The Victorian Press and the Fairy Tale Caroline Sumpter Palgrave Studies in Nineteenth-Century Writing and Culture General Editor: Joseph Bristow, Professor of English, UCLA Editorial Advisory Board: Hilary Fraser, Birkbeck College, University of London; Josephine McDonagh, Linacre College, University of Oxford; Yopie Prins, University of Michigan; Lindsay Smith, University of Sussex; Margaret D. Stetz, University of Delaware; Jenny Bourne Taylor, University of Sussex Palgrave Studies in Nineteenth-Century Writing and Culture is a new monograph series that aims to represent the most innovative research on literary works that were produced in the English-speaking world from the time of the Napoleonic Wars to the fin de siècle. Attentive to the historical continuities between ‘Romantic’ and ‘Victorian’, the series will feature studies that help scholarship to reassess the meaning of these terms during a century marked by diverse cultural, literary, and political movements. The main aim of the series is to look at the increasing influence of types of historicism on our understanding of literary forms and genres. It reflects the shift from critical theory to cultural history that has affected not only the period 1800–1900, but also every field within the discipline of English literature. All titles in the series seek to offer fresh critical perspectives and challenging readings of both canonical and non-canonical writings of this era. Titles include: Laurel Brake and Julie F. Codell (editors) ENCOUNTERS IN THE VICTORIAN PRESS Editors, Authors, Readers Colette Colligan THE TRAFFIC IN OBSCENITY FROM BYRON TO BEARDSLEY Sexuality and Exoticism in Nineteenth-Century Print Culture Dennis Denisoff SEXUAL VISUALITY FROM LITERATURE TO FILM, 1850–1950 Laura E. Franey VICTORIAN TRAVEL WRITING AND IMPERIAL VIOLENCE Lawrence Frank VICTORIAN DETECTIVE FICTION AND THE NATURE OF EVIDENCE The Scientific Investigations of Poe, Dickens and Doyle Jarlath Killeen THE FAITHS OF OSCAR WILDE Catholicism, Folklore and Ireland Stephanie Kuduk Weiner REPUBLICAN POLITICS AND ENGLISH POETRY, 1789–1874 Kirsten MacLeod FICTIONS OF BRITISH DECADENCE High Art, Popular Writing and the Fin de Siècle Diana Maltz BRITISH AESTHETICISM AND THE URBAN WORKING CLASSES, 1870–1900 Catherine Maxwell and Patricia Pulham (editors) VERNON LEE Decadence, Ethics, Aesthetics David Payne THE REENCHANTMENT OF NINETEENTH-CENTURY FICTION Dickens, Thackeray, George Eliot and Serialization Julia Reid ROBERT LOUIS STEVENSON, SCIENCE, AND THE FIN DE SIÈCLE Anne Stiles (editor) NEUROLOGY AND LITERATURE, 1860–1920 Caroline Sumpter THE VICTORIAN PRESS AND THE FAIRY TALE Ana Parejo Vadillo WOMEN POETS AND URBAN AESTHETICISM Passengers of Modernity Phyllis Weliver THE MUSICAL CROWD IN ENGLISH FICTION, 1840–1910 Class, Culture and Nation Palgrave Studies in Nineteenth-CenturyWriting and Culture Series Standing Order ISBN 978-0-333-97700-2 (hardback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England The Victorian Press and the Fairy Tale Caroline Sumpter Lecturer in English, Queen’s University, Belfast © Caroline Sumpter 2008 Softcover reprint of the hardcover 1st edition 2008 978-0-230-51805-6 All rights reserved.No reproduction,copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced,copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988,or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House,6-10 Kirby Street,London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright,Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England,company number 785998,of Houndmills,Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue,New York,NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom,Europe and other countries. ISBN 978-1-349-35575-4 ISBN 978-0-230-22764-4 (eBook) DOI 10.1057/9780230227644 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources.Logging,pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sumpter,Caroline. The Victorian press and the fairy tale / Caroline Sumpter. p.cm.—(Palgrave studies in nineteenth-century writing and culture) Includes bibliographical references and index. 1. English fiction—19th century—History and criticism.2. Fairy tales in literature. 