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T h e Wo m e n o f To t a g a d d e Broken Silence Helen E. Ullrich The Women of Totagadde Helen E. Ullrich The Women of Totagadde Broken Silence Helen E. Ullrich Department of Psychiatry and Behavioral Sciences Tulane University School of Medicine New Orleans, Louisiana USA ISBN 978-1-137-59968-1 ISBN 978-1-137-59969-8 (eBook) DOI 10.1057/978-1-137-59969-8 Library of Congress Control Number: 2017932750 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institu- tional affiliations. Cover illustration: © Suzanne Griffin / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Nature America Inc. The registered company address is: 1 New York Plaza, New York, NY 10004, U.S.A. In memory of Edward B. Harper, who first suggested I study linguistics and then indicated that the Havyaka dialect of Kannada would be an interesting social dialect for my PhD dissertation.1 To facilitate this he contacted B.T. Subbaiah, who welcomed me into his home and treated me as a sister. In memory of B.T. Subbaiah and to B.S. Padmavati, who believed in my success and provided encouragement for my research. Their hospitality and friendship have meant much through the years. In memory of Pauline M. Kolenda, for her encouragement and mentorship from the time we first met, before my initial trip to India in 1964. She introduced me to cross-cultural psychiatry when I was a medical student and showed me how I could combine my linguistic and medical interests in a continuation of research in Totagadde. Her friendship, scholarship, and knowledge of the field have been an inspiration. To the people of Totagadde, whose village became my alternate maternal home, words are a poor vehicle to express my gratitude. 1 The Havyaka dialect, spoken only among Havik Brahmins, is a language of a prestigious group. This linguistic isolation insured the maintenance of Havik exclusivity, as well as the preservation of some proto-Dravidian features. P refAce In 2014, a Nobel Peace Prize to Malala Yousafzai acknowledged to the world the importance of education for women. At age 17, she was the youngest person to receive the award, which she dedicated to the “voice- less (Walsh, October 11, 2014).” The acquisition of knowledge for voice- less women may be an invitation to death, as the Taliban implied when they shot 15-year-old Malala in the head. Education has also presented risks for boys as the December 16, 2014, Taliban slaughter of 145 male students in a Peshawar Public School (Walsh, December 16, 2014) and the January 21, 2016, Taliban faction (Khan and Khan 2016) slaughter of 18 students and two professors in Northeast Pakistan sadly demonstrated. While this book, The Women of Totagadde: Broken Silence, focuses on the impact of education on a Karnataka village, it has widespread significance for cultural change throughout the world. ArrivAl in ToTAgAdde In 1964, the residents of the South India village Totagadde2 (Photo 1 and Diagram 1) welcomed a “female student” who came to analyze the Havik dialect of Kannada. I was that student. At a time when Brahmins restricted 2 The village Totagadde is a pseudonym. With the exception of the acknowledgments, all names in the text are pseudonyms. Individuals I interviewed provided oral permission to use pseudonyms. In addition, shaded areas rather than village names on the maps designate nearby villages, a further protection of Totagadde privacy. The names of the closest town, Sagar, and of the district town, Shivamogga (formerly Shimoga), situate Totagadde in its accurate geographical location. vii viii PREFACE Photo 1 The road into Totagadde entry into their homes to Brahmins, a courageous Havik Brahmin agreed to be my host on the basis of his friendship with my professor, Edward B. Harper. Ed Harper, who arranged for my research in Totagadde, began his anthropological research in the 1950s. He chose Totagadde for its multicaste composition. A villager’s offer to rent a house to him and his wife demonstrated Totagadde’s support for their initial research. My residing with a family without an interpreter helped me learn the Havyaka language and customs. I initially told my host I would stay three months but remained for almost two years. His household became my resi- dence for each of my succeeding 19 visits. Although my last visit was in 2011, I have kept telephone and e-mail contact with some Totagadde residents. In 1964, I arrived in Totagadde at the major festival of the year. Big Festival (doDDhabba) is also known as the Festival of Lights (di:pa:vaLi). Residents took me around the village when they worshipped the gods who protect them. My choice of fieldwork methods3 reflects my belief that the best way to learn about another culture and language is to immerse oneself in them. I followed Ed Harper’s suggestion to stay in Totagadde for three months before taking a break to visit the capital, Bengaluru (at that time Bangalore). 