Table Of Content

INDEX TO VOLUME 37 Aronson, Arnold, “Designing the Utopian Fitzgerald, Jason, “I Like to Be in America” Past” [book review of Christopher Innes’s [book review of David Roman's Performance Designing Modern Americal, no. 2, 117-20. in America], no. 2, 130-35. Beck, Dennis C., “A Life of Slaying Dragons Gallagher-Ross, Jacob, “Ibsen the Oracle,” and Other Dramatic Business” [book review no. 3, 72-85. of Carol Rocamora’s Acts ofC ourage], no. 1, , “Ibsen Our Contemporary: go-—98. Contemporary Directors on the Playwright’s Centenary,” no. 3, 86-115. BrandI-Risi, Bettina, “The New Virtuosity: Outperforming and Imperfection on the Garcia, Lydia, “A Cacophony of Voices” German Stage,” no. 1, 8-37. [book review of Ferdinand Lewis's Ensemble Works: An Anthology], no. 1, 113-17. Carlson, Marvin. See Shawn-Marie Garrett. Garrett, Shawn-Marie, “Who's Afraid of Castellucci, Romeo, “The Iconoclasm of Rachel Corrie?” [panel discussion with Marvin the Stage and the Return of the Body: Carlson, John Heilpern, Christopher Shinn, The Carnal Power of Theater” [translated by Alisa Solomon, and Kelly Stuart], no. 2, Gloria Pastorino], no. 3, 36-45. 54-65. , Agamemnon: Excerpted from Romeo Castellucci’s Oresteia (una commedia Giurgea, Adrian, ““What Good Are Poets in organica?)” [translated by Joseph P. a Bereft Time?” [Up Front], no. 3, 1-2. Cermatori], no. 3, 49-71. Grand Magasin. See Tom Sellar. Cermatori, Joseph P., “Hitting the Wall” [book review of Mac Wellman and Young Heilpern, John. See Shawn-Marie Garrett. Jean Lee’s New Downtown Now], no. 2, 125-29. Helle, Herman. See Tom Sellar. , ‘Agamemnon: A Translator’s Tale,” no. 3, 46-48. Honegger, Gitta, “Romantic Pragmatist” Also see Romeo Castellucci. [interview with Tony Kushner], no. 3, 116-27. Discordia Translations. See Adelheid Roosen. Hoornweg, Arléne. See Tom Sellar. Ibsen, Henrik. See Jacob Gallagher-Ross. INDEX TO VOLUME 37 Aronson, Arnold, “Designing the Utopian Fitzgerald, Jason, “I Like to Be in America” Past” [book review of Christopher Innes’s [book review of David Roman's Performance Designing Modern Americal, no. 2, 117-20. in America], no. 2, 130-35. Beck, Dennis C., “A Life of Slaying Dragons Gallagher-Ross, Jacob, “Ibsen the Oracle,” and Other Dramatic Business” [book review no. 3, 72-85. of Carol Rocamora’s Acts ofC ourage], no. 1, , “Ibsen Our Contemporary: go-—98. Contemporary Directors on the Playwright’s Centenary,” no. 3, 86-115. BrandI-Risi, Bettina, “The New Virtuosity: Outperforming and Imperfection on the Garcia, Lydia, “A Cacophony of Voices” German Stage,” no. 1, 8-37. [book review of Ferdinand Lewis's Ensemble Works: An Anthology], no. 1, 113-17. Carlson, Marvin. See Shawn-Marie Garrett. Garrett, Shawn-Marie, “Who's Afraid of Castellucci, Romeo, “The Iconoclasm of Rachel Corrie?” [panel discussion with Marvin the Stage and the Return of the Body: Carlson, John Heilpern, Christopher Shinn, The Carnal Power of Theater” [translated by Alisa Solomon, and Kelly Stuart], no. 2, Gloria Pastorino], no. 3, 36-45. 