Table Of Content

INDEX TO VOLUME 33 Augustynowicz, Anna. See Kiraly, Nina. Clark, Katerina, “Culture and Soviet Power” [book review: Katherine Bliss Eaton’s Enemies Bottoms, Stephen J., “Inferred Alternatives” of the -eople: The Destruction of Soviet Literary, [book review: Staging Desire: Queer Readings of Theater, and Film Arts in the 19305], no. 1, American Theater History, ed. Kim Marra and 96-98. Robert A. Schanke], no. 2, 102-5. Cruz, Nilo, 4 Very Old Man with Enormous Brantley, Jessica, “Legendary Spectacles” [book Wings, no. 2, 64-91. review: Jody Enders’s Death by Drama and Other Medieval Urban Legends], no. 3, 142-44. ———. See Munk, Erika. Bredeson, Kate, “Je me souviens: De Cummings, Scott T. “Short Changed? Onderneming in Montreal” [production Wooden Nickels at the Regionals,” no. 3, [106- review], no. 1, 79-83. 1]. Brosius, Peter. See Munk, Erika. Ehrenreich, Barbara. See Hansel, Adrien-Alice. Brownstein, Ilana M., “O, for a Sacramental Theater” [book review: Sarah Beckwith’s Ginsberg, Marsha. See Holzapfel, Amy Signifying God: Social Relation and Symbolic Act Strahler. in the York Corpus Christi Plays\, no. 1, 98-99. Glinska, Agnieszka. See Sellar, Tom. Brzoza, Zbigniew. See Sellar, Tom. Hansel, Adrien-Alice, “Subsidized Living: Chaudhuri, Una, “Different Hats: Caryl Reflections on Bringing Nicankd eDimled to Churchill’s Far Away” [production review], no. the Stage” [interview of Joan Holden and L 3, [132-34]. Barbara Ehrenreich], no. 3, 96-105. ——, “To Defy the Perishing Time” [book Holden, Joan. See Hansel, Adrien-Alice. review: Meiling Cheng’s In OtLhos eAngerlese s: Multicentric Performance Art], no. 1, 89-92. Holzapfel, Amy Strahler, “Party On: Lysistrata at the American Repertory Theatre” [production review], no. 2, 100-101. INDEX TO VOLUME 33 Augustynowicz, Anna. See Kiraly, Nina. Clark, Katerina, “Culture and Soviet Power” [book review: Katherine Bliss Eaton’s Enemies Bottoms, Stephen J., “Inferred Alternatives” of the -eople: The Destruction of Soviet Literary, [book review: Staging Desire: Queer Readings of Theater, and Film Arts in the 19305], no. 1, American Theater History, ed. Kim Marra and 96-98. Robert A. Schanke], no. 2, 102-5. Cruz, Nilo, 4 Very Old Man with Enormous Brantley, Jessica, “Legendary Spectacles” [book Wings, no. 2, 64-91. review: Jody Enders’s Death by Drama and Other Medieval Urban Legends], no. 3, 142-44. ———. See Munk, Erika. Bredeson, Kate, “Je me souviens: De Cummings, Scott T. “Short Changed? Onderneming in Montreal” [production Wooden Nickels at the Regionals,” no. 3, [106- review], no. 1, 79-83. 1]. Brosius, Peter. See Munk, Erika. Ehrenreich, Barbara. See Hansel, Adrien-Alice. Brownstein, Ilana M., “O, for a Sacramental Theater” [book review: Sarah Beckwith’s Ginsberg, Marsha. See Holzapfel, Amy Signifying God: Social Relation and Symbolic Act Strahler. in the York Corpus Christi Plays\, no. 1, 98-99. Glinska, Agnieszka. See Sellar, Tom. Brzoza, Zbigniew. See Sellar, Tom. Hansel, Adrien-Alice, “Subsidized Living: Chaudhuri, Una, “Different Hats: Caryl Reflections on Bringing Nicankd eDimled to Churchill’s Far Away” [production review], no. the Stage” [interview of Joan Holden and L 3, [132-34]. Barbara Ehrenreich], no. 3, 96-105. ——, “To Defy the Perishing Time” [book Holden, Joan. See Hansel, Adrien-Alice. review: Meiling Cheng’s In OtLhos eAngerlese s: Multicentric Performance Art], no. 1, 89-92. Holzapfel, Amy Strahler, “Party On: Lysistrata at the American Repertory Theatre” [production review], no. 2, 100-101. INDEX . “Rebellious Birds, Deer i leads, and Krasner, David, “Performance and Drama in Other Stuffed Obsessions: An Annotated Africa” [book review: Frances Harding’s Th Portfolio of Work by Marsha Ginsberg,’ no. 3, Performance Arts in Africa and KevinJ . 