3 The evolving changes in fieldwork over the past 50 years is the subject of Janelle S. Taylor’s article in the September 2014 American Anthropologist. (Taylor 2014: 523–534). PREFACE ix Diagram 1 Map of Karnataka State and Totagadde area Male villagers came to inform me of Ed Harper’s friendship and to assure me that they would keep me safe. Although women commented on my bravery in traveling alone, I did not feel brave. Many puzzled over my silence, but I believed the time to assert myself was after acquiring fluency x PREFACE in Havyaka Kannada. If women could retreat to the kitchen for safety when guests came, I could retreat to listen behind my own wall of silence. When I was invited to an orthoprax4 home for a gathering of Haviks to meet me, they asked what we ate in the United States. I listed all the vegetables for which I knew the Kannada words. From the back of the room the son of the household shouted, “They eat meat in the United States. Then they drink wine to digest the meat.” Silence seemed the most appropriate response. During my initial visit from 1964 to1966, my focus was on the Havik dialect of Kannada and on Havik Brahmins. In subsequent visits I expanded my focus to include the distinctive dialectal, lexical, and phonetic varia- tions within the Totagadde caste dialects. As a linguist, I am interested in the significance of silence and speech. As a psychiatrist, I am interested in the choice to be silent or to speak. The difference between silence that reflects anger or hopelessness and speech that transmits information or expresses self-respect suggests the multifaceted nature of language. As a psychiatrist I wondered whether pre-pubertal marriage predisposed women to depression. Perhaps those Totagadde women who endorsed socialized passivity were vulnerable to depression while those who chal- lenged their socialization were at risk for anxiety.5 Their conviction that they were not only voiceless but also invisible was a potential precipitant for the hopelessness of depression. When attempts to gain recognition or approval brought no response or even abuse, speaking was danger- ous. Those women so socialized failed to develop their own voices. This was most marked in the 1960s, when passivity facilitated smooth famil- ial relationships. In Totagadde, the woman who respected her elders and husband found that accepting the cultural parameters provided an escape from her own feelings of incompetence. Gradually as women came to believe their opinions had an audience, they developed individual voices. Theoretically, the eldest male (yejma:nru) was responsible for everyone in the household. A joint family consisted of two generations or more of a father, his wife, unmarried children, at least one married son and his wife and children. The yejma:nru made the financial decisions and could veto his son’s decision to send his wife to visit her parents. Usually yejma:nru consulted with family members regarding his brother’s chil- dren’s or grandchildren’s education and marital decisions. However, he held the financial authority to carry out the decisions. 4 Orthoprax refers to ritual practices that are important for cultural acceptance. As long as an individual is appropriately respectful of the traditions, no one questions the individual’s beliefs. 5 Could this represent two aspects of one illness? Congruent genetic factors contribute to the risk for depressive and anxiety disorders (Kendler and Prescott 2006; Levy 2007). PREFACE xi At the yejma:nru’s death his sons might divide the property. Upon establishing separate households, each brother would have autonomy over his own household. Widows had no place in this patriarchal society. Despite the obligation of their husbands’ households to support them, many widows were returned to their parental households. Men regarded women as forever childlike, afraid to act independently. Over the years, I witnessed many striking changes in Totagadde cul- ture. In the 1960s, a woman successfully challenged the culture by finding her voice, speaking out, and assuming management of the family land. She provided a role model for others to expand their horizons, initially when necessary and later for sharing responsibility with their husbands. When these women spoke, their husbands and other men reconsidered their own beliefs and began to encourage their beloved daughters to develop their potential. When a few women found a voice and realized a vocal presence, a cacophony of independent voices followed. As women discovered they could voice opinions without risking physical abuse, many expressed pride in their accomplishments. This book traces the odyssey between 1964 and 2011 from a cultural ideal of passivity to an ideal of assertiveness for Havik Brahmin women, corresponding to the increased availability of educational opportunities. Part I consists of four chapters representing four time periods and provid- ing the ethnographic narrative from which the reader can form hypotheses about cultural changes. The analytic commentary in Part II consists of four chapters focusing on education as a catalyst for change, its impact on marriage, on ritual beliefs and social behavior, and on the changing status of the widow from culturally invisible to valued member of society. This organization parallels the transition from fieldwork to analysis, from par- ticipant observation and directed interviewing to commentary, and shows how linguists and anthropologists develop theories on the basis of field data. Education is an equalizer, allowing opportunities for professional development, for choosing one’s marriage partner, and for associating with members of other social groups and castes. In addition, education allows the perception of competence and autonomy. The villAge Totagadde (Photos 2 and 3), located in the Western Ghats of Karnataka State, South India, is approximately 200 miles from Bengaluru. The vil- lage name refers to the major crops of this area—areca nut plantation (to: Ta) and rice paddy (gadde) (Diagram 2). Village gods mark Totagadde

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