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The Western Canon: The Books and School of the Ages PDF

593 Pages·1994·6.48 MB·English
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The WtsterCna non rat or .. H Bl m brililantre!an imats thec ncepotft hew tercna noann 'a . h bt t rep�ee ntit a ·mew hent h culture o· . rea 'nc n, th· b ki lbl gre tlpyr izbeyde ducat- · It e read -Richard. Poirr i "H rei okt on rag me bu to rt ifym anyt hers.Ha rold1 m 1 , brilliant, tron , itthye.t edr full ofc harimm,m een laerninga,n dtrem e ndou z st." " h v for 1 ng end ucat H ld mI tht ttc om some- thinfg surpri· t ra liz allt hit ime werek imminthg urface:h tso urn cycldoit a s ll." - ichrd o •• ( read1 om'cs mm ntari Hazlititda bu t th gr t tt giacct r ) dmun K i · r indg siacu thobryflashs f lightning." - �H. brams Prindt · U. THE WESTERN CANON ALOS BYH AROLDB LO O M TheA mericRaenl ig(i1o9n9 2) TheB ooko fJ (1990) Ruitnh Se acreTdr ut(h1s9 89) PoetoifcI sn flue(nr9 c e88 ) The StLrionggho tft heC aonnic(a1l9 87) AgonT:o wardasT heoroyfR evisio(n1i9s8m2 ) TheB reakoifnt gh Vee sse(l1s9 82) TheF ligthoLt u ci:f eGArn ostFiacn ta(s1y9 79) WalalcSet eveTnhse: PooefmO su rC lima(t1e9 77) FiguroefCs a pbalIem agina(t1i9o7n6 ) Poetarnyd R epersosni( 1976) A Mapo fM irseadi(rn 9 g 57 ) Kabbalaahn dC riti(c1i9s7m5 ) TheA nxieotfIy n flue(n1c9e7 3) TheR ingeirnts h Teo werS:t udiine s RomantTirca dit(i1o9n7 1) Yeat(s1 970) CommentaornDy a viVd. E rdmnas'E dition ofT hPeo reyat nPdr oosfWe i llBilaam(k 1e96 5) Blkae'Asp ocasley( p1963) TheV isionCaormypa ny( 1961) Sheelyl'Msy thmaki(n19g5 9) THE WESTERN CANON ThBeo okSsc hifot ohAleg es and HAROLD BLOOM HARCOURT BRACE & COMPANY New YorkS anD iegoL ondon Copyrigh1t9©9 4b yH arolBdl oom Alrlghi tsr eserveNdo. p arotf t hipsu blicatmiaoyn ber eproduocret dr ansmiittnae ndy f ormo rb ya ny meanse,l ectroornm iecc haniicnacll,u dpihnogt ocopy, recordionrga ,n yi nformasttioorna agnedr etrieval system, withopuetr missiinwo rni tifnrgo tmh ep ublisher. Requesftosrp ermisstiomo ank ec opioefs anyp arotf th e works houlbedm ailteod: PermissiHoanrsc,o uBrrta c&e C ompany, 62.77S eaH arboDrr ivOer,l andFol,o ri3d2.a8 87-6777. LibraorfCy o ngress Cataloging-in-Publication Data BloomH,a rold. Thew estecrna nont:h eb ookasn ds choooflt hea ges/ byH arolBdl oom.-resdt. p. em. Inclubdiebsl iograrpehfiecraelan ncdei sn dex. ISBNo -15-195747-9 I.C anon( Literat2.u.Lr iet)e rature-Hainsdct roirtyi cism. I.T itle. PN8r.B545 1993 809-dC2.0 93-43542 Texste itn S ab on DesignbeydC a milFlial ancia Printientd h eU nitSetda toefsA merica Firesdti tion ABC DE For ANEN FREEDGOOD Contents PrefacPer elaundde I I ONT HECA NO N I3 AnE lefgoytrh Cean onI 5 I. II THEA RSIT COR ATcI A GE 43 ShkaespeCaernotee,ftr hC ea non 2. 4 5 3.T hSert anegseosnfD antUeyl:s saensBd ea trice 76 4· Chuac:eT rhWei foef hB,tah tPera doner, anSdah kespeCahraaecratne r I o 5 CervaTnhtPeel sao:fyt hWeo rld 5. I2 7 6.M ontaaingMdno el i:Te hrCeea noanlEil cusiveness oft he Truth I46 7· Mil'tSsota naann Sdh easkeparIe6 9 8.D rS.ma ueJlo hntshoCena ,n onCirciatli c I83 I Contse nt v 111 Gothee's ThCeo untenriccaanlo 9· FausPta,r Ttw o: Poem 203 III T A HE DEMOCRATICG 237 E Io .C annoicMaelm oirnEy a rly Wtohar ndds wor JanAeu s'tse n Persuasi2o3n9 I.I Walt WhaisCt emnatonfet rhA em eriCcaannno 264 EmiDlciyk in:Bs loannTkrsa,n stphoDerar tks , I2. 29I I.3 ThCea nocnaiNlo v:eD licsks'e n BleaHko use, GegoerE loit's Middlemar3c oh I I4 . TolsatnoHdye roi3s 3m 2 I5I.b sTerno:al nlds PeeGry nt3 50 IV THE CHAOTICA GE 369 I6 .F ruedA: S ahkespeRaeraedai37n n gI I.7 PorusTth:Te r uPee rsuoafSs eixoJunea all ousy 395 I.8 Joey'cAsg owni tShah kespeare 4I3 I.9 Woosl f' Feminaiss Lmto hvoeef R eading Orlando: 433 Kaf:kC aanoniPcaatlia enn"dcnI ed estructibility" 20. 447 BorgNeeusrd,aa ,nP de osasH:i sp-aPnoirctuguese 21. Whitman 463 Beck.e.Jtot.y .ce.P r.o .us.Stah. k espeare 22. 493 V CATALOGINTGH EC ANON 5I5 EleagcCi onclusion 23. 5I 7 APPENDIXES5 29 A.T hTeh eocratic Age 53I B.T hAer sitocArgaet ic 534 C.T hDee omcraAtgiec 54o D.T hCeh aotAig:ce CAa nonPircoapylh ec 548 Index 569

Description:
Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservati
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