Cyril Birch,
. Geschichten aus dem Weiner Wald. (Tales from trans. 131-33.
the Vienna Woods). 266-69. Shakespeare, William. A Midsummer Night's Dream.
Hughes, Holly. Preaching to the Perverted. 557-59. 399-401.
Hughes, Ted trans. The Oresteia. 561-63. . Antony and Cleopatra. 123-25.
Idée, Jean-Claude, adapt. Les Indépendan-tristes. 259- . Henry V. 263-66.
63. . La Tempesta. 263-66.
INAT, adapt. Maskque of the Red Death. 276-78. . Merchant of Venice. 278-80.
Jones, Marie. Stones in his Pocket. 278-80. . Much Ado About Nothing: Mariachi Style.
Kane, Sarah. Geséiubert (Cleansed). 266-69. Tony Plana and Bert Rosario, adapt. 118-19.
Kushner, Tony, adapt. The Good Person of Setzuan. . The Tempest. 269-72, 553-55.
120-21. Shaw, George Bernard. Mrs. Warren's Profession.
Latino Theater Group. With Carmen Aguirre. ;Que 559-61.
Pasa Con La Raza, Eh? 112-14. Shepard, Sam. Fool For Love. 116-18.
Les 7 Kouss. La Rue Ponti. 259-63. Simon, Barney and Mothobi Mutloatse, adapt. Le
Loomer, Lisa. Broken Hearts: A B.H. Mystery. 393- Costume (The Suit). Marie-Heléne Estienne, trans.
95. 572-74.
MacLeish, Kenneth and Volatic Ltd., trans. Medea. Societas Raffaello Sanzio, adapt. Voyage au bout de
559-61. la nuit. 128-29.
McNally, Terrence and Robert Beaser. Central Park Soldevila, Philippe and Robert Bellefeuille. Exils.
(The Food of Love). With Wendy Wasserstein and 259-63.
Deborah Drattell; A.R. Gurney and Michael Stoklos, Denise. Vozes Dissonantes. 555-57.
Torke. 126-28. Suzman, Janet. The Free State. 567-71.
Mee, Charles. Full Circle. 414-16. Terzopoulos, Theodoros, adapt. Heracles. 272-76.
Monk, Meredith. Magic Frequencies. 410-12. Theatre de Complicite. Mnemonic. 578-79.
Moskov, Stefan, adapt. Maistora i Margarita. 263-66. Theatre Studio of Tblisi. With Rézo Gabriadzé. La
Mtshali, Thembi. A Woman in Waiting. 280-83. Bataille de Stalingrad (Requim). 575-76.
Mungan, Murathan. Deer’s Curse. 272-76. Themba, Can. Le Costume (The Suit). Barney Simon
Mutloatse, Mothobi, adapt., and Barney Simon. Le and Mothobi Mutloatse, adapt; Marie-Heléne
Costume (The Suit). Marie-Héléne Estienne, trans. Estienne, trans. 572-74.
572-74. Torke, Michael and A.R. Gurney. Central Park
Ngema, Mbongeni. The Zulu. 571-72. (Strawberry Fields). With Wendy Wasserstein and
O’Casey, Sean. The Plough and the Stars. 559-61. Deborah Drattell; Terrence McNally and Robert
Odin Teatret. Ode to Progress; Judith; Donna Musica’s Beaser. 126-28.
Butterflies; Castle of Holstebro II; and Itsi Bitsi. 406- Waltz, Sasha. Zweiland. 263-66.
10. Ward, Johathon. Minotaur; or, The King’s Bull. 115-
osseus labyrint. Them. 395-97. 16.
Parks, Suzan-Lori. In The Blood. 565-67. Wasserstein, Wendy and Deborah Drattell. Central
604 / Index to Volume 52
Park (The Festival of Regrets). With A.R. Gurney Double Edge Drama. 278-80.
and Michael Torke; Terrence McNally and Rob- Fifth Amendment. With Birmingham Repertory
ert Beaser. 126-28. Theatre, Birmingham, England and West York-
Williams, Tennessee. Camino Real. 418-20. shire Playhouse. 567-71.
Wycherley, William. The Country Wife. 403-4. Gaiety Theatre, Dublin. 559-61.
Xianzu, Tang. Peony Pavilion. Cyril Birch, trans.; Hamburg Kammerspiele. 266-69.
Peter Sellars, adapt. 131-133. Irish National Theatre, Dublin. 559-61
Young, David. Glenn. 269-72. La Strada Theater. 263-66.
