Table Of Content

Theatre Journal INDEX TO VOLUME 45 CONTRIBUTORS INDEX Reconfiguring History and Identity in Post-Wall ARTICLES Germany. 35-47. Silberman, Marc. A Postmodernized Brecht? 1-19. Bank, Rosemarie K. Staging the “Native”: Making Smith, Iris. Mabou Mines’s Lear: A Narrative of History in American Theatre Culture, 1828-38. Collective Authorship. 279-301. 461-86. Sohlich, Wolfgang. The Dialectic of Mimesis and Canning, Charlotte. Constructing Experience: Representation in Brecht’s Life of Galileo. 49-64. Theorizing A Feminist Theatre History. 529-40. Sullivan, Esther Beth. Hailing Ideology, Acting in Carlson, Susan. Collaboration, Identity, and Cul- the Horizon, and Reading between Plays by tural Difference: Karim Alrawi’s Theatre of En- Timberlake Wertenbaker. 139-54. gagement. 155-73. Weber, Carl. Crossing the Footbridge Again; or, A Chaudhuri, Una. Private Parts: Sex, Class, and Sentimental Journey. 75-89. Stage Space in Miss Julie. 317-32. Wing, J. L. The Iconicity of Absence: Dario Fo and Davis, Tracy C. Reading for Economic History. the Radical Invisible. 303-15. . 487-503. DiCenzo, Maria R. Charabanc TheatreCompany: Placing Women Center-Stage in Northern Ire- THEATRE REVIEWS land. 175-84. Dolan, Jill. Geographies of Learning: Theatre Stud- Abel, Sam. The Gift of the Gorgon, Peter Shaffer. ies, Performance, and the “Performative.” 417- 549. 41. Adelman, Thomas. Streetdish: The stories, writing Erdman, Harley. Caught in the “Eye of the Eter- and lives of homeless Youth. 260. nal”: Justice, Race, and the Camera from The Anderson, Randall Louis. Edward II, Christopher Octoroon to Rodney King. 333-48. Marlowe. 106. Garner, Stanton B., Jr. “Still living flesh”: Beckett, Arthur, Thomas H. Women in the Wings, Deon Merleau-Ponty, and the Phenomenological Opperman. 299. Body. 443-60. Bain, Ted. The Shaw Festival. 97. Gaston, Georg. Interview: David Hare. 213-25. Borreca, Art. Angels in America, Part I: Millenium Hill, Philip G. Doctoral Dissertations in Progress Approaches, Tony Kushner. 236. in Theatre Arts, 1993. 227-33. Brady, Owen. Stratford Ontario Festival. 242. Levitt, Anne Shandler. Jean Cocteau’s Theatre: Burkman, Katherine H. Waiting for Godot, Samuel Idea and Enactment. 363-72. Beckett. 100. Martin, Matthew. Stephen Poliakoff’s Drama for Carlson, Marvin. In the Company of Men, Edward the Post-Scientific Age. 197-211. Bond. 240. Nakayama, Randall S. Domesticating Mr. Orton. Case, Sue-Ellen. Medea, Euripides. 296. 185-95. Cook, Rena. The Love of the Nightingale, Timberlake Nellhaus, Tobin. Science, History, Theatre: The- Wertenbaker. 381-82. orizing Two Alternatives to Positivism. 505-27. Demastes, William. A Midsummer Night’s Dream, Rouse, John. Heiner Miiller and the Politics of Shakespeare. 238. Memory. 65-74. Diamond, Catherine. Death of a Salesman, Arthur Schélling, Traute. On with the Show? The Tran- Miller. 108. sition to Post-Socialist Theatre in Eastern Ger- Fisher, James. Hamlet, Shakespeare. 552. many. 21-33. Frym, Michael. A Midsummer Night's Dream, Shimakawa, Karen. “Who’s to Say?” Or, Making Shakespeare. 116. Space for Gendered Ethnicity in M. Butterfly. Graham, Shawn. Blood! Love! Madness!, Nakamura, 349-61. Kikuchi and Mishima. Woyzeck, Buchner. 