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About The Whole Picture: The colonial story in our museums and why we need to talk about it
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " <i>Financial Times</i><p>'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim</p><p>Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?</p><p>How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.</p><p>The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today.</p><p><span><i>The Whole Picture</i></span> is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.</p>
Detailed Information
| Author: | Alice Proctor |
|---|---|
| Publication Year: | 2020 |
| ISBN: | 1788401557 |
| Pages: | 283 |
| Language: | english |
| File Size: | 7.2848 |
| Format: | |
| Price: | FREE |
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