54-65. , Agamemnon: Excerpted from Romeo Castellucci’s Oresteia (una commedia Giurgea, Adrian, ““What Good Are Poets in organica?)” [translated by Joseph P. a Bereft Time?” [Up Front], no. 3, 1-2. Cermatori], no. 3, 49-71. Grand Magasin. See Tom Sellar. Cermatori, Joseph P., “Hitting the Wall” [book review of Mac Wellman and Young Heilpern, John. See Shawn-Marie Garrett. Jean Lee’s New Downtown Now], no. 2, 125-29. Helle, Herman. See Tom Sellar. , ‘Agamemnon: A Translator’s Tale,” no. 3, 46-48. Honegger, Gitta, “Romantic Pragmatist” Also see Romeo Castellucci. [interview with Tony Kushner], no. 3, 116-27. Discordia Translations. See Adelheid Roosen. Hoornweg, Arléne. See Tom Sellar. Ibsen, Henrik. See Jacob Gallagher-Ross. INDEX Kalker, Pauline. See Tom Sellar. Rogoff, Gordon, “Talking Heads” [Up Front], no. 2, 1-3. Kauffmann, Stanley, “Separate but , “Sly in Bottomless Love” [book Inseparable” [book review of Robert Knopf’s review of Ron Rosenbaum’s The Shakespeare Theater and Film], no. 1, 85-89. Wars], no. 2, 121-24. , “Richard Gilman: 1925—2006” [Up Front], no. 2, 4-5. Roosen, Adelheid, The Veiled Monologues {translated by Discordia Translations], no. 2, Kelleher, Joe, “‘It’s so beautiful here. Come, 23-53. you come too,’” no. 3, 16-25. Rusch, Rachel, “Black and White Fires” Kotzamani, Marina, “Productions” [review of [production review of Romeo Castellucci’s Christian Lacroix’s Red], no. 2, 102-9. Tragedia Endogonidia: L.#09 and Claude Régy’s 4.48 Psychose], no. 1, 69-76. Kushner, Tony. See Gitta Honegger. ——, “Sisters under the Skin” [production review of Kate Whoriskey’s Camille; book Leverett, James, “The New Chinoiserie” review of Katie N. Johnson’s Sisters in Sin], [interview with Ong Keng Sen], no. 1, 54-68. no. 2, 110-16. Machado, Eduardo, “Up Front,” no. 1, 1-7. Sack, Daniel, “The Rabbit and Its Double,” NO. 3, 26-35. Mendicino, Kristina, “Stages of Voice and Text: Reading the Life of Karl Kraus” [book Sellar, Tom, “Flight Paths” [interview with review of Edward Timms’s Kar/ Kraus, Philippe Quesnel], no. 1, 38-45. Apocalyptic Satirist, vol. 2], no. 1, 106-12. , “Taking Stock” [interview with Grand Magasin], no. 1, 46-53. Ong Keng Sen. See James Leverett. ———.,, “World Bodies: Adelheid Roosen and The Veiled Monologues,” no. 2, 7-21. Orenstein, Claudia, “Good Theater in Bad , “Hotel Modern, Kamp” [P ortfolio; Times” [book review of Susan Vaneta Mason’s told by Arléne Hoornweg, Pauline Kalker, The San Francisco Mime Troupe Reader], no. 1, and Herman Helle], no. 2, go—1o1. 99-105. , “The Best of Times” [Up Front], = >O e te Pastorino, Gloria. See Romeo Castellucci. Shinn, Christopher. See Shawn-Marie Portfolio: Hotel Modern, Kamp, no. 2, 90-101. Garrett. Profeta, Katherine, “Almost Paradise” Solomon, Alisa. See Shawn-Marie Garrett. [production review of Pascal Rambert’s PARADIS (unfolding time)|, no. 1, 77-84. Steggall, Andrew, “Artist's Journal: Directing Stravinsky's The Soldier's Tale,” no. 2, 66-89. Quesne, Philippe, “Flight Paths” [interviewed and translated by Tom Sellar], no. 1, 38-45. Stuart, Kelly. See Shawn-Marie Garrett. Ridout, Nicholas, “The Worst Sort of Places,” no. 3, 6-15.