251. Sieg, Katrin. The Revolution has been Televised: Greene, Alexis. Serious Fun! 256. Theatre Journal 45 (1993) 571-575 © 1993 by The Johns Hopkins University Press a Index to Volume 45 Kelly, Katherine. Danton’s Death, Georg Buchner. Callahan, John M. Brawl Ridiculous: Swordfighting 375-77. in Shakespeare's Plays, Charles Edelman. Methods Knopf, Robert. The Birthday Party, Harold Pinter. and Practice of Elizabethan Swordplay, Craig 382-84. Turner and Tony Soper. 405. Krag, Hartmut. 29th Berlin Theatertreffen. 91. Cameron, Alasdair. The Performance of Power: The Kramer, Annette. The Seagull, Anton Chekhov. Theatrical Discourse and Politics, Sue-Ellen Case 387-89. and Janelle Reinelt, eds. 263. Krasner, David. My Mother Never Said I Should, Canning, Charlotte. The Divided Home/Land: Con- Charlotte Keatley. 384-85. temporary German Women’s Plays, Sue-Ellen LaPenta, Daniel. Square Rounds, Tony Harrison. Case, ed. 121. 380-81. Carlson, Susan. Retreats From Realism in Recent En- Laris, Katie. Fires in the Mirror, Anna Deavere glish Drama, Ruby Cohn. 128. Smith. 117. Chansky, Dorothy. The Right to Speak: Women With Liston, William. The Sixteenth Annual Humana Fes- the Voice, Patsy Rodenburg. Freeing Shakespeare's tival of New American Plays, Actors Theatre of Voice: The Actor’s Guide to Talking the Text, Kristin Louisville. 112. Linklater. 409. Lopondo, Lillian. Trono de Sangue, Shakespeare. Chatten, Beth. Shakespeare Comes to Broadmoor: ‘The 546. Actors Are Come Hither’: The Performance of Trag- Moy, James. A Man Called Macbeth, adapt. Takeshi edy in a Secure Psychiatric Hospital, Murray Cox, Kawamura. 103. Obake! Tales of Spirits Past and ed. 269. Present, Brenda Wong Aoki. New World {B}order/ Crochunis, Thomas C. The First German Theatre: El Nuevo {B}order Mundial, Guillermo Gomez- Schiller, Goethe, Kleist and Biichner in Performance, Pena and Coco Fusco. 378-79. Michael Patterson. Friedrich Schiller: Drama, Mullin, Michael. Chicago International Theatre Fes- Thought and Politics, Lesley Sharpe. 398. tival. 99. Davis, Tracy C. Dramatic Re-Visions: An Annotated Nadler, Paul. Les Atrides, Aeschylus and Euripides. Bibliography of Feminism and Theatre 1972-1988, MahabharANTa, Lee Breuer. 373-75. Susan M. Steadman. Drama by Women to 1900: Peimer, Jordan. Tattle Tales, Shel Wagner. 386-87. A Bibliography of American and British Writers, Pronko, Leonard. Chronicle of Macbeth, adapt. Tad- Gwenn Davis and Beverley A. Joyce, comps. ashi Suzuki. 110. 394. Ramshardt, Ralf. Peer Gynt, Henrik Ibsen. 541. Dillon, Cynthia Bishop. The Playwrighting Self of Schroeder, Patricia. Vivisections from a Blown Mind, Bernard Shaw, John A. Bertolini. 273. Alonzo Lamont Jr. 258. Doan, Laura. The Plays of Caryl Churchill: Theatre of Stephens, Jeff. The Suicide, Nikolai Erdman. 250. Empowerment, Amelia Howe Kritzer. 393. Stout, Frances. The Desert Music: A Live Show, Erdman, Harley. Sephardic Playwrights of the Seven- George Coates. 545. teenth and Eighteenth Centuries in Amsterdam, Suntree, Susan. Ivona, Princess of Burgundia, Witold Haydee Litovsky. 124. Gombrowicz. 386-87. Gainor, j. Ellen. Dancing ‘Tili Dawn: A Century of Waal, Carla. Rosmersholm, Ibsen. 254. Exhibition Ballroom Dance, Julie Malnig. 559. Walen, Denise. No Trace of the Blonde, Holly Garofalo, Peter. Ezio D’Errico’s Theater of the Absurd: Hughes. 