40-55. Wetmore Jr’s The Athenian Sun in an African Sky], no. 3, 145-47. Honegger, Gitta, “Vienna Pure and Lust Lite: Vienna Lusthaus (Revisited) at New York Kuftinec, Sonja, Tim Miller, Bill Rauch, and Theatre Workshop” [production review], no. 1, David Roman, “Critical Relations: The Artist 73=70. and Scholar in Conversation,” no. 3, 18-31. Jarzyna, Grzegorz. See Sellar, Tom. Lauwers, Jan. See Rundle. Erika. Johnston, Phillip. See Moore, Alice Rebecca. Lycos, Tom, and Stefo Nantsou, The Stones, no. 2, 20-47. Kalb, Jonathan, “The Death (and Life) of American Theater Criticism: Advice to the McNulty, Charles, “Queer Misgivings,” no. 3, Young Critic,” no. 1, 44-57. tis—17. ——, “Song Logic: Robert Wilson’s Miller, Tim. See Kuftinec, Sonja. Woyzeck” [production review], no. 2, 92-96. Minwalla, Framji, “Tony Kushner’s Kaplan, Esther, “The Innccence Argument: Homebody/Kabul: Staging History in a Post- The Exonerateda t the Culture Project” colonial World,” no. 1, 29-43. [production review], no. 2, 96-99. Moore, Alice Rebecca, “The Ephemeral Page Kauffmann, Stanley, “Resisting the Resistable: Meets the Ephemeral Stage: Comix in The Resistable Rise of Arturo U7” [production Performance” [interview of Art Spiegelman, review], no. 3, 135-37. Phillip Johnston, and Jean Randich], no. 1, 5 Kilian, Jaroslaw. See Sellar, Tom. Munk, Erika, “The Children Are the Angels King, William Davies, “Contextof the Here” [interviewo f Nilo Cruz], no. 2, 62—63. Context: Writings about Susan Glaspell” [book review: Susan Glaspell: Essays on Her ——, “Lessons in How the Planet Should Theaantd Feictrion , ed. Linda Ben-Zvi;J . Work” [interview of Peter Brosius], no. 2. Ellen Gainor’s Susan Glaspell in Context: 48-61. American Theater, Culture, and Politics, 1915-1948; Barbara Ozielbo’s Susan Glaspell:A , “Up Front,” no. 1, 1; no.2, 1; no. 3, I. Critical Biography], no. 2, 106-7. Nantsou, Stefo. See Lycos, Tom. Kirdly, Nina, “Vibration, Rhythm, and Temperature” [interview of Anna Randich, Jean. See Moore, Alice Rebecca. Augustynowicz], no. 3, 37-9. Rauch, Bill. See Kuftinec, Sonja. — , “Poland’s Old and New Masters,” no. 3) 2-19. Robinson, Marc, “The Mind King Abdicates: Panic! (How to Be Happy!)” [production Shandell, Jonathan, “Trumping the review], no. 3, 138-41. Triumvirate” [book review: Cheryl Black’s The Women of Provincetown, 1915-1922], no. 2, Rogoff, Gordon, “Deadly Theater Meets Dead 108-9. Horse,’ no. 3, 86-95. Smith, Matthew Wilson, “The Weight of Roman, David. See Kuftinec, Sonja. History: Max Frisch’s Andorra” |p roduction review], no. 1, 777--778 . Rundle, Erika, “Images of Freedom” [interview of Jan Lauwers], no. 1, 59-71. Solomon, Alisa, “Yiddish Culture, Soviet State” [book review: Jeffrey Veidlinger’s The , ‘Up Front,’ no. 1, 2-3. Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage and Mel Gordon andJ . Salzman, Eric, “Reading Musicals” [book Hoberman’s Cubo-Futurist Klezmer: review: Sandor Goodhart’s Reading Stephen Recordings from the Moscow State Yiddish Sondheim: A Collection of Critical Essays, Theatre (1922-—1938)|, no. 1, 84-88. Stephen Citron’s Sondheim and Lloyd- Webber: The New Musical, and Steven Cohan’s Spiegelman, Art. See Moore, Alice Rebecca. Hollywood Musicals: The Film Reader], no. 1, 92-96. van Woensel, Oscar, medEia, no. 3, 56-85. Sellar, Tom, “Copernican Discoveries” Warlikowski, Krzysztof. See Sellar, Tom. [interview of Zbigniew Brzoza, Agnieszka Glinska, Grzegorz Jarzyna, Jaroslaw Kilian, Zipes, Jack, “Political Children’s Theater in and Krzysztof Warlikowski], no. 3, 20-35. the Age of Globlization,” no. 2, 2-25.