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The War of the World: Twentieth-Century Conflict and the Descent of the West PDF

906 Pages·2006·17.23 MB·English
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N I A LL F E R G U S ON W A R - W O R LD THE Twentieth-Century Conflict and the Descent of the West v- THE WAR OF THE WORLD PRAISE FOR "Fascinating ... supremely readable and thought-provoking.' -Financial Times "Here is a work of originality and depth, history at its most challenging and controversial.... No one ... can afford to overlook it." —The Times (of London) "Big, bold and brilliantly belligerent. -The Sunday Telegraph "Ferguson ... writes with tremendous narrative verve.... He loves controversy... the grenade lobbed into the cozy tea party of received wisdom." —The Sunday Times "His descriptions of atrocities will purge readers with pity and terror. He fixes on compelling details. . . . His judgements are . . . incisive . . . [His] statistics are copious and telling." —The Independent "Blends together the economic, financial and political analysis in a manner that far too few historians are equipped to do. He is a fine debunker." —The Economist "A deftly paced, continent-crossing account of the last century's 'age of hatred.' . . . [I]t is gripping stuff." —The Guardian "There is no Nobel prize for history, but if there was, Niall Ferguson would doubtless be a contender." —The Herald "One... is swept along by the author's superb clarity of expression and the persuasive verve of his style. The book is simply a great read. Ferguson meshes political and economic interpretations of history with psychological and literary ones with an unparalleled ability. ... And one of the things that you cannot help but like about Ferguson is that he doesn't dodge the tough issues." —The Irish Times ISBN 1-59420-100-5 z 5.3500 2 A U.S. $35.00 Canada $43.50 WORLD WAR II, we have been told all our lives, was our greatest triumph, the moment when the forces of light, the Western democracies, prevailed over the forces of darkness, the Nazis and the other Axis powers, in a conflict the latter started in 1939 and which ended with their defeat six years later. In this extraordinarily bril liant and vivid book, Niall Ferguson challenges our en during assumptions about what was, without question, the most titanic struggle the planet has ever seen. The War of the World redefines the Second World War as the central act of an epic fifty-year struggle between rival empires. Far from culminating in the triumph of the West, this struggle was part of an inexorable shift in the global balance of power toward the East. The central question Ferguson poses and answers is why that shift had to be so appallingly violent. What made the twentieth century—an age of un precedented material and scientific advance—also the most violent in all history? What went wrong with modernity? The stock explanations, Niall Ferguson demonstrates, are inadequate, whether they blame military technology, extreme ideology or dictatorial demagogy. For none of these can tell us why violence was so heavily concentrated in certain places—Central and Eastern Europe, Manchu ria and Korea—and at certain times, above all the 1940s. The key, he argues, was the lethal coincidence of three forces: economic volatility, ethnic disintegration, and the end of empires. The world of 1900 was in many ways as globalized as our own. Markets for goods, labor and capital were inte grated as never before. Men and women had never mingled so freely as they did in cities like London, Berlin and Shang hai. Yet it was precisely such cities that were devastated in what Niall Ferguson calls the War of the World—a war waged against innocent civilians not by some ruthless alien invader, as H. G. Wells had imagined, but by their fellow human beings. An epic historical narrative that takes the reader from the fields of Flanders to the plains of Poland, from (continued on back flap) 0906 (continued from Irani Hap) the walls of Nanjing to the beaches of Normandy, The War of the World is Niall Ferguson's masterpiece. Ik brings to life an age in which the irregularities of boom and bust tore apart multicultural communities; an age poisoned by the hateful idea of irreconcilable racial differences; above all, an age of imperial endgames in which the agonizing death throes of old empires co incided with the rapid rise and fall of new and ruthless empire-states. Only by adopting the indiscriminately violent meth ods of total war could the Western powers defeat these enemies. Yet military victory could not arrest that descent of the West which, Ferguson argues, was the true arc of the twentieth century. Drawing on a pioneering combination of history, economics and the cutting-edge interdisciplinary study of human violence, The War of the World is a revolutionary reinterpretation of the modern era. NIALL FERGUSON is Laurence A. Tisch Professor of History at Harvard University, a Senior Research Fellow of Jesus College, Oxford University, and a Senior Fellow of the Hoover Institution, Stanford University. The bestselling author of Paper and Iron, The House of Rothschild, The Pity of War, The Cash Nexus, Empire and Colossus, he also writes regu larly for newspapers and magazines all over the world. Since 2003 he has written and presented three highly suc cessful television documentary series for British television: Empire, American Colossus and, most recently, The War of the World. He, his wife and their three children divide their time between the United States and the United Kingdom. Jacket design Dean Nicastro Jacket photograph ferry Moore. May, 1945. by W Eugene Smith © The Heirs of W Eugene Smith, courtesy Black Star Inc , New York Collection Center tor Creative Photography. The University of Arizona, Tucson Author photograph © Oewald Aukema 7he A member of Penguin Group (USA) Int. Penguin 375 Hudson Street, New York. NY. 11)014 Press www.pcnguin.eom The War of the World BY THE SAME AUTHOR Colossus: The Rise and Fall of the American Empire Empire: How Britain Made the Modern World The Cash Nexus: Money and Power in the Modern World, 1700-2000 The Pity of War The House of Rothschild NIALL FERGUSON The War of the World Twentieth-Century Conflict and the Descent of the West THE PENGUIN PRESS New York 2006 THE PENGUIN PRESS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R ORL, England Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India Penguin Group (NZ), Cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R ORL, England First American edition Published in 2006 by The Penguin Press, a member of Penguin Group (USA) Inc. 1 2 3 4 5 6 7 89 10 Copyright © Niall Ferguson, 2006 All rights reserved Excerpt from "The Waste Land" from Collected Poems 1909-1962 by T. S. Eliot. By permission of Faber and Faber and the T. S. Eliot Estate. Illustration credits appear on page xiii. ISBN 1-59420-100-5 Printed in the United States of America Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrightable materials. Your support of the author's rights is appreciated. for Felix, Freya, Lachlan and Susan

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