548. Three Plays. Louis Kibler and John Michael Watson, Van. Small Domestic Acts, Joan Lipkin. 543. Stuart, trans. Louis Kibler, ed. 126. Weeks, Stephen. Restoration, Edward Bond. 241. Gary, Denys. The Tragic Middle: Racine, Aristotle, Euripides, Richard E. Goodkin. Gross, Robert F. Not in Front of the Audience: Homo- BOOK REVIEWS sexuality On Stage, Nicholas de Jongh. 264. Kiebuzinska, Christine. Wielopole/Wielopole—An Balme, Christopher. Critical Theory and Performance, Exercise in Theatre, Tadeusz Kantor, Mariusz Janelle G. Reinelt and Joseph R. Roach, eds. Tchorek and G. M. Hyde, trans. 130. 557. King, Nicole R. The Alexander Plays, Adrienne Ken- Bell, John. Cabaret Performance, Volume II: Europe nedy. Intersecting Boundaries: The Theatre of Ad- 1920-1940 Sketches, Songs, Monologues, Memoirs, rienne Kennedy, Paul Bryant-Jackson and Lois Laurence Senelick. 564. More Overbeck, eds. 406. Bennett, Susan. The Appropriation of Shakespeare: Knowles, Richard Paul. The Stratford Festival Story: Post-Renaissance Reconstructions of the Work and A Catalogue-Index to the Stratford, Ontario Festival, the Myth, Jean I. Marsden, ed. 270. 1953-1990, J. Alan B. Somerset. 133. Burgoyne, Suzanne, rev. Directors in Rehearsal: A Kobialka, Michal. A Laboratory of Impure Forms: The Hidden World, Susan Letzler Cole. 408. Plays of Tadeusz Rézewicz, Halina Filipowicz. 131. INDEX TO VOLUME 45 / 573 Rhetoric and the Origins of Medieval Drama, Jody Aoki, Brenda Wong. Obake! Tale of Spirits Past and Enders. The Theatre of Medieval Europe: New Re- Present. 378. search in Early Medieval Drama, Eckehard Simon, Babel, Isaak. The End of Armenhaus. 91. ed. 560. Barlach, Ernst. Blue Boll. 91. Kolin, Philip C. Tennessee Williams & Elia Kazan: A Beckett, Samuel. Waiting for Godot. 100. Endgame. Collaboration in the Theatre, Brenda Murphy. 565. Si. Koren-Deutsch, Ilona S. The National Stage: Theatre Bogosian, Eric. Dog Show. 256. and Cultural Legitimation in England, France, and Bond, Edward. In the Company of Men. 240. Res- America, Loren Kruger. 399. toration. 241. Kruger, Loren. Cold War Theatre; John Elsom. The Brecht, Bertolt. Drums in the Night. 97. In the Jungle Second Time as Farce: Reflections on the Drama of of Cities. 91. Mean Times, David Edgar. The Politics of Perform- Breuer, Lee. MahabharANTa. 373. ance: Radical Theatre as Cultural Intervention, Baz Buchner, Georg. Danton’s Death. 251. Woyzeck. 91. Kersahw. 555. Bukowski, Oliver. Burnout; or, Refusing the High C. Laughlin, Karen L. Around the Absurd: Essays On 91. Modern and Postmodern Drama. Enoch Brater and Chekhov, Anton. The Seagull. 387. Uncle Vanya. Ruby Cohn, eds. 127. 242. Leptak, Jeffrey. The Jamaican Stage, 1655-1900: Pro- Coates, George, Steve Reich. The Desert Music: A file of a Colonial Theatre, Errol Hill. 271. Live Sho. 545. Milhous, Judith, rev. Sexual Suspects, Kristina Compagnie Philippe Genty. Derives. 99. Straub. 122. Coward, Noel. Point Valaine. 97. Miiller, Peter. The Plot of the Future: Utopia and Dys- Erdman, Nikolai. The Suicide. 250. topia in Modern Drama, Dragan Klaic. 566. Euripides. Medea. 246. Narey, Wayne. Casting Shakespeare's Plays: London Findley, Karen. A Certain Level of Denial. 