Laboratorium-33. 278-80.
PRODUCING GROUPS REVIEWED Latino Theater Group, Vancover, B.C. 112-14.
Les 7 Kotiss, Senegal, West Africa. 259-63.
Companies, U.S.
Lyric Theatre, Belfast. 278-80.
American Repertory Theatre, Cambridge, Massa-
Macunaima, Brazil. 272-76.
chusetts. 414-16.
Market Theatre, Johannesburg, South Africa. With
Chicago Shakespeare Theater, Chicago. 399-401.
The World African Network and Mayibuy’i-
Cornerstone Theatre Company, Los Angeles. 393-
Afrika. 571-72.
95.
Mayibuy’iAfrika. With Market Theatre, Johannes-
Court Theatre, Chicago. 401-3.
burg, South Africa and The World African
Crush Company, New York. 133-37.
Network. 571-72.
East Los Angeles Classic Theatre, Los Angeles.
Montazstroj, Croatia and Amsterdam. 276-78.
116-18, 118-19.
Odin Teatret /Eugenio Barba, Denmark. 406-10.
Gemini Collisionworks, New York. 133-37.
Getty Center, Los Angeles. 417-18. Out of Joint, London. 397-99.
Royal National Theatre, London. 561-63.
Glimmerglass Opera Festival, Cooperstown, New
Scarlet Theatre, London. 567-71.
York. 126-28.
Schauspiel Bonn. 266-69.
Hartford Stage, Hartford, Connecticut. 418-20.
Shakespeare’s Globe, London. 123-25, 553-55.
Joseph Papp Public Theater / New York Shakespeare
Societas Raffaello Sanzio, Italy. 128-29.
Festival, New York. 565-67.
Sphinx Theatre Company, London. 397-99.
Lake Ivan Performance Group, New York. 133-37.
Meredith Monk/The House, New York. 410-12. Tanztheater Wuppertal, Pina Bausch. 412-14.
Teatro Sesc-Copacabana, Rio de Janeiro. 555-57.
Milwaukee Repertory Theatre, Milwaukee. 129-31.
Teatro Stabile dell’Umbria, Italy. 263-66.
Mint Theater, New York. 421-22.
Thalia Theater Hamburg. 266-69.
osseus labyrint, Los Angeles. 395-97.
Theatre de Complicite, London. 578-79.
Performance Space 122, New York. 557-59.
Rude Mechanicals, Austin, Texas. 416-17. Theatre Studio of Tblisi, Russia. 575-76.
Théatre de la Vieille, Ontario. With Théatre Sortie
Shakespeare Theatre, Washington, D.C. 403-4.
Signature Theatre Company, New York. 563-65. de Secours, Quebec and Théatre |’Escaouette,
New Brunswick. 259-63.
Studio Theater, Washington, D.C. 109-10.
Théatre l’Escaouette, New Brunswick. With Théatre
Todo con Nada, New York. 133-37.
de la Vieille, Ontario and Théatre Sortie de
True Comedy Theatre Comapny, New York. 133-
37. Secours, Quebec. 259-63.
Urban Youth Theater of Henry Street Settlement, Théatre Sortie de Secours, Quebec. With Théatre de
la Vieille, Ontario and Théatre l’Escaouette, New
New York. 115-16.
Brunswick. 259-63.
Wings Theatre, New York. 120-21.
Theseion Theater, Athens, Greece. 576-78.
Vienna Theater in der Josefstadt. 266-69.
Companies, Foreign
Wassangari, Benin, West Africa. 259-63
Akademietheater Vienna. 266-69.
West Yorkshire Playhouse. With Birmingham Rep-
Ankara State Theatre, Ankara, Turkey. 405.
ertory Theatre, Birmingham, England and Fifth
Baxter Theatre New Writing Programme, 280-83.
Amendment. 567-71.
Berliner Ensemble, Berlin. 121-23.
World African Network. With Market Theatre,
Birmingham Repertory Theatre. With Fifth Amend-
Johannesburg, South Africa and Mayibuy’iAfrika.
ment and West Yorkshire Playhouse, Birming-
571-72.
ham, England. 567-71.
Companhia de Opera Seca, Brazil. 276-78.
D.R. INAT, Pula, Croatia. 276-78. Festivals
Daska, Sisak, Croatia. 276-78. 5th Annual PUF International Theatre Festival Pula,
Devlet Tiyatrosu, Ankara. 272-76. Croatia. 276-78.
