THE WORDSWORTH CIRCLE INDEX —— VOLUME XXXIX 2008 Burwick, Frederick Romantic Theories of Translation Davis, William S. On the Romantic Thing Edson, Michael Romantic Juvenal: Translation, Annotation, and Allusion Erickson, Lee Charles Lamb on Romantic Reading and Social Decorum Farina, Jonathan “The mighty commonwealth of things”: The Characters of Knowledge in Wordsworth’s The Excursion Gallant, Christina Blake’s Antislavery Designs for Songs of Innocence and of Experience Gamer, Michael Shelley Incinerated Gaull, Marilyn “Things forever Speaking” and “Objects of all thought” Gunn, Robert Lawrence The Transatlantic Romance of Celestial Motion: Revolutionary Objects and Fictional Historiography Hale, Robert Wordsworth’s “The Mad Mother”: The Poetics and Politics of Identification Harlan, Susan “Talking” and Reading Shakespeare in Jane Austen’s Mansfield Park Hoeveler, Diane Long The Literal and Literary Circulation of Amelia Curran’s Portrait of Percy Shelley Lussier, Mark Scientific Objects and Blake’s Objections to Science Lokke, Kari The Figure of the Hermit in Charlotte Smith’s Beachy Head Nagle, Christopher Traveling Pleasures and Perils of Sensibility Page, Judith Dorothy Wordsworth’s “gratitude to insensate things”: Gardening in The Grasmere Journals Poetzsch, Markus Vying for “Brilliant Landscapes”: Claude Mirrors, Wordsworth, and Poetic Vision Purinton, Marjean Watches and Watching Time in British Romantic Comedy Rzepka, Charles J. To Be a Thing: Wordsworth’s “A Slumber Did My Spirit Seal” and the Paradox of Corporealization Schmid, Susanne The Countess of Blessington: Reading as Intimacy, Reading as Sociability Schmid, Thomas H. Crocodiles and “Inoculation” Reconsidered: De Quincey, Opium, and the Dream Object Schoenfield, Mark Private Souvenirs: Exchanges Among Byron’s Southwell Set Slagle, Judith Bailey Opposing the Medical World: The Poetry of Anne Home Hunter Tomko, Michael Superstition, the National Imaginary, and Religious Politics in Wordsworth’s Ecclesiastical Sketches Walhout, M. D. Sealed Eyes and Phantom Lovers: The First Line of “A Slumber Did My Spirit Seal” Wood, Gillen D’Arcy The Castrato’s Tale: Artaxerxes and the Feminization of Virtuosity