256. Actors and Their Roles, 1590-1642, T. J. King. 403. Gombrowicz, Witold. Ivona, Princess of Burgundia. Patten, Janice E. Seven Gothic Dramas, 1789-1825, 389. Jeffrey N. Cox, ed. 562. Gomez-Pena, Guillermo and Coco Fusco. New Payne, Deborah C. The First English Actresses: World {B}order/El Nuevo [B}order Mundial. 378. Women and Drama 1660-1700, Elizabeth Howe. Harrison, Tony. Square Rounds. 380. 396. Hughes, Holly. No Trace of the Blonde. 548. Powell, Kerry. Theatre in the Victorian Age, Michael Hwang, David Henry. Bondage. 112. R. Booth. The Profession of the Playwright: British Ibsen, Henrik. Peer Gynt. 541. Rosmersholm. 254. Theatre 1800-1900, John Russell Stephens. 275. Keatley, Charlotte. My Mother Said I Never Should. Quinn, Michael L. Hamlet and the Concept of Char- 384. acter, Bert O. States. 401. Kelly, John. Music While Waging Victory. 256. Sajko, Brian Paul. Junius Brutus Booth: Theatrical Kresnik, Johann. The Life of Frida Kahlo. 91. Prometheus, Stephen M. Archer. 273. Kushner, Tony. Angels in America, Part I: Millenium Stafford, Tony J. Verbal Violence in Contemporary Approaches. 236. Drama: From Handke to Shepard, Jeanette R. Lamont, Jr., Alonzo D. Vivisections from a Blown Malkin. 266. Mind. 258. Stowell, Sheila. Shaw’s Daughters: Dramatic and Nar- Lessing, Gotthold. Emilia Galotti. 91. rative Constructions of Gender, J. Ellen Gainor. Lipkin, Joan. Small Domestic Acts. 543. 558. Marlowe, Christopher. Edward II. 106. Walen, Denise A. Women in Power in the Early Mod- Miller, Arthur. Death of a Salesman. 108. ern Drama, Theodora A. Jankowski. 402. Nakamura, Kichizo, Kan Kikuchi and Yukio Yan, Haiping Tragicomedy and Contemporary Cul- Mishima. Blood! Love! Madness! 251. ture: Play and Performance From Beckett to Shepard, Norman, Marsha. D. Boone. 112. John Orr. 267. Oates, Joyce Carol. Procedure. 112. Opperman, Deon. Women in the Wings. 249. Parks, Suzan-Lori. Devotees in the Garden of Love. 112. THEATRE REVIEW INDEX Pinter, Harold. The Birthday Party. 382. PLAYS REVIEWED Rivera, Jose. Marisol. 112. Schwab, Werner. Genocide; or, My Liver is Mean- Aeschylus and Euripides. Les Atrides. 373. ingless. 91. Akademia Ruchu. Everyday Life After the Revolution, Shaffer, Peter. Gift of the Gorgon. 549. Part Two. 99. Shakespeare, William. A Man Called Macbeth. 103. Anderson, Jane. Lynette at 3 AM. 112. Chronicle of Macbeth. 110. Hamlet. 552. A Mid- 574 / Index to Volume 45 summer Night's Dream. 238. Romeo and Juliet. 242. PRODUCING GROUPS REVIEWED Love's Labours Lost. 242. The Tempest. 242. Trono de Sangue. 546. Festivals Shaw, Bernard Shaw. Widower’s Houses. 97. Chicago International Theatre Festival. 99. Simon, Mayo. The Old Lady's Guide to Survival. 112. Grahamstown Theatre Festival. 249. Smith, Anna Deavere. Fires in the Mirror. 117. Humana Festival of New American Plays. 112. Stein, Gertrude. Doctor Faustus Light the Lights. 256. Lincoln Center Festival of Serious Fun. 256. Strauss, Botho. Final Chorus. 91. Mitsui Festival. 110. Strindberg, August. Miss Julie. 91. Oregon Shakespeare Festival. 241. Suzuki, Tadashi, adept. Chronicle of Macbeth. 110. Shaw Festival. 97. Tabori, George. Goldberg Variations. 91. Stratford Festival. 242. Trakl, Georg. Bluebeard. 91. Twenty-ninth Berlin Theatertreffen. 91. Wagner, Shel. Tattle Tales. 386. Wertenbaker, Timberlake. The Love of the Nightin- gale. 381. Wilson, Lanford. Eukiah. 