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Theatre in Ancient Greek Society PDF

257 Pages·2013·13.035 MB·English
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THEATRE IN ANCIENT GREEK SOCIETY Copyrighted Material Frontispiece Tarentine Gnathia calyx-krater with comic actor playing Derkylos. Tampa (Florida), coll. William Knight Zewadski Copyrighted Material THEATRE IN ANCIENT GREEK SOCIETY J. R. Green I o I- m <a ff> m London and New York Copyrighted Material First published 1994 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledae 29 West 35th Street, New York, NY 10001 First published in paperback 1996 Routledge is an International Thomson Publishing company I X'P £ 1994 J.R.Green Typeset in Baskerville by Solidus (Bristol) Ltd Printed and bound in Great Britain by Biddies Ltd, Guildford and King's Lynn All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0-415-14359^ (pbk) Copyrighted Material CONTENTS List of figures vii Preface xii List of abbreviations xvii 1 INTRODUCTION Early Athenian theatre - setting and context 1 2 THE EARLY PERIOD AND THE FIFTH CENTURY The visual evidence 16 3 THE LATE FIFTH AND THE FOURTH CENTURIES 49 4 THEATRE AT THE TRANSITION TO THE HELLENISTIC WORLD 89 5 THEATRE IN THE HELLENISTIC WORLD 105 6 CONVENTIONS AND THE CLASSICS Greek theatre in the Roman world 142 Notes 172 Bibliography 207 General Index 227 Index of Principal Objects Discussed 231 Copyrighted Material Copyrighted Material FIGURES Frontispiece Tarentine Gnathia calyx-krater with comic actor playing Derkylos 2.1 Attic red-figure column-krater with a chorus of youths raising a figure from a tomb, c. 490 BC 17 2.2 Attic red-figure hydria with Andromeda about to be tied to stakes, c. 450-440 BC 19 2.3 Attic red-figure pelike with Andromeda tied to stakes, c 450-440 BC 20 2.4 Attic white-ground calyx-krater with Andromeda tied to stakes, c. 450-440 BC 21 2.5 Attic red-figure calyx-krater with Andromeda tied to a rock, late fifth century BC 23 2.6 Attic red-figure pelike with maenad before piper, c, 470 BC 25 2.7 Attic black-figure amphora with comic chorus of Knights, c. 540-530 BC 28 2.8 Attic black-figure hydria with comic chorus of males, c. 550 BC 29 2.9 Attic red-figure calyx-krater with two members of a bird chorus about a piper, c. 414 BC 30 2.10 Attic black-figure oinochoe with bird chorus and piper, c. 480 BC 31 2.11 Attic red-figure psykter with chorus of dolphin-riders, c. 510 BC 32 2.12 Attic black-figure lekythos with piper and dolphin-riders, c. 480 BC 33 2.13 Terracotta figurines, comic actors, end of the fifth century BC 35 2.14 Attic terracotta figurine of young woman, early fourth century BC 36 2.15 Attic red-figure hydria with council of elder satyrs before the Sphinx, c. 467 BC 40 2.16 Attic red-figure cup with young man and satyrs, c. 430 BC 41 Copyrighted Material FIGURES 2.17 Attic red-figure hydria with piper and satyr-chorus building throne, c. 480-470 BC 42 2.18 Attic red-figure calyx-krater with satyr playing kithara and leading Return of Hephaistos, c. 470-460 BC 43 2.19 Attic red-figure volute-krater with the piper Pronomos and cast of a satyr-play in the Sanctuary of Dionysos, late fifth century BC 44 2.20 Attic red-figure bell-krater fragments, with piper and satyr-players, c. 425 BC 45 2.21 Tarentine red-figure bell-krater with comic scene showing a slave (Pyrrhias) and two choregoi with a figure of Aigisthos, C.380BC 46 3.1 Campanian red-figure hydria with Niobe at her grave being turned to stone, third quarter of fourth century BC 53 3.2 Tarentine red-figure loutrophoros with Alcestis on her death-bed, third quarter of fourth century BC 53 3.3 Tarentine