Die Baracke, Berlin. 263-66. 8th Annual Europe Theatre Prize. 572-74.
INDEX TO VOLUME 52 / 605
11th International Istanbul Theatre Festival, Istan- Dennett, Andrea Stulman. Weird and Wonderful: The
bul, Turkey. 272-76. Dime Museum in America. Rev. Ann Marie
13th Annual Eurokaz Festival of International The- McEntee. 148.
atre, Zagreb, Croatia. 276-78. D’Aponte, Mimi Gisolfi, ed. Seventh Generation: An
Edinburgh Fringe Festival, Edinburgh, Scotland. Anthology of Native American Plays. Rev. Christy
278-80. Stanlake. 144-45.
Festival d’Avignon, Avignon, France. 263-66. Gamboa, Harry Jr., wiih Chon A. Noriega, ed.
Festival International des Francophonies en Limou- Urban Exile: Collected Writings of Harry Gamboa Jr.
sin, Limoges, France. 259-63. Rev. Richard T. Rodriguez. 140-41.
The 11th Cairo International Festival for Experi- Gilmore, Michael T. Differences in the Dark: Ameri-
mental Theatre, Cairo, Egypt. 283-86. can Movies and the English Theater. Rev. Mark
The 25th Anniversary Standard Bank National Arts Shaiman. 303.
Festival, Grahamstown, South Africa. 280-83. Golub, Spencer. Infinity (Stage). Rev. Josh Abrams.
The 1999 Stratford Festival, Stratford, Ontario, 437-38.
Canada. 269-72. Guntner, J. Lawrence and Andrew M. McLean,
Theatertreffen Berlin, Berlin, Germany. 266-69. eds. Redefining Shakespeare: Literary Theory and
Toronto Fringe Festival, Toronto. 125-26. Theater Practice in the German Democratic Republic.
Rev. John Rouse. 288-90.
BOOKS REVIEWED
Hall, Roger A. Writing Your First Play. Rev. Norman
Ahlquist, Karen. Democracy at the Opera: Music, A. Bert. 436-37.
Theater, and Culture in New York City, 1815-60. Harris, Geraldine. Staging Femininities: Performance
Rev. Anna Wheeler Gentry. 293-94. and Performativity. Rev. Elaine Aston. 432-33.
Andrews, Starra. The Pursuit of Acting: Working Holden, Alys E. and Bronislaw J. Sammler. Struc-
Actors Share Their Experience and Advice. Rev. tural Design for the Stage. Rev. Fritz Schwentker.
Linda Donahue. 434-36. 295-97.
Armstrong, Raymond. Kafka and Pinter: Shadow- Hortman, Wilhelm, with a section on Shakespeare
Boxing: The Struggle Between Father and Son. Rev. on stage in the German Democratic Republic by
Robin Stone. 597-98. Maik Hamburger. Shakespeare on the German Stage:
Arrizon, Alicia. Latina Performance: Traversing the The Twentieth Century. Rev. John Rouse. 288-90.
Stage. Rev. Jorge Huerta. 141-42. Joseph, May. Nomadic Identities: The Performance of
Benedetti, Jean. Stanislavski and the Actor. Rev. Citizenship. Rev. Laura Edmondson. 297-98.
Herbert Sennett. 151-52. Kane, Leslie. Weasels and Wisemen: Ethics and
Bevington, David, and Peter Holbrook, eds. The Ethnicity in the Work of David Mamet. Rev. Michelle
Politics of the Stuart Court Masque. Rev. Gretchen Ephraim. 428-30.
Elizabeth Smith. 590-91. Kershaw, Baz. The Radical in Performance: Between
Black, Stephen A. Eugene O'Neill: Beyond Mourning Brecht and Baudrillard. Rev. Sharon Green. 596-
and Tragedy. Rev. Zander Brietzke. 427-28. 97.
Brustein, Robert. Cultural Calisthenics: Writings on Kiernan, Pauline. Shakespeare's Theory of Drama.
Race, Politics, and Theatre. Rev. Scott E. Walters. Rev. Philip C. McGuire. 290-91.
304-5. Kurahashi, Yuko. Asian American Culture On Stage:
Carnicke, Sharon Marie. Stanislavski in Focus. Rev. The History of the East West Players. Rev. Josephine
Seth Baumrin. 433-34. Lee. 426-27.