112. BOOK REVIEW INDEX BOOKS REVIEWED Archer, Stephen M. Junius Brutus Booth: Theatrical PRODUCING GROUPS REVIEWED Prometheus, Brian Paul Sajko, rev. 273. Companies, U.S. Bertolini, John A. The Playwrighting Self of Bernard Shaw, Cynthia Bishop Dillon, rev. 273. The Actors Gang, Los Angeles. 251. Booth, Michael R. Theatre in the Victorian Age, Kerry Actors Theatre of Louisville. 112. Powell, rev. 275. Alley Theatre, Houston. 375. Brater, Enoch, and Ruby Cohn, eds. Around the Cleveland Playhouse. 250. Absurd: Essays on Modern and Postmodern Drama, Cornerstone Theatre Company, Los Angeles. 116. Karen L. Laughlin, rev. 127. George Coates Performance Works, San Francisco. Bryant-Jackson, Paul, and Lois More Overbeck, 545. eds. Intersecting Boundaries: The Theatre of Ad- Greek Active, Seattle. 246. rienne Kennedy, Nicole R. King, rev. 406. Huntington Theatre Company, Boston. 384. Case, Sue-Ellen, ed. The Divided Home/Land: Con- Joseph Papp Public Theatre, New York. 117. temporary German Women’s Plays, Charlotte Can- Odyssey Theatre Ensemble, Los Angeles. 389. ning, rev. 121. Seven Stages Theatre, Atlanta. 258. Case, Sue-Ellen, and Janelle Reinelt, eds. The Per- Trinity Repertory Company, Providence, R.I. 387. formance of Power: The Theatrical Discourse and Pol- The Uppity Theatre Company, St. Louis. 543. itics, Alasdair Cameron, rev. 263. Yale Repertory Theatre, New Haven. 106. Cohn, Ruby. Retreats From Realism in Recent English Drama, Susan Carlson, rev. 128. Cole, Susan Letzler. Directors in Rehearsal: A Hidden World, Suzanne Burgoyne, rev. 408. PRODUCING GROUPS REVIEWED Cox, Jeffrey N., ed. Seven Gothic Dramas, 1789- Companies, Foreign 1825, Janice E. Patten, rev. 562. Cox, Murray, ed. Shakespeare Comes to Broadmoor: Akademia Ruchu, Warsaw. 99. “The Actors Are Come Hither’: The Performance of Compagnie Philippe Genty, Paris. 99. Tragedy in a Secure Psychiatric Hospital, Beth Chat- Daisan Erotica, Tokyo. 103. ten, rev. 269. The Gate Theatre, Dublin. 100. Davis, Gwenn, and Beverley A. Joyce, comps. Grupo de Teatro Macunaima, San Paulo, Brasil. Drama by Women to 1900: A Bibliography of Amer- 546. ican and British Writers, Tracy C. Davis, rev. 394. The National Theatre, Taipai. 108. de Jongh, Nicholas. Not in Front of the Audience: New Experimental Theatre of Volgograd, Russia. Homosexuality On Stage, Robert F. Gross, rev. 250. 264. The Playbox Theatre, Melbourne. 110. Edelman, Charles. Brawl Ridiculous: Swordfighting Royal Dramatic Theatre of Sweden. 541. in Shakespeare's Plays, John M. Callahan, rev. Royal National Theatre, London. 236, 238. 405. Royal Shakespeare Company. 549, 552. Edgar, David. The Second Time as Farce: Reflections Stockholms Stadsteater. 254. on the Drama of Mean Times, Loren Kruger, rev. Theatre de la Ville, Paris. 240. 555. INDEX TO VOLUME 45 / 575 Elsom, John. Cold War Theatre, Loren Kruger, rev. Drama: From Handke to Shepard, Tony J. Stafford, 555. 