Table Of Content

INDEX TO VOLUME 35 Achen, Monica, “Bread and Ashes” Durst, Anita. See Lecat, Jean-Guy. [production review of Oskaras Korsunovas’s Romeo and Juliet\, no. 2, 93-96. Feldman, Susan. See Lecat, Jean-Guy. Boratko, Amy, “Selected Documents from the Findlay, Jim. See CiNE. Judson Poets’ Theater Archives,” no. 3, 20-39. Foreman, Richard. See Sellar, Tom. Chambliss, Wayne. See CiNE. Fox, Josh, “Excerpt from International WOW Chang, Judy. See CiNE. Company’s The Bomb,” no. 1, 92-97. Chernyakov, Dmitri. See Ross, Yana. Freedman, John. See Ross, Yana. Chia, Juliet. See Timbers, Alex. Les Freres Corbusier. See Timbers, Alex. Chiatovich, Tara. See Martel, Frédéric. Gantner, Vallejo. See Lecat, Jean-Guy. CiNE [Wayne Chambliss, Judy Chang, Goebbels, Heiner. See Holzapfel, Amy Gordon DahlquistJ,im Findlay, Prem Strahler. Krishnamurthy, David Levine, Doris Mirescu, and Gus Powell], “Re-Public: The Holzapfel, Amy Strahler, “Offerings” CiNE Collective’s Portfolio for New York’s [interview of Heiner Goebbels], no. 2, 72-82. Joseph Papp Public Theater,” no. 3, 146-64. Honegger, Gitta, “Brecht, Switzerland, and Cohen, Douglas J. See Timbers, Alex. the Hunt for the Lost Suitcase” [book review of Werner Wiithrich’s Bertolt Brecht und die Collins, John. See Lecat, Jean-Guy. Schweiz (Bertolt Brecht and Switzerland), no. I, 109-13. Dahlquist, Gordon. See CiNE. , “Tourists, Performers, and Refugees: Detje, Robin, “Remembering Never-Ever Ariana Mnouchkine and Peter Brook at the Land: How Frank Castorf Reconjured Ruhr Triennale [production review], no. 2, Berlin’s Volksbiihne,” no. 2, 4-17. 86-92. Judson Poets’ Theater. See Boratko, Amy. Lord, Mark, “Up Front,” no. 1, 1-s. Horowitz, Jeffrey. See Mendicino, Kristina, Maleczech, Ruth. See Weckwerth, Wendy. and Tom Sellar. Martel, Frédéric, “Staging Kentucky’s International WOW Company. See Fox, Poverty” [production review of John Josh. Malpede’s RFK in EKY, translated by Tara Chiatovich], no. 2, 83-85. Kalb, Jonathan, “Gulliver’s Choice: Note on the Text,” no. 1, 40-42. McNulty, Charles, “The Fabulous Invalid: Checking In with the Perpetually Terminal ——, Gulliver's Choice [adaptation of Diva,” no. 3, 410-51. Heiner Miiller’s Mauser], no. 1, 43-55. Melillo, Joseph V. See Lecat, Jean-Guy. Kennedy, Adrienne, “Paragraphs, Passages, and Pages That Changed My Life (Excerpt), Mendicino, Kristina, and Tom Sellar, no. 3, 6-19. “Classics under Reconstruction” [interview of Jeffrey Horowitz, Richard Kimmel, and Brian Kimmel, Richard. See Mendicino, Kristina, Kulick], no. 3, 62-73. and Tom Sellar. Mirescu, Doris. See CiNE. Kohler, Anna. See Pollesch, René. Morris, David Evans. See Timbes, Alex. Krishnamurthy, Prem. See CiNE. Miller, Heiner. See Kalb, Jonathan. Kulick, Brian. See Mendicino, Kristina, and Tom Sellar. Nanda, Cathy. See Lecat, Jean-Guy. Lanz, Stephan. See Pollesch, René. Norst, Marlene J. See Richter, Falk. Lecat, Jean-Guy, Vallejo Gantner, Joseph Oakes, Kevin, “Elizabethan Romance and V. Melillo, John Collins, Susan Feldman, eath Magic: A Primer,” no. 2, 26—29. Anita Durst and Cathy Nanda, “Real Estate and Theater Space in New York: A Forum” , The Vomit Talk of Ghosts, no. 2, 30-67. [discussion], no. 3, 134-45. Orenov, Vladimir. See Ross, Yana. Leverett, James, “Distant and Right” [interview of Robert Woodruff], no. 1, 56-65. Pollesch, René, 24 Hours Are Not a Day [translated by Anna Kohler, with samples by Levine, David. See CiNE. Stephan Lanz], no. 1, 66-91. Litvak, Mark. See Ross, Yana. Powell, Gus. See CiNE. Profeta, Katherine, “War Prophets” ——, “Up Front,” no. 2, 1-3. [production review of Anne Teresa and Jolente De Keersmaeker’s Kassandra: Speaking ——, “Up Front,” no. 3, 1-3. in twelve voices], no. 2, 97-102. See also, Mendicino, Kristina, and Tom Richter, Falk, Seven Seconds (In God We Trust) Sellar. [English translation by Marlene J. Norst], no. I, 16-31. Sheehy, Catherine, “A Talent to Amuse” [production review of Ben Hecht and Charles Rosovsky, Mark. See Ross, Yana. MacArthur's Twentieth Century and book review of Margot Peters’s Design for Living], Ross, Yana, “Big Dreams of a Little Theater” no. I, 102-8. [book review of Maria Shevtsova’s Dodin and the Maly Drama Theatre: Process to Shteir, Rachel, “Notes on New York Theater Performance], no. 2, 103-7. Criticism,” no. 3, 74-85. ——, “Under Siege: Moscow Artists Smelyansky, Anatoly. See Ross, Yana. Respond to Nord-Ost” [interview of Vladimir Orenov, Henrietta Yanovskaya, John Solomon, Alisa, “Up Front,” no. 3, 3-5. Freedman, Georgy Vasiliev, Maria Sedih, Mark Litvak, Anatoly Smelyansky, Mark Timbers, Alex, “Boozy: An Auteur’s Preface,” Rosovsky, and Dmitri Chernyakov], no. 1, no. 3, 86-91. 32-39. , “‘Boozy: The Life, Death and Saul, Scott, “An Uneasy Embrace” Subsequent Vilification of Le Corbusier and, [production review of Chen Shi-Zheng’s More Importantly, Robert Moses” [conceived Peach Blossom Fan], no. 1, 98-101. byJ uliet Chia, David Evans Morris, and Alex Timbers; original songs by Douglas J. Sedih, Maria. See Ross, Yana. Cohen], no. 3, 92-133. Sellar, Tom, “Holy Sins” [interview of Piotr Tomaszuk, Piotr. See Sellar, Tom. Tomaszuk], no. 2, 68-71. Vasiliev, Georgy. See Ross, Yana. , “Magic Disappearances” [interview of Richard Foreman], no. 2, 18-25. Weckwerth, Wendy, “Song for New York: An Interview with Ruth Maleczech,” no. 3, 52—61. , “Theater and Violence: Introductory Notes,” no. 1, 6-15. Woodruff, Robert. See Leverett, James. ———, “Up Front,” no. 1, 1. Yanovskaya, Henrietta. See Ross, Yana.