Carter, Alexandra, ed. The Routledge Dance Studies Londré, Felicia Hardison, and Daniel J. Watermeier.
Reader. Rev. Pamela Grieman. 592-94. The History of North American Theater: From Pre-
Ciociola, Gail. Wendy Wasserstein: Dramatizing Columbian Times to the Present. Rev. S.E. Wilmer.
Women, Their Choices and Their Boundaries. Rev. 294-95.
Jennifer Aldridge. 583-84. Mahar, William J. Behind the Burni Cork Mask: Early
Clum, John. Something for the Boys: Musical Theater Blackface Minstrelsy and Antebellum American Popu-
and Gay Culture. Rev. Bruce Kirle. 594-95. lar Culture. Rev. Annemarie Bean. 146-47.
Curtis, Susan. The First Black Actors on the Great Mayfield, Katherine. Acting A to Z: The Young
White Way. Rev. David Krasner. 145-46. Person’s Guide to a Stage or Screen Career. Rev.
Davis, Tracy C., and Ellen Donkin, eds. Women and Linda Donahue. 434-36.
Playwriting in Nineteenth-Century Britain. Rev. Mda, Zakes. Four Plays. Rev. Loren Kruger. 298-
Katherine E. Kelly. 581-82. 300.
Dawson, Gary Fisher. Documentary Theatre in the Merrill, Lisa. When Romeo Was a Woman: Charlotte
United States: An Historical Survey and Analysis of Cushman and Her Circle of Female Spectators. Rev.
Its Content, Form, and Stagecraft. Rev. Terry Stoller. Noreen Barnes-McLain. 582-83.
589-90. Nahshon, Edna. Yiddish Proletarian Theatre: The Art
606 / Index to Volume 52
and Politics of the Artef, 1925-1940. Rev. Rebecca Wilmeth, Don B., and Christopher Bigsby, eds. The
Rovit. 430-32. Cambridge History of American Theatre, Vol. I:
Novy, Marianne, ed. Transforming Shakespeare: Con- Beginning to 1870. Rev. Rosemarie K. Bank. 423—
temporary Women’s Re-Visions in Literature and 24.
Performance. Rev. Elizabeth Klett. 584-85. Wilmeth, Don B., and Christopher Bigsby, eds. The
Orenstein, Claudia. Festive Revolutions: The Politics Cambridge History of American Theatre, Vol. II:
of Popular Theatre and the San Francisco Mime 1870-1945. Rev. Kim Marra. 424-25.
Troupe. Rev. Sonja Kuftinec. 143-44. Wiseman, Susan. Drama and Politics in the English
Pao, Angela C. The Orient of the Boulevards: Exoti- Civil War. Rev. Byron Nelson. 291-93.
cism, Empire, and Nineteenth-Century French The- Zimbardo, Rose. At Zero Point: Discourse, Culture,
atre. Rev. Janie Vanpee. 152-53. and Satire in Restoration England. Rev. Byron
Paris, Barry, ed. Stella Adler on Ibsen Strindberg and Nelson. 291-93.
Chekov. Rev. Irv Saposnik. 587-89.
BOOK REVIEWS
Peacock, D. Keith. Harold Pinter and the New British
Theatre. Rev. Melissa Gibson. 300-301.
Abrams, Josh. Infinity (Stage), Spencer Golub. 437-
Peacock, D. Keith. Thatcher's Theatre: British Theatre 38.
and Drama in the Eighties. Rev. Janet E. Gardner.
Aldridge, Jennifer. Wendy Wasserstein: Dramatizing
585-87.
Women, Their Choices and Their Boundaries, Gail
Pechter, Edward. Othello and Interpretive Traditions.
Ciociola. 583-84.
Rev. Philip C. Kolin. 591-92.
Aston, Elaine. Staging Femininities: Performance and
Perkins, Kathy, ed. Black South African Women: An
Performativity, Geraldine Harris. 432-33.
Anthology of Plays. Rev. Loren Kruger. 298-300.
Barnes-McLain, Noreen. When Romeo Was a Woman:
Pizzato, Mark. Edges of Loss. Rev. John Lutterbie.
Charlotte Cushman and Her Circle of Female Specta-
149-51.
tors, Lisa Merrill. 582-83.
Rabillard, Sheila, ed. Essays on Caryl Churchill: Con-
Bank, Rosemarie K. The Cambridge History of Ameri-
temporary Representations. Rev. Janet E. Gardner.
can Theatre, Vol. I: Beginning to 1870, Don B.