266. Enders, Jody. Rhetoric and the Origins of Medieval Malnig, Julie. Dancing ‘Till Dawn: A Century of Ex- Drama, Michal Kobialka, rev. 560. hibition Ballroom Dance, J. Ellen Gainor, rev. 559. Filipowicz, Halina. A Laboratory of Impure Forms: Marsden, Jean I., ed. The Appropriation of Shake- The Plays of Tadeusz Rézewicz, Michal Kobialka, speare: Post-Renaissance Reconstructions of the Work rev. 131. and the Myth, Susan Bennett, rev. 270. Gainor, J. Ellen. Shaw's Daughters: Dramatic and Murphy, Brenda. Tennessee Williams & Elia Kazan: Narrative Constructions of Gender, Sheila Stowell, A Collaboration in the Theatre, Philip C. Kolin, rev. 558. rev. 565. Goodkin, Richard E. The Tragic Middle: Racine, Orr, John. Tragicomedy and Contemporary Culture: Aristotle, Euripides, Denys J. Gary, rev. 411. Play and Performance From Beckett to Shepard, Hill, Errol. The Jamaican Stage, 1655-1900: Profile of Haiping Yan, rev. 267. a Colonial Theatre, Jeffrey Leptak, rev. 271. Patterson, Michael. The First German Theatre: Schil- Howe, Elizabeth. The tirst English Actresses: Women ler, Goethe, Kleist and Biichner in Performance, and Drama 1660-1700, Deborah C. Payne, rev. Thomas C. Crochunis, rev. 398. 396. Peacock, D. Keith. Radical Stages: Alternative History Jankowski, Theodora A. Women in Power in the in Modern British Drama, Susan Carlson, rev. 128. Early Modern Drama, Denise A. Walen, rev. 402. Reinelt, Janelle G., and Joseph R. Roach, eds. Crit- Kantor, Tadeusz. Wielopole/Wielopole—An Exercise ical Theory and Performance, Christopher Balme, in Theatre, Mariusz Tchorek and G. M. Hyde, rev. 557. trans., Christine Kiebuzinska, rev. 130. Rodenburg, Patsy. The Right to Speak: Working With Kennedy, Adrienne. The Alexander Plays, Nicole R. the Voice, Dorothy Chansky, rev. 409. King, rev. 406. Senelick, Laurence. Cabaret Performance, Volume II: Kershaw, Baz. The Politics of Performance: Radical Europe 1920-1940 Sketches, Songs, Monologues, Theatre as Cultural Intervention, Loren Kruger, Memoirs, John Bell, rev. 564. rev. 555. Sharpe, Lesley. Friedrich Schiller: Drama, Thought Kibler, Louis, ed., Ezio D’Errico’s Theater of the Ab- and Politics, Thomas C. Crochunis, rev. 398. surd: Three Piays, Peter Garofalo, rev. 126. Simon, Eckehard, ed. The Theatre of Medieval Eu- King, T. J. Casting Shakespeare's Plays: London Actors rope: New Research in Early Medieval Drama, and Their Roles, 1590-1642, Wayne Narey, rev. Michal Kobialka, rev. 560. 403. Somerset, J. Alan B. The Stratford Festival Story: A Klaic, Dragan. The Plot of the Future: Utopia and Catalogue-Index to the Stratford, Ontario Festival, Dystopia in Modern Drama, Peter P. Miiller, rev. 1953-1990, Richard Paul Knowles, rev. 133. 566. States, Bert O. Hamlet and the Concept of Character, Kritzer, Amelia Howe. The Plays of Caryl Churchill: Michael L. Quinn, rev. 401. Theatre of Empowerment, Laura Doan, rev. 393. Steadman, Susan M. Dramatic Re-Visions: An An- Kruger, Loren. The National Stage: Theatre and Cul- notated Bibliography of Feminism and Theatre 1972- tural Legitimation in England, France, and America, 1988, Tracy C. Davis, rev. 394. Ilona S. Koren-Deutsch, rev. 399. Stephens, John Russell. The Profession of the Play- Linklater, Kristin. Freeing Shakespeare’s Voice: The wright: British Theatre 1800-1900, Kerry Powell, Actor’s Guide to Talking the Text, Dorothy Chan- rev. 275. sky, rev. 409. Straub, Kristina. Sexual Suspects, Judith Milhous, Litovsky, Haydee. Sephardic Playwrights of the Sev- rev. 122. enteenth and Eighteenth Centuries in Amsterdam, Turner, Craig, and Tony Soper. Methods and Practice Harley Erdman, rev. 124. of Elizabethan Swordplay, John M. Callahan, rev. Malkin, Jeanette R. Verbal Violence in Contemporary 405.