3. English periodicals—History—18th century.4. English periodicals—History— 19th century.5. English fiction—18th century—History and criticism.6. Literature and folklore—England—History—18th century.7. Literature and folklore— England—History—19th century.8. Fairy tales—Great Britain—History and criticism.9. Fairy tales—Adaptations—History and criticism. I. Title. PR878.F27S86 2008 823'.809—dc22 2008016148 10 9 8 7 6 5 4 3 2 1 17 16 15 14 13 12 11 10 09 08 For my parents, John and Frances Ann This page intentionally left blank Contents List of Illustrations ix Acknowledgements xi Introduction 1 1 Serialising Scheherazade: An Alternative History of the Fairy Tale 11 Antiquarianism, Romanticism, nationalism: The chapbook and the press 15 Originals and counterfeits: Inventing the ‘classic’ fairy tale 25 2 Myths of Origin: Folktale Scholarship and Fictional Invention in Magazines for Children 34 ‘Highmindedness and refinement’ versus ‘cheap and nasty literature’: Defining the middle-class juvenile monthly 35 The Romantic child and recapitulation 39 Max Müller, the Indo-European thesis and juvenile periodical fantasy 42 ‘Savage survivals’ and the fairy tale 49 ‘Life is the most beautiful fairy tale’: Class and gender fantasies 52 Readers write back: Fairy tales and storytelling communities in Aunt Judy’s Magazine 62 3 Science and Superstition, Realism and Romance: Fairy Tale and Fantasy in the Adult Shilling Monthly 67 The ‘magic wand of language’: Comparative mythology, Celticism and savagery 68 Servants, sweeps and Cinderellas: Darwinian fairy tales 75 Sleeping beauty and the prince’s progress: ‘The woman question’ 82 4 ‘I wonder were the fairies Socialists?’: The Politics of the Fairy Tale in the 1890s Labour Press 88 ‘A precarious existence’: Strategies for survival in the 1890s socialist press 89 The ideological contexts of reading 92 Cinderella and socialism 101 Evolutionary frameworks: Childhood, the fairy tale and rural utopianism 105 Making socialists 113 New tales from old: Context and meaning 115 vii viii Contents ‘Joining the crusade against the giants’: Keir Hardie, child readers and interactive fairy tales 118 5 ‘All art is at once surface and symbol’: Fairy Tales 131 and fin-de-siècle Little Magazines ‘Too highbrow to be popular’: Little magazines, elitism and commerce 132 Beauty and use: Arts and Crafts and the fairy tale 135 Innocents and epicures: Decadence, Symbolism and the child 140 Alternative masculinities: The fairy tale and coded gay discourse 156 Conclusion: Myth in the Marketplace 175 Abbreviations Used in Notes 179 Notes 180 Bibliography 220 Index 239 Illustrations 2.1 A. W. Bayes, ‘The Hillman and the Housewife’, Aunt Judy’s Magazine, 1870. © The British Library Board. All Rights Reserved. PP59922i 56 2.2 George Cruikshank, ‘Timothy’s Shoes’, Aunt Judy’s Magazine, 1871. © The British Library Board. All Rights Reserved. PP59922i 58 2.3 Cover illustration, Chatterbox,1880. © The British Library Board. All Rights Reserved. PP5992g 59 2.4 Randolph Caldecott, cover illustration, Aunt Judy’s Magazine, 1882. © The British Library Board. All Rights Reserved. PP59922i 60 4.1 Jordie, ‘An Empty Feast’, Labour Leader, 18 May 1895. © The British Library Board. All Rights Reserved. NPL LON 420 97 4.2 Jordie, ‘Little Red Riding Hood’,Labour Leader, 10 Aug. 1895. © The British Library Board. All Rights Reserved. NPL LON 420 99 4.3 Alexis, ‘Sleeping Beauty’, Labour Leader, 25 Dec. 1897. © The British Library Board. All Rights Reserved. NPL LON 1000 128 5.1 Sidney Meteyard, ‘Rapunzel’, Quest, 1896. Used by permission of the University of London Library 138 5.2 [John] Byam [Liston] Shaw, ‘Beauty and the Beast’, Dome, 1898. Used by permission of the University of London Library 159 5.3 Laurence Housman, illustration to Jane Barlow, The End of Elfin-Town, 1894. © The British Library Board. All Rights Reserved. KTC.35.a.4. Used by permission of the Random House Group Ltd. 165 5.4 Laurence Housman, ‘The Reflected Faun’, Yellow Book, 1894. Used by permission of the University of London Library and the Random House Group Ltd. 168 5.5 Laurence Housman, ‘Blind Love’, Pageant, 1897. Used by permission of the University of London Library and the Random House Group Ltd. 173 ix