585-87.
Wilmeth and Christopher Bigsby, eds. 423-24.
Reballato, Dan. 1956 and All That: The Making of
Bean, Annemarie. Behind the Burnt Cork Mask: Early
Modern British Drama. Rev. James L. Penner. 438- Blackface Minstrelsy and Antebellum American Popu-
39.
lar Culture, William J. Mahar. 146-47.
Roman, David. Acts of Intervention: Performance,
Bert, Norman A. Writing Your First Play, Roger A.
Gay Culture, and AIDS. Rev. Ann Pellegrini. 287-
Hall. 436-37.
88. Brietzke, Zander. Eugene O'Neill: Beyond Mourning
Rosenfeld, Lulla, translation and commentary. Jacob
and Tragedy, Stephen A. Black. 427-28.
Adler: A Life on the Stage. Rev. Irv Saposnik. 587-
Baumrin, Seth. Stanislavski in Focus, Sharon Marie
89.
Carnicke. 433-34.
Rubik, Margarete. Early Women Dramatists, 1550-
Curry, J.K. Early Women Dramatists, 1550-1800,
1800. Rev. J.K. Curry. 148-49. Margarete Rubik. 148-49.
Sandoval-Sanchez, Alberto. José Can You See? Latinos
Donahue, Linda. Acting A to Z: The Young Person’s
On and Off Broadway. Rev. Deborah Paredez.
Guide to a Stage or Screen Career, Katherine May-
139-40. field; The Pursuit of Acting: Working Actors Share
Sandrow, Nalma, ed. and translation. God, Man,
Their Experience and Advice, Starra Andrews. 434-
and Devil: Yiddish Plays in Translation. Rev. Rebecca
36.
Rovit. 430-32.
Edmondson, Laura. Nomadic Identities: The Perform-
Smith, Bruce R. The Acoustic World of Early Modern
ance of Citizenship, May Joseph. 297-98.
England: Attending to the O-Factor. Rev. Anthony
Ephraim, Michelle. Weasels and Wisemen: Ethics and
Graham-White. 595-96.
Ethnicity in the Work of David Mamet, Leslie Kane.
Toporkov, Vasily Osipovich, translation by Chris-
428-30.
tine Edwards. Stanislavski in Rehearsal. Rev.
Gardner, Janet E. Essays on Caryl Churchill: Con-
Herbert Sennett. 151-52.
temporary Representations, Sheila Rabillard, ed.;
Watt, Stephen. Postmodern/Drama: Reading the Con-
Thatcher's Theatre: British Theatre and Drama in the
temporary Stage. Rev. Mark Pizzato. 301-2.
Eighties, D. Keith Peacock. 585-87.
Williams, Dave. The Chinese Other 1850-1925: An
Gentry, Anna Wheeler. Democracy at the Opera:
Anthology of Plays. Rev. Josephine Lee. 426-27.
Music, Theater, and Culture in New York City,
Williams, David, ed. and translation with Eric
1815-60, Karen Ahlquist. 293-94.
Prenowitz. Collaborative Theatre: The Téaatre Du
Gibson, Melissa. Harold Pinter and the New British
Soleil Sourcebook. Rev. Helen E. Richardson. 305.
Theatre, D. Keith Peacock. 300-301.
INDEX TO VOLUME 52 / 607
Graham-White, Anthony. The Acoustic World of Théatre Du Soleil Sourcebook, Compiled and ed-
Early Modern England: Attending to the O-Factor, ited by David Williams, translations by Eric
Bruce R. Smith. 595-96. Prenowitz and David Williams. 305.
Green, Sharon L. The Radical in Performance: Between Rodriguez, Richard T. Urban Exile: Collected Writ-
Brecht and Baudrillard, Baz Kershaw. 596-97. ings of Harry Gamboa Jr., Harry Gamboa Jr., ed.
Grieman, Pamela. The Routledge Dance Studies Reader, Chon A. Noriega. 140-41.
ed. Alexandra Carter. 592-94. Rouse, John. Shakespeare on the German Stage: The
Huerta, Jorge. Latina Performance: Traversing the Twentieth Century, Wilhelm Hortman, with a
Stage, Alicia Arrizon. 141-42. section on Shakespeare on stage in the German
Kelly, Katherine E. Women and Playwriting in Nine- Democratic Republic by Maik Hamburger;
teenth-Century Britain, eds. Tracy C. Davis and Redefining Shakespeare: Literary Theory and Theater
Ellen Donkin. 581-82. Practice in the German Democratic Republic, eds. J.
Kirle, Bruce. Something for the Boys: Musical Theater Lawrence Guntner and Andrew M. McLean.
and Gay Culture, John Clum. 594-95. 288-90.
Klett, Elizabeth. Transforming Shakespeare: Contem- Rovit, Rebecca. God, Man, and Devil: Yiddish Plays in
porary Women's Re-Visions in Literature and Per- Translation, ed. and translation Nalma Sandrow;
formance, ed. Marianne Novy. 584-85. Yiddish Proletarian Theatre: The Art and Politics of
Kolin, Philip C. Othello and Interpretive Traditions, the Artef, 1925-1940, Edna Nahshon. 430-34.
Edward Pechter. 591-92. Saposnik, Irv. Jacob Adler: A Life on the Stage, trans-
Krasner, David. The First Black Actors on the Great lation and commentary Lulla Rosenfeld. Stella
White Way, Susan Curtis. 145-46. Adler on Ibsen Strindberg and Chekov, ed. Barry
Kruger, Loren. Four Plays, Compiled and intro- Paris. 587-89.
duced by Zakes Mda; Black South African Women: Sennett, Herbert. Stanislavski and the Actor, Jean
An Anthology of Plays, ed. Kathy Perkins. 298- Benedetti; Stanislavski in Rehearsal, Vasily Osiovich
300. Toporkov, translation by Christine Edwards. 151-
Kuftinec, Sonja. Festive Revolutions: The Politics of i
Popular Theatre and the San Francisco Mime Troupe, Schwentker, Fritz. Structural Design for the Stage,
Claudia Orenstein. 143-44. Alys E. Holden and Bronislaw J. Sammler. 295-
Lee, Josephine. Asian American Culture On Stage: 97.
The History of the East West Players, Yuko Shaiman, Mark. Differences in the Dark: American
Kurahashi; The Chinese Other 1850-1925: An An- Movies and the English Theater, Michael T. Gilmore.
thology of Plays, Dave Williams. 426-27. 303.
Lutterbie, John. Edges of Loss, Mark Pizzato. 149-51. Smith, Gretchen Elizabeth. The Politics of the Stuart
Marra, Kim. The Cambridge History of American Court Masque, David Bevington and Peter
Theatre, Vol. II: 1870-1945, Don B. Wilmeth and Holbrook, eds. 590-91.
Christopher Bigsby, eds. 424-25. Stanlake, Christy. Seventh Generation: An Anthology
McEntee, Ann Marie. Weird and Wonderful: The of Native American Plays, ed. Mimi Gisolfi
Dime Museum in America, Andrea Stulman D’Aponte. 144-45.
Dennett. 148. Stoller, Terry. Documentary Theatre in the United
McGuire, Philip C. Shakespeare's Theory of Drama, States: An Historical Survey and Analysis of Its
Pauline Kiernan. 290-91. Content, Form, and Stagecraft, Gary Fisher Dawson.
Nelson, Byron. Drama and Politics in the English 589-90.
Civil War, Susan Wiseman; At Zero Point: Dis- Stone, Robin. Kafka and Pinter: Shadow-Boxing: The
course, Culture, and Satire in Restoration England, Struggle Between Father and Son, Raymond
Rose Zimbardo. 291-93. Armstrong. 597-98.
Paredez, Deborah. José Can You See? Latinos On and Vanpee, Janie. The Orient of the Boulevards: Exoti-
Off Broadway, Alberto Sandoval-Sanchez. 139-40. cism, Empire, and Nineteenth-Century French The-
Pellegrini, Ann. Acts of Intervention: Performance, atre, Angela C. Pao. 152-53.
Gay Culture, and AIDS, David Roman. 287-88. Walters, Scott E. Cultural Calisthenics: Writing on
Penner, James L. 1956 and All That: The Making of Race, Politics, and Theatre, Robert Brustein. 304-5.
Modern British Drama, Dan Reballato. 438-39. Wilmer, S.E. The History of North American Theater:
Pizzato, Mark. Postmodern/Drama: Reading the Con- From Pre-Columbian Times to the Present, Felicia
temporary Stage, Stephen Watt. 301-2. Hardison Londré and Daniel J. Watermeier. 294—
Richardson, Helen E. Collaborative Theatre: The 95.