red-figure volute-krater, herdsman producing twin sons of Melanippe, third quarter of fourth century BC 55 3.4 Tarentine red-figure calyx-krater, punishment of Dirce, third quarter of fourth century BC 57 3.5 Tarentine Gnathia calyx-krater with messenger, mid-fourth century BC 59 3.6 Sicilian red-figure calyx-krater, report of death of Polybos from Sophocles' Oedipus Tyrannus, c. 330 BC 60 3.7 Tarentine red-figure bell-krater with scene from Aristophanes' Thesmophoriazousai, c. 380-370 BC 64 3.8 Tarentine black-glaze guttus with figure with sword at altar, c. 330-320 BC 66 3.9 Provenances of Middle Comedy material, c. 400-375 BC 68 3.10 Provenances of Middle Comedy material, c. 375-350 BC 68 3.11 Provenances of Middle Comedy material, c. 350-325 BC 69 3.12 Proportions of character-types in comic scenes on vases 71 3.13 Listings of Middle Comedy material other than vases 72 3.14 Popularity of character-types in Middle Comedy 74 3.15 Relative quantities of comic representations 77 3.16 Attic red-figure chous, a boy frightening another with a mask, c. 420 BC 79 3.17 Attic red-figure volute-krater fragment, celebrations in the Sanctuary of Dionysos, end of the fifth century BC 80 3.18 Attic red-figure bell-krater, Dionysos in his sanctuary, beginning of fourth century BC 81 3.19 Marble votive relief with masks from satyr-play, third quarter of fourth century BC 82 Copyrighted Material FIGURES 3.20 Marble grave relief of a comic poet from Athens, third quarter of fourth century BC 83 3.21 Marble relief with Menander holding the mask of a youth, perhaps after an Early Hellenistic original 83 3.22 Attic red-figure hydria with Hermes introducing chorusmen to Dionysos, c. 490-480 BC 84 3.23 Tarentine red-figure bell-krater with head of Dionysos and two actors discovering wine, early fourth century BC 86 3.24 Reverse of Figure 3.23, with Dionysiac thiasos 87 3.25 Attic red-figure volute-krater with Dionysiac thiasos, end of fifth century BC 88 4.1 Paestan red-figure bell-krater with Dionysos and Pan, third quarter of fourth century BC 89 4.2 Paestan red-figure bell-krater with Dionysos and comic actor as slave, third quarter of fourth century BC 90 4.3 Paestan red-figure bell-krater with Dionysos and actor as papposilenos, third quarter of fourth century BC 92 4.4 Paestan red-figure bell-krater with actor as papposilenos pulling Dionysos and Ariadne in procession, third quarter of fourth century BC 93 4.5 Tarentine skyphos in Gnathia technique with mask of hetaira set within vine, c. 325 BC 96 4.6 Paestan red-figure bell-krater with symposion and actor as papposilenos asleep on floor and masks of slave, girl and man above, third quarter of fourth century BC 98 4.7 Paestan red-figure calyx-krater with Dionysos reclining in the presence of an actor as papposilenos and maenads, third quarter of fourth century BC 99 4.8 Terracotta miniature mask of wavy-haired youth, later fourth century BC 100 4.9 Marble portrait-herm with portrait of Alexander the Great, Roman copy of Early Hellenistic original 101 4.10 Terracotta miniature mask of energetic youth, late fourth century BC 102 5.1 Provenances of Middle Comedy material, c. 400-325 BC 108 5.2 Provenances of New Comedy material, c. 325-250 BC 108 5.3 Comparative numbers of masks and figures in fourth-century and Hellenistic comedy 109 5.4 The material of surviving objects representing comedy, c. 325-250 BC 110 5.5 Mosaic from Pompeii with Menander, Theophoroumene Act 2, late second century BC 111 5.6 Terracotta plaque with masks of the key characters from a comedy, Early Hellenistic 